The Aqedah in Jewish tradition is an alleged theology for the sacrifice of Isaac which has an atoning concept and has influenced the atonement theology of the New Testament (NT), but it has not been proved by the NT. The purpose of this article is to investigate all verses in the NT that are alleged to refer to Abraham’s offering of Isaac. The reflections of Genesis 22 in the NT verses do not grant atoning power to the (...) sacrifice of Isaac. Abraham’s portrait suggests Christ as the Beloved Son, but the vicarious death of Jesus on the Cross is unrelated to Isaac in Genesis 22. Isaac is the type of Christ only in the preparation of death. Jesus as the Tamid lamb (not as the Paschal lamb) refers to Genesis 22 without granting expiation of sin by Isaac. The resurrection motif as well as the promise-fulfilment scheme referring to Genesis 22 also does not validate the Aqedah. Thus, the NT does not assume the Aqedah.Keywords: Aqedah; sacrifice of Isaac; Genesis 22; canonical interpretation; typology; OT-NT relation, Jewish tradition, Jewish influence on the NT. (shrink)

Kierkegaard raises many issues in his account of the near sacri­fice of Isaac by his father. Responding to and critiquing Hegelian and Kantian depictions of Abraham, Kierkegaard moves to elevate Abraham into a position as a knight of faith. The Sunnī perception of the incident in the exegetical tradition is far more ethically unequivocal than that of the Latin philosophical tradi­tion. The ubiquitous Sufi theorist, Ibn ʿArabī, however, in a single act of interpretive ingenuity, managed to extirpate the central (...) root of contention raised by the philosophers when he alleges that Abraham was only ever commanded to sacrifice a ram. Despite his abiding commitment to spiritual unveiling and his insistence on the personal nature of God, Ibn ʿArabī advo­cates the employment of a Kantian criterion of universal ratio­nality to adjudicate between literal and metaphorical dreams. (shrink)

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

In the recently published Papyrus Bodmer 30 one of the six poems deals with the story of Genesis 22. At many places the poem drastically deviates from the biblical text, and the editors of the papyrus are insufficiently aware of the background of these deviations. In this article the authors demonstrate that almost all of them have their background in a centuries long process of both Jewish and Christian reflection on this biblical chapter. It is the very specific ‘Wirkungsgeschichte’ of (...) Gen. 22 that explains most of the poem’s specifics. (shrink)

Abraham! Abraham! is an adventure in contemporary theology addressing the akedah (the binding or sacrifice of Isaac) inspired by Kierkegaard and by the Hasidim, especially Rabbi Nachman of Breslav and Rabbi Mordecai Joseph Leiner of Izbica. Gellman presents his version of Kierkegaard and compares and contrasts this with Hasidic thinkers. He then proceeds to employ Kierkegaardian and Hasidic themes to develop a contemporary reading of the story, and, in contrast, presents an understanding of the akedah from Sarah's point (...) of view. Appealing to a wide range of readers interested in existentialism, Hasidism, Christian thought, and feminist thought, Jerome Gellman illustrates the richness in Kierkegaard and Hasidic writings on the akedah. (shrink)

The obedience leitmotif complements the tension centered in the sacrifice and enables the good news of Isaac's salvation to stand as a reaffirmation of the patriarchal promise.

I argue that the story of God’s commanding Abraham to sacrifice Isaac can be read as a variant of Kavka’s (1983) Toxin Puzzle. On this reading, Abraham has no reason to kill Isaac, only reason to intend to kill Isaac. On one version of the Kavkan reading, it’s impossible for Abraham, thus situated, to form the intention to kill Isaac. This would make the binding an impossible story: I explore the ethical and theological consequences of (...) reading the story in this way. Finally, I suggest that analytic philosophers may have more to contribute to interpretive projects in philosophical theology than generally practiced. (shrink)

Modern readers appalled by Abraham's unquestioning obedience to a divine command to slaughter his son on the altar of sacrifice readily and repeatedly comply with governmental calls to sacrifice their own and others' children on the battlefield. But the God who interrupts the sacrifice of Isaac awakens Abraham and modern readers from the idolatrous nightmare of a patriotism that commands and blesses the sacrificial slaughter of our children.

Name der Zeitschrift: Naharaim Jahrgang: 10 Heft: 2 Seiten: 175-194.

In The Philosophy of Hebrew Scripture, Yoram Hazony suggests that it is part of Rabbinic tradition that in the Akedah, Abraham never intended to sacrifice Isaac. In a recent paper, Sam Lebens argued that in making this claim, Hazony is misrepresenting Rabbinic tradition. In this paper, I show that Hazony can concede to Lebens’s argument and still have something interesting to say about the Akedah, namely, that it provides an opportunity to reflect on what might happen when a (...) ‘Shepherd’ is commanded by God to violate what they understand to be a principle of natural law. (shrink)

Would the Jewish tradition agree with Søren Kierkegaard's claim that the biblical episode of Abraham's near-sacrifice of Isaac represents a fearful "teleological suspension of the ethical"? After surveying a variety of classical Jewish sources, the author concludes that Kierkegaard's interpretation has almost no resonance within the Jewish tradition. Rather than involving a suspension of the ethical, this episode is viewed by Jewish writers as involving a moment of supreme moral responsibility on the part of both God and man. (...) This treatment of the biblical episode points up a central fact about the Jewish tradition: although Judaism is unquestionably an ethical tradition based on the divine command, it is also a tradition of human autonomy and reason. If Jews have regarded God's commands as absolute, they have also found it unthinkable that these commands should ultimately defy our human sense of right and wrong. (shrink)

No doubt all are familiar with the story of Abraham, of whom God demanded the sacrifice of his son, Isaac, and who, at the last minute, received from this same God the order not to touch the child since it was by then certain that Abraham would not refuse to do so. Ultimately, as the Bible itself seems to say, was this not simply a test in those remote times when, after all, sacrifice was a common occurrence? (...) And so, perhaps, we might think this is all there is to this story, simply a matter of fear. Nevertheless, how can we not be amazed by the seeming gratuity of such an ordeal? Was not Abraham, and already since a very long time, the chosen one of God? Can we not, then, ask if a more attentive reading of the texts will provide a more substantial message? (shrink)

God demands that Abraham sacrifice his son Isaac. Why? Kierkegaard tells us that God requires of Abraham a "teleological suspension of the ethical." In this essay I explore the meanings of the Ethical, God, and Faith in an effort to make sense of this phrase, and, more broadly, of the biblical story itself.

Nondualism, ontology, and anthropology -- Anthropology and the synthetic a priori: Wittgenstein and Merleau-Ponty -- Blind faith and the binding of Isaac: the Akedah -- Excursus I: sacrifice as human existence -- Counter-sacrifice and instrumental reason: the Holocaust -- Bourdieu's anti-dualism and "generalized materialism" -- Habermas's anti-dualism and "communicative rationality" -- Technological efficacy, mythic rationality, and non-contradiction -- Epistemic efficacy, mythic rationality, and non-contradiction -- Contradiction and choice among the Dinka and in Genesis -- Contradiction in Azande (...) oracular practice and in psychotherapeutic interaction -- Epistemic and ethical gain -- Transcending dualism and amplifying choice -- Excursus II: what good, ethics? -- Anthropology and the generative primacy of moral order -- Conclusion: Emancipatory selfhood and value-rationality. (shrink)

This collection brings together seven essays that link the work not only with other philosophers, such as Adorno, Heidegger and Westphal, but it is also related to the so-called 'non-metaphysical' approach to Hegel and to the debate on the 'ethics of belief'. Questions are raised about Kierkegaards' 'Fear and Trembling' and religious diversity, historical criticism, and authorial intent, and the work is approached from within poetry (Erik Johan Stagnelius) and drama (Paul Claudel), and also from within one contributor's personal experiences (...) with theological education. In this way, the seven contributions brought together in the present book offer something of a panoramic view on 'Fear and Trembling', a view that may inspire to either turn or return to Kierkegaard's most famous book, and let oneself, for the first time or once more, be challenged, disturbed, and maybe even repelled by this text that reflects on a father that is, or at least seems, willing to sacrifice his only son because God ordered him to do so. (shrink)

_The Gift of Death_, Jacques Derrida’s most sustained consideration of religion, explores questions first introduced in his book _Given Time_ about the limits of the rational and responsible that one reaches in granting or accepting death, whether by sacrifice, murder, execution, or suicide. Derrida analyzes Czech philosopher Jan Patocka’s _Heretical Essays in the Philosophy of History _and develops and compares his ideas to the works of Heidegger, Lévinas, and Kierkegaard. One of Derrida’s major works, _The Gift of Death_ resonates (...) with much of his earlier writing, and this highly anticipated second edition is greatly enhanced by David Wills’s updated translation. This new edition also features the first-ever English translation of Derrida’s _Literature in Secret_. In it, Derrida continues his discussion of the sacrifice of Isaac, which leads to bracing meditations on secrecy, forgiveness, literature, and democracy. He also offers a reading of Kafka’s _Letter to His Father_ and uses the story of the flood in Genesis as an embarkation point for a consideration of divine sovereignty. “An important contribution to the critical study of ethics that commends itself to philosophers, social scientists, scholars of religion... [and those] made curious by the controversy that so often attends Derrida.”—_Booklist_, on the first edition. (shrink)

This paper concerns Kierkegaard's notion of a teleological suspension of the ethical, which is presented by his pseudonym Johannes de Silentio in Fear and Trembling in connection with the biblical narrative of Abraham's sacrifice of Isaac. Against prevailing readings, I argue that Abraham's suspension of the ethical does not consist in his violating the ethical in order to satisfy a higher normative requirement. Rather, it consists in his preparedness to violate an overriding ethical norm, even where he does (...) not believe that there is some competing requirement that such a violation will satisfy - indeed, even where he believes that he has no reason to commit the violation and conclusive reason not to. Abraham's faith, as expressed in the teleological suspension, consists not in his willingness to obey God or his recognition that God's authority overrides that of the ethical; it consists in his trustful confidence that what seems certain - that he will have committed a monstrous wrong - will not obtain, a confidence that is best understood as a practical orientation toward the world rather than a propositional attitude such as a belief. I argue that this way of interpreting the teleological suspension makes the sections in which that phenomenon is discussed cohere better with the text's earlier sections than standard readings, and shows Kierkegaard's conception of faith to be more radical and more interesting than is commonly supposed. (shrink)

The Gift of Death, Jacques Derrida’s most sustained consideration of religion, explores questions first introduced in his book Given Time about the limits of the rational and responsible that one reaches in granting or accepting death, whether by sacrifice, murder, execution, or suicide. Derrida analyzes Czech philosopher Jan Patocka’s Heretical Essays in the Philosophy of History and develops and compares his ideas to the works of Heidegger, Lévinas, and Kierkegaard. One of Derrida’s major works, The Gift of Death resonates (...) with much of his earlier writing, and this highly anticipated second edition is greatly enhanced by David Wills’s updated translation. This new edition also features the first-ever English translation of Derrida’s Literature in Secret. In it, Derrida continues his discussion of the sacrifice of Isaac, which leads to bracing meditations on secrecy, forgiveness, literature, and democracy. He also offers a reading of Kafka’s Letter to His Father and uses the story of the flood in Genesis as an embarkation point for a consideration of divine sovereignty. “An important contribution to the critical study of ethics that commends itself to philosophers, social scientists, scholars of religion... [and those] made curious by the controversy that so often attends Derrida.”—Booklist, on the first edition. (shrink)

This article claims to dispute Derrida’s interpretation of Isaac’s sacrifice proposed in Donner la mort by means of three sources: 1) midrashic sources, which impose to read the sacrifice not as a requirement of murder, but as sacrifice of the sacrifice; 2) the phenomenology of Levinas which allows to measure the violence of the interpretation of Derrida and to return the biblical episode to the complications of the relationships between ethics and rationality; 3) the phenomenology (...) of Marion, which, by refusing to interpret this biblical episode as a sacrifice following its common concept, proposes a phenomenological interpretation which returns the sacrifice to the conceptuality of the gift and donation, considered as impossible by Derrida. Far from being conflicting ways, these three layers of analysis can be capitalized and mutually validated. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Pound of Flesh: Lacan’s Reading of The Visible and the InvisibleCharles Shepherdson (bio)This cut in the signifying chain alone verifies the structure of the subject as discontinuity in the real.—Lacan, “Subversion of the Subject”This moment of cut is haunted by the form of a bloody scrap—the pound of flesh that life pays in order to turn it into the signifier of signifiers, which it is impossible to restore, (...) as such, to the imaginary body.—Lacan, “Direction of the Treatment”A philosophy of the flesh is the condition without which psychoanalysis remains anthropology.—Merleau-Ponty, The Visible and the Invisible1. The Limit of LanguageWhen The Visible and the Invisible was published in 1964, Lacan was teaching for the first time at the École normale supérieure. In the fall of 1963, the previous semester, the French Society for Psychoanalysis had excluded Lacan from its list of approved training analysts, which also meant his rejection from the society founded by Freud himself, the International Psychoanalytic Association. 1 As a result, Lacan cancelled his seminar at Sainte-Anne [End Page 70] Hospital, where it had been running for ten years, and began teaching for the first time before a university audience (at the invitation of Fernand Braudel, Claude Lévi-Strauss, Louis Althusser, and other supporters who had arranged for him to continue his teaching). Philosophers like Jean Wahl and Jean Hyppolite had of course taken an interest in his work for many years, but this was the first time that participants in his seminar no longer needed the special credentials required to enter the psychiatric clinic at the teaching hospital. The seminar was now open to the public, was considerably larger than it had ever been, and its participants came mainly from the university. Lacan was now obliged to make a case for his work before the academic world.The seminar he had planned for that year was called Les noms-du-père (The Names-of-the-Father), but only one session took place. 2 When he moved from Sainte-Anne to the École normale, he offered a different course, which was published as Seminar XI: The Four Fundamental Concepts of Psychoanalysis, although it was originally entitled Les fondements de la psychanalyse (The Foundations of Psychoanalysis). 3 It is clear, therefore, that this seminar constitutes a new beginning of sorts, a return to fundamental principles. It also involves a concerted effort, on Lacan’s part, to prove himself.If we begin with these historical details, it is not because of their intrinsic importance, or because a theoretical text can be reduced to its historical milieu, but because Lacan’s remarks on The Visible and the Invisible can be grasped only if we recognize the specific concerns that occupied him during this course. 4Before we turn to that course, however, let us sketch its horizon more precisely. The ill-fated session from the Names-of-the-Father seminar, which has been published in the English (but not the French) edition of Television, contains an analysis of the “voice” which is very close to the account of the “gaze” that organizes his discussion of Merleau-Ponty [see Salecl and Zizek]. The session on the “voice” develops through a reading of the biblical account of Abraham and Isaac [see Derrida], which is in turn elaborated by reference to Caravaggio’s depiction of the sacrifice of Isaac and Kierkegaard’s Fear and Trembling—the entire session providing a brief summary of Lacan’s course on anxiety from the previous semester (the unpublished Seminar X: L’angoisse, 1962–63), in which Heidegger is never far away. 5 The context for his treatment of Merleau-Ponty is therefore extremely complex and overdetermined, opening in many directions, but at the same time it is extremely precise, in the sense that Lacan’s purpose in exploring these materials is not primarily philosophical, but concerns the development of a fairly narrow and technical point within psychoanalytic theory, namely, the problem of the drive. 6 [End Page 71]We thus have an initial orientation: as objects of the drive, the “voice” and the “gaze” are not properties of the subject (the... (shrink)

This article demonstrates a novel conceptualization of sublimity: the sublime in the pedestrian. This pedestrian mode of sublimity is exemplified by the Biblical Abraham, the central figure of Kierkegaard’s pseudonymous Fear and Trembling. It is rooted in the analysis of one of the foundational stories of the three monotheistic religions: Abraham’s averted sacrifice of his son Isaac. The defining feature of this new, pedestrian mode of sublimity is that is remains hidden behind what I call a total incognito. (...) It is similar to the classical ‘elevated mode of sublimity’ as developed by Burke, Kant, and Schiller insofar as it denotes two contrasting feelings at once: repulsion and attraction. It is different insofar as Kierkegaard’s pedestrian mode of sublimity remains hidden from view and can only be shown indirectly. This article expounds the new, pedestrian mode of sublimity by investigating the relation between the incognito and the sublime in Fear and Trembling. It achieves that goal by engaging three perspectives: (1) the sublime failure that comes to the fore in the incognitos of an imaginary Abraham; (2) the ‘fear without being afraid’ that is invoked by God’s incognitos; (3) the total incognito of the pedestrian which conceals Abraham’s sublimity. (shrink)

Exceptionally Common Courage provides an extended, close reading of Fear and Trembling, Kierkegaard's well-known, pseudonymous book about Abraham's sacrifice of Isaac. It then fits this (in)famous work into the broader and puzzling corpus that includes both other pseudonymous works and signed discourses by this same mercurial author. Though not the first to tackle Kierkegaard from the direction of either a single work or the whole authorship, this two-in-one book relates whole and part to whole and part in a (...) way that reads like a genuine musical counterpoint. The scholarly debates inevitably generated by any treatment of Fear and Trembling are here addressed in ways that arise from a detailed interpretation of the text itself without letting secondary material interrupt the primary train of thought. Along the way, Kierkegaard's ideas are brought into conversation with a much broader than usual cannon of interlocutors, including such figures as Elizabeth Stuart Phelps and James Baldwin, R.H. Tawney and Wendell Berry. And by the end, the complex movement of the entire authorship becomes audible above the various isolated and doctrinaire notes typically highlighted in comparable studies. The recurring melody is about existential courage, about the risk of emotionally investing in earthly goods against the ambiguous inevitability of their loss. Woven throughout Kierkegaard's so-called esthetic and religious writings, this common task of facing threats to the integral meaning of human experience stands out in arresting color. As the chapters unfold, this understanding of faith as a form of courage provides not just direction, but a topographical score for what is originally a highly indirect and elusive textual arrangement. (shrink)

The rate at which women and girls have been ‘butchered’ in Africa before and during the COVID-19 pandemic suggests that violence against women in patriarchal settings is more tolerable. According to Exodus 21:12, Leviticus 24:17, Deuteronomy 12:312, 2 Kings 17:31 and Isaiah 66:3, murder and human sacrifice are an abomination and defile the land. Unfortunately, it is heartbreaking to note how the murder of women finds justification, as shown in Judges 11:31–40. Ironically, in Genesis 22:13, the sacrifice of (...) Isaac is prevented through the provision of a sacrificial lamb. In this conversational platform, an African women’s hermeneutical lens to Judges 11:31–40 enables one to reimagine female bodies and motherhood as a theological phenomenon. It is proposed that ‘Sharon’s blood’ presents murdered women as Mother Earth’s sacrificial lambs of Africa, whose lives do not go unnoticed by God. Reimagining female bodies and motherhood as a theological phenomenon arguably enables the voices of murdered women to cry for justice from beyond the grave. If ‘the Sharons’ and their unborn babies do not receive justice, the ground continues to be defiled by human blood and remains ‘cursed’ (Mi 6:15). We will plant but not harvest; hence, there is a direct relationship between female bodies, motherhood and Mother Earth. One therefore asks: can scholarly conversational platforms enable murdered women of African descent to cry for justice from beyond the grave, allowing for life to flourish ‘again’? Contribution: This article contributed new knowledge to feminist studies by presenting murdered female victims of gender-based violence (GBV) as the sacrificial lambs of Mother Africa, whose innocent blood continues to cry for justice from beyond the grave. From an African hermeneutical lens, this research article reimagined female bodies and motherhood as a theological phenomenon in order to arguably enable the voices of murdered women to cry for justice from beyond the grave. (shrink)

The article concentrates on motifs and ideas of biblical origin in the post-war literary output of Roman Brandstaetter, presented at different textual levels. The author of the paper considers motifs which are the most frequent and significant for writer’s artistic visage, like the prodigal son, the sacrifice of Isaac, the fight against the angel, the abyss, the imitation of God, the incarnation. The aim is to describe the transformations of the motifs and the ideas, to trace them to (...) their biblical source, and to interpret their functions in the texts. Brandstaetter’s work is interpreted in the light of the Catholic theology, the Christian tradition (included mysticism) and the whole text of the Bible, both Old and New Testament. (shrink)

This paper takes Luc and Jean-Pierre Dardenne’s film Le Fils and its critical reception as an occasion to explore Gilles Deleuze’s proposition that cinema’s capacity to show belief in this world—as a secular corollary to Søren Kierkegaard’s religious belief as a leap of faith—is one avenue by which the medium might rediscover its pertinence after the demise of the movement-image. Previous interpretations of The Son have taken up the film’s connection with the story of Abraham’s sacrifice of Isaac (...) to argue that the film’s ethical stance rests in its allusion to and rejection of the conception of faith demonstrated in the Hebrew Bible... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Fatherhood and the Promise of EthicsKelly Oliver (bio)Both Paul Ricoeur and Emmanuel Levinas reject the Freudian/Lacanian association of father with law and instead associate fatherhood with promise. For Ricoeur, fatherhood promises equality through contracts, while for Levinas, fatherhood promises singularity beyond the law. The tension between equality and singularity, between law and something beyond the law, is what is at stake in Derrida’s The Gift of Death. There, Derrida (...) describes ethics as a paradox between the universal and the individual, between equality and singularity. Kierkegaard’s reading of the story of Abraham and Isaac from Genesis is the centerpiece of Derrida’s analysis. If we read The Gift of Death, with its focus on this story of father and son, in relation to Ricoeur and Levinas on the question of fatherhood, it reads as the culmination of a dialectical tension between the two. And if we read the Abraham story as a legend about father-son relations rather than just a parable of faith, The Gift of Death appears to uncover not just the paradoxical logic of ethics but also the uncompromising logic of patriarchy and paternal authority.Paternity Begets FraternityIn “Fatherhood: from Phantasm to Symbol” Ricoeur describes fatherhood as a battle of wills struggling for recognition. He brings together what he calls the different perspectives of psychoanalysis, phenomenology, and religion in order to rearticulate the oedipal situation as a process of recognition (rather than a structure) which moves from the father as phantasm to the father as symbol and replaces images of real murder with symbolic sacrifice. Through his dialectical analysis, Ricoeur himself attempts to articulate a recognition of fatherhood that moves us away from the phantasm of the father as castrator to the symbol of the father as compassionate. Relying on Hegelian dialectics, Ricoeur outlines a movement from psychoanalysis’s fantastic image of an omnipotent father who must be killed so that the son might live, through Phenomenology of Spirit’s master-slave dialectic, to the Christian religious representation of the loving father sacrificing Himself through His son for the sake of all His children. In this higher stage of the dialectic of paternity, the murder of the father is replaced by his sacrifice. Oddly, however, Ricoeur’s dialectic remains at the level of the master-slave fight to the death, where—without the Hegelian resolution—the only options available to insure the recognition of the father by the son (or the son by the father) are murder or suicide. For Ricoeur, recognition requires death, symbolic if not imaginary, whereas Hegel insists that recognition comes only when the master and slave are willing to risk death but also realize the necessity of avoiding it; mutual recognition cannot be maintained if one of the parties is dead.For Ricoeur, recognition does not necessitate avoiding death but rather moving away from the realm of the family and the body to the level of the social and the law. In order for the father-son relationship to be one of mutual recognition, the father must sacrifice his absolute authority so that the son might also participate in it. The goal of recognition is equality, which can be achieved only through social contracts that abstract from the particulars of embodied familial relations. One such social operation is designation, [End Page 45] which is removed from the realm of the bodily drives that motivate the oedipal scenario. Designation requires the sublimation of bodily drives into abstract laws that can equalize bodies by turning them into symbols.The move from psychoanalysis to Christianity is a move from a domestic family to a social family: through God the Father’s sacrifice of His son, we all become members of the Christian family; we all become children of God. For Ricoeur, it is not that God is the Father because He gives the Law. Rather, the law, the covenant or contract, enables Him to be recognized as father [490]. Ricoeur implicitly rejects the Lacanian association of the Father with the Law or the Name. He claims that there is no Name of the Father. “Father” is not a name but a designation [Ricoeur 485]. And the father’s proper name is... (shrink)

Abraham has played a prominent role in recent developments in phenomenology and, in particular, continental philosophy of religion. This paper examines the importance that the scene of Genesis 22 plays in both Jacques Derrida and Jean-Luc Marion’s contributions to continental philosophy of religion. Specifically, I argue that Derrida and Marion turn to this scene of the binding of Isaac in order to describe the way in which our ethical life is structured religiously around the theme of sacrifice. In (...) this, sacrifice brings an impetus to ethical life that includes a comportment to the other but also extends beyond the other to include the givenness of phenomena themselves. (shrink)

The purpose of this paper is to show that the various layers of meaning in Kierkegaard’s Fear and Trembling are embedded in a hidden, new Christian communication. I trace the traditional Christian understanding of the “sacrifice of Isaac,” in which Isaac is the prefiguration of Jesus, and then argue that Kierkegaard departed from this traditional teaching to make Abraham the Christ-figure of the story. To Kierkegaard, Abraham is the true sacrifice of the story.

Louis Pojman has argued that Christian faith does not entail belief, or even assigning a probability of 1/2 to the claims of Christianity. However, this conclusion fails in many cases because of its ethical consequences. A Christian is committed by his faith to acting in accordance with Christian teaching. However, there are circumstances when it is morally impermissible to act in accordance to beliefs to which one assigns epistemic probability smaller than 1/2, namely when the action is prohibited by ethical (...) claims that one takes to be more probable. It is argued that in most cases such considerations preclude a person who assigns a probability of less 1/2 from being both committed both to Christianity and to the moral life. Matters are particularly clear in the paradigmatic faith-action of Abraham’s sacrifice of Isaac: this action would clearly be immoral if Abraham assigned a probability less than 1/2, or in fact any probability not very close to 1, to the existence of God. A moral version of Pascal’s wager is also discussed. (shrink)

This paper gives an account of the most significant elements of Derrida’s ethical thought, drawing on the desert of the Hebrew Bible, which Derrida associates with a moral law that is ethically troubling. Partly with reference to Kierkegaard’s account of the story of Abraham and Isaac, Derrida examines how ethical law can become subordinate to the sovereignty of the power apparently at the source of ethics which may then destroy moral law. The political equivalent of this is the decision (...) proposed by Carl Schmitt, drawing on Kierkegaard. Derrida’s famous statement that “deconstruction is justice” is the recognition that justice, and ethics in general, is caught between the formality of law and the violence of the sovereign power. One outcome of this is sacrifice as substitution, where ethics becomes recompense for violation through sacrifice. Sacrifice is the offering of a substitute. The substitution becomes repeated and itself is then the source of violence contravening some sense of ethics. Derrida’s attempts to escape from these deserts include a poetics which recognises the subjective and the aesthetic in the interpretation of law. It also includes the development of a form of sacrifice which is the individual responding to violation in an individualised way which cannot be substituted. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Christian Ethics and Commonsense Morality: An Intuitionist Account by Kevin JungAleksandar S. SantracChristian Ethics and Commonsense Morality: An Intuitionist Account Kevin Jung NEW YORK AND LONDON: ROUTLEDGE, 2014. 202 PP. $145.00In Christian Ethics and Commonsense Morality: An Intuitionist Account, Kevin Jung boldly constructs and defends a commonsense morality of intuition as a plausible ethical theory against both postmodern constructivist ethical systems and narrow objectivist theories. Following the antifoundationalist (...) ethical methods of postmodern approaches to reality and morality in chapter 1 and a moderate defense of realism in chapter 2, Jung attempts to save both objectivity and de-feasibility of moral realistic accounts, offering some modern reinterpretations of moral realism in chapters 3 and 4. All these forms of Wittgensteinian conceptions of realism unsatisfactorily lead to infinite regress in justifying claims because they are grounded only in the wishes, interests, and sentiments of the individual culture and society (60).After a brief introduction to the unique role of emotions in ethical theories, his investigation leads to reconciliation between objectivist naturalistic ethics [End Page 192] and theological forms of ethical theories. Theological ethicists can remain committed to intuitionism (objectivist and naturalistic forms of common morality) refined by particular religious expressions of morality (112). Intuitionism, broadly defined in chapter 7, is described as "initial appearances" (118); moral truths, according to Jung's intuitionist account, are "mediately self-evident" (128), not "immediately," because it still requires careful reflection and cognitive searching for objectivist grounds of morality. Jung's affirmation of the plausibility of intuitionism seems to be a final blow to all forms of postmodern and skeptical accounts of antifoundationalist forms of ethical theories; he successfully defends an intuitionist account of morality against its naturalist and religious critics.The last chapter offers three types of relationship between commonsense morality and Christian morality. The identity model reduces Christian morality to commonsense morality. The two-tier model considers Christian morality to be a superior form of morality with instrumental value of commonsense morality. And, finally, integration, Jung's favorite model, considers commonsense morality as neither identical nor subordinate but central to Christian morality (163). With this he affirms that Christian morality is unique not because of differences in moral beliefs but because "it is fully committed to recognizing the oneness of humanity and the universally accessible nature of basic moral truths for all human beings" (166). Jung's reflection is exceptionally insightful. Building the case as a good lawyer, he leads us to the defenseless nature of constructivist postmodern moral theories and their revisions as well as to a commitment of Christian morality to the objective commonsense morality. On this view, even heroic moral acts based on obedience to God (such as Christian sacrificial love) might be compatible with commonsense morality. It is surprising, however, that Jung never consulted or quoted Bernard Gert's account of the common morality, especially when discussing differences between moral duty and ideals (167). Additionally, Jung's argument that Christian morality is unexceptional since moral knowledge can be obtained through multiple sources in which God also reveals his will (178) does not sufficiently probe into the distinctiveness of God's sometimes radical demands of Jews/Christians (e.g., Abraham's sacrifice of Isaac), which come not from intuitionist accounts of objective natural reason or common sense but from faith. Christian saints are not heroes of general moral example but heroes of faith, a qualitatively different realm of human experience. Still, audiences interested in all aspects of ethics will greatly benefit from this superb engagement with recent discussions. [End Page 193]Aleksandar S. SantracWashington Adventist UniversityCopyright © 2017 Society of Christian Ethics... (shrink)

An interpretation of Kierkegaard’s most provocative work, in which the Danish philosopher makes the biblical account of Abraham’s sacrifice of Isaac the epitome of faith.

The purpose of this paper is to show that the various layers of meaning in Kierkegaard’s Fear and Trembling are embedded in a hidden, new Christian communication. I trace the traditional Christian understanding of the “sacrifice of Isaac,” in which Isaac is the prefiguration of Jesus, and then argue that Kierkegaard departed from this traditional teaching to make Abraham the Christ-figure of the story. To Kierkegaard, Abraham is the true sacrifice of the story.

The story of Abraham and Isaac belongs to the plots frequently recurring in the school drama of sixteenth century Europe. Two related texts are related in the article: Theodore de Bčze’s drama with the title Abraham sacrificanl (staged in Lausanne in 1550) and an anonymous Polish text dating from the end of the sixteenth century Ofiarowanie Izaaka [The Sacrifice of Isaac]. Both the dramas begin with the Prologue, heralding the main events of the story. The works share (...) a three-part, biblical structure (Ofiarowanie Izaaka is composed of three acts), the motif of a father’s love for his son, Abraham’s and Sarah’s care for their son, Abraham’s perplexity and finally the ending, where an angel, a pre-figuration of Christ, appears. The main differences lie in the way in which the protagonists have been grouped - the amusing characters of, among others, Achne, the servant, enrich the play with comical, realistic elements. The similarities between the two texts result not only from their chronology, the common repertoire of school theatres, and the cosmopolitan character of school education. The congruence (despite some apparent differences between the staging possibilities of Lausanne and Cracow) confirms a close relationship between Polish Renaissance drama and the culture of Western Europe and emphasizes its creative character in the presentation of Biblical plots, extending beyond the Bible. (shrink)

This attractive but difficult study begins with an avowal: Korff purposively writes against Kierkegaard. His main thesis is that the Danish philosopher beguiled himself in stating his relationship with Regina, the girl he had promised to marry, in terms of his relation to God. Kierkegaard played with her, using her for his poetical endeavors and philosophical reflections. Korff is not slow to point out a certain inversion of the normal in Kierkegaard's conception of love and his incapacity really to love (...) someone. Breaking up his relation with Regina as well as this attempt to transpose it to a spiritual level of a mystical betrothal with God, gave Kierkegaard the feeling of being free again. Korff sharply criticizes Kierkegaard's comparison of his "sacrifice" with the sacrifice of Isaac by Abraham : "Kierkegaard is less moved by religious seriousness than by the fascination of his own dialectic". He creates a representation of God according to his subjective feelings and dialectical needs of the moment. (shrink)

This paper discusses the logical space of alternative conceptual engineering projects, with a specific focus on (1) the processes, (2) the targets and goals, and (3) the methods of such projects. We present an overview of how these three aspects interact in the contemporary literature and discuss those alternative projects that have yet to be explored based on our suggested typology. We show how choices about each element in a conceptual engineering project constrain the possibilities for the others, thereby giving (...) rise to distinct groupings of possible projects under the banner of conceptual engineering. We conclude with a critical reflection on the potential ethical issues that arise as a result of effectively putting conceptual engineering into practice. (shrink)

In this rich and resonant work, Soren Kierkegaard reflects poetically and philosophically on the biblical story of God's command to Abraham, that he sacrifice his son Isaac as a test of faith. Was Abraham's proposed action morally and religiously justified or murder? Is there an absolute duty to God? Was Abraham justified in remaining silent? In pondering these questions, Kierkegaard presents faith as a paradox that cannot be understood by reason and conventional morality, and he challenges the universalist (...) ethics and immanental philosophy of modern German idealism, especially as represented by Kant and Hegel. This volume presents the first new English translation for twenty years, by Sylvia Walsh, together with an introduction by C. Stephen Evans which examines the ethical and religious issues raised by the text. (shrink)

This paper presents new data on the representation of women who publish in 25 top philosophy journals as ranked by the Philosophical Gourmet Report for the years 2004, 2014, and 2015. It also provides a new analysis of Schwitzgebel’s 1955–2015 journal data. The paper makes four points while providing an overview of the current state of women authors in philosophy. In all years and for all journals, the percentage of female authors was extremely low, in the range of 14–16%. The (...) percentage of women authors is less than the percentage of women faculty in different ranks and at different kinds of institutions. In addition, there is great variation across individual journals, and the discrepancy between women authors and women faculty appears to be different in different subfields. Interestingly, journals which do not practice anonymous review seem to have a higher percentage of women authors than journals which practice double anonymous or triple anonymous review. This paper also argues that we need more data on academic publishing to better understand whether this can explain why there are so few full-time female faculty in philosophy, since full-time hiring and tenuring practices presumably depend on a candidate’s academic publishing. (shrink)