Results for 'Acousmatic Sound'

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  1.  49
    Sound Unseen: Acousmatic Sound in Theory and Practice.Brian Kane - 2014 - New York, NY: Oup Usa.
    Sound Unseen explores the phenomenon of acousmatic sound-a sound that one hears without seeing its source-and presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses.
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  2. Irreducible listening: sound unseen and unspoken (Review of Sound unseen: acousmatic sound in theory and practice, by Brian Kane, and The order of sounds: a sonorous archipelago, by François J. Bonnet). [REVIEW]Iain Campbell - 2016 - Sound Studies 2 (2):194-198.
  3.  19
    Deadly Barks: Acousmaticity and Post-Animality in Lucrecia Martel's La ciénaga.Andrea Avidad - 2020 - Film-Philosophy 24 (2):222-240.
    Acousmatic sound is often defined as a sound whose source is unseen, that is, in terms of a separation between the senses of hearing and seeing. Discussions about the acousmatic have generally focused on the ontological relation between the sonic effect and the visually unavailable source that produces it. This article examines the function of acousmatic sound in Argentine auteur Lucrecia Martel's La ciénaga ( The Swamp, 2001), arguing that the film's distinctive employment of (...)
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  4.  19
    What is an Acousmatic Reading?François Noudelmann - 2018 - Paragraph 41 (1):110-124.
    Thinking involves many elements of sound that philosophical tradition has repressed. Breathing, rhythms and collateral noises participate in the making of idealities, even the most abstract. In order to hear them, the voice needs to be considered as one sound among others and as multiple, even when it comes from the same speaker, following different protocols of enunciation. Listening to the recordings of seminars and studying the role played by modern sound technologies make it possible to hear (...)
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  5. Are Sounds Events? Materiality in Auditory Perception.Elia Gonnella - 2023 - Phenomenology and Mind 25 (25):226-240.
    Whilst arguing for sounds as repeatable objects does not seem suitable to our auditory experience, considering them as events can then help us understand some of their main features. In this sense, sounds are events happening to material objects; they have a beginning and an end; they are ephemeral entities that we cannot grasp as ordinary objects. Nevertheless, supporters of event theory usually focus on the autonomous status that sounds manifest from the things in the world. Conversely, when we hear (...)
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  6.  17
    Saussure’s “anagrams”: A case of acousmatic mistaken identity?Fionn Bennett - 2021 - Semiotica 2021 (238):181-198.
    In the course of his painstaking study of ancient verse, Ferdinand de Saussure came up with an intriguing theory about the phonetics of the poetry he scrutinised. He postulated that the “jeux phoniques” he detected in the texts he analysed was proof that their authors were attempting to “parasite” the surface level meaning of their verse with a “hypotexte.” This hypotexte consisted of “anagrams” of “mots thèmes” whose phonetic properties were “isosyllabically diffracted” throughout the rest of the host text. Today (...)
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  7.  15
    Adrift: Havarie, an Acousmatic Film by Philip Scheffner.Johanne Villeneuve & Debbie Blythe - 2020 - Substance 49 (2):71-92.
    This text is based on an image that, in some ways, can be understood only in terms of sound. In the lonely darkness of a movie theatre, the audience spends ninety minutes gazing at a single image: that of a rubber dinghy drifting aimlessly on a vast expanse of water.This is the rare challenge posed by German filmmaker Philip Scheffner with his documentary Havarie: viewers are asked to focus on a single image while listening to a variety of sounds (...)
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  8.  21
    The Sense of Sound.Rey Chow & James A. Steintrager - 2011 - Duke University Press.
    Sound has given rise to many rich theoretical reflections, but when compared to the study of images, the study of sound continues to be marginalized. How is the “sense” of sound constituted and elaborated linguistically, textually, technologically, phenomenologically, and geologically, as well as acoustically? How is sound grasped as an object? Considering sound both within and beyond the scope of the human senses, contributors from literature, film, music, philosophy, anthropology, media and communication, and science and (...)
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  9. Sound.Roger Scruton - 1997 - In The Aesthetics of Music. Oxford, GB: Oxford University Press.
    Is an exploration of the metaphysics of sound, arguing that sounds are not properties of the objects that emit them but ‘secondary objects’, which can be isolated in an ‘acousmatic’ experience as ‘pure events’, with an internal spatial order.
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  10.  16
    Stone as Witness.Sarah Collins - 2023 - Angelaki 28 (4):29-44.
    The depiction of stones that speak has long been used as a literary and philosophical device to reflect upon the limitations of human language (i.e., language as a petrification of thought and action). Jacques Rancière has described stone’s capacity to bear witness as a form of “mute speech,” noting how “any stone can also be language,” as a part of the “testimony that mute things bear to mankind’s activity.” In exploring the character of this form of testimony, and asking how (...)
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  11.  74
    The art of recording and the aesthetics of perfection.Andy Hamilton - 2003 - British Journal of Aesthetics 43 (4):345-362.
    Recording has transformed the nature of music as an art by reconfiguring the opposition between the aesthetics of perfection and imperfection. A precursor article, ‘The Art of Improvisation and the Aesthetics of Imperfection’, contrasted the perfectionist aesthetic of the ‘work-concept’ with the imperfectionist aesthetic of improvisation. Imperfectionist approaches to recording are purist in wanting to maintain the diachronic and synchronic integrity of the performance, which perfectionist recording creatively subverts through mixing and editing. But a purist transparency thesis cannot evade the (...)
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  12. Sonic art and the nature of sonic events.David Roden - 2010 - Review of Philosophy and Psychology 1 (1):141-156.
    Musicians and theorists such as the radiophonic pioneer Pierre Schaeffer, view the products of new audio technologies as devices whereby the experience of sound can be displaced from its causal origins and achieve new musical or poetic resonances. Accordingly, the listening experience associated with sonic art within this perspective is ‘acousmatic’; the process of sound generation playing no role in the description or understanding of the experience as such. In this paper I shall articulate and defend a (...)
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  13.  18
    Staff.AJ Hamilton - unknown
    According to the acousmatic thesis defended by Roger Scruton and others, to hear sounds as music is to divorce them from the source or cause of their production. Non-acousmatic experience involves attending to the worldly cause of the sound; in acousmatic experience, sound is detached from that cause. The acousmatic concept originates with Pythagoras, and was developed in the work of 20th century musique concrète composers such as Pierre Schaeffer. The concept yields important insights (...)
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  14. Music and the aural arts.Andy Hamilton - 2007 - British Journal of Aesthetics 47 (1):46-63.
    The visual arts include painting, sculpture, photography, video, and film. But many people would argue that music is the universal or only art of sound. In the modernist era, Western art music has incorporated unpitched sounds or ‘noise’, and I pursue the question of whether this process allows space for a non-musical soundart. Are there non-musical arts of sound—is there an art phonography, for instance, to parallel art photography? At the same time, I attempt a characterization of music, (...)
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  15.  7
    Music's immanent future: the deleuzian turn in music studies.Sally Macarthur, Judith Irene Lochhead & Jennifer Robin Shaw (eds.) - 2016 - Burlington, VT, USA: Ashgate.
    The conversations generated by the chapters in Music's Immanent Future grapple with some of music's paradoxes: that music of the Western art canon is viewed as timeless and universal while other kinds of music are seen as transitory and ephemeral; that in order to make sense of music we need descriptive language; that to open up the new in music we need to revisit the old; that to arrive at a figuration of music itself we need to posit its starting (...)
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  16.  12
    Mise en Esprit: One-Character Films and the Evocation of Sensory Imagination.Julian Hanich - 2020 - Paragraph 43 (3):249-264.
    This article starts out by introducing the category of the ‘one-character film’ — that is, narrative feature films that rely on a single onscreen character. One-character films can range from extremely laconic movies entirely focused on the action in the narrative here-and-now via highly talkative films that revolve around soliloquies of self-reflection, questioning of identity and a problematizing of the narrative past to strongly dialogue-heavy films that — via phones and other telecommunication devices — reach far beyond the depicted scene. (...)
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  17.  10
    Musical Installations (after 2000): Problematic Works.Jacques Amblard - 2020 - Iris 40.
    Les installations de musiciens, souvent acousmatiques, semblent encore marginales au sein de la musique savante. S’y attachent un ludisme régressif, art relationnel interactif, ainsi qu’un néo-futurisme encore validé par les laboratoires de création musicale, surtout autour de l’an 2000, en soi paradigme science-fictionnel de l’imaginaire collectif. Des installations rappellent des vaisseaux spatiaux. D’autres engendrent des onirismes cristallins de verres usinés. Phénoménologie naïve, ou narcissique et postmoderne découverte des sens, certaines installations, enfin, délocalisent l’écoute sur diverses parties du corps. Art-thérapie écologique, (...)
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  18. Courtney S. Campbell.Sounds Of Silence - 1991 - Theological Developments in Bioethics, 1988-1990 1:23.
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  19.  11
    authoritative General Handbook of Instructions (hereafter Instructions), these initial documents addressed such· problems· as abortion, artificial.Courtneys Campbell & Sounds Of Silence - forthcoming - Bioethics Yearbook.
  20. Dorottya Fabian.Classical Sound Recordings - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
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  21. International stem cell tourism and the need for effective regulation: Part II: Developing sound oversight measures and effective patient support.Cynthia B. Cohen Peter J. Cohen - 2010 - Kennedy Institute of Ethics Journal 20 (3):207-230.
    Clinics and hospitals around the globe are offering stem cell treatments to persons with serious conditions for whom no effective therapies are available in their home countries. Many of these treatments, which are touted as cures for such conditions as Parkinson's and Alzheimer's Diseases, multiple sclerosis, and spinal cord injuries, have not gone through clinical trials that establish their safety and efficacy. Indeed, it is unclear whether some of them even utilize stem cells. State regulation of these therapies tends to (...)
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  22. In Defense of Medial Theories of Sound.Phillip John Meadows - 2018 - American Philosophical Quarterly 55 (3):293-302.
    In the recent literature on the nature of sound, there is an emerging consensus rejection of what might be thought of as the scientifically informed commonsense position: that sounds, whatever else they may be, must be entities that mediate between the source of the sound and the subject hearing it. This paper offers an argument for such "medial" theories of sound. This argument is intended to shift attention from the two considerations that have dominated the debate thus (...)
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  23.  35
    Disability and silver screening: Comparative analyses of Deaf Culture in Sound of Metal and CODA.Astha Singh - 2023 - Technoetic Arts 21 (1):99-106.
    Cinema serves as a mirror, reflecting the development or state of society. It plays an important function in entertainment and education and can bring about a shift in our perspectives and attitudes. The article includes a descriptive analysis of Deaf Culture as a prominent subject in the movies Sound of Metal () and CODA () and clarifies the most prevalent misconceptions about disability in both films. In recent years, filmmakers have made an effort to create true and authentic representations (...)
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  24. Discussion of J. Kevin O’Regan’s “Why Red Doesn’t Sound Like a Bell: Understanding the Feel of Consciousness”.J. Kevin O’Regan & Ned Block - 2012 - Review of Philosophy and Psychology 3 (1):89-108.
    Discussion of J. Kevin O’Regan’s “Why Red Doesn’t Sound Like a Bell: Understanding the Feel of Consciousness” Content Type Journal Article Pages 1-20 DOI 10.1007/s13164-012-0090-7 Authors J. Kevin O’Regan, Laboratoire Psychologie de la Perception, CNRS - Université Paris Descartes, Centre Biomédical des Saints Pères, 45 rue des Sts Pères, 75270 Paris cedex 06, France Ned Block, Departments of Philosophy, Psychology and Center for Neural Science, New York University, 5 Washington Place, New York, NY 10003, USA Journal Review of Philosophy (...)
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  25.  37
    Is it sound public policy to let the terminally ill access experimental medical innovations?Arthur Caplan - 2007 - American Journal of Bioethics 7 (6):1 – 3.
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  26. The Ockhamization of the event sources of sound.R. Casati, E. Di Bona & J. Dokic - 2013 - Analysis 73 (3):462-466.
    There is one character too many in the triad sound, event source, thing source. As there are neither phenomenological nor metaphysical grounds for distinguishing sounds and sound sources, we propose to identify them.
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  27.  63
    Does Loudness Relate to the Strength of the Sound Produced by the Source or Received by the Ears? A Review of How Focus Affects Loudness.Gauthier Berthomieu, Vincent Koehl & Mathieu Paquier - 2021 - Frontiers in Psychology 12.
    Loudness is the magnitude of the auditory sensation that a listener experiences when exposed to a sound. Several sound attributes are reported to affect loudness, such as the sound pressure level at the listener's ears and the spectral content. In addition to these physical attributes of the stimulus, some subjective attributes also appear to affect loudness. When presented with a sound, a listener interacts with an auditory object and can focus on several aspects of the latter. (...)
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  28.  16
    Do Investors See Value in Ethically Sound CEO Apologies? Investigating Stock Market Reaction to CEO Apologies.Daryl Koehn & Maria Goranova - 2018 - Journal of Business Ethics 152 (2):311-322.
    Since the late 1990s, the number of apologies being offered by CEOs of large companies has exploded. Communication and management scholars have analyzed whether and why some of these apologies are more effective or more ethical than others. Most of these analyses, however, have remained at the anecdotal level. Moreover, the practical, economic consequences of apologies have not been examined. Almost no rigorous or systematic empirical work exists that examines whether stakeholders reward firms whose CEOs give apologies that are more, (...)
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  29.  85
    Thinking Out Loud on Early Creation through the Lens of Hermeneutics of Sherlock Holmes (Towards a Model of Universe based on Turbulence-Generated Sound Theory).Victor Christianto & Florentin Smarandache - manuscript
    In recent years, apparently the Big Bang as described by the Lambda CDM-Standard Model Cosmology has become widely accepted by majority of physics and cosmology communities. Even some people have concluded that it has no serious alternative in horizon. Is that true? First, as we argued elsewhere, Big Bang story relies on singularity. In other words, when we are able to describe the observed data without invoking singularity, then Big Bang model is no longer required. Therefore, here we explore a (...)
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  30. A Review on the Relationship Between Sound and Movement in Sports and Rehabilitation.Nina Schaffert, Thenille Braun Janzen, Klaus Mattes & Michael H. Thaut - 2019 - Frontiers in Psychology 10.
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  31.  21
    A Prime Example of the Maluma/Takete Effect? Testing for Sound Symbolic Priming.David M. Sidhu & Penny M. Pexman - 2017 - Cognitive Science 41 (7):1958-1987.
    Certain nonwords, like maluma and takete, are associated with roundness and sharpness, respectively. However, this has typically been demonstrated using explicit tasks. We investigated whether this association would be detectable using a more implicit measure—a sequential priming task. We began with a replication of the standard Maluma/Takete effect before examining whether round and sharp nonword primes facilitated the categorization of congruent shapes. We found modest evidence of a priming effect in response accuracy. We next examined whether nonword primes affected categorization (...)
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  32.  24
    Non‐conceptual Content and the Sound of Music.Michael Luntley - 2003 - Mind and Language 18 (4):402-426.
    I present an argument for the existence of nonconceptual representational content. The argument is compatible with McDowell's defence of conceptualism against those arguments for nonconceptual content that draw upon claims about the fine‐grainedness of experience. I present a case for nonconceptual content that concentrates on the idea that experience can possess representational content that cannot perform the function of conceptual content, namely figure in the subject's reasons for belief and action. This sort of argument for nonconceptual content is best achieved (...)
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  33. Dual-route models of print to sound-still a good horse race.K. R. Paap & R. W. Noel - 1989 - Bulletin of the Psychonomic Society 27 (6):511-511.
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  34. The Music Room in Early Modern France and Italy: Sound, Space and Object.Pickford Sophie - 2012
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  35.  7
    The effect of musical practice on gesture/sound pairing.Alice M. Proverbio, Lapo Attardo, Matteo Cozzi & Alberto Zani - 2015 - Frontiers in Psychology 6.
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  36.  34
    The Power and the Glory of Sound.Irmengard Rauch - 2012 - American Journal of Semiotics 28 (1/2):5-17.
  37.  11
    Socially Responsible Management as a Basis for Sound Business in the Family Firm.M. John Foster - 2018 - Philosophy of Management 17 (2):203-218.
    This paper examines the proposition that adopting a socially responsible, or philanthropic, management posture is not antithetic to the capitalist business model but rather can be seen as a sound approach to the development of long-term sustainability in business in a modern business environment, wherein a strand of corporate social responsibility is one core aspect of the composite utility function of the modern business. We suggest further that for many of the prominent/significant examples of the successful adoption of a (...)
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  38.  18
    Listening And Voice: A Phenomenology Of Sound.Don Ihde - 1976 - Ohio University Press.
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  39.  26
    The Analogy between Light and Sound in the History of Optics from the Ancient Greeks to Isaac Newton. Part 1.Olivier Darrigol - 2010 - Centaurus 52 (2):117-155.
    Analogies between hearing and seeing already existed in ancient Greek theories of perception. The present paper follows the evolution of such analogies until the rise of 17th century optics, with due regard to the diversity of their origins and nature but with particular emphasis on their bearing on the physical concepts of light and sound. Whereas the old Greek analogies were only side effects of the unifying concepts of perception, the analogies of the 17th century played an important role (...)
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  40. The location of a perceived sound.Brian O'Shaughnessy - 2009 - In Matthew Nudds & Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays. Oxford, GB: Oxford University Press UK.
     
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  41. its Role in Society with Sound Infusion.Alexis Dubeurdieu - 2012 - Ethos: Social Education Victoria 20 (2).
     
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  42.  16
    Market-Based Reforms in Health Care Are Both Practical and Morally Sound.James Stacey Taylor - 2012 - Journal of Law, Medicine and Ethics 40 (3):537-546.
    In this paper I argue that the free-market provision of health care is both practical and morally sound, and is superior in both respects to its provision by the State. The State provision of health care will be inefficient compared to its free-market alternative. It will thus provide less health care to persons for the same amount of expenditure, and so save fewer lives and alleviate less suffering for two reasons: state actors have no incentive to husband their resources (...)
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  43.  10
    The interaction between sound and helicon waves in potassium.T. G. Blaney - 1967 - Philosophical Magazine 15 (136):707-715.
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  44.  85
    Visual motion disambiguation by a subliminal sound.Andre Dufour, Pascale Touzalin, Michèle Moessinger, Renaud Brochard & Olivier Després - 2008 - Consciousness and Cognition 17 (3):790-797.
    There is growing interest in the effect of sound on visual motion perception. One model involves the illusion created when two identical objects moving towards each other on a two-dimensional visual display can be seen to either bounce off or stream through each other. Previous studies show that the large bias normally seen toward the streaming percept can be modulated by the presentation of an auditory event at the moment of coincidence. However, no reports to date provide sufficient evidence (...)
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  45. Listening and Voice: A Phenomenology of Sound.Don Ihde - 1976 - Human Studies 1 (3):301-309.
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  46.  22
    Rudolph Koenig’s Workshop of Sound: Instruments, Theories, and the Debate over Combination Tones.David Pantalony - 2005 - Annals of Science 62 (1):57-82.
    Rudolph Koenig's workshop was a busy meeting place for instruments, ideas, experiments, demonstrations, craft traditions, and business. Starting around 1860, it was also the place in Paris where people discovered the new science of sound emerging from the studies of Hermann von Helmholtz in Germany. Koenig built Helmholtz's ideas into apparatus, created new instruments, and spread them throughout the scientific and musical world. Through his own research, he also became Helmholtz's strongest critic. This paper looks at the activities of (...)
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  47.  41
    Nursing involvement in euthanasia: how sound is the philosophical support?Helen McCabe - 2007 - Nursing Philosophy 8 (3):167-175.
    Preference utilitarians are concerned to maximize the autonomous choices of individuals; for this reason, they argue that nurses ought to advocate for those patients who desire assistance with ending their lives. This approach prompts us to consider, then, the moral validity of nursing involvement in measures intended to end the lives of patients. In this article, the terms of preference utilitarianism are set out and considered in order to determine whether this approach offers sufficient philosophical support for sanctioning a role (...)
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  48. Developing awareness of cultural music and its role in society with sound infusion.Alexis Dubourdieu & Jane Ward - 2012 - Ethos: Social Education Victoria 20 (2):8.
     
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  49.  46
    Experimental study of the influence of vision on sound localization.G. J. Thomas - 1941 - Journal of Experimental Psychology 28 (2):163.
  50. Experimental realism reconsidered: How inference to the most likely cause might be sound.Mauricio Suárez - 2008 - In Stephan Hartmann, Luc Bovens & Carl Hoefer (eds.), Nancy Cartwright’s Philosophy of Science. New York: Routledge. pp. 137--63.
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