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Richard Eldridge [103]Richard P. Eldridge [2]Richard Thomas Eldridge [1]
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Profile: Richard Eldridge (Swarthmore College)
  1. On Moral Personhood: Philosophy, Literature, Criticism, and Self-Understanding.Richard Eldridge, Martha C. Nussbaum & Frank Palmer - 1998 - Journal of Religious Ethics 26 (2):409-431.
    Frank Palmer, Richard Eldridge, and Martha Nussbaum explore the contributions that imaginative literature can make to ethics. From three different moral philosophical perspectives, they argue that reading literature can help persons to achieve greater moral understanding. This essay examines how each author conceives of moral understanding, particularly in its emotional dimension, and how each thinks that reading literature can promote moral understanding. The essay also considers some implications of this work for religious ethics.
     
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  2. The Persistence of Romanticism: Essays in Philosophy and Literature.Richard Eldridge - 2001 - Cambridge University Press.
    These challenging essays defend Romanticism against its critics. They argue that Romantic thought, interpreted as the pursuit of freedom in concrete contexts, remains a central and exemplary form of both artistic work and philosophical understanding. Marshalling a wide range of texts from literature, philosophy and criticism, Richard Eldridge traces the central themes and stylistic features of Romantic thinking in the work of Kant, Hölderlin, Wordsworth, Hardy, Wittgenstein, Cavell and Updike. Through his analysis he shows that Romanticism is neither emptily literary (...)
     
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  3.  25
    Leading a Human Life: Wittgenstein, Intentionality, and Romanticism.Richard Eldridge - 1997 - University of Chicago Press.
    In this provocative new study, Richard Eldridge presents a highly original and compelling account of Wittgenstein's _Philosophical Investigations_, one of the most enduring yet enigmatic works of the twentieth century. He does so by reading the text as a dramatization of what is perhaps life's central motivating struggle—the inescapable human need to pursue an ideal of expressive freedom within the difficult terms set by culture. Eldridge sees Wittgenstein as a Romantic protagonist, engaged in an ongoing internal dialogue over the nature (...)
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  4. Wittgenstein on Aspect-Seeing, the Nature of Discursive Consciousness, and the Experience of Agency.Richard Eldridge - 2010 - In William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew. Cambridge University Press.
     
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  5. Literature, Life, and Modernity.Richard Eldridge - 2009 - Journal of Aesthetics and Art Criticism 67 (3):345-347.
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  6.  9
    Methodological Individualism Vs. Collectivist Holism in Historical Explanation.Richard Eldridge - 2017 - History and Theory 56 (3):442-451.
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  7.  60
    The Oxford Handbook of Philosophy and Literature.Richard Eldridge (ed.) - 2009 - Oxford University Press.
    The Oxford Handbook of Philosophy and Literature contains 23 newly commissioned essays by major philosophers and literary scholars that investigate literature ...
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  8.  7
    The Aesthetics of Argument, by Martin Warner.Richard Eldridge - 2018 - Mind 127 (505):294-298.
    © Mind Association 2017Exactly how radical change in commitments on matters of fundamental concern is possible has been a problem since at least Paul's conversion on the road to Damascus and Augustine's rejection of Pelagianism and defence of divine grace. If an act of will is required to accept the offer of grace, then isn’t something important left to us to do? And if so, can or does reason play any role in such radical change? If so, how? Martin Warner (...)
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  9. Form and Content: An Aesthetic Theory of Art.Richard Eldridge - 1985 - British Journal of Aesthetics 25 (4):303-316.
  10.  89
    Literature, Life, and Modernity.Richard Eldridge - 2008 - Cambridge University Press.
    In Literature, Life, and Modernity Richard Eldridge focuses on the question of a reader's or a viewer's response to a literary or dramatic work in a specific historical epoch ("modernity"). That is, in contrast with many other philosophical approaches to literature, he avoids fixing attention on any putative doctrinal (moral or political or diagnostic) claims in a literary work. Thereby, and in many other admirable ways, he avoids the danger of treating literature as philosophy manqué, concedes the distinctness of literary (...)
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  11.  2
    Irony and Idealism: Rereading Schlegel, Hegel, and Kierkegaard, by Fred Rush. Oxford: Oxford University Press, 2016, Xvi + 312 Pp. ISBN 13:978–0–19‐968822‐7 Hb £50.00. [REVIEW]Richard Eldridge - 2017 - European Journal of Philosophy 25 (4):1228-1231.
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  12. An Introduction to the Philosophy of Art.Richard Eldridge - 2003 - Cambridge University Press.
    An Introduction to the Philosophy of Art is a clear and compact survey of philosophical theories of the nature and value of art, including in its scope literature, painting, sculpture, music, dance, architecture, movies, conceptual art and performance art. This second edition incorporates significant new research on topics including pictorial depiction, musical expression, conceptual art, Hegel, and art and society. Drawing on classical and contemporary philosophy, literary theory and art criticism, Richard Eldridge explores the representational, formal and expressive dimensions of (...)
     
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  13. Stanley Cavell.Richard Eldridge (ed.) - 2003 - Cambridge University Press.
    Contemporary Philosophy in Focus offers a series of introductory volumes on many of the dominant philosophical thinkers of the current age. Stanley Cavell has been one of the most creative and independent of contemporary philosophical voices. At the core of his thought is the view that skepticism is not a theoretical position to be refuted by philosophical theory but is a reflection of the fundamental limits of human knowledge of the self, of others and of the external world that must (...)
     
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  14.  74
    The Normal and the Normative: Wittgenstein's Legacy, Kripke, and Cavell.Richard Eldridge - 1986 - Philosophy and Phenomenological Research 46 (June):555-575.
  15.  40
    Metaphysics and the Interpretation of Persons: Davidson on Thinking and Conceptual Schemes. [REVIEW]Richard Eldridge - 1986 - Synthese 66 (3):477 - 503.
    Certain metaphysical and epistemological presuppositions are shown to play a role in the defense of Davidson's claims that an empirically constructed theory of truth provides an adequate theory of meaning for any natural language. Dadivson puts forward demonstrative arguments in favor of these presuppositions in On the Very Idea of a Conceptual Scheme, Thought and Talk, and The Method of Truth in Metaphysics. These arguments are examined and found to include controversial and dubitable assumptions as premises. It is then suggested (...)
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  16. Between Acknowledgment and Avoidance.Richard Eldridge - 2003 - In Richard Thomas Eldridge (ed.), Stanley Cavell. Cambridge University Press. pp. 1--14.
  17.  19
    How Can Tragedy Matter for Us?Richard Eldridge - 1994 - Journal of Aesthetics and Art Criticism 52 (3):287-298.
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  18.  7
    Narratives and Moral Evaluation.Richard Eldridge - 1993 - Journal of Value Inquiry 27 (3-4):385-390.
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  19.  9
    ALTIERI, CHARLES. Reckoning with the Imagination: Wittgenstein and the Aesthetics of Literary Experience. Cornell University Press, 2015, Xii + 262 Pp., $79.95 Cloth, $28.95 Paper. [REVIEW]Richard Eldridge - 2016 - Journal of Aesthetics and Art Criticism 74 (3):306-307.
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  20.  20
    How Movies Think: Cavell on Film as a Medium of Art.Richard Eldridge - 2014 - Estetika 51 (1):3-20.
    Stanley Cavell’s writing about movies, from the more theoretical and general The World Viewed (1971) to the later works on specific genres (Pursuits of Happiness, Contesting Tears), has a unifying theme: some movies as (successful) art investigate conditions of accomplished selfhood and interest in experience in medium-specific ways. This claim is explained and defended by explicating the details of the medium-specificity of the moving photographic image (and its history of uses) and by focusing on Michael Verhoeven’s film The Nasty Girl (...)
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  21.  14
    Frege.Richard Eldridge - 1984 - Review of Metaphysics 37 (3):619-621.
  22.  41
    Problems and Prospects of Wittgensteinian Aesthetics.Richard Eldridge - 1987 - Journal of Aesthetics and Art Criticism 45 (3):251-261.
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  23.  42
    Authority and Estrangement: An Essay on Self-Knowledge.Richard Eldridge - 2003 - Philosophical Investigations 26 (4):360–368.
  24.  14
    Christopher J. Insole, Kant and the Creation of Freedom: A Theological Problem (Oxford: Oxford University Press, 2013). ISBN 9780199677603. Xiv + 264, £ 65. [REVIEW]Richard Eldridge - 2014 - Philosophical Investigations 37 (2):178-182.
  25.  9
    On Alan Goldman's Philosophy and the Novel.Richard Eldridge - 2015 - Philosophy and Literature 39 (2):564-571.
    It is worth at least a moment to note and praise Alan Goldman’s methodological stance in Philosophy and the Novel.1 Goldman reflects appreciatively on the achievements of specific novels in order to arrive at philosophically interesting results about interpretation and moral understanding. In his appreciative reflections, Goldman is aware of, but by no means bound by, recent work in experimental moral psychology and metaethics. The result is a powerful demonstration not only of the human, cognitive, and ethical interest of the (...)
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  26.  29
    Hypotheses, Criterial Claims, and Perspicuous Representations: Wittgenstein's 'Remarks on Frazer's The Golden Bough'.Richard Eldridge - 1987 - Philosophical Investigations 10 (3):226-245.
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  27.  32
    History Vs. (Epistemological) Theory.Richard Eldridge - 2006 - History and Theory 45 (3):448–454.
    Interpretive Reasoning. By Laurent Stern.
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  28.  19
    Wittgenstein on Rules and Private Language.Richard Eldridge - 1984 - Review of Metaphysics 37 (4):859-861.
  29.  10
    Hegel’s Account of the Unconscious and Why It Matters.Richard Eldridge - 2014 - Review of Metaphysics 67 (3):491-515.
    Hegel’s account of the unconscious and his broader philosophy of mind offer us a well worked out form of non-dualist, non-reductionist, non-eliminativist, non-representationalist naturalism. Hegel describes the development of discursively structured thought in ethological terms as emerging from initial somatic-sensory states, from states and processes of bodily activity on the part of a feeling soul, and from structured habituation in relation to other subjects. Importantly, earlier, less organized states of sensory awareness and feeling persist as residues underneath cognitive development in (...)
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  30. Richard Wollheim, Painting as an Art Reviewed By.Richard Eldridge - 1988 - Philosophy in Review 8 (9):374-378.
     
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  31.  11
    Morals and Stories (Review).Richard Eldridge - 1993 - Philosophy and Literature 17 (2):377-378.
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  32.  26
    “To Bear the Momentarily Incomplete”: Subject Development and Expression in Hegel and Hölderlin.Richard Eldridge - 2006 - Graduate Faculty Philosophy Journal 27 (2):141-158.
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  33.  17
    Frege's Realist Theory of Knowledge: The Construction of an Ideal Language and the Transformation of the Subject.Richard Eldridge - 1982 - Review of Metaphysics 35 (3):483 - 508.
  34.  10
    Wordsworth and "A New Condition of Philosophy".Richard Eldridge - 1994 - Philosophy and Literature 18 (1):50-71.
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  35.  14
    Poetic Justice.Richard Eldridge - 1997 - Journal of Philosophy 94 (8):431-434.
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  36.  8
    “Work on Oneself”.Richard Eldridge - 2009 - Review of Metaphysics 62 (3):666-668.
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  37.  9
    Fictions, Philosophies, and the Problems of Poetics (Review).Richard Eldridge - 1990 - Philosophy and Literature 14 (1):207-208.
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  38.  9
    Myth, Truth and Literature: Towards a True Post-Modernism (Review).Richard Eldridge - 1990 - Philosophy and Literature 14 (1):227-228.
  39.  9
    In Search of the Classic.Richard Eldridge - 1996 - Ancient Philosophy 16 (1):262-266.
  40.  9
    Moral Tradition and Individuality (Review).Richard Eldridge - 1990 - Philosophy and Literature 14 (2):387-394.
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  41.  18
    Review of Stanley Rosen, The Elusiveness of the Ordinary: Studies in the Possibility of Philosophy[REVIEW]Richard Eldridge - 2003 - Notre Dame Philosophical Reviews 2003 (2).
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  42. Cora Diamond, The Realistic Spirit: Wittgenstein, Philosophy, and the Mind Reviewed By.Richard Eldridge - 1994 - Philosophy in Review 14 (1):15-18.
     
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  43.  12
    On Knowing How to Live: Coleridge's "Frost at Midnight".Richard Eldridge - 1983 - Philosophy and Literature 7 (2):213-228.
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  44. Dieter Henrich, The Course of Remembrance and Other Essays on Hölderlin Reviewed By.Richard Eldridge - 1998 - Philosophy in Review 18 (2):110-113.
  45. Frank Lentricchia, After the New Criticism Reviewed By.Richard Eldridge - 1982 - Philosophy in Review 2 (5):230-232.
     
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  46.  7
    After the Beautiful: Hegel and the Philosophy of Pictorial Modernism, by Robert B. Pippin.Richard Eldridge - 2015 - Mind 124 (493):380-384.
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  47.  8
    Cavell and the American Jeremiad.Richard Eldridge - 2014 - Journal of Philosophical Research 39:377-391.
    Building on remarks by Dewey, Brandom, and Wittgenstein among others, this paper characterizes and defends a general style of philosophy as elucidatory analysis of concepts in circulation within a culture. The presence of this general style is then traced briefly in Quine and Beardsley. I then raise the question whether there is anything distinctively American about this general style. Drawing on work by Sacvan Bercovitch, I argue that use of this style is motivated by America’s distinctive religious history and that (...)
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  48.  8
    Deconstruction and its Alternatives.Richard Eldridge - 1985 - Man and World 18 (2):147-170.
  49.  16
    Romance and Politics/Romance and Folly: Thomas E. Wartenberg's Unlikely Couples.Richard Eldridge - 2002 - Journal of Social Philosophy 33 (2):322–329.
  50.  8
    Narrative Rehearsal, Expression, and Goethe's ''Wandrers Nachtlied II''.Richard Eldridge - 2011 - In Noel Carroll & John Gibson (eds.), Narrative, Emotion, and Insight. Penn State University. pp. 109.
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