"By combining recent advances in the physical sciences with some of the novel ideas, techniques, and data of modern biology, this book attempts to achieve a new and different kind of evolutionary synthesis. I found it to be challenging, fascinating, infuriating, and provocative, but certainly not dull."--James H, Brown, University of New Mexico "This book is unquestionably mandatory reading not only for every living biologist but for generations of biologists to come."--Jack P. Hailman, Animal Behaviour , review of the first (...) edition "An important contribution to modern evolutionary thinking. It fortifies the place of Evolutionary Theory among the other well-established natural laws."--R.Gessink, TAXON. (shrink)

Integrating concepts of maintenance and of origins is essential to explaining biological diversity. The unified theory of evolution attempts to find a common theme linking production rules inherent in biological systems, explaining the origin of biological order as a manifestation of the flow of energy and the flow of information on various spatial and temporal scales, with the recognition that natural selection is an evolutionarily relevant process. Biological systems persist in space and time by transfor ming energy from one state (...) to another in a manner that generates structures which allows the system to continue to persist. Two classes of energetic transformations allow this; heat-generating transformations, resulting in a net loss of energy from the system, and conservative transformations, changing unusable energy into states that can be stored and used subsequently. All conservative transformations in biological systems are coupled with heat-generating transformations; hence, inherent biological production, or genealogical proesses, is positively entropic. There is a self-organizing phenomenology common to genealogical phenomena, which imparts an arrow of time to biological systems. Natural selection, which by itself is time-reversible, contributes to the organization of the self-organized genealogical trajectories. The interplay of genealogical (diversity-promoting) and selective (diversity-limiting) processes produces biological order to which the primary contribution is genealogical history. Dynamic changes occuring on times scales shorter than speciation rates are microevolutionary; those occuring on time scales longer than speciation rates are macroevolutionary. Macroevolutionary processes are neither redicible to, nor autonomous from, microevolutionary processes. (shrink)

We agree that treating rules and similarity as dichotomous opposites is unproductive. However, describing all categorization operations as a continuum of varied similarity process obscures a multidimensional contrast. We describe two processes, instantiated rules and abstract analogy, both of which have aspects of rules and similarity, and question whether they can be compared informatively as points on a continuum.

Miller first examines the New Critics’ theory of metaphor, then presents his own views. There is one chapter on Hulme and Richards, one on Empson, Tate, Ransom and Brooks, and a third on Wimsatt, Wheelwright, and Krieger. Chapter Four contains Miller’s position and applies it to some metaphors from the metaphysical poets, and Chapter Five examines the problem of the objective status of a work of verbal art. Miller uses Richards’ distinction between the tenor and vehicle of a metaphor; (...) in "My love is a red, red rose," "love" is the tenor and "rose" the vehicle, and a metaphor occurs only in the tense convergence of tenor and vehicle. With this formal scheme he defines surface and submerged metaphors—the former having both elements stated, the latter having the tenor unstated but implied; Miller distinguishes these from moribund metaphors, like the "foot" of a mountain, in which the appropriate tenors are forgotten, not submerged. He distinguishes positive and negative metaphor, depending upon the emphasis the metaphor places on either the fusion or the resistance between tenor and vehicle, for both forces must operate within a lively metaphor. He distinguishes simple, complex and compound metaphors, to the extent that tenor and vehicle are either simple terms or else contain, each or both of them, metaphors inside themselves. In the case of compound metaphors, sometimes the vehicle can be submerged, and if the critic can find what the vehicle is, the poetic passage acquires a more condensed and unified logical form. Miller’s application of these schemes to concrete instances of metaphor are carried out to good effect. His treatment of the epistemology and ontology of a work of verbal art is less successful; he wishes to accommodate both subjective and objective aspects, but tends to consider a manifestation of a poem as the poem itself. He considers the written documentation of a poem to be marks on a surface which serve as stimuli to the reader’s awareness; but units of documentation are written words, not marks, and the process of reading is not, as he claims, a process of decoding. He distinguishes between oral documentation and performance, but seems to think records, tapes and films are instances of the former; would not memory, or perhaps even recitation by rote, be better examples of oral documentation? He considers Saussurian langue as an example of a "cultural object" which finds manifestation in parole; but if this is so, how can there ever be intermediate cultural objects like poems or stories? Langue would be the only verbal cultural object there is. It would be better to consider poems and stories as cultural objects, and language as a potential matrix for them, much as matter is a matrix for substances. Miller objects to the metaphor of "organism" for a poem, because, he says, when we take a poem apart in critical analysis, we do not kill it; therefore the metaphor of "machine" is better—something that can be taken apart and put together again. But surely the correction here is not to replace organism by machine, but to change one’s understanding of what it is to take apart. The critic takes apart in thought, the way a mathematician does, and not like a butcher. Miller’s book is extremely interesting, asks many good questions, and should be read with profit and delight by philosophers interested in language.—R. S. (shrink)

I would refer to the introductory paragraphs of J. Diggle's ‘Notes on Ovid's Tristia, Books I-II’ , 401–19). His list of modern editions does not include F. Della Corte, I Tristia , which I too have not seen. For Book IV we have an edition by T. J. de Jonge.

People who trust modern indexes will suppose that the name of Sex. Clodius, the disreputable henchman of Publius, comes twice in the Ad Atticum letters, 14. 13. 6 and 14. 13 A. 2. The manuscripts give it as follows.

R. Renehan's ingenious solutions to the problems of Symphosius 42. 1 and Anth. Lat. 207 in this journal, 471 f.) are much to be welcomed. On the other hand, I do not think that his defence of the manuscript reading in Anth. Lat. 24. 3 marcent post rorem violae, rosa perdit odorem holds water. Taking rorem as = rorem marinum he explains that ‘the poet is not presenting us with a piece of botanical information about the relative seasons of the (...) violet and rosemary; he means rather that all flowers wither and fade’. Actually, however, the poet on this showing does present information; and whether the information is botanically correct or not, that is an odd way to make his point. Stranger still is his choice of rosemary out of all the fading flowers of field and garden. It was bound to be I misunderstood. As Renehan indicates, ros = ros marinus is supported only by Virg. Georg. 2. 212–13, where the identity has been doubted, and Plin. HN 24. 100, where ex rore supra dicto refers back to ros marinum in 99. Renehan may well be the first reader not to take rorem as dew. And an evergeen shrub makes a singularly unfortunate illustration of floral decay, even though the shrub does produce a flower. Pliny classes it with herbs. (shrink)

Offers a comprehensive nonmathematical treatment regarding the design and analysis of experiments, focusing on basic concepts rather than calculation of technical details. Much of the discussion is in terms of examples drawn from numerous fields of applications. Subjects include the justification and practical difficulties of randomization, various factors occurring in factorial experiments, selecting the size of an experiments, different purposes for which observations may be made and much more.

The text of Quintus Curtius benefited greatly from Conrad Müller's edition of 1954 . In particular, his thorough investigation of Curtius' rhythms enabled him to settle many hitherto doubtful points. Problems remain, unsolved or undetected. In Curtius, as in other prose texts, scribal omissions are a prolific source of corruption, sometimes productive of interpolation. Most of the following notes postulate corruptions of this type.

The text of Quintus Curtius benefited greatly from Conrad Müller's edition of 1954. In particular, his thorough investigation of Curtius' rhythms enabled him to settle many hitherto doubtful points. Problems remain, unsolved or undetected. In Curtius, as in other prose texts, scribal omissions are a prolific source of corruption, sometimes productive of interpolation. Most of the following notes postulate corruptions of this type.

10. 2. lugentem timentemque custodire solemus, ne solitudine male utatur. Reynolds does not mention Haupt's conjecture amentemque, which is certainly on the right lines. Bereaved persons may need watching because in the violence of their grief they may do themselves an injury , and the same applies to madmen or to anyone suspected of suicidal inclinations custodio). It does not apply to persons afraid; they may sometimes be glad of company, but do not require surveillance. My only doubt is whether (...) amentem, seldom used of actual insanity, is the right word. Perhaps dementem or furentem, which makes a better match with the participle lugentem. (shrink)

Seneca ‘Rhetor’ was last critically edited by H. J. Müller in 1887; the editions of H. Bornecque and W. A. Edward lack an apparatus criticus, though the latter's notes give some attention to textual points. Whoever next addresses himself to the task can take heart from Eduard Norden : ‘der Text ist schwer korrupt, für Konjekturalkritik noch viel zu tun.’ It may be added that he will do a service by jettisoning a large proportion of what Konjekturalkritik has already produced-too (...) much of this nature in Müller's text and apparatus, to say nothing of later contributions, is merely depressing. (shrink)

Seneca ‘Rhetor’ was last critically edited by H. J. Müller in 1887; the editions of H. Bornecque and W. A. Edward lack an apparatus criticus, though the latter's notes give some attention to textual points. Whoever next addresses himself to the task can take heart from Eduard Norden : ‘der Text ist schwer korrupt, für Konjekturalkritik noch viel zu tun.’ It may be added that he will do a service by jettisoning a large proportion of what Konjekturalkritik has already produced-too (...) much of this nature in Müller's text and apparatus, to say nothing of later contributions, is merely depressing. (shrink)

10. 2. lugentem timentemque custodire solemus, ne solitudine male utatur. Reynolds does not mention Haupt's conjecture amentemque, which is certainly on the right lines. Bereaved persons may need watching because in the violence of their grief they may do themselves an injury, and the same applies to madmen or to anyone suspected of suicidal inclinations custodio). It does not apply to persons afraid; they may sometimes be glad of company, but do not require surveillance. My only doubt is whether amentem, (...) seldom used of actual insanity, is the right word. Perhaps dementem or furentem, which makes a better match with the participle lugentem. (shrink)

Few authors, I should suppose, get less expert treatment in this lexicon than Cicero, so far at least as his letters are concerned. That is largely because the editors chose to trust Tyrrell and Purser, to whom Cicero's Greek was no less full of pitfalls than his Latin. The following notes may be of help in the preparation of a tenth edition.

Cicero's use of the term is hardly a joke, and has to do with medicine, not logic. He says that his predecessor as governor of Cilicia, App. Claudius Pulcher, is like a doctor whose patient has been transferred to another practitioner, and who takes offence when the new man alters the treatment.

Few authors, I should suppose, get less expert treatment in this lexicon than Cicero, so far at least as his letters are concerned. That is largely because the editors chose to trust Tyrrell and Purser, to whom Cicero's Greek was no less full of pitfalls than his Latin. The following notes may be of help in the preparation of a tenth edition.

Cicero's use of the term is hardly a joke, and has to do with medicine, not logic. He says that his predecessor as governor of Cilicia, App. Claudius Pulcher, is like a doctor whose patient has been transferred to another practitioner, and who takes offence when the new man alters the treatment.

Few authors, I should suppose, get less expert treatment in this lexicon than Cicero, so far at least as his letters are concerned. That is largely because the editors chose to trust Tyrrell and Purser, to whom Cicero's Greek was no less full of pitfalls than his Latin. The following notes may be of help in the preparation of a tenth edition.

Critics, once so busy with Manilius, have left him alone since Housman's edition was completed a quarter of a century ago. Perhaps I shall seem rash to break the silence by challenging a few of his verdicts. I do so in no spirit of iconoclasm, but rather believing that Housman wrote for readers who will occasionally call him wrong—at their peril, and on their knees.