In this book, Sorensen presents the first general theory of the thought experiment. He analyses a wide variety of thought experiments, ranging from aesthetics to zoology, and explores what thought experiments are, how they work, and what their positive and negative aspects are. Sorensen also sets his theory within an evolutionary framework and integrates recent advances in experimental psychology and the history of science.

Can merely thinking about an imaginary situation provide evidence for how the world actually is--or how it ought to be? In this lively book, Roy A. Sorensen addresses this question with an analysis of a wide variety of thought experiments ranging from aesthetics to zoology. Presenting the first general theory of thought experiment, he sets it within an evolutionary framework and integrates recent advances in experimental psychology and the history of science, with special emphasis on Ernst Mach and Thomas Kuhn. (...) Sorensen explores what thought experiments are, how they work, and what their virtues and vices are. In his view, philosophy differs from science in degree, but not in kind. For this reason, he claims, it is possible to understand philosophical thought experiments by concentrating on their resemblance to scientific relatives. Sorensen assesses the hazards of thought experiments and grants that there are interesting ways in which the method leads us astray, but attacks most scepticism about thought experiments as arbitrary. He maintains that they should be used--as they generally are--as part of a diversified portfolio of techniques, creating a network of cross-checks that make for impressive reliability. (shrink)

It is well established that prior knowledge influences reconstruction from memory, but the specific interactions of memory and knowledge are unclear. Extending work by Huttenlocher et al. (Psychological Review, 98 [1991] 352; Journal of Experimental Psychology: General, 129 [2000] 220), we propose a Bayesian model of reconstructive memory in which prior knowledge interacts with episodic memory at multiple levels of abstraction. The combination of prior knowledge and noisy memory representations is dependent on familiarity. We present empirical evidence of the influences (...) of prior knowledge at multiple levels of abstraction, showing that the reconstruction of familiar objects is influenced toward the specific prior for that object, while unfamiliar objects are influenced toward the overall category. (shrink)

You face two buttons. Pushing one will destroy Greensboro. Pushing the other will save it. There is no way for you to know which button saves and which destroys. What ought you to do? Answer: You ought to make the correct guess and push the button that saves Greensboro. Second question: Do you have an obligation to push the correct button?

This editorial points back to the papers published in volume 18. It also announces the transfer of the position of main editor of Outlines – critical practice studies.One of the papers in vol. 18 relates directly to what is foundational to Outlines - critical practice studies: The encouragement of critique. For this reason it has been given some extensive attention here. Raffnsøe wrote: What is critique? Critical turns in the age of criticism.

The aim of this paper is to show how thought experiments help us learn about laws. After providing examples of this kind of nomic illumination in the first section, I canvass explanations of our modal knowledge and opt for an evolutionary account. The basic application is that the laws of nature have led us to develop rough and ready intuitions of physical possibility which are then exploited by thought experimenters to reveal some of the very laws responsible for those intuitions. (...) The good news is that natural selection ensures a degree of reliability for the intuitions. The bad news is that the evolutionary account seems to limit the range of reliable thought experiment to highly practical and concrete contexts. In the fifth section, I provide reasons for thinking that we are not as slavishly limited as a pessimistic construal of natural selection suggests. Nevertheless, I promote the idea that biology is a promising source of predictions and diagnoses of thought experiment failures. (shrink)

Can God create a stone too heavy for him to lift? Can time have a beginning? Which came first, the chicken or the egg? Riddles, paradoxes, conundrums--for millennia the human mind has found such knotty logical problems both perplexing and irresistible. Now Roy Sorensen offers the first narrative history of paradoxes, a fascinating and eye-opening account that extends from the ancient Greeks, through the Middle Ages, the Enlightenment, and into the twentieth century. When Augustine asked what God was doing before (...) He made the world, he was told: "Preparing hell for people who ask questions like that." A Brief History of the Paradox takes a close look at "questions like that" and the philosophers who have asked them, beginning with the folk riddles that inspired Anaximander to erect the first metaphysical system and ending with such thinkers as Lewis Carroll, Ludwig Wittgenstein, and W.V. Quine. Organized chronologically, the book is divided into twenty-four chapters, each of which pairs a philosopher with a major paradox, allowing for extended consideration and putting a human face on the strategies that have been taken toward these puzzles. Readers get to follow the minds of Zeno, Socrates, Aquinas, Ockham, Pascal, Kant, Hegel, and many other major philosophers deep inside the tangles of paradox, looking for, and sometimes finding, a way out. Filled with illuminating anecdotes and vividly written, A Brief History of the Paradox will appeal to anyone who finds trying to answer unanswerable questions a paradoxically pleasant endeavor. (shrink)

First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

This article investigates points of intersection between medievalism and memory. It mainly focuses on the formative period of the 19th century when the Norse past, the so-called Viking Age, as well as Old Norse mythology became integral parts of Danish national identity. The article homes in on Adam Oehlenschl.ger’s rejuvenation of the mythological materials and his reflections on the usefulness of the local mythologies, both for a national spirit and for poetic renewal. It is demonstrated that 19th century medievalism, with (...) its focus on mythology, essentially was a project of cultural memory, that is, of recollecting knowledge from culture’s childhood, and, additionally, that poetry, and with that imagination, plays a prominent role for the construction of a meaningful past. (shrink)

If there is to be any progress in the debate about what sort of positive moral status Kant can give the emotions, we need a taxonomy of the terms Kant uses for these concepts. It used to be thought that Kant had little room for emotions in his ethics. In the past three decades, Marcia Baron, Paul Guyer, Barbara Herman, Nancy Sherman, Allen Wood and others have argued otherwise. Contrary to what a cursory reading of the Groundwork may indicate, Kant (...) thinks the emotions play an important role in the moral life. I want to extend the work of Baron, Guyer, Herman, Sherman and Wood in three ways. First, I will set out in a diagram Kant's taxonomy of feelings and emotions. Agreement on such a taxonomy should make it easier to evaluate debates about Kant and the emotions. Second, I will focus on a certain subclass of emotions – reason-caused affects – that have previously received little attention, even from these Kant scholars. Third, these scholars base much of their defence of Kant on his later works – especially the Metaphysics of Morals and the Anthropology – but Kant's fairly rich taxonomy of the emotions, including reason-caused affects, is clearly in place at least as early as the Critique of Judgment . I believe that the Critique of Judgment is an importantly ignored resource for understanding the moral role of the emotions for Kant. The third Critique makes positive, philosophically interesting claims about the emotions and morality. Kant emphasizes certain roles for emotions in this work that he develops to the same extent nowhere else. Nevertheless, the Critique of Judgment goes all but unmentioned by many who write on these issues. In what follows, I will defend as many of my claims as possible using the third Critique. (shrink)

Based on a series of lectures delivered in 1840, Thomas Carlyle’s_ On Heroes, Hero-Worship, and the Heroic in History_ considers the creation of heroes and the ways they exert heroic leadership. From the divine and prophetic to the poetic to the religious to the political, Carlyle investigates the mysterious qualities that elevate humans to cultural significance. By situating the text in the context of six essays by distinguished scholars that reevaluate both Carlyle’s work and his ideas, David Sorensen and Brent (...) Kinser argue that Carlyle's concept of heroism stresses the hero’s spiritual dimension. In Carlyle’s engagement with various heroic personalities, he dislodges religiosity from religion, myth from history, and truth from “quackery” as he describes the wondrous ways in which these “flowing light-fountains” unlock the heroic potential of ordinary human beings. (shrink)

Stepping into the other guy’s shoes works best when you resemble him. After all, the procedure is to use yourself as a model: in goes hypothetical beliefs and desires, out comes hypothetical actions and revised beliefs and desires. If you are structurally analogous to the empathee, then accurate inputs generate accurate outputs---just as with any other simulation. The greater the degree of isomorphism, the more dependable and precise the results. This sensitivity to degrees of resemblance suggests that the method of (...) empathy works best for average people. The advantage of being a small but representative sample of the population will create a bootstrap effect. For as average people prosper, there will be more average descendants and so the degree of resemblance in subsequent generations will snowball. Each increment in like-mindedness further enhances the reliability and validity of mental simulation. With each circuit along the spiral, there is tighter and tighter bunching and hence further empowerment of empathy. The method is self-strengthening and eventually molds a population of hyper-similar individuals---which partly solves the problem of other minds. (shrink)

The eclipse riddle -- Seeing surfaces -- The disappearing act -- Spinning shadows -- Berkeley's shadow -- Para-reflections -- Para-refractions : shadowgrams and the black drop -- Goethe's colored shadows -- Filtows -- Holes in the light -- Black and blue -- Seeing in black and white -- We see in the dark -- Hearing silence.

A Cabinet of Philosophical Curiosities is a collection of puzzles, paradoxes, riddles, and miscellaneous logic problems. Depending on taste, one can partake of a puzzle, a poem, a proof, or a pun.

Prize: One hundred dollars to the first person who identifies a picture of a logical impossibility. I may be willing to pay more for the painting itself. This finder’s fee is simply for pointing out the picture. Let me explain more precisely what I seek.

Prize: One hundred dollars to the first person who identifies a picture of a logical impossibility. I may be willing to pay more for the painting itself. This finder’s fee is simply for pointing out the picture. Let me explain more precisely what I seek.

What is the relevance to praiseworthiness and blameworthiness of what one would have done in other, counterfactual circumstances? I defend a moderate form of actualism: what one would have done is important, but less so than what one actually does.

My thesis is that ‘rational’ is an absolute concept like ‘flat’ and ‘clean’. Absolute concepts are best defined as absences. In the case of flatness, the absence of bumps, curves, and irregularities. In the case of cleanliness, the absence of dirt. Rationality, then, is the absence of irrationalities such as bias, circularity, dogmatism, and inconsistency.

In ”Formal Problems about Knowledge,” Roy Sorensen examines epistemological issues that have logical aspects. He uses Fitch's proof for unknowables and the surprise test paradox to illustrate the hopes of the modal logicians who developed epistemic logic, and he considers the epistemology of proof with the help of the knower paradox. One solution to this paradox is that knowledge is not closed under deduction. Sorensen reviews the broader history of this maneuver along with the relevant alternatives model of knowledge which (...) assumes that ”know” is an absolute term like ”flat.” Sorensen argues that the difference between epistemic absolute terms and extensional absolute terms gives rise to an asymmetry that undermines recent claims that there is a structural parallel between the supervaluational and epistemicist theories of vagueness, and he suggests that we have overestimated the ability of logical demonstration to produce knowledge. (shrink)

Sorensen here offers a unified solution to a large family of philosophical puzzles and paradoxes through a study of "blindspots": consistent propositions that cannot be rationally accepted by certain individuals even though they might by true.

Seizing the opportunity to apply what they had learned, the students declared a cheating competition. Outspoken participants (future lawyers, politicians, and captains of industry) bragged about their ruses. But to their chagrin, an ethics student prevailed.

In _Plato on Democracy and Political technē_ Anders Dahl Sørensen offers an in-depth investigation of Plato’s discussions of democracy’s ‘epistemic potential’, arguing that this question is far more central to his political thought than is usually assumed.

Imagine a child playing in the afternoon sun, suddenly jerking her arm one way then the other, trying to catch her shadow out. The game, the child soon learns, is one that she can never win. Her shadow moves the moment she does. Such childish games father common sense wisdom; when things move, so do their shadows. Or do they? A spinning sphere casts a shadow. But does its shadow also spin? The question takes you by surprise. Surely not? you (...) think. But then again, why not? This is the trope of Sorensen’s work. A seemingly simple phenomenon is probed in just the right way and, without warning, you are unsure what to say. (shrink)