Richly illustrated study drawing on art, literature and science to explore Victorian attitudes towards sight.

Examines interrelated topics in Medieval and Renaissance Latin literature: the status of women as writers, the status of women as rhetorical figures, and the status of women in society from the fifth to the early seventeenth century.

This volume brings together modernity as a Western project. From the early, via the classic and high to the late modern period, each chapter reveals a marked interdisciplinary approach to the various aspects of this century-old process.

Art versus nature, the literary work and the author, the literary work and the reader, structure and style, and the purpose of literature are the main subjects treated in a study of eight leading writers of modern Japan.

In Literature, Life, and Modernity Richard Eldridge focuses on the question of a reader's or a viewer's response to a literary or dramatic work in a specific historical epoch ("modernity"). That is, in contrast with many other philosophical approaches to literature, he avoids fixing attention on any putative doctrinal (moral or political or diagnostic) claims in a literary work. Thereby, and in many other admirable ways, he avoids the danger of treating literature as philosophy manqué, concedes the distinctness of literary (...) experience, and only then asks about the significance of this experience. (In this way his approach is reminiscent to some extent of Schiller's; not bad company to be keeping.) This all amounts to a philosophy of literature of sorts,[1] but avoids a forced "philosophy in literature" or "literature as philosophy" treatment. There are themes and ideas at stake of course, but for distinct historical reasons, Eldridge also thinks of what he generally calls "modern" literature as characterized precisely by the absence of any thematic resolution, and so by a kind of play of possibilities, unsettledness, even homelessness. But, he argues, this is a play of ambiguity that. (shrink)

A single, fairly simple proposition lies at the heart of the present contribution, viz. that the development of early-modern literature on international law should be regarded as a specific form of the early usus modernus during the second half of the sixteenth century and the first half of the seventeenth century.In Section 1 that general proposition and some of its ramifications will receive some further explanation. First, the main characteristics of usus modernus will be set out, and, subsequently, their applicability (...) to early-modern literature on international law will be outlined. In addition, the question should be raised, what purpose the characterisation of that literature as part of the more general usus modernus may serve. These considerations may inevitably appear somewhat abstract. Section 2 will therefore aim to provide a particular illustration, based on two contemporary works on the law of naval warfare, viz. A. Gentili's Hispanicae Advocationis Libri Duo and H. Grotius' De jure praedae. (shrink)

Introduction -- The muse of paralysis -- Horizon of conquest: Eugene Fromentin's Algerian narratives -- Slow progress: Jean Paulhan and Madagascar -- Frustration: Michel Leiris -- Atopia: Roland Barthes -- The wake of Ulysses.

Presents an original theoretical system to explain and contrast modernism and postmodernism.

Das Heilige hat Konjunktur: Im Zuge des religious turn der Kulturwissenschaften erscheint es nicht mehr als Gegensatz zu einer säkularisierten Moderne, sondern als eines ihrer konstitutiven Momente. Die Beiträge dieses Bandes untersuchen Denkfiguren des Sakralen im 20. Jahrhundert - von Nietzsches Diagnose des ”Todes Gottes“ über geschichtsphilosophische Aneignungen jüdisch-christlicher Glaubensinhalte bis hin zu sprachphilosophischen Reflexionen über das Heilige. Sie arbeiten heraus, wie sich die ästhetische Moderne in Auseinandersetzung mit dem Traditionsbestand sakraler Erfahrungen bildet.

When Giambattista Vico wrote and rewrote the Scienza Nuova between 1725 and 1744, he all but completely occluded his own discipline – rhetoric. Professor of Latin Eloquence at the University of Nap...

This is an edited collection of original essays that combine philosophy, phenomenology, and literature to reflect on modern ideas about orientation and disorientation, grounds and groundlessness.

Focusing on the sixteenth-century Oriya Lakshmi Purana by Balaram Das, this essay shows how distinctly “modern” values are being explored and elaborated in this religious poem. Das’s narrative develops the notion of a self-critical individuality that is distinct from—rather than merely embedded in—the dominant social structure and its patriarchal and caste-based value system. The LP provides a feminist and anticaste critique of patriarchal behavior and defends the value of the work done by women and others who are socially marginalized. This (...) literary-critical analysis is a contribution to contemporary scholarship on “alternative” or “precolonial” modernities, especially in the Indian context. (shrink)

Can subjective taste regulate social norms or political practices? This book argues that from the late seventeenth century to the present national cultures have sought to regulate the democratic subject through the academic form of arguments about the proper relations of aesthetics to ethics and politics. In so doing it offers a radical reconsideration of the history of modernity, tracing the emergence of criticism as a socio-cultural practice across all the major European nations, and drawing on an extensive range of (...) European literature and philosophy. (shrink)

Modern literature has always been obsessed by music. It cannot seem to think about itself without obsessing about music. And music has returned the favour. The Routledge Companion to Music and Modern Literature addresses this relationship as a significant contribution to the burgeoning field of word and music studies. The 37 chapters within consider the partnership through four lenses-the universal, opera and literature, musical and literary forms, and popular music and literature-and touch upon diverse and pertinent themes for our modern (...) times, ranging from misogyny to queerness, racial inequality to the claimed universality of whiteness. This Companion therefore offers an essential resource for all who try to decode the musico-literary exchange. (shrink)