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Richard Eldridge [103]Richard P. Eldridge [2]Richard Thomas Eldridge [1]
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Richard Eldridge
Swarthmore College
  1.  26
    Love's Knowledge.Richard Eldridge - 1992 - Philosophy and Phenomenological Research 52 (2):485-488.
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  2.  17
    The Company We Keep: An Ethics of Fiction.Richard Eldridge - 1991 - Journal of Aesthetics and Art Criticism 49 (1):98-100.
    In _The Company We Keep_, Wayne C. Booth argues for the relocation of ethics to the center of our engagement with literature. But the questions he asks are not confined to morality. Returning ethics to its root sense, Booth proposes that the ethical critic will be interested in any effect on the ethos, the total character or quality of tellers and listeners. Ethical criticism will risk talking about the quality of _this_ particular encounter with _this_ particular work. Yet it will (...)
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  3.  28
    Leading a Human Life: Wittgenstein, Intentionality and Romanticism.Richard Eldridge - 1997 - University of Chicago Press.
    In this provocative new study, Richard Eldridge presents a highly original and compelling account of Wittgenstein's _Philosophical Investigations_, one of the most enduring yet enigmatic works of the twentieth century. He does so by reading the text as a dramatization of what is perhaps life's central motivating struggle—the inescapable human need to pursue an ideal of expressive freedom within the difficult terms set by culture. Eldridge sees Wittgenstein as a Romantic protagonist, engaged in an ongoing internal dialogue over the nature (...)
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  4. An Introduction to the Philosophy of Art.Richard Eldridge - 2003 - Cambridge University Press.
    An Introduction to the Philosophy of Art is a clear and compact survey of philosophical theories of the nature and value of art, including in its scope literature, painting, sculpture, music, dance, architecture, movies, conceptual art and performance art. This second edition incorporates significant new research on topics including pictorial depiction, musical expression, conceptual art, Hegel, and art and society. Drawing on classical and contemporary philosophy, literary theory and art criticism, Richard Eldridge explores the representational, formal and expressive dimensions of (...)
     
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  5.  7
    Images of History: Kant, Benjamin, Freedom, and the Human Subject.Richard Eldridge - 2016 - Oxford University Press USA.
    Developing work in the theories of action and explanation, Eldridge argues that moral and political philosophers require accounts of what is historically possible, while historians require rough philosophical understandings of ideals that merit reasonable endorsement. Both Immanuel Kant and Walter Benjamin recognize this fact. Each sees a special place for religious consciousness and critical practice in the articulation and revision of ideals that are to have cultural effect, but they differ sharply in the forms of religious-philosophical understanding, cultural criticism, and (...)
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  6.  96
    Literature, Life, and Modernity.Richard Eldridge - 2008 - Cambridge University Press.
    In Literature, Life, and Modernity Richard Eldridge focuses on the question of a reader's or a viewer's response to a literary or dramatic work in a specific historical epoch ("modernity"). That is, in contrast with many other philosophical approaches to literature, he avoids fixing attention on any putative doctrinal (moral or political or diagnostic) claims in a literary work. Thereby, and in many other admirable ways, he avoids the danger of treating literature as philosophy manqué, concedes the distinctness of literary (...)
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  7. Wittgenstein on Aspect-Seeing, the Nature of Discursive Consciousness, and the Experience of Agency.Richard Eldridge - 2010 - In William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew. Cambridge University Press.
     
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  8.  80
    The Oxford Handbook of Philosophy and Literature.Richard Eldridge (ed.) - 2009 - Oxford University Press.
    The Oxford Handbook of Philosophy and Literature contains 23 newly commissioned essays by major philosophers and literary scholars that investigate literature ...
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  9. The Persistence of Romanticism: Essays in Philosophy and Literature.Richard Eldridge - 2001 - Cambridge University Press.
    These challenging essays defend Romanticism against its critics. They argue that Romantic thought, interpreted as the pursuit of freedom in concrete contexts, remains a central and exemplary form of both artistic work and philosophical understanding. Marshalling a wide range of texts from literature, philosophy and criticism, Richard Eldridge traces the central themes and stylistic features of Romantic thinking in the work of Kant, Hölderlin, Wordsworth, Hardy, Wittgenstein, Cavell and Updike. Through his analysis he shows that Romanticism is neither emptily literary (...)
     
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  10. Form and Content: An Aesthetic Theory of Art.Richard Eldridge - 1985 - British Journal of Aesthetics 25 (4):303-316.
  11. Stanley Cavell and Literary Studies: Consequences of Skepticism.Bernie Rhie & Richard Eldridge - 2011 - New York, NY, USA: Bloomsbury.
  12.  26
    The Rift in the Lute: Attuning Poetry and Philosophy.Richard Eldridge - 2019 - British Journal of Aesthetics 59 (2):236-239.
    The Rift in the Lute: Attuning Poetry and Philosophy. GaynesfordMaximilian De OUP. 2017. pp. 320. £50.00.
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  13.  41
    “To Bear the Momentarily Incomplete”: Subject Development and Expression in Hegel and Hölderlin.Richard Eldridge - 2006 - Graduate Faculty Philosophy Journal 27 (2):141-158.
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  14. Richard Wollheim, Painting as an Art. [REVIEW]Richard Eldridge - 1988 - Philosophy in Review 8:374-378.
     
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  15.  22
    Book ReviewsPaul. Woodruff, Reverence: Renewing a Forgotten Virtue.Oxford: Oxford University Press, 2001. Pp. 248. $22.00 ; $11.95. [REVIEW]Richard Eldridge - 2004 - Ethics 114 (2):385-388.
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  16.  86
    The Normal and the Normative: Wittgenstein's Legacy, Kripke, and Cavell.Richard Eldridge - 1986 - Philosophy and Phenomenological Research 46 (4):555-575.
  17.  21
    Book ReviewsAlice Crary,, Ed. Wittgenstein and the Moral Life: Essays in Honor of Cora Diamond. Cambridge, MA: MIT Press, 2007. Pp. Vii+408. $75.00 ; $36.00. [REVIEW]Richard Eldridge - 2008 - Ethics 118 (3):543-549.
  18. Between Acknowledgment and Avoidance.Richard Eldridge - 2003 - In Richard Thomas Eldridge (ed.), Stanley Cavell. Cambridge University Press. pp. 1--14.
  19.  9
    Conceptual Analysis, Practical Commitment, and Ordinary Language.Richard Eldridge - 2018 - Graduate Faculty Philosophy Journal 39 (2):341-363.
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  20.  48
    Authority and Estrangement: An Essay on Self-Knowledge.Richard Eldridge - 2003 - Philosophical Investigations 26 (4):360–368.
  21. Stanley Cavell.Richard Eldridge (ed.) - 2003 - Cambridge University Press.
    Contemporary Philosophy in Focus offers a series of introductory volumes on many of the dominant philosophical thinkers of the current age. Stanley Cavell has been one of the most creative and independent of contemporary philosophical voices. At the core of his thought is the view that skepticism is not a theoretical position to be refuted by philosophical theory but is a reflection of the fundamental limits of human knowledge of the self, of others and of the external world that must (...)
     
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  22.  9
    T. S. Eliot and the Philosophy of Criticism.Richard Eldridge - 1988 - Journal of Aesthetics and Art Criticism 46 (4):529-531.
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  23.  49
    Problems and Prospects of Wittgensteinian Aesthetics.Richard Eldridge - 1987 - Journal of Aesthetics and Art Criticism 45 (3):251-261.
  24.  16
    Irony and Idealism: Rereading Schlegel, Hegel, and Kierkegaard, by Fred Rush. Oxford: Oxford University Press, 2016, Xvi + 312 Pp. ISBN 13:978–0–19‐968822‐7 Hb £50.00. [REVIEW]Richard Eldridge - 2017 - European Journal of Philosophy 25 (4):1228-1231.
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  25.  48
    Metaphysics and the Interpretation of Persons: Davidson on Thinking and Conceptual Schemes. [REVIEW]Richard Eldridge - 1986 - Synthese 66 (3):477 - 503.
    Certain metaphysical and epistemological presuppositions are shown to play a role in the defense of Davidson's claims that an empirically constructed theory of truth provides an adequate theory of meaning for any natural language. Dadivson puts forward demonstrative arguments in favor of these presuppositions in On the Very Idea of a Conceptual Scheme, Thought and Talk, and The Method of Truth in Metaphysics. These arguments are examined and found to include controversial and dubitable assumptions as premises. It is then suggested (...)
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  26.  37
    Hypotheses, Criterial Claims, and Perspicuous Representations: Wittgenstein's 'Remarks on Frazer's The Golden Bough'.Richard Eldridge - 1987 - Philosophical Investigations 10 (3):226-245.
  27.  17
    The Aesthetics of Argument, by Martin Warner.Richard Eldridge - 2018 - Mind 127 (505):294-298.
    © Mind Association 2017Exactly how radical change in commitments on matters of fundamental concern is possible has been a problem since at least Paul's conversion on the road to Damascus and Augustine's rejection of Pelagianism and defence of divine grace. If an act of will is required to accept the offer of grace, then isn’t something important left to us to do? And if so, can or does reason play any role in such radical change? If so, how? Martin Warner (...)
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  28. Frank Lentricchia, After the New Criticism. [REVIEW]Richard Eldridge - 1982 - Philosophy in Review 2:230-232.
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  29. Hegel on Music.Richard Eldridge - 2007 - In Stephen Houlgate (ed.), Hegel and the Arts. Northwestern University Press.
     
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  30.  32
    After the Beautiful: Hegel and the Philosophy of Pictorial Modernism, by Robert B. Pippin.Richard Eldridge - 2015 - Mind 124 (493):380-384.
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  31.  23
    On Alan Goldman's Philosophy and the Novel.Richard Eldridge - 2015 - Philosophy and Literature 39 (2):564-571.
    It is worth at least a moment to note and praise Alan Goldman’s methodological stance in Philosophy and the Novel.1 Goldman reflects appreciatively on the achievements of specific novels in order to arrive at philosophically interesting results about interpretation and moral understanding. In his appreciative reflections, Goldman is aware of, but by no means bound by, recent work in experimental moral psychology and metaethics. The result is a powerful demonstration not only of the human, cognitive, and ethical interest of the (...)
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  32.  43
    Beyond Representation: Philosophy and Poetic Imagination.Richard Eldridge (ed.) - 1996 - Cambridge University Press.
    The essays in this 1996 volume explore the ways in which traditional philosophical problems about self-knowledge, self-identity, and value have migrated into literature since the Romantic and Idealist periods. How do so-called literary works take up these problems in a new way? What conception of the subject is involved in this literary practice? How are the lines of demarcation between philosophy and literature problematised? The contributors examine these issues with reference both to Romantic and Idealist writers and to some of (...)
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  33.  26
    How Can Tragedy Matter for Us?Richard Eldridge - 1994 - Journal of Aesthetics and Art Criticism 52 (3):287-298.
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  34.  31
    How Movies Think: Cavell on Film as a Medium of Art.Richard Eldridge - 2014 - Estetika 51 (1):3-20.
    Stanley Cavell’s writing about movies, from the more theoretical and general The World Viewed (1971) to the later works on specific genres (Pursuits of Happiness, Contesting Tears), has a unifying theme: some movies as (successful) art investigate conditions of accomplished selfhood and interest in experience in medium-specific ways. This claim is explained and defended by explicating the details of the medium-specificity of the moving photographic image (and its history of uses) and by focusing on Michael Verhoeven’s film The Nasty Girl (...)
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  35.  14
    Methodological Individualism Vs. Collectivist Holism in Historical Explanation.Richard Eldridge - 2017 - History and Theory 56 (3):442-451.
  36. The Persistence of Romanticism: Essays in Philosophy and Literature.Richard Eldridge - 2004 - Journal of Aesthetics and Art Criticism 62 (4):401-402.
     
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  37. Aesthetics and Ethics.Richard Eldridge - 2003 - In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press.
     
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  38.  7
    1. Précis Images of History: Kant, Benjamin, Freedom, and the Human Subject.Richard Eldridge - 2018 - History and Theory 57 (3):408-412.
  39. Richard Wollheim, Painting as an Art Reviewed By.Richard Eldridge - 1988 - Philosophy in Review 8 (9):374-378.
     
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  40.  35
    Wittgenstein on Rules and Private Language.Richard Eldridge - 1984 - Review of Metaphysics 37 (4):859-861.
    Wittgenstein on Rules and Private Language is very much a work on Wittgenstein's epistemology, not on his philosophy of mind. Kripke focuses on Wittgenstein's account, principally set out in sections 1-242 of Philosophical Investigations, of our grasp of concepts and our ability to apply them; he discusses Wittgenstein's views about such topics as imagination, sensations, and consciousness only in passing as they bear on the former topic.
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  41.  8
    Narratives and Moral Evaluation.Richard Eldridge - 1993 - Journal of Value Inquiry 27 (3-4):385-390.
  42.  14
    The Common Life: Ambiguity, Agreement, and the Structure of Morals. Burton Zwiebach.Richard Eldridge - 1989 - Ethics 99 (3):641-642.
  43.  47
    History Vs. (Epistemological) Theory.Richard Eldridge - 2006 - History and Theory 45 (3):448–454.
    Interpretive Reasoning. By Laurent Stern.
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  44.  21
    Christopher J. Insole, Kant and the Creation of Freedom: A Theological Problem (Oxford: Oxford University Press, 2013). ISBN 9780199677603. Xiv + 264, £ 65. [REVIEW]Richard Eldridge - 2014 - Philosophical Investigations 37 (2):178-182.
  45.  17
    Frege: An Introduction to His Philosophy.Richard Eldridge - 1984 - Review of Metaphysics 37 (3):619-621.
    Recent revisionists about Frege have suggested that, contrary to Dummett's monumental work, Frege is to be understood as primarily an epistemologist, not a theorist of meaning. Currie's book is a valuable contribution to this new way of looking at Frege. Where Sluga, for example, focuses on the historical context of Frege's work and other writers are concerned with special topics such as naming and proof theory, Currie surveys the whole of Frege's career, highlighting his fundamental interest in the nature of (...)
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  46.  18
    Hegel’s Account of the Unconscious and Why It Matters.Richard Eldridge - 2014 - Review of Metaphysics 67 (3):491-515.
    Hegel’s account of the unconscious and his broader philosophy of mind offer us a well worked out form of non-dualist, non-reductionist, non-eliminativist, non-representationalist naturalism. Hegel describes the development of discursively structured thought in ethological terms as emerging from initial somatic-sensory states, from states and processes of bodily activity on the part of a feeling soul, and from structured habituation in relation to other subjects. Importantly, earlier, less organized states of sensory awareness and feeling persist as residues underneath cognitive development in (...)
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  47.  4
    Critical Notice.G. P. Baker, P. M. S. Hacker, Basil Blackwell & Richard Eldridge - 1986 - Philosophical Investigations 9 (3):229-244.
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  48.  5
    5. Replies to Comments on Images of History by Warren Breckman, Robert R. Clewis, and Espen Hammer.Richard Eldridge - 2018 - History and Theory 57 (3):431-437.
  49.  30
    Romance and Politics/Romance and Folly: Thomas E. Wartenberg's Unlikely Couples.Richard Eldridge - 2002 - Journal of Social Philosophy 33 (2):322–329.
  50.  17
    Cavell and the American Jeremiad.Richard Eldridge - 2014 - Journal of Philosophical Research 39:377-391.
    Building on remarks by Dewey, Brandom, and Wittgenstein among others, this paper characterizes and defends a general style of philosophy as elucidatory analysis of concepts in circulation within a culture. The presence of this general style is then traced briefly in Quine and Beardsley. I then raise the question whether there is anything distinctively American about this general style. Drawing on work by Sacvan Bercovitch, I argue that use of this style is motivated by America’s distinctive religious history and that (...)
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