Because there are governments, societies, and laws we have various obligations we otherwise would not have. This is at best trivial. But what is not trivial is how it is that we have these obligations. In this paper, I shall sketch an answer to this question.

Plural and conflicting values are often held to be conceptually problematic, threatening the very possibility of ethics, or at least rational ethics. Rejecting this view, Stocker first demonstrates why it is so important to understand the issues raised by plural and conflicting values, focusing on Aristotle's treatment of them. He then shows that plurality and conflict are commonplace and generally unproblematic features of our everyday choice and action, and that they do allow for a sound and rational ethics.

In the late thirteenth and early fourteenth centuries, the north of Scotland was, according to popular history, terrorized by the king’s son, Alexander Stewart. Known more commonly by the name Wolf of Badenoch, Alexander is remembered as a defier of royal rule, and a scourge upon the lords of the north. This paper seeks to unravel some of the complicated political relationships operating at this time, and to define specifically, that between Robert Stewart II and his son, Alexander Stewart.

Suddenly unable to walk, I found resources for facing disability in the works of Aristotle and Nietzsche, even though their respective ethical schemes are incommensurable. Implementing Amélie Rorty's notion of crop rotation, I show how each scheme offers the patient something quite indispensable, having to do with how each has its own judgmentally-motivated psychological underpinnings. Aristotle's notion of empathy, wherein the moral move occurs whenever we take up someone else's good as our own, is empowering, especially to those who face (...) an imperiled embodiment. However, Nietzsche teaches us that pity is demeaning both to the pitier and to the pitied, because it falsely assumes that life should be easy so that we are filled with ressentiment when it isn't. Those facing disability need empathy, not pity. The richness of this distinction is vividly conveyed in narratives that show how empathy and pity play out in lived situations, thereby avoiding the dissociation that too often characterizes ethical theorizing. By honoring narrative accounts of how these relational moves are either snagged or successfully made, the attuned moral agency of medical practitioners can be fostered. (shrink)

Stocker intends this book to redress the common failures of contemporary moral philosophers to see the importance of emotions for their field. His aim is not merely to point out deficiencies in current thinking about emotions and their place in ethics, however. It is also to show how emotions are important for ethics. The book is divided into ten chapters, four of which are written in collaboration with Elizabeth Hegeman, an anthropologist and psychoanalyst. The first seven present criticisms of (...) current thinking and argue for some general theses about the way emotions are related to values. The last three examine specific emotions, notably, compassion, pity, pride, shame, and anger. They serve to substantiate the general theses about the way emotions are related to values that the first seven chapters promote. In this review I will concentrate on the material in these first seven chapters. Though some of it is jointly authored, I will for convenience' sake mostly refer just to Stocker as the author. (shrink)

We reply to Scheffler's "Doing and Allowing.".

This essay offers a standard by which to assess the feasibility of market anarchism. In anarchist thought, the concept of feasibility concerns both the ability and the willingness of private defense agencies to liberate their clients from state oppression. I argue that the emergence of a single stateless pocket of effective, privately-provided defense for a “reasonable” length of time is sufficient to affirm feasibility. I then consider the failure of private defense agencies to achieve even this standard. Furthermore, I identify (...) five possible explanations for the conspicuous absence of private defense agencies. These explanations are entrepreneurial, technological, or economic in nature, or result from a lack of consumer demand or a lack of incentive for violence specialists to refrain from aggression. Of these, only an economic deficiency renders anarchism intrinsically unworkable. (shrink)

A dirty hands case is justified, obligatory or permissible, and morally wrong. It is argued that dirty hands are conceptually unproblematic and that they are instances of ordinary evaluative phenomena. Some ordinary cases of moral conflict are like dirty hands in that they are entirely justified, yet regrettable. The analysis shows that such cases involve double counting––the disvalue is counted once and overridden in the act‐guiding evaluation, and counted again later as the object of the moral emotions and as being (...) a disvalue. In addition, dirty hands are cases in which what is morally required is also immoral, and therefore regrettable. Shows that ethical theories can and should account for the existence of moral choices involving acts that are justified, even obligatory, yet nevertheless wrong, shameful, and regrettable. (shrink)

Takes up particular issues of conflict and plurality in Aristotle's ethics and moral psychology. Argues that Aristotle explicitly allows for dirty hands as well as conflicts of values and of desires. This involves discussing issues in Aristotle's treatment of voluntariness, mixed acts, eudaimonia, and pleasure. It is argued that for Aristotle, being a good person does not mean that choices among values can be executed lightly, nor does it ensure that the good never experience lack of eudaimonia, since even they (...) have to deal with dirty hands and conflict of values. (shrink)

Philosophers commonly argue that conflicts of values are deeply problematic for ethical theories in so far as they force the theories into impracticality, incompleteness, or irrealism. To be complete, a theory must tell us in every case what must be done. To be practical, it must never tell us to do what is impossible. As conflict seems to involve just these features, some philosophers argue from the fact that avoiding conflict is impossible to the conclusion that ethical theories must either (...) be silent in some cases or that it requires us to do both of the jointly impossible acts. Others seek to explain the conflict away as merely apparent. Against these views, it is argued that mere incompossibility does not make for a conflict. All choice involves incompossibility, but not all choice involves conflict. Conflict must be understood in terms of what is conflicting. Understanding this requires seeing that many act evaluations are not action‐guiding. (shrink)

Looks at akrasia, monism, and pluralism. Many deem akrasia conceptually incoherent. Others, notably David Wiggins, argue that coherence is secured in so far as incommensurable values are present. Against these views, it is argued that coherent akrasia is possible, and that it requires the distinction between the cognitive and the affective, and not between comparable and commensurable values. Akrasia extends to monistic theories––a monistic theory, e.g. hedonism, is compatible with akrasia. Akratic conflict does not require plurality. An account of reasons, (...) which goes beyond value finality and value maximization, emerges. (shrink)

According to Aristotle's Doctrine of the Mean, virtue and a good life involve a mean of feeling and action. This chapter focuses on David Pear's claim that the Doctrine is conceptually incoherent. It argues that there are serious difficulties in understanding what it could be for courage and its feelings to be in a mean. Courage involves plural and incommensurable values, victory and danger, and the respective emotions, confidence and fear––it is difficult to see how these can be resolved into (...) a mean. It is argued that this problem can be solved by seeing how incommensurable value and emotions can fuse into complex wholes of disparate and incommensurable values and emotions, and can thus be assessed as lying or not lying in a mean. (shrink)

This paper gives an account of the most significant elements of Derrida’s ethical thought, drawing on the desert of the Hebrew Bible, which Derrida associates with a moral law that is ethically troubling. Partly with reference to Kierkegaard’s account of the story of Abraham and Isaac, Derrida examines how ethical law can become subordinate to the sovereignty of the power apparently at the source of ethics which may then destroy moral law. The political equivalent of this is the decision proposed (...) by Carl Schmitt, drawing on Kierkegaard. Derrida’s famous statement that “deconstruction is justice” is the recognition that justice, and ethics in general, is caught between the formality of law and the violence of the sovereign power. One outcome of this is sacrifice as substitution, where ethics becomes recompense for violation through sacrifice. Sacrifice is the offering of a substitute. The substitution becomes repeated and itself is then the source of violence contravening some sense of ethics. Derrida’s attempts to escape from these deserts include a poetics which recognises the subjective and the aesthetic in the interpretation of law. It also includes the development of a form of sacrifice which is the individual responding to violation in an individualised way which cannot be substituted. (shrink)

This special issue of Angelaki on “Derrida: Ethics in Deconstruction” appears twenty years after the sad occasion of the death of Jacques Derrida in Paris on 12 October 2004, after an extraordinary...

This thematic issue of Angelaki covers the ethics in deconstruction in Jacques Derrida in the broadest way, so as to be an engagement with Derrida’s philosophy as a whole rather than the isolation...

Considers a cognate issue, which is whether what is immoral can nevertheless be admirable. It is argued that admirable immorality, like dirty hands, does not pose special problems for ethical theories. At the heart of admirable immorality lies a conflict of moral virtues, which is unavoidable and necessitates conflict. Looks at two case studies, the painter Paul Gauguin and Winston Churchill.

Examines the proposal that value conflict generally requires plural values, and finds that it is correct, but only about a kind of rational conflict, which is rational conflict restricted to practicable options. The focus is on kinds of conflict and whether monism is apt to handle them. The discussion lays out the intricacies of conflict, and its relation to time, agency, and differential care. It is concluded that only pluralism can allow for the lack and loss involved in rational conflict (...) over practicable options. (shrink)

Examines arguments that maximization holds for conceptual reasons. Looks at maximizing theory and raises conceptual problems for evaluative maximization––difficulties in ranking mixes, problems with organic wholes, and mathematical versus internal evaluative judgments. As regards the evaluative decisions maximization is concerned with, it is argued that we are guided in our understanding of what is good by what is better. To the extent that the better is prior to the good, maximizations are parasitic on other evaluations. Concludes with a look at (...) the discussion of false pleasures in Plato's Philebus. (shrink)

Addresses the central claim of maximization that we must do what is best. It is argued that maximization is neither morally nor rationally required. Maximization cannot adequately deal with the ethical concepts of superogation, self‐regard, amusement, and friendship; furthermore, the central claims of moral and rational choice do not involve maximization. Moral and rational appraisal of a choice of action requires evaluating its contribution to a whole, where the whole need not be the best available, only good enough.

Engages with the thesis that plurality is an obstacle to choice. Tackles the worry that incommensurable values make sound comparisons and judgments impossible. It is argued that plural and incommensurable features are ubiquitous to moral life as well as ordinary practical deliberation. Despite this predicament, we are nevertheless able to make sound judgements and to bring together disparate and incommensurable values in complex wholes.

This 1996 book is the result of a uniquely productive union of philosophy, psychoanalysis and anthropology, and explores the complexity and importance of emotions. Michael Stocker places emotions at the very centre of human identity, life and value. He lays bare how our culture's idealisation of rationality pervades the philosophical tradition and leads those who wrestle with serious ethical and philosophical problems into distortion and misunderstanding. Professor Stocker shows how important are the social and emotional contexts of ethical (...) dilemmas and inner conflicts, and he challenges philosophical theories that try to overgeneralise and over-simplify by leaving out the particulars of each situation. In offering a realistic account of emotions and an in-depth analysis of how psychological factors affect judgments of all kind, this book will interest a broad range of readers across the disciplines of philosophy and psychology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Educational Imperative: A Defense of Socratic and Aesthetic LearningMark StockerThe Educational Imperative: A Defense of Socratic and Aesthetic Learning, by Peter Abbs; x & 250 pp. Bristol, Pennsylvania: Taylor & Francis, 1994, $29.00 paper.O tempora! o mores! Peter Abbs begins by deploring “the cultural catastrophe” of British education in the mid-1990s. He states in his always lucid and accessible prose: “I want to come clean; I want (...) to place the general argument of the book in the current arena of public debate, and to do so without apology and without equivocation.” He bemoans today’s massive denial of spiritual energy, of intellectual enquiry, of aesthetic beauty and public virtue. In a better world, he says, education would serve, “willingly and lovingly... the transcendent ends” of culture and society. Abbs decisively rejects the “Cato” model where teachers are unquestioning skill-based technicians who employ [End Page 393] “managerial” language. Instead, he advocates a Socratic view, which is “to reaffirm that education should be primarily concerned with critical reflection, with personal development and with the sustained enquiry into the various forms of meaning.”Subsequent chapters apply this approach to the arts curriculum. Its failure to gain proper recognition and the absurd and continued conflation of Dance and Physical Education are indicted. Abbs convincingly attacks the notion of “self-expression” in art and language long upheld by educationalists. Its application at the expense of reason, abstract thinking, and the study of “the truly significant writers through the centuries” has in his view helped to trivialize and to marginalize the arts. Nowhere is this more apparent than in so-called “educational drama.” For three generations it has denied “the aesthetic field of drama, the symbolic field of its own form,” and has elevated one genre, improvisation, and made it the totality.Abbs is committed to reconciling “the creative energies of the individual and the creative energies of the culture.” Who would argue with that? And who could deny the value of critical reflection or indeed public virtue? He declares, rather ponderously: “The vested interests of Coca-Cola manufacturers or political missionaries have to be seen as too ‘recent and relevant’ to be allowed” to shape education. The Abbs academy requires “a formally protected place, an institutional space more like the theatre than Tesco [a supermarket chain], more like the cathedral than the Stock Exchange.” For all this patent seriousness and sincerity, here is an educationalist irrevocably and irreconcilably out of joint with the present. The austere modernism of Herbert Read profoundly influenced Abbs in his teens; he also admires F. R. Leavis, Richard Hoggart, and David Holbrook, whose writing at its most influential spans the 1930s and the 1960s. Abbs’s most recent source of inspiration is the art critic Peter Fuller, whose abiding legacy was a romantic nationalism that eloquently celebrated an “essentially symbolic and figurative” tradition in British art from J. M. W. Turner to Henry Moore.Modern Painters, which Fuller edited, could afford to eschew popular culture and its connections with “higher” arts. Fine for a periodical, but how could such a fastidious approach be applied to the classroom experience? Abbs describes an experiment that he performed on student-teachers at the University of Sussex to understand their aesthetic responses. Among the events and objects that the students were asked to consider were John Constable’s The Haywain, Richard Strauss’s The Four Last Songs, a visit to Claude Monet’s garden and a performance of Coriolanus. Abbs’s list does not, however, contain Pulp Fiction, a Courtney Love concert, or an S. E. Hinton novel. What place, if any, do the latter have in the arts curriculum? Must they be ruled out for being too “recent and relevant”? Can student responses to them be brought to bear on their comprehension of higher culture? Or is there a great and ultimately irreconcilable divide? Abbs never faces these issues and instead, in his fogyish [End Page 394] coda, denounces once more “the consumer society” which has “trivialized on an unprecedented scale” and has “tarnished whatever it has touched.”Mark StockerUniversity of Canterbury, New ZealandCopyright © 1995 The Johns Hopkins University Press... (shrink)

RECENT STUDIES IN NORMATIVE ETHICS have concentrated on act evaluations, neglecting, almost ignoring, agent evaluations. A partial explanation of this defect is found in two related ones: the neglect of act evaluations other than the obligation notions, and the failure to do justice even to them. In each case, neglecting the "other" concepts is implicated in serious misunderstandings of what is considered—or more accurately, what is over-considered. Take, for example, the view that it is obligatory to obtain for oneself the (...) greatest good one can, e.g., pleasure. Even a cursory study of prudence and other primarily self-regarding notions could have saved Moore, Ross, Ewing, and many others from holding or committing themselves to this silly view. (shrink)

This comprehensive Handbook presents the major perspectives within philosophy and literary studies on the relations, overlaps and tensions between philosophy and literature. Drawing on recent work in philosophy and literature, literary theory, philosophical aesthetics, literature as philosophy and philosophy as literature, its twenty-nine chapters plus substantial Introduction and Afterword examine the ways in which philosophy and literature depend on each other and interact, while also contrasting with each other in that they necessarily exclude or incorporate each other. This book establishes (...) an enduring framework for structuring the broad themes defining the relations between philosophy and literature and organising the main topics in the field. Key Features • Structured in five parts addressing philosophy as literature, philosophy of literature, philosophical aesthetics, literary criticism and theory, and main areas of work within philosophy and literature • An Introduction setting out the main concerns of the field through discussion of the major themes along with the individual topics • An Afterword looking at the interactions between philosophy and literature through itself enacting philosophical and literary writing while examining the question of how they can be brought together The Palgrave Handbook of Philosophy and Literature is an essential resource for scholars, researchers and advanced students in philosophy of literature, philosophy as literature, literary theory, literature as philosophy, and the philosophical aesthetics of literature. It is an ideal volume for researchers, advanced students and scholars in philosophy, literary studies, philosophy and literature, cultural studies, classical studies and other related fields. (shrink)

People often make use of a spatial “mental time line” to represent events in time. We investigated whether the eyes follow such a mental time line during online language comprehension of sentences that refer to the past, present, and future. Participants' eye movements were measured on a blank screen while they listened to these sentences. Saccade direction revealed that the future is mapped higher up in space than the past. Moreover, fewer saccades were made when two events are simultaneously taking (...) place at the present moment compared to two events that are happening in different points in time. This is the first evidence that oculomotor correlates reflect mental looking along an abstract invisible time line during online language comprehension about time. Our results support the idea that observing eye movements is likely to “detect” invisible spatial scaffoldings which are involved in cognitively processing abstract meaning, even when the abstract meaning lacks an explicit spatial correlate. Theoretical implications of these findings are discussed. (shrink)

This article provides the first comprehensive conceptual account for the imagistic mental machinery that allows us to travel through time—for the time machine in our mind. It is argued that language reveals this imagistic machine and how we use it. Findings from a range of cognitive fields are theoretically unified and a recent proposal about spatialized mental time travel is elaborated on. The following novel distinctions are offered: external versus internal viewing of time; ‘‘watching” time versus projective ‘‘travel” through time; (...) optional versus obligatory mental time travel; mental time travel into anteriority or posteriority versus mental time travel into the past or future; single mental time travel versus nested dual mental time travel; mental time travel in episodic memory versus mental time travel in semantic memory; and ‘‘seeing” versus ‘‘sensing” mental imagery. Theoretical, empirical, and applied implications are discussed. (shrink)

What I have just said strikes me as not only paradoxical but true. In what follows I shall try to show that it is not all that paradoxical and that it is true. In order to show this, and in order to discuss some important and neglected features of act and duty individuation, I shall contrast the concepts of perfect duty and imperfect duty.