The concept of the sinthome - the construction which provides a unique structuring of jouissance, but which is divested of any symbolic meaning - arrived late in Lacan’s work, in his seminar on 1975-6. The sinthom’s most notable application in Žižek’s output is found in Part I of his The Sublime Object of Ideology, in which he explores the homology between the form of commodities and of dreams. It has since been used widely in discussions of literature, art, and cinema, (...) but is missing from musicology, aside from the occasional remark from Žižek himself. This paper demonstrates that the medial caesura which deflects the tonal trajectory of a sonata exposition, and not the themes themselves, should be identified as the locus of this aspect of Schubert’s compositional voice. Drawing on ideas emerging from Žižek’s critique of Hitchcock, the aim is to demonstrate how the Lacanian concept of the sinthom reveals a deeper, more fundamental intertextuality in Schubert’s compositional project than has hitherto been available. (shrink)

How can the medium be addressed when it is always already saturated in religious over-determinations and ever marked by theological concerns (such as revelation and incarnation) while, at the same time, religion would not be practiced and theology not be done without using some such medium? We encourage methodological and conceptual shifts, first, from medium to mediality; second, from religion to its partial negation (or, perhaps, partial permeation); third, from theology to doing the theological differently. With these shifts we desire (...) to initiate, continue, and intensify debates, specifically between theologians and scholars of religious studies and media theory. (shrink)

Aggleton & Brown propose that familiarity-based recognition depends on a perirhinal-medial dorsal thalamic system. However, connections between these structures are sparse or absent. In contrast, the perirhinal cortex is connected to midline/intralaminar nuclei. In a human, a lesion in this thalamic domain, sparing the medial dorsal nucleus, impaired familiarity-based recognition while sparing recollective-based recognition. It is thus more likely that the intralaminar/midline nuclei are involved in recognition.

With great sympathy for Roman Ingarden and his work, Edith Stein edited his book project The Literary Work Of Art. In the letters she exchanges with him shereflects on relationship between reality and ideality: she writes that those who do not see the world as a reality must be fools. The political events in the 1930s had an impact on phenomenology. While Edmund Husserl dissociates himself from his protégé Martin Heidegger with regard to the content of his philosophy as well (...) as with regard to his ideology, Edith Stein distances herself more and more from the phenomenological method, seeing it as removed from reality, and she eventually become a Carmelite nun. Roman Ingarden, on the other hand, reconsiders interpreting phenomenology as aesthetic theory. Literature and film are being re-analysed in terms of phenomenological mediality and as factors of human communication. (shrink)

As Foucault has argued persuasively, human sciences carry in themselves not only the danger of anthropologization, but, precisely because of their epistemic instability and hybridity, also the potential for its criticism. This criticism is all the more important in the current turn to the human being as living, sentient and affective being, which takes place under the sign of life- and brain-sciences. Thus, it serves as the starting point of the medial anthropology and its focus on the medium of (...) the game that this paper presents. (shrink)

As Foucault has argued persuasively, human sciences carry in themselves not only the danger of anthropologization, but, precisely because of their epistemic instability and hybridity, also the potential for its criticism. This criticism is all the more important in the current turn to the human being as living, sentient and affective being, which takes place under the sign of life- and brain-sciences. Thus, it serves as the starting point of the medial anthropology and its focus on the medium of (...) the game that this paper presents. German Die Wissenschaften vom Menschen tragen, wie Foucault überzeugend argumentierte, nicht nur die Gefahr der Anthropologisierung, sondern, gerade aufgrund ihrer epistemischen Instabilität und Hybridität auch das Potential zu deren Kritik in sich. Diese Kritik ist in der gegenwärtigen – im Zeichen der Lebens- und Neurowissenschaften stattfindenden – Hinwendung zum Menschen als lebendes, empfindendes und affektives Wesen in neuer Weise aktuell. Sie bildet den Ausgangspunkt der hier vorgestellten medialen Anthropologie und deren Fokussierung auf das Medium des Spiels. (shrink)

It is shown that all the assumptions for symmetric monoidal categories follow from a unifying principle involving natural isomorphisms of the type →, called medial commutativity. Medial commutativity in the presence of the unit object enables us to define associativity and commutativity natural isomorphisms. In particular, Mac Lane’s pentagonal and hexagonal coherence conditions for associativity and commutativity are derived from the preservation up to a natural isomorphism of medial commutativity by the biendofunctor . This preservation boils down (...) to an isomorphic representation of the Yang–Baxter equation of symmetric and braid groups. The assumptions of monoidal categories, and in particular Mac Lane’s pentagonal coherence condition, are explained in the absence of commutativity, and also of the unit object, by a similar preservation of associativity by the biendofunctor . In the final section one finds coherence conditions for medial commutativity in the absence of the unit object. These conditions are obtained by taking the direct product of the symmetric groups for 0≤i≤n. (shrink)

Bilder haben seit je her das Vermögen, sich als Metamalerei reflexiv mit den Bedingungen ihrer eigenen Bildlichkeit auseinander zu setzen. In Momenten,medialer Vanitas’, wie sie der Beitrag nachvollzieht, ist es die Symbolik der Vanitas, welche gegen das Bild als solches gerichtet wird. Schon im Barock entstehen sie mit so unterschiedlichen Werken wie jenen Cornelius Norbertus Gijsbrechts und Michelangelo Merisi da Caravaggios, die als spezifisch,thanatologische Metamalerei‘ bezeichnet werden können. Sie zielen auf die mortifzierenden Strukturen bildlicher Repräsentation, ihre Medialität und Materialität. Doch (...) auch in zahlreichen zeitgenössischen Bildern von Marlene Dumas finden sich solch selbstreflexive Momente medialer Vanitas und damit moderne Transformationen eines vormodernen Topos. (shrink)

Bilder haben seit je her das Vermögen, sich als Metamalerei reflexiv mit den Bedingungen ihrer eigenen Bildlichkeit auseinander zu setzen. In Momenten,medialer Vanitas’, wie sie der Beitrag nachvollzieht, ist es die Symbolik der Vanitas, welche gegen das Bild als solches gerichtet wird. Schon im Barock entstehen sie mit so unterschiedlichen Werken wie jenen Cornelius Norbertus Gijsbrechts und Michelangelo Merisi da Caravaggios, die als spezifisch,thanatologische Metamalerei‘ bezeichnet werden können. Sie zielen auf die mortifzierenden Strukturen bildlicher Repräsentation, ihre Medialität und Materialität. Doch (...) auch in zahlreichen zeitgenössischen Bildern von Marlene Dumas finden sich solch selbstreflexive Momente medialer Vanitas und damit moderne Transformationen eines vormodernen Topos. (shrink)

In light of developments within the field of media theory, a certain consensus has evolved in favour of approaches like mediatization and mediation. While these approaches above all focus on societal change from a media-dependent point of view, this article addresses the reverse side of these processes, asking about media users' appropriation of media in order to experience sociality that has only just been enabled by media-use. This awareness of medial terms and conditions is characterized as recipients' acknowledgment as (...) well as utilization of medial constraints, which is subsequently referred to as mediality. (shrink)

ZusammenfassungDie Molekulargenetik bietet seit ein paar Jahren völlig neue Zugänge zur menschlichen Vergangenheit. Das noch junge und sehr dynamische Forschungsfeld der Archäogenetik nimmt für sich in Anspruch, Geschichte schreiben zu können, und zwar über alte DNA. Durch zahlreiche beachtenswerte Veröffentlichungen hat es viel Aufmerksamkeit erzeugt und erfahren – nicht nur im wissenschaftlichen Diskurs, sondern auch in den Medien. Allerdings erfährt die mediale Berichterstattung von der Forschung bisher wenig Beachtung. Auch der Forumsbeitrag kann dieses Desiderat nicht beheben, sucht aber – mit (...) einem exemplarischen Blick auf die Presseberichterstattung – erste Tendenzen einzufangen. Dies geschieht anhand von drei Thesen, sie lauten: Erfolgsgeschichten erzählen, Grenzen ziehen und konformistisch schreiben.In recent years molecular genetics has provided a completely new approach/access to the human past. The still new and quite dynamic research field of archaeogenetics claims to be able to write history using ancient DNA. Through numerous remarkable publications it has generated and received much interest not only in scientific discourse but also in the media. So far, however, scientists have not paid much attention to this coverage–a research desideratum this paper cannot resolve. But by looking at selected press clippings it seeks to capture first trends according to the following three theses: telling success stories, drawing boundaries, and writing in a conformist manner. (shrink)

ZusammenfassungDie Molekulargenetik bietet seit ein paar Jahren völlig neue Zugänge zur menschlichen Vergangenheit. Das noch junge und sehr dynamische Forschungsfeld der Archäogenetik (auch Paläogenetik oder Genetic History) nimmt für sich in Anspruch, Geschichte schreiben zu können, und zwar über alte DNA. Durch zahlreiche beachtenswerte Veröffentlichungen hat es viel Aufmerksamkeit erzeugt und erfahren – nicht nur im wissenschaftlichen Diskurs, sondern auch in den Medien. Allerdings erfährt die mediale Berichterstattung von der Forschung bisher wenig Beachtung. Auch der Forumsbeitrag kann dieses Desiderat nicht (...) beheben, sucht aber – mit einem exemplarischen Blick auf die Presseberichterstattung – erste Tendenzen einzufangen. Dies geschieht anhand von drei Thesen, sie lauten: Erfolgsgeschichten erzählen, Grenzen ziehen und konformistisch schreiben. (shrink)

Auch in freiheitlichen Demokratien gibt es mediale Formen und Verfahren, die staatlich monopolisiert sind. Dies sind die Verfahren zur Sicherung und Stabilisierung der Echtheit von Geld und staatlichen Dokumenten, also den zentralen Medien von Ökonomie und Staat. Im Sinne einer noch zu schreibenden Mediengeschichte des Staates stellt der Aufsatz diese Formen und Verfahren der Echtheitssicherung dar und zeigt auf, wie immer wieder auf neue technologische Bedrohungen des medialen Monopols des Staates reagiert werden musste. Even in liberal democracies there are media (...) forms and procedures monopolized by the state. Such are the methods to secure and stabilize the authenticity of money and state documents, i.e. the central media of economy and the state. In terms of a media history of the state, the paper describes these forms and methods of securing authenticity and shows how the state had to respond to ever new technological threats to its media monopoly. (shrink)

This article demonstrates the broad applicability of the concept of symbol in human communication, beyond but including verbal language. The starting point is Charles Sanders Peirce’s understanding of symbolicity as signification grounded on habits. The goal is to be able to conceptualize mediality in general and media interrelations, particularly in relation to symbolicity. Informed by a multimodal view on media, the author provides a systematic overview of symbolicity within the context of communication among human minds structured around two crossing parameters: (...) symbols being limited or widespread among people and symbols not being part of or being part of systems – languages. Based on this overview, I clarify the role of culture in language notions and conceptualize language in relation to mediality. I also suggest a way of more precisely describing similarities and differences between languages and media types, without either conflating or totally separating the two concepts. Finally, I investigate how the dependence of language and media type conceptions on culture affects the idea of intermediality. Together, these investigations and conceptualizations promote a more comprehensive understanding of symbolicity in general and a deeper knowledge of the role of symbolicity in human communication, including verbal language, and intermedial relations involving all kinds of different media types. (shrink)

One lingering, unresolved dimension of intermediality theory is the status of mediality itself. Typically, the concept of intermediality is offered as a challenge to the idea that media exist as “isolated monads” ; the task of the analyst then becomes that of thinking through the variety of relationships between them. The risk is that this conception of intermediality may work to hypostatize media as particular kinds of objects. In this hypostatization, work on intermediality has sometimes diverged in important ways from (...) the ongoing development of ideas about mediality itself. Mediality is best seen, I would argue, not as a permanent and definitive property of objects or forms but as the occasional.. (shrink)

In the recent literature on the nature of sound, there is an emerging consensus rejection of what might be thought of as the scientifically informed commonsense position: that sounds, whatever else they may be, must be entities that mediate between the source of the sound and the subject hearing it. This paper offers an argument for such "medial" theories of sound. This argument is intended to shift attention from the two considerations that have dominated the debate thus far: the (...) relevant scientific facts about audition and the spatial phenomenology of auditory experience. (shrink)

I offer a reading of Aristotle’s “doctrine of the mean” that avoids two pitfalls: taking it as truistic, and taking it as involving the bizarre thesis that whenever one acts as reason directs, one’s action is mid-way between some extremes. The crucial point is that while Aristotle denies the existence of useful general ethical truths, he himself offers truths about the *likelihoods* with which rationality will require actions of certain types; and it is with such truths that the statistical idea (...) of the mean gets a foothold in his theory of the virtues. (shrink)

Throughout the Middle Ages, documents commemorating the names of dignitaries and benefactors in monasteries and churches were characterized as liber vitae, just as the heavenly book mentioned in the Bible. Those whose names were inscribed in such a list were promised eternal life through commemoration. The paper discusses material and medial aspects of the mediation of salvation within such documents as well as the shifts between different sorts of bookkeeping arising between the 9th and the 15th century by focusing (...) on writing strategies, document organization, and layout in Carolingian confraternity books, monastic necrologies, and late medieval obituaries or anniversary books from collegiate and parish churches. Their differing structures show how concepts and places of liturgical commemoration changed over the centuries. (shrink)

The article delineates a model of communication among human minds that is designed to work equally well for all kinds of nonverbal and verbal significance. The model thus allows for detailed analysis of and comparison among all varieties of human communication. In particular, the transitional stage of communication, which is termed the media product, is thoroughly developed and conceptualized in terms of mediality and semiosis. By way of mapping basic media dissimilarities that are vital for differing communicative capacities, the model (...) explains both how various sorts of significance can be transferred among minds, and why they cannot always be realized. The article furthermore suggests a semiotic framework for conceptualizing the familiar notion that communication is also strongly predisposed by surrounding factors such as earlier experiences and cultural influence. (shrink)

I offer a reading of Aristotle’s “doctrine of the mean” that avoids two pitfalls: taking it as truistic, and taking it as involving the bizarre thesis that whenever one acts as reason directs, one’s action is mid-way between some extremes. The crucial point is that while Aristotle denies the existence of useful general ethical truths, he himself offers truths about the likelihoods with which rationality will require actions of certain types; and it is with such truths that the statistical idea (...) of the mean gets a foothold in his theory of the virtues. (shrink)

Des pratiques artistiques aux discours sur l’immigration, les présences qui nous hantent en masse vivent de la tension entre leurs réalités médiales, nos désirs d’immédiateté et nos rêves d’immunité. Ce sont les plis générés entre ces trois registres qui rendent nos modes de présence très compliqués.

The paper explores medieval representations of potentates with maps, a model for showcasing spatial power still in use today. It shows that in different contexts of transmission – in texts and images or as elements of reconstructed palace furnishing – maps are always ingredients of a complex medial situation conveying perceptions of the nature of rulership to an educated public. Representing general or concrete claims on space, they interact individually with recurrent components of the stylisation of power-bearers, such as (...) representations of divine and genealogical legitimation, and of knowledge and virtues. (shrink)

The paper deals with the problematic of concept and image as independent forms of mediating the thought. A specific role in incorporating the media of concept and image into the system of thought is played by the mediality itself, which operates as an entity mediating between heterogeneous worlds. The symbolized messages of the concept and image thus represent using the dispositive of representation between the visual and intellectual worlds. The author takes the concept as the initial form of thought, which (...) describes the object from the perspective of its being without making any propositions about it; the image, on the other hand, is taken as a sensory representation of the object. However, each of them is only a particular form of mediation. Representing a concept thus means taking the thought as a conceptual representation. (shrink)