Aphantasia, a recently labelled spectrum condition affecting mental imagery, has brought to the fore the centrality of imagination in our lives. Intuitively it may seem that we cannot have a normal life without the possession of imaginative abilities. Yet, aphantasics do not seem to be much affected by their condition. Can aphantasia tell us anything about the nature and role of our imaginative abilities? I contend that an important distinction that can shed light on this question has been largely overlooked, (...) namely that between two senses of mental imagery: as a type of mental content (viz., mental imagery strictly speaking), and as a kind of psychological attitude (viz., sensory imagination). Drawing on this distinction, I suggest three possible conditions: (i) impairment in mental imagery only, (ii) impairment in sensory imagination only, (iii) impairment in both mental imagery and sensory imagination. I show that core cases of aphantasia are better understood as impairments in sensory imagination only, but I indicate empirical strategies to investigate whether some cases of aphantasia rather involve impairments in mental imagery, which would point toward a plurality of forms of aphantasia. Sensory imagination, however, does not exhaust the imaginative realm, therefore we shouldn’t jump to the hasty conclusion that aphantasics have no imagination. Most aphantasics lack sensory imagination, but arguably can exploit other forms of imagination. This would explain in which sense they still possess imaginative abilities. (shrink)

Nearly 400 million adults have been vaccinated against COVID-19. Children have been excluded from the vaccination programmes owing to their lower vulnerability to COVID-19 and to the special protections that apply to children’s exposure to new biological products. WHO guidelines and national laws focus on medical safety in the process of vaccine approval, and on national security in the process of emergency authorisation. Because children suffer much from social distancing, it is argued that the harms from containment measures should be (...) factored in a broader perspective on the good of the child. Considering the available knowledge on the disease, vaccine, and coping strategies, the decision about vaccine access to children is a public responsibility. The ultimate choice is a matter of paediatric informed consent. Moreover, jurisdictions that permit non-participation in established childhood vaccination programmes should also permit choice of vaccines outside of the approved programmes. Even if vaccine supply is too short to cover the paediatric population, the a priori exclusion of children is unjust. It may also exacerbate local and global inequalities. The second part of the paper delineates a prudent and ethical scheme for gradual incorporation of minors in vaccination programmes that includes a rigorous postvaccination monitoring. This is a theoretical paper in ethics that uses the Pfizer vaccine as a stock example, without discussing possible differences among existing vaccines. The key purpose is reflection on the good of the child in emergencies and vaccine policymaking. All data relevant to the study are included in the article and in its refernces. (shrink)

Imagination is widely thought to come in two varieties: perception-like and belief-like imagination. What precisely sets them apart, however, is not settled. More needs to be said about the features that make one variety perception-like and the other belief-like. One common, although typically implicit, view is that they mimic their counterparts along the conceptuality dimension: while the content of belief-like imagination is fully conceptual, the content of perception-like imagination is fully non-conceptual. Such a view, however, is not sufficiently motivated in (...) the literature. I will show that there are good reasons to reject it and I will argue that both varieties of imagination involve fully conceptual contents. I will suggest an alternative way to draw the distinction between perception-like and belief-like imagination along the conceptuality dimension, according to which only perception-like imagination requires observational concepts. (shrink)

Supposition is frequently invoked in many fields within philosophy, including aesthetics, philosophy of mind, philosophy of science and epistemology. However, there is a striking lack of consensus about the nature of supposition. What is supposition? Is supposition a sui generis type of mental state or is it reducible to some other type of mental state? These are the main questions Margherita Arcangeli explores in this book. She examines the characteristic features of supposition, along the dimensions of phenomenology and emotionality, (...) among others, in a journey through the imaginative realm. An informed answer to the question “What is supposition?” must involve an analysis of imagination, since supposition is so often defined in opposition to the latter. She assesses rival explanations of supposition putting forward a novel view, according to which the proper way of seeing supposition is as a primitive type of imaginative state. Supposition and the Imaginative Realm: A Philosophical Inquiry will be of great interest to students of philosophy of psychology, aesthetics, philosophy of mind, philosophy of science and epistemology. (shrink)

This chapter carries out an analysis of the manner in which dialectics is reappropriated and transformed by Hans‐Georg Gadamer and Theodor W. Adorno. If hermeneutics and critical theory can be seen as legitimate successors of Hegel's dialectical tradition, it is precisely thanks to the efforts of Adorno and Gadamer. Both Adorno's and Gadamer's reappraisals of Hegel's philosophy take the form of a drawing out of Hegelian dialectics what is implicit in its own premises. By examining the intellectual experience that the (...) principle of contradiction expresses, Adorno demonstrates that nonidentity is precisely the driving force behind Hegel's idealistic dialectics. The abandonment of the oppositional‐critical character of dialectics that marks Gadamer's fundamental difference from Adorno's negative dialectics, and makes it necessary for Gadamer to rebrand his method as hermeneutic: no longer critique, but rather understanding and interpretation in the shared and open‐ended dialogical process. (shrink)

The paper discusses the identity-building power and motivational force of patriotism. The basic idea underlying the discussion is that far from being a mere irrational and destructive force, patriotism is an expression of ‘existing human social identity.’ Thus, it argues that rather than dismissing patriotism altogether as an undesirable and/or irrational phenomenon, we need to understand how to discriminate between alternative forms of patriotism while investigating what constitutional reforms might be required to support those forms of patriotic identification that are (...) morally desirable. I argue that to flourish, desirable forms of patriotism (what I call Ethical Patriotism) require a political milieu where forms of subsidiarity, functional representation and local participation combine to produce a more democratic and decentralized system of governance. Applied to a post-national polity like the EU, this conclusion invites to rethink the European constitutional project so as to make it less elitist and more open to influence and participation from below. Keywords: cosmopolitanism; communitarianism; identity; nationalism; governance; Europe (Published: 4 December 2009) Citation: Ethics & Global Politics, Vol. 2, No. 4, 2009, pp. 321–348. DOI: 10.3402/egp.v2i4.2002. (shrink)

Summary This paper presents and contextualizes the construct of Aesthetic Relational Knowing (ARK), as the intuitive experience of the therapist that emerges from the phenomenological field created in a meeting between therapist and client. The concept of isomorphism is considered as an epistemological turning point and a possible bridge connecting Gestalt therapy, Gestalt theory and Neurosciences. An example of the clinical consequences of this change of perspective is given. Moreover, a validation pilot study has shown that ARK is described by (...) three factors: empathy, resonance and bodily awareness. The ARK can be defined as a three-dimensional construct that supports the positive use of the therapist’s perception in terms of aesthetic knowing of the phenomenological field of the therapeutic situation. The construct of Aesthetic Relational Knowing can be considered a phenomenological, aesthetic and field-oriented contribution to psychotherapy training, supervision and research. (shrink)

ABSTRACT The paper explores the ethical aspects of introducing cultural circumcision of children into the EU public health system. We reject commonplace arguments against circumcision: considerations of good medical practice, justice, bodily integrity, autonomy and the analogy from female genital mutilation. From the unique structure of patient‐medicine interaction, we argue that the incorporation of cultural circumcision into EU public health services is a kind of medicalization, which does not fit the ethos of universal healthcare. However, we support a utilitarian argument (...) that finds hospital‐based circumcision safer than non‐medicalized alternatives. The argument concerning medicalization and the utilitarian argument both rely on preliminary empirical data, which depend on future validation. (shrink)

Mental imagery has often been taken to be equivalent to “sensory imagination”, the perception‐like type of imagination at play when, for example, one visually imagines a flower when none is there, or auditorily imagines a music passage while wearing earplugs. I contend that the equation of mental imagery with sensory imagination stems from a confusion between two senses of mental imagery. In the first sense, mental imagery is used to refer to a psychological attitude, which is perception‐like in nature. In (...) the second sense, mental imagery refers to a mental content, which can be grasped via different attitudes. I will show that failure to acknowledge the distinction between these senses of mental imagery has muddled philosophical discussion. This distinction brings much needed clarity to debates where sensory imagination and mental imagery are invoked, shedding light on issues such as the nature of imagistic mental states, and the representational powers and limits of mental imagery. I will conclude by sketching a general attitudinal account of imagination that does justice to both senses of mental imagery, outlining a promising framework for understanding imagination. (shrink)

Awe seems to be a complex emotion or emotional construct characterized by a mix of positive (contentment, happiness), and negative affective components (fear and a sense of being smaller, humbler or insignificant). It is striking that the elicitors of awe correspond closely to what philosophical aesthetics, and especially Burke and Kant, have called “the sublime.” As a matter of fact, awe is almost absent from the philosophical agenda, while there are very few studies on the experience of the sublime as (...) such in the psychological literature. The aim of this paper is to throw light on the complex relationship between awe (as understood by psychologists) and the experience of the sublime (as discussed by philosophers). We distinguish seven ways of conceiving this relationship and highlight those that seem more promising to us. Once we have a clearer picture of how awe and the experience of the sublime are related, we can use it to enhance collaboration between these domains. We would be able to use empirical results about awe in a philosophical analysis of the experience of the sublime, which in turn can help us to design novel experimental hypotheses about the contexts in which we experience awe. (shrink)

Potentia of Poverty opposes to the surplus-value of capital a surplus-concept of life - of the worker, of the non-worker, of the poor, of the rich: an excess of being with the power to undo capital by using its own mechanism. Antonio Negri writes in the preface that 'The poor is the powerful, Pascucci tells us. She interprets Marx as a reader of Spinoza; however, maybe there is something more here than there is in Spinoza and Marx themselves. A further (...) passage is necessary to grasp this "more": namely, to tie the experience of poverty to an ontology of "cupiditas" [desire], that is, of "amor" [love]'. (shrink)

The idea of ‘arts of vulnerability’ (AoV) reclaims the fact of being inherently open (never sealed) and becomes a tool to navigate such a lack of closure. It is art because it comes from art practice, and it is of vulnerability because it comes from materials that are vulnerable and defy control. The idea is rooted in bioart practice understood as artistic research and read through feminist and queer studies about embodiment and ecology. This article traces how the artwork series (...) Wombs contributed to the development of the idea. AoV is a way of understanding art practice, yet it becomes an ethical and intellectual tool that pays attention (and tribute) to more-than-human ethics and aesthetics. It may thus contribute to a critical discussion of today’s surging ecological complexity. (shrink)

In this paper we discuss the influence of war as a metaphor in the context of the COVID-19 pandemic. After an introduction on the traditional analysis of the war metaphor, we address the social consequences of using this metaphor, a topic that has been widely debated with regard to public communication in the context of COVID-19. We pay particular attention to a theory that many intellectuals have raised: the possibility that the use of the metaphor in this context is harmful (...) to a democratic society because it may lead citizens to accept limited civil liberties and authoritarian policies. After presenting the extensive literature on the use of the war metaphor before and during the COVID-19 pandemic, in the final section of the paper, we analyse experimental evidence of the effects of this metaphor. In the conclusion, we hint at open questions and suggest that the current evidence does not support claims of direct liberticidal influence. (shrink)

Robustness analysis (RA) is the prescription to consider a diverse range of evidence and only regard a hypothesis as well-supported if all the evidence agrees on it. In contexts like climate science, the evidence in support of a hypothesis often comes from scientific models. This leads to model-based RA (MBRA), whose core notion is that a hypothesis ought to be regarded as well-supported on grounds that a sufficiently diverse set of models agrees on the hypothesis. This chapter, which is the (...) second part of a two-part review of MBRA, addresses the thorny issue of justifying the inferential steps taking us from the premises to the conclusions. The chapter begins by making explicit what exactly the problem is. It then turns to a discussion of two broad families of justificatory strategies, namely top-down and bottom-up justifications. In the latter group, one can distinguish between the likelihood approach, independence approaches, and the explanatory approach. This discussion leads to the sober conclusion that multimodel situations raise issues that are not yet fully understood and that MBRA has not yet reached a stage of maturity. Important questions remain open, and these will have to be addressed in future research. (shrink)

Here I critically assess an argument put forward by Kuorikoski et al. (Br J Philos Sci, 61(3):541–567, 2010) for the epistemic import of model-based robustness analysis. I show that this argument is not sound since the sort of probabilistic independence on which it relies is unfeasible. By revising the notion of probabilistic independence imposed on the models’ results, I introduce a prima-facie more plausible argument. However, despite this prima-facie plausibility, I show that even this new argument is unsound in most (...) if not all cases of model-based robustness analysis. This I do to demonstrate that the epistemic import of model-based robust analysis cannot be satisfactorily defended on the basis of probabilistic independence. (shrink)

Plato’s dialogues can be regarded as the most important documents of the extraordinary mimetic power of visual writing, i.e., writing capable of “showing” and “drawing images” by using words only. Thanks to the great lesson of the Attic theater, Plato makes his readers see: when reading the dialogues, they see not only the characters talking but owing to the visual power of mimetic writing, they also see that which the characters are actually talking about. There are numerous rhetorical devices employed (...) by Plato the writer that make this visual rendering of philosophy possible. In this text, I would like to bring an example from the Meno that illustrates the visual power of an implicit comparison. By “implicit comparison”, I mean the special kind of comparison that is not presented explicitly and fully in the text but that the text merely evokes and that, once evoked, contributes to determining the formation of the image. (shrink)

Among the attempts to oppose tobacco control legislation, the tobacco industry has alleged violations of its right to commercial speech. While the disputes that took place in some jurisdictions like the United States (US), Canada, or the European Union (EU) have been already analyzed, much less is known about how, globally, this doctrine has influenced the adoption of tobacco control measures. This article contributes to filling this gap by illustrating how the commercial speech doctrine influenced the negotiations of the Framework (...) Convention on Tobacco Control (FCTC). Moreover, using the Tobacco Control Database of Campaign for Tobacco-Free Kids, it shows that arguments on commercial speech have been used to challenge tobacco control measures in an increasing number of countries. (shrink)

A popular view maintains that supposition is a kind of cognitive mental state, very similar to belief in essential respects. Call this view “cognitivism about supposition”. There are at least three grades of cognitivism, construing supposition as (i) a belief, (ii) belief-like imagination or (iii) a species of belief-like imagination. I shall argue against all three grades of cognitivism and claim that supposition is a sui generis form of imagination essentially dissimilar to belief. Since for good reasons (i) is not (...) supported in the literature, I shall dwell on (ii) and (iii). Without further explanation supposition has been very often merely postulated as being nothing but belief-like imagination—that is, (ii). I shall show that at least two considerations undermine (ii). First, supposition and belief-like imagination are governed by different norms, more precisely the former is freer than the latter and requires minimal or no mental effort. Second, contrary to belief-like imagination, supposition is “cold”, in that it is typically dissociated from emotional reactions. Proponents of (iii) face the pressure of explaining these differences between supposition and belief-like imagination too. I shall argue that they have not sufficiently motivated the claim that supposition is belief-like. In particular they fail to accommodate precisely the dimensions of supposition pertaining to its normativity and emotionality. I shall close with a sketch of a new account of supposition. (shrink)

Robustness analysis (RA) is the prescription to consider a diverse range of evidence and only regard a hypothesis as well-supported if all the evidence agrees on it. In contexts like climate science, the evidence in support of a hypothesis often comes in the form of model results. This leads to model-based RA (MBRA), whose core notion is that a hypothesis ought to be regarded as well-supported on grounds that a sufficiently diverse set of models agrees on the hypothesis. This chapter, (...) which is the first part of a two-part review of MBRA, begins by providing a detailed statement of the general structure of MBRA. This statement will make visible the various parts of MBRA and will structure the discussion in the remainder of the chapter. The chapter explicates the core concepts of independence and agreement, and it discusses what they mean in the context of climate modeling. The statement shows that MBRA is based on three premises, which concern robust properties, common structures, and so-called robust theorems. The chapter analyzes what these involve and what problems they raise in the context of climate science. In the next chapter, which is the second part of the review, an analysis of how the conclusions of MBRA can be justified is provided. (shrink)

The scientist’s toolkit counts at least three practices: real, thought and numerical experiments. Although a deep investigation of the relationships between these types of experiments should shed light on the nature of scientific enquiry, I argue that it has been compromised by at least four factors: (i) a bias for the epistemological superiority of real experiments; (ii) an almost exclusive focus on the links between either thought or numerical experiments, and real experiments; (iii) a tendency to try and reduce one (...) kind to another; and (iv) an excessive attention to the outputs of these types of experiments, more than to their processes. In this paper I support an unbiased triangular comparative analysis that focuses on the processes involved in real, thought and numerical experiments, and claim that all three types of experimentation are fundamental to scientific research. I do so by clarifying different notions of experimental processes, and by introducing a distinction between two varieties of mental simulation that play a role in them (i.e., mental models and imaginings). I then compare real, thought and numerical experiments in light of this distinction, showing their similarities, but also fundamental differences, which suggest that none of them is dispensable. (shrink)

A widespread claim, which I call ‘the Emotionality Claim’, is that imagination but not supposition is intimately linked to emotion. In more cognitive jargon, imagination is connected to the affect system, whereas supposition is not. EC is open to several interpretations which yield very different views about the nature of supposition. The literature lacks an in-depth analysis of EC which sorts out these different readings and ways to carve supposition and imagination at their joints. The aim of this paper is (...) to fill this gap. I shall argue that existing readings of EC fail to properly account for the emotional asymmetry between imagination and supposition. The tendency is to start from narrow conceptions of both imagination and supposition. I shall argue for a novel interpretation of EC pivoting on different ways a mental state can connect to the affect system. (shrink)

We attribute the capability of imagination to the madman as to the scientist, to the novelist as to the metaphysician, and last but not least to ourselves. The same, apparently, holds for thought experimentation. Ernst Mach was the first to draw an explicit link between these two mental acts; moreover -in his perspective- imagination plays a pivotal role in thought experimentation. Nonetheless, it is not clear what kind of imagination emerges from Mach’s writings. Indeed, heated debates among cognitive scientists and (...) philosophers turn on the key distinction between sensory and cognitive imagination. Generally speaking, we can say that sensory imagination shares some processes with perception, cognitive imagination with the formation of belief. Both the vocabulary used in the literature on thought experiments and what I refer to as “Machian tradition” indicate imagination as a notion of central importance in the reasoning involved in thought experiments. However, most authors have really focused on sensory (in particular, visual) imagination, but have neglected the second kind. Moreover, some authors attribute to Mach the idea that it is visual imagery that is primarily at work in thought experiments. I claim another interpretation is possible, according to which Mach can be said to deal with cognitive imagination. The main aim of this paper is to retrace Mach’s original arguments and establish a connection with the cognitive literature on imagination. I will argue that imagination tout court could play a role in thought experimentation. Once imagination is seen as the key to the “cognitive black-box” of the thought experiment, we will have moved a step closer to a simulative imagining-based account of thought experimentation. (shrink)

El artículo se propone describir y analizar el discurso pedagógico construido en torno a la política de formación desplegada por la Confederación de Trabajadores de la Economía Popular (CTEP). Desde nuestro abordaje conceptual, la formación política es entendida como un proceso enmarcador que mediatiza la relación del movimiento social y su contexto encuadrando la acción colectiva. Con este fin, se analizan distintos aspectos de la política de formación: (a) su génesis y objetivos; (b) el material de apoyo a la formación; (...) (c) los trayectos formativos establecidos. El supuesto que recorre este artículo plantea que las prácticas político-sindicales de la CTEP y las características de este actor poseen su correlato en el terreno de la política de formación y, en sentido inverso, la construcción de un discurso pedagógico opera en la reafirmación de las prácticas político-sindicales. Se adoptó una metodología cualitativa sustentada en la recopilación de documentos —materiales de apoyo a la formación y artículos de la página web de la CTEP— y la realización de entrevistas a dirigentxs de las distintas organizaciones integrantes de la Confederación vinculadxs a la política de formación. La relevancia de las consideraciones aquí esbozadas reside en abordar un caso de estudio aún poco indagado en general y particularmente desde la perspectiva de la construcción de su discurso pedagógico. (shrink)

Il y a dans les Dialogues de Platon une idée scénique de l’âme. Le texte lui-même peut-être lu comme une représentation, comme une mise en scène de la pensée qui se déploie dans l’âme. L’âme, à son tour, contient une population psychique avec de nombreux habitants. Ces habitants de l’âme parlent entre eux, et ce sont ces discours qui font (sont) l’âme, parce que la psyche pour Platon a une nature linguistique, est un tissu de mots et d’images. Dans le (...) Philèbe l’âme est assimilée à un biblion, et les textes de Platon, tout autant que les textes du théâtre, sont des biblia. L’écriture des logoi sokratikoi a pour but la mémoire (mneme) et la conservation (sōtēría) de l’enseignement du maître pendant son absence. Cependant – comme dit le Phédre – le discours du maître doit s’écrire dans l’âme des disciples, et tous les discours – comme dit le Protagoras – se gardent uniquement dans l’âme des hommes. L’âme est un texte qui garde les discours et les images, et dans l’âme, comme sur une scène, on parle avec les autres ou avec soi même. L’idée de l’âme comme une scène est fondée aussi bien sur la définition de la pensée qui – dans le Théétète – est «une discussion que l’âme elle-même poursuit tout du long avec elle-même». (shrink)