Grounded on Foucault's suggestion that discourses are not just referential or representational systems, but part of the infrastructure ordering practices in a society, this article analyzes transformations in the etiquette literature in the USA at the beginning of the 20th century. It claims that the transformations undergone by etiquette books at the time involved not only a change in the substance of manners but also in their format, and it shows how this change in format embodied and helped deploy an (...) infrastructure of social relations constituted by a logic of decenteredness, as opposed to a logic of centeredness. The article discusses both the theoretical issues raised by the concept of an infrastructure of social relations and methodological points concerning the use of etiquette books for social research, and raises some analytical questions regarding our understanding of American history at the time, as well as our more general conceptions of modernity and postmodernity. In order to reinforce its general argument concerning the embeddedness of an infrastructure of social relations in discourse, and to help clarify the idea of a logic of decenteredness, the article also illustrates how etiquette books from a much earlier period embodied and deployed a logic of centeredness. (shrink)

By any standard, nonrationality is an undertheorized concept in sociology. This paper attempts to open a discussion on nonrationality by analyzing one of the most fruitful theorizations of the concept: Simmel's. Simmel developed a theory that placed nonrationality on the same plane with rationality and attributed to the former a role as fundamental as the latter's in the foundations of action, and as central as the latter's in the generation of existential meanings. The gradual eclipse of the nonrational elements of (...) life in the expanses of a modern, highly rationalized world imply, then, an impoverishment of being. I argue that Simmel's theory of the nonrational can serve as a model capable of enriching our understanding of society and of the person and can, in this sense, serve as a counterpoint to current sociological theories that emphasize the rational elements of life and conceive the person in primarily rational terms. (shrink)

This essay discusses Korean Neo-Confucian conceptions of the self and the important practice of self-cultivation in Neo-Confucian culture. Although approaching the question and practice from different perspectives, these conceptions reflect a foundation in reverence for knowledge, righteousness, propriety, and benevolence. Basic comparisons are then drawn between Neo-Confucian and Western conceptions of the self and self-cultivation. In particular, Michel Foucault's work on self-cultivation as embedded in social discourses or practices suggests that Neo-Confucian self-cultivation also can be described through a microphysics of (...) reverence. Two examples from modern Korean culture are considered in order to demonstrate how a microphysics of reverence reveals replication and reinforcement of existing social practices in the guise of self-cultivation. (shrink)

This essay discusses Korean Neo-Confucian conceptions of the self and the important practice of self-cultivation in Neo-Confucian culture. Although approaching the question and practice from different perspectives, these conceptions reflect a foundation in reverence for knowledge, righteousness, propriety, and benevolence. Basic comparisons are then drawn between Neo-Confucian and Western conceptions of the self and self-cultivation. In particular, Michel Foucault’s work on self-cultivation as embedded in social discourses or practices suggests that Neo-Confucian self-cultivation also can be described through a microphysics of (...) reverence. Two examples from modern Korean culture are considered in order to demonstrate how a microphysics of reverence reveals replication and reinforcement of existing social practices in the guise of self-cultivation. (shrink)

Introspection is a fundamental part of our mental lives. Nevertheless, its reliability and its underlying cognitive architecture have been widely disputed. Here, I propose a principled way to model introspection. By using time-tested principles from signal detection theory (SDT) and extrapolating them from perception to introspection, I offer a new framework for an introspective signal detection theory (iSDT). In SDT, the reliability of perceptual judgments is a function of the strength of an internal perceptual response (signal- to-noise ratio) which is, (...) to a large extent, driven by the intensity of the stimulus. In parallel to perception, iSDT models the reliability of introspective judgments as a function of the strength of an internal introspective response (signal-to-noise ratio) which is, to a large extent, driven by the intensity of conscious experiences. Thus, by modelling introspection after perception, iSDT can calibrate introspection’s reliability across a whole range of contexts. iSDT offers a novel, illuminating way of thinking about introspection and the cognitive processes that support it. (shrink)

Covering the theories of, among others, Derrida, Lefort and Laclau, this volume opens up space to the political (polemicisation). Chapters cover themes such as social structure, ethical arguments, and political organisation.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.2 (2001) 368-370 [Access article in PDF] Book Review Skeptical Music: Essays on Modern Poetry Skeptical Music: Essays on Modern Poetry, by David Bromwich; xvii & 256 pp. Chicago: University of Chicago Press, 2001; $49.00 cloth, $16.00 paper. In his preface to this gathering of his essays and reviews on twentieth-century American and British poetry, David Bromwich regrets that it is "too late to suppress the (...) evidence of a critic educating himself in public" (p. xi). But even the earliest work reprinted in Skeptical Music--"The Making of the Auden Canon," published in the Times Literary Supplement in 1976, when the author was still a graduate student at Yale--hardly qualifies as juvenilia. Indeed, in Bromwich's case, evidence of a critic educating himself in public seems to have been suppressed from the start. No single explanation will account for an author's precocity, but the consistency of Bromwich's critical voice over the last quarter century is certainly related to his early preoccupation with William Hazlitt, the subject of his first book. In choosing Hazlitt as his model, Bromwich rejected what he took to be the legacy of systematic and professional literary theory extending from Coleridge to each new school of academic criticism. Bromwich's own development as a critic has therefore been subtler and more introspective than the critical retooling of so many of his colleagues. Although never far from the evaluative art of the reviewer, Bromwich has come to favor the more speculative dimension of his work. The more recent the piece, the more overt the attempt to imagine "what was in the poet's mind, or what was in the poem's mind, on the theory that certain thoughts and feelings are worth the trouble to characterize because of their strangeness and originality" (p. xi).Some of the most compelling chapters in Skeptical Music imagine what was in the poet's mind, or the poem's mind, by telling stories about complex relationships between poems by different poets--between the work of Marianne Moore and Elizabeth Bishop, or T. S. Eliot and Hart Crane. These are stories about literary influence, or deep temperamental affinity. As in Harold Bloom's work, the stories are grounded in close readings, usually of the passages the critic prizes for their aesthetic superiority.A related procedure is at work in "Stevens and the Idea of the Hero"--a long speculative piece on Wallace Stevens's transfer of allegiance, at a crucial moment in his career, from the pragmatism of Nietzsche to the pragmatism of William James. What Stevens found "most persistently attractive" in Nietzsche's pragmatism, Bromwich coolly explains, was "the suggestion that the good of existence is change" and that "our most vivid acknowledgment of that good comes from the ability to imagine a life wiped clear of ourselves" (p. 71). But the Nietzschean sublime proved insufficient for Stevens. During the Second World War, the poet was confronted by "the reality of American soldiers going off to fight... for a cause which, as Stevens saw it, they could only make true by their fighting" (p. 68). Stevens turned to James for "the less brutal idea of a [End Page 368] man or woman who is made great by an enterprise in which others have a part" (p. 78).Bromwich's argument that Stevens became a more valuable poet when he located heroism in human solidarity, not just Nietzschean contingency and self-creation, bears a family resemblance to the work of one of James's heirs, Richard Rorty. Like Rorty, Bromwich often feels the pressure to adjudicate between the claims of the individual artist and the claims of the community; and like Rorty, he makes his judgements on a case by case basis, without recourse to a set standard, rule, or theory. In the closing chapter of Skeptical Music--"Is Taste Moral?"--Bromwich directly addresses the tension between aestheticism and the social good, a subject that also surfaces at the close of his preface and at numerous moments throughout the book. But the claims of the community seem relatively muted... (shrink)

The discussion about the double inscription of the political is a familiar trope among progressive thinkers, whose discussions have focused primarily on the ontological presuppositions of the political at the expense of a theoretical reflection on politics. This article shifts the emphasis to the latter. It develops an image of thought of our political actuality that moves beyond the commonplace observation that politics exceeds electoral representation. Its underlying assumption is that modernity is characterized by a continual process of political territorialization (...) and re-territorialization whereby the political frontier has experienced a series of displacements along a migratory arc that goes from the sovereign state to liberal party democracies. However, it does not stop there, for as politics colonizes new domains and carves up novel places of enunciation, the cartography we inherited from democratic liberalism experiences a Copernican de-centring that throws us into a scenario best described as an archipelago of political domains. This announces the becoming-other of politics, the post-liberal setting of our political actuality. (shrink)

Enmity, War, Intensity Norberto Bobbio once gave a minimal definition of politics, characterizing it as the activity of aggregating and defending our friends, and dispersing and fighting our enemies.1 We know that the instigator of this definition is Carl Schmitt, although his critics have often misunderstood the reference to enmity. What resonates most is the claim that friend-enemy oppositions constitute the basic code of the political and that such oppositions can lead to the extreme case of war. This might explain (...) why part of the debate on The Concept of the Political has revolved around the status of the enemy…. (shrink)

The paper deals with the status of referents for claims among conflicting claimants when multiplicity is a fact and there is no room for a substantive notion of community. It develops a notion of contingent and 'impure' universal as it arises in the negotiation of equivalence in scenarios of conflict between claimants. My argument is that measures of equivalence cannot conform to the caricature of absolute, all-encompassing referents intent on subjugating difference in the name of sameness; that a reflection about (...) decisions and the validity of claims - i.e. concerning singularity - cannot be reduced to a simple application of the rule; and that decisions are lodged in the undecidable terrain between norms and their redescription, which means that the status of universals is an effect of continual political battles. Key Words: conflict • deliberation • negotiation • particularism • undecidability • universals. (shrink)

Substantial advances in our understanding of the neural bases of emotional processing have been made over the past decades. Overall, studies in humans and other animals highlight the key role of the amygdala in the detection and evaluation of stimuli with affective value. Nonetheless, contradictory findings have been reported, especially in terms of the exact role of this structure in the processing of different emotions, giving rise to different neural models of emotion. For instance, although the amygdala has traditionally been (...) considered as exclusively involved in fear (and possibly anger), more recent work suggests that it may be important for processing other types of emotions, and even nonemotional information. A review of the main findings in this field is presented here, together with some of the hypotheses that have been put forward to interpret this literature and explain its inconsistencies. (shrink)

Research on Augmented Reality in education has demonstrated that AR applications designed with diverse components boost student motivation in educational settings. However, most of the research conducted to date, does not define exactly what those components are and how these components positively affect student motivation. This study, therefore, attempts to identify some of the components that positively affect student motivation in mobile AR learning experiences to contribute to the design and development of motivational AR learning experiences for the Vocational Education (...) and Training level of education. To identify these components, a research model constructed from the literature was empirically validated with data obtained from two sources: 35 students from four VET institutes interacting with an AR application for learning for a period of 20 days, and a self-report measure obtained from the Instructional Materials Motivation Survey. We found that the following variables: use of scaffolding, real-time feedback, degree of success, time on-task and learning outcomes are positively correlated with the four dimensions of the ARCS model of motivation: Attention, Relevance, Confidence, and Satisfaction. Implications of these results are also described. (shrink)

Si las diferencias se rehúsan a cruzarse o contaminarse entre ellas, el mestizaje o hibridación termina siendo reemplazado por la lógica del desarrollo separado que es característica del apartheid. Con ello el mundo múltiple deviene un mosaico de fragmentos aislados y autoreferenciales. En el límite..

Las primeras imágenes cinematográficas rodadas por los estadounidenses en Cuba se remontan a la Guerra Hispano cubana norteamericana, anterior al surgimiento de Hollywood y su consolidación como industria del espectáculo. Los filmes producidos en esta etapa constituyen el preámbulo del denominado cine de propaganda política que, según el historiador Román Gubern, ha llegado hasta la actualidad y, sobre todo, develan el carácter manipulador que desde sus inicios ha tenido el lenguaje cinematográfico. Entre las décadas del `30 y `40 los filmes (...) realizados por Hollywood en la isla han proyectado una imagen exótica y estereotipada sobre la identidad cubana. No solo se ha desvirtuado nuestra memoria histórica, sino también nuestros valores identitarios, imagen que se ha extendido hasta el contexto actual.En la extensa historia del cine hollywoodense no son pocas las cintas que han abordado aspectos de nuestra historia. Independientemente de la calidad de la gran mayoría de estos filmes, no se puede minimizar su importancia en el obsesivo intento por construir una imagen creíble y veraz sobre Cuba. Aunque la gran mayoría de las cintas realizadas por cineastas estadounidenses sobre la isla se encuentran limitadas por el hecho de haberse rodado en espacios y locaciones de otras naciones con semejanzas geográficas y culturales con Cuba, dicha limitación no es sinónimo de pobreza artística. El objetivo fundamental de este ensayo radica en el análisis de la representación de la imagen e identidad de Cuba en la industria de Hollywood, a partir del estallido de la Guerra Hispano-cubana-norteamericana el 15 de febrero de 1898 hasta la administración del presidente Barack Obama, período histórico conocido como el Deshielo, porque ambas naciones decidieron restablecer relaciones diplomáticas interrumpidas en plena Guerra Fría, específicamente en 1961. (shrink)

Metaphysics as the foundation of science, philosophy as an exact method to discover this foundation: These are central themes in the Kant-Friesian philosophy which, at the beginning of the 20th century, Leonard Nelson, using the methods of mathematical axiomatics, further developed into interdisciplinary research programmes. Nelson carried out this research programme in his ethics but his untimely death prevented a systematic presentation of his natural philosophy and his doctrine of method. The present volume contains four transcripts of his seminars on (...) natural philosophy which he held over a period of 15 years. The transcripts, which may be taken as a comparatively complete presentation of Nelson's natural philosophy, supplement the writings published during his lifetime and convey a representative picture of his natural philosophy. // Metaphysik als Fundament der Wissenschaften, Philosophie, eine exakte Disziplin, die dieses Fundament offenlegt: Leitmotive des Kant-Fries’schen Denkgebäudes, die Leonard Nelson zu Beginn des 20. Jahrhunderts in interdisziplinäre Forschungsprogramme umsetzt. Die dabei angewandten – an der mathematischen Axiomatik ausgerichteten – Methoden haben nichts an Aktualität eingebüßt. Kann Nelson dieses Vorhaben bezüglich seiner Ethik verwirklichen, so verhindert sein früher Tod eine systematische Darstellung seiner Naturphilosophie und Methodenlehre. Der vorliegende Band enthält vier Mitschriften von Lehrveranstaltungen Nelsons. Diese Schriften, die die zu seinen Lebzeiten veröffentlichten Arbeiten zur Naturphilosophie ergänzen und erweitern sollen, decken einen Zeitraum von ca. 15 Jahren ab und geben somit einen repräsentativen Einblick in Nelsons naturphilosophisches Schaffen. Die vorliegende Zusammenstellung naturphilosophischer Nachlassschriften darf als verhältnismäßig vollständig gelten. (shrink)

Novas, instigantes e inovadoras interpretações sobre o mito bíblico de Babel são oferecidas nesse livro. Os autores articulam história e modernidade rumo à temporalidade mítica, que se reitera a cada dia, em sociedades e tempos diferentes. A memória que desafia o presente e que abre o imprevisível desconhecido que pode ser futuro é analisada através de sua manifestação mais autêntica - a linguagem.

We give characterizations for the sentences "Every $\Sigma^1_2$-set is measurable" and "Every $\Delta^1_2$-set is measurable" for various notions of measurability derived from well-known forcing partial orderings.

Martin Buber believed that life's deepest truth lies in human relationships. In this classic work he puts this belief into practice, applying it to the concrete problems of contemporary society.

In lieu of an abstract, here is a brief excerpt of the content:.. MERELY A MAN OF LETTERS" an interview with Jorge Luis Borges* Philosophy and Literature: Why don't you tell us about some of the philosophers who have influenced your work and in whom you have been the most interested? Jorge Luis Borges: Well, I think that's an easy one. You might talk in terms of two: Berkeley and Schopenhauer. But I suppose Hume might be worked in (...) also, because, after all, Hume refutes Berkeley. Really, he comes from Berkeley—even if Berkeley comes from Locke. You might think of Locke, of Berkeley, and of Hume as being three links in an argument..... But I suppose that when someone refutes someone else in philosophy, he is carrying on the argument. P&L: And Schopenhauer? Borges: Schopenhauer is very different from Hume. Of course, Schopenhauer had his idea of the Will. That is not to be found in Hume.... The case of Berkeley was different. I suppose he thought of God as being aware of all things all the time, if I don't get him wrong. If we go away, does this room disappear? No, because God is thinking about it. Now, in the case of Schopenhauer, I was rereading Die Welt als Wille und Vorstellung, The World as Will and Idea, and I was rather taken aback, or baffled I should say, puzzled by something that keeps on recurring in Schopenhauer. Of course it may have been a slip of the pen, but as he goes back to it, and as he was a very careful writer, I wonder if it is a slip of the pen. For example, Schopenhauer begins by saying that the universe, the stars, the spaces in between, the planets, *On April 14, 1976, two editors of Philosophy and Literature, along with an interested colleague, interviewed Jorge Luis Borges at Michigan State University, where he held a position as visiting professor for the winter term. These remarks are edited from the transcript of that conversation. 337 338Philosophy and Literature this planet, those things, have no existence—except in the mind which perceives them. But then, to my surprise—and I suppose you can explain this to me, since you are philosophers and I am not—what Schopenhauer says is that all those things have no existence except in the brain. And that the universe—I remember these words, I don't think I'm inventing them now—"ist ein Gehirnphänomen," that the world is a cerebral phenomenon. Now, I was baffled. Because, of course, if you think of the universe, I suppose the brain is as much a part of the external world as the stars or the moon. The brain after all is a system of visual, of tactile, perceptions. He keeps on insisting on the brain. I don't think, for example, that Bishop Berkeley insists on the brain, or Hume, who would have insisted on the mind, consciousness. P&L: People sometimes say that they see Berkeley in stories like "Orbis Tertius." Borges: Yes, I suppose they do. Well, of course. But in that story I was led by literary means also. P&L: How do you distinguish the literary from the philosophical means in that story? Could you explain that? Borges: Very easily.... Encyclopedias have been my chief reading. I have always been interested in encyclopedias. I used to go to the Biblioteca National in Buenos Aires—and since I was so shy, I felt I could not cope with asking for a book, so I looked on the shelves for the Encyclopaedia Britannica. I would pick up any chance volume and I would read it. One night I was richly rewarded, because I read all about the Druses, Dryden and the Druids—a treasure trove, no?—all in the same volume, "Dr-." Then I came to the idea of how fine it would be to think of an encyclopedia... a very rigorous one of course, of an imaginary world, where everything should be linked. For example, you would have a language and then a literature, and then a history and so on. Then I thought I would write a story of a fancy encyclopedia. Of course that would require many different people to write it... (shrink)

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