This essay examines in detail the triangulated conversation Naoko Saito constructs, in The Gleam of Light, among the voices of R. W. Emerson, John Dewey and Stanley Cavell. The pivot around which everything turns is the Emersonian ideal of moral perfectionism and, in particular, the implications of this ideal for the philosophy of education. As explicated by Cavell, this ideal concerns ‘the dimension of moral thought directed less to restraining the bad than to releasing the good’. For the (...) conscientious person, it is, at once, unavoidable and unattainable. In constructing a conversation among these and other authors, Saito establishes herself as an arresting voice by her thoughtful contributions to many contemporary controversies bearing upon our educational practices, not least of all ones about curricular reform as well as personal transformation. (shrink)

This essay examines in detail the triangulated conversation Naoko Saito constructs, in The Gleam of Light, among the voices of R. W. Emerson, John Dewey and Stanley Cavell. The pivot around which everything turns is the Emersonian ideal of moral perfectionism and, in particular, the implications of this ideal for the philosophy of education. As explicated by Cavell, this ideal concerns ‘the dimension of moral thought directed less to restraining the bad than to releasing the good’. For the (...) conscientious person, it is, at once, unavoidable and unattainable. In constructing a conversation among these and other authors, Saito establishes herself as an arresting voice by her thoughtful contributions to many contemporary controversies bearing upon our educational practices, not least of all ones about curricular reform as well as personal transformation. (shrink)

This essay examines in detail the triangulated conversation Naoko Saito constructs, in The Gleam of Light, among the voices of R. W. Emerson, John Dewey and Stanley Cavell. The pivot around which everything turns is the Emersonian ideal of moral perfectionism and, in particular, the implications of this ideal for the philosophy of education. As explicated by Cavell, this ideal concerns ‘the dimension of moral thought directed less to restraining the bad than to releasing the good’. For the (...) conscientious person, it is, at once, unavoidable and unattainable. In constructing a conversation among these and other authors, Saito establishes herself as an arresting voice by her thoughtful contributions to many contemporary controversies bearing upon our educational practices, not least of all ones about curricular reform as well as personal transformation. (shrink)

In these three lectures, Cavell situates Emerson at an intersection of three crossroads: a place where both philosophy and literature pass; where the two traditions of English and German philosophy shun one another; where the cultures of America and Europe unsettle one another. "Cavell’s ’readings’ of Wittgenstein and Heidegger and Emerson and other thinkers surely deepen our understanding of them, but they do much more: they offer a vision of what life can be and what culture can mean.... These profound (...) lectures are a wonderful place to make [Cavell’s] acquaintance."—Hilary Putnam. (shrink)

In “Moral Perfectionism,” an essay in To Shape a New World, Paul C. Taylor explicitly mentions and openly avoids King’s personalism while advancing a type of Emersonian moral perfectionism motivated by a less than adequate reconstruction of King’s project. In this essay, I argue this is a mistake on two fronts. First, Taylor’s moral perfectionism gives pride of place to shame and self-loathing where the work of King makes central use of love. Second, by evading the (...) personalist King, Taylor misses the importance of love as foundational to King’s theory of community, the Beloved Community. In effect, Taylor engages in hermeneutic violence regarding King’s work and self-description as a personalist. I offer an account of King’s love informed by personalism that better situates love and shows why it is central to King’s philosophy. In conclusion I argue the following: Love is a type of orientation, attitude, and standpoint one can take in relation to another person. Philia and eros forms of love are contingent and conditional. Agapic love opens up persons to see the eternal dignity we all possess and is restorative and generative of community. The Holy Spirit that animates King’s conception of history is made manifest or hindered by the choice to act on the agapic principle of love that animates the cosmos. In the end, I suggest that Taylor’s perfectionist insights might be applied to a supplemental development of Kingian moral philosophy in the direction of a fuller virtue ethics. (shrink)

In “Moral Perfectionism,” an essay in To Shape a New World, Paul C. Taylor explicitly mentions and openly avoids King’s personalism while advancing a type of Emersonian moral perfectionism motivated by a less than adequate reconstruction of King’s project. In this essay, I argue this is a mistake on two fronts. First, Taylor’s moral perfectionism gives pride of place to shame and self-loathing where the work of King makes central use of love. Second, by evading the (...) personalist King, Taylor misses the importance of love as foundational to King’s theory of community, the Beloved Community. In effect, Taylor engages in hermeneutic violence regarding King’s work and self-description as a personalist. I offer an account of King’s love informed by personalism that better situates love and shows why it is central to King’s philosophy. In conclusion I argue the following: Love is a type of orientation, attitude, and standpoint one can take in relation to another person. Philia and eros forms of love are contingent and conditional. Agapic love opens up persons to see the eternal dignity we all possess and is restorative and generative of community. The Holy Spirit that animates King’s conception of history is made manifest or hindered by the choice to act on the agapic principle of love that animates the cosmos. In the end, I suggest that Taylor’s perfectionist insights might be applied to a supplemental development of Kingian moral philosophy in the direction of a fuller virtue ethics. (shrink)

William Rothman argues that the driving force of Hitchcock's work was his struggle to reconcile the dark vision of his favorite Oscar Wilde quote, "Each man kills the thing he loves," with the quintessentially American philosophy, articulated in Emerson's writings, that gave classical Hollywood movies of the New Deal era their extraordinary combination of popularity and artistic seriousness. A Hitchcock thriller could be a comedy of remarriage or a melodrama of an unknown woman, both Emersonian genres, except for the (...) murderous villain and godlike author, Hitchcock, who pulls the villain's strings -- and ours. Because Hitchcock believed that the camera has a murderous aspect, the question "What if anything justifies killing?," which every Hitchcock film engages, was for him a disturbing question about his own art. Tracing the trajectory of Hitchcock's career, Rothman discerns a progression in the films' meditations on murder and artistic creation. This progression culminates in _Marnie _(1964), Hitchcock's most controversial film, in which Hitchcock overcame his ambivalence and fully embraced the Emersonian worldview he had always also resisted. Reading key Emerson passages with the degree of attention he accords to Hitchcock sequences, Rothman discovers surprising affinities between Hitchcock's way of thinking cinematically and the philosophical way of thinking Emerson's essays exemplify. He finds that the terms in which Emerson thought about reality, about our "flux of moods," about what it is within us that never changes, about freedom, about America, about reading, about writing, and about thinking are remarkably pertinent to our experience of films and to thinking and writing about them. He also reflects on the implications of this discovery, not only for Hitchcock scholarship but also for film criticism in general. (shrink)

In these three lectures, Cavell situates Emerson at an intersection of three crossroads: a place where both philosophy and literature pass; where the two ...

In these three lectures, Cavell situates Emerson at an intersection of three crossroads: a place where both philosophy and literature pass; where the two traditions of English and German philosophy shun one another; where the cultures of America and Europe unsettle one another.

This article will highlight the distinctive role of Cavell in renewing a dawn of American philosophy. Following Emerson’s remark, ‘the inmost in due time becomes the outmost’, Cavell develops his distinctive line of antifoundationalist thought. To show how unique and valuable Cavell’s endeavor to resuscitate Emerson’s and Thoreau’s voice in American philosophy is, this paper discusses the political implications of Cavell’s Emersonian moral perfectionism. This involves a reconsideration of what measures justice and what justifies happiness. While Cavell is (...) sometimes said to be too personal and too subjective to be political, I shall argue that his Emersonian perfectionism, with its concomitant idea of the conversation of justice, is in fact thoroughly political and democratic. I shall illustrate this by examining his writing on a Hollywood film, Mr. Deeds Goes to Town (1936). The film shows vividly that happiness is a condition for achieving democracy from within. In conclusion, I shall propose that a readiness for the risk inherent in speech, rather than, say, acquiescing in received ideas or hiding behind the words of others, is at the heart of perfectionist education for globally minded citizens. (shrink)

This article will highlight the distinctive role of Cavell in renewing a dawn of American philosophy. Following Emerson’s remark, ‘the inmost in due time becomes the outmost’, Cavell develops his distinctive line of antifoundationalist thought. To show how unique and valuable Cavell’s endeavor to resuscitate Emerson’s and Thoreau’s voice in American philosophy is, this paper discusses the political implications of Cavell’s Emersonian moral perfectionism. This involves a reconsideration of what measures justice and what justifies happiness. While Cavell is (...) sometimes said to be too personal and too subjective to be political, I shall argue that his Emersonian perfectionism, with its concomitant idea of the conversation of justice, is in fact thoroughly political and democratic. I shall illustrate this by examining his writing on a Hollywood film, Mr. Deeds Goes to Town. The film shows vividly that happiness is a condition for achieving democracy from within. In conclusion, I shall propose that a readiness for the risk inherent in speech, rather than, say, acquiescing in received ideas or hiding behind the words of others, is at the heart of perfectionist education for globally minded citizens. (shrink)

Two claims stand behind my title. I will argue first that, if we read Immanuel Kant’s moral philosophy the way I do, in which rationality is the means to the end of human freedom rather than being an end in itself, then Kant offers a fuller example of what Stanley Cavell calls Emersonian perfectionism, but which I will call Cavell’s own perfectionism, than Cavell himself has recognized even in his most sympathetic account of Kant, and can help (...) us see the full power of such perfectionism. Second, I will argue that there is a deep affinity between the views of moral education with which Kant and Cavell accompany their examples of moral perfectionism, in that each thinks that examples of the possibility of actually.. (shrink)

This essay investigates the thought of self-overcoming (Selbst-Überwindung, sich überwinden) in Thus Spoke Zarathustra, and its relation to Nietzsche’s Emersonian perfectionism in Schopenhauer as Educator. It is a conceptual study focused on key passages on self-overcoming in Zarathustra and related problems – most notably how to combine the demand for boundless affirmation with the demand for total critique in Nietzsche’s project of critical transvaluation. The main thesis is that Zarathustra’s response depends on his addressees: with regard to the (...) mob, the rabble or Gesindel, he advocates a limit in negation under the sign of mildness (Milde); with regard to others engaged in self-overcoming, he advocates a limited negation in the form of love-hate. Connections with the perfectionism of Schopenhauer as Educator are made throughout the essay, which then draws them together in a comparative analysis of self-overcoming in Zarathustra and Nietzsche’s untimely perfectionism. The essay closes with some methodological reflections on the risks and benefits of its “prismatic” approach, focused on key passages in relation to other works in abstraction from the overall composition and narrative of the book. (shrink)

If calculation and judgment are to answer the question Which way?, perfectionist thinking is a response to the way’s being lost.In his thought-provoking exploration of Cavellian perfectionism—which he sees as identical with what Cavell himself prefers to call Emersonian perfectionism—Paul Guyer quotes the following passage from Cities of Words:Emerson’s writing, in demonstrating our lack of given means of making ourselves intelligible (to ourselves, to others), details the difficulties in the way of possessing those means, and demonstrates that (...) they are at hand. This thought, implying our need of invention and transformation, expresses two dominating themes of perfectionism.1Guyer makes the following comment:This.. (shrink)

John Rawls was what we might call a “frenemy” to Stanley Cavell. Time and again, Cavell states his admiration for Rawls's political philosophy but criticizes it for two reasons. First, he believes that Rawls too hastily dismisses a perfectionist tradition that is essential for a flourishing liberal democracy. Second, he attacks certain aspects of Rawls's theory of justice as moralistic and legalistic. The first half of this article examines Cavell's critique of Rawls and argues that the two authors are more (...) closely aligned than suspected. It begins by reconstructing Cavell's critique of Rawls, and using archival materials from Harvard University, presents for the first time Rawls's interpretation of this critique. The second half of the article highlights perfectionist themes in Rawls's A Theory of Justice. The contribution of this article is to reevaluate the relationship between two of the most important moral philosophers of the twentieth century and also to provide a more expansive theory of liberalism that incorporates the psychological depth, moral subtlety and political hopefulness of moral perfectionism. (shrink)

Herdt's Putting On Virtue has two chief aims. The first is to champion the virtue tradition against Christian moral quietism and modern deontological ethics. The second is to facilitate reconciliation between Augustinian and Emersonian virtue. To accomplish these tasks Herdt constructs a counter‐narrative to Schneewind's Invention of Autonomy, in which Luther's resignation and Kant's innovation are tragic consequences of “hyper‐Augustinianism”—a competitive conception of divine and human agency, which leads to excessive suspicion of acquired virtue. This review argues that Putting (...) On Virtue succeeds in its first aim but leaves its second intriguingly uncompleted. Despite this deficiency, however, this essay also argues that Putting On Virtue makes plausible Herdt's audacious suggestion that Augustinian and Emersonian perfectionism may be reconciled by bringing acquired and infused virtue under a single term. (shrink)

This essay presents an approach to understanding improvised music, finding in the work of certain outstanding jazz musicians an emblem of Ralph Waldo Emerson's notion of self-trust and of Stanley Cavell's notion of moral perfectionism. The essay critiques standard efforts to interpret improvised solos as though they were composed, contrasting that approach to one that treats the procedures of improvisation as derived from our everyday actions. It notes several levels of correspondence between our interest in jazz improvisations and the (...) particular demands of Emerson's writing, and ends by considering how exemplary moments of instruction in jazz are expressive of Emersonian self-trust. (shrink)

There are striking points of affinity between Hannah Arendt’s concept of a politico-moral variety of allusive thinking, and Stanley Cavell’s concept of aversive thinking characteristic of Emersonian Moral Perfectionism (EMP). Although both Arendt and Cavell’s EMP are pessimistic if not hostile to the suggestion of the redemption of a vibrant public sphere, their thought suggests possible moves toward a practical politico-moral philosophy—political philosophy as provocative moral practice recognizable in Socrates and Diogenes of Sinope. The paper teases out threads (...) of thought in Arendt and Cavell toward an account of a quasi-public perfectionist philosophical practice—call it moral friendship—supportive of political-moral judgment in response to social conditions of its repression. Moral friendship is ultimately the cultivation of moral taste that enables one to notice moral phenomena susceptible to one’s judgment whose failure to be noticed is an occasion for regret. (shrink)

In the name of efficiency, the practice of education has come to be dominated by neoliberal ideology and procedures of standardization and quantification. Such attempts to make all aspects of practice transparent and subject to systematic accounting lack sensitivity to the invisible and the silent, to something in the human condition that cannot readily be expressed in an either-or form. Seeking alternatives to such trends, Saito reads Dewey’s idea of progressive education through the lens of Emersonian moral perfectionism (...) (to borrow a term coined by Stanley Cavell). She elucidates a spiritual and aesthetic dimension to Dewey’s notion of growth, one considerably richer than what Dewey alone presents in his typically scientific terminology. (shrink)

Philosophy & Social Criticism, Ahead of Print. Work on Stanley Cavell in contemporary political theory tends to foreground Cavell’s reading of Emersonian moral perfectionism, but this aspect of Cavell’s thought is often left out of feminist readings of his work. In this paper, I give an overview of Cavell’s importance to political theory, and I also trace two Cavellian-inspired feminisms: Sandra Laugier’s ordinary language inflected ethics of care and Toril Moi’s understanding of feminist theory as the close and (...) careful reading of examples. I argue that Cavellian-Emersonian moral perfectionism enhances these feminist readings of Cavell because it helps us explain certain practices in feminist activism, such as resisting conformity, acknowledging the limits of our understanding and being receptive to other members of our feminist community. (shrink)

Work on Stanley Cavell in contemporary political theory tends to foreground Cavell’s reading of Emersonian moral perfectionism, but this aspect of Cavell’s thought is often left out of feminist rea...

Philosophy & Social Criticism, Ahead of Print. Work on Stanley Cavell in contemporary political theory tends to foreground Cavell’s reading of Emersonian moral perfectionism, but this aspect of Cavell’s thought is often left out of feminist readings of his work. In this paper, I give an overview of Cavell’s importance to political theory, and I also trace two Cavellian-inspired feminisms: Sandra Laugier’s ordinary language inflected ethics of care and Toril Moi’s understanding of feminist theory as the close and (...) careful reading of examples. I argue that Cavellian-Emersonian moral perfectionism enhances these feminist readings of Cavell because it helps us explain certain practices in feminist activism, such as resisting conformity, acknowledging the limits of our understanding and being receptive to other members of our feminist community. (shrink)

Interpretations of the ethical significance of the Bhagavadgītā typically understand the debate between Arjuna and Kṛṣṇa in terms of a struggle between consequentialist and deontological doctrines. In this paper, I provide instead a reading of the Gītā which draws on a conception of moral thinking that can be understood to cut across those positions – that developed by Stanley Cavell, which he calls ‘Emersonian Moral Perfectionism’. In so doing, I emphasise how Kṛṣṇa’s consolation of Arjuna can centrally and (...) fruitfully be viewed as concerned with resuscitating the latter’s individuality, thereby allowing Arjuna to overcome an unthinking conformity to the current degenerate state of his society. This leads me to explore the relation between this perfectionist understanding of spiritual reorientation and the Gītā’s religious account of human redemption; and to conclude by suggesting how the text of the Gītā itself might have similar therapeutic designs upon its readers. (shrink)

El filósofo norteamericano S. Cavell ha estudiado los vínculos entre el cine clásico hollywoodense y el perfeccionismo moral emersoniano. Se ofrece una exposición tanto de los presupuestos que este pensador asume en su análisis del fenómeno cinematográfico como del perfeccionismo moral que reivindica, encuadrándolos en el contexto teórico que les da sentido y sugiriendo algunas vías de crítica. The north American Philosopher S. Cavell has studied the connections between classical cinema from Hollywood and Emersonian moral perfectionism. This article (...) presents both the presuppositions assumed by Cavell throughout his analysis of the cinematographic phenomenon and the moral perfectionism he vindicates, providing a theoretical context which gives them sense and suggests some ways of critical discussion. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Gleam of Light: Moral Perfectionism and Education in Dewey and EmersonMichael J. McGandyNaoko Saito The Gleam of Light: Moral Perfectionism and Education in Dewey and Emerson American Philosophy Series. Foreword by Stanley CavellNew York: Fordham University Press, 2005. xvi + 210 pp.This book presents the reader with a tantalizing and sometimes frustrating mixture of philosophical enterprises. Saito examines the role of imagination in personal growth (...) and education as presented in the philosophies of Ralph Waldo Emerson (who coined the expression "gleam of light" in "Self-Reliance") and John Dewey. She also joins in conversation the 19th century Emerson, the early 20th century Dewey, and the contemporary Stanley Cavell. Finally, Saito offers insights that will aid educators as they balance the sometime contrary aims of achieving educational standards and inspiring personal development.These are all worthy projects. There is no doubt that each project has relations to the other two and that each gains force and clarification from those relations. Yet it is evident that, within the compass of 160 pages, it is not easy to do all three things and do them well. It is then principally as a standard academic monograph addressing education and imagination in the works of Emerson, Dewey, and Cavell that The Gleam of Light should be considered. Libraries and scholars of American philosophy will want this book on their shelves as a resource on these crucial topics and as a new reading of these important figures in philosophy.Saito is at her best when she engages in textual analysis and comparison in order to bridge the gulf that Cavell claims (see Conditions Handsome and Unhandsome) exists between Dewey and Emerson. Scholars of Emerson and Dewey (and perhaps of Cavell) will find The Gleam of Light an interesting study that highlights important connections among Emerson's concept of imagination, Dewey's idea of impulse, and Cavell's theme of Emersonian moral perfectionism. The book is rich in presentations of texts well-known as well as obscure. The upshot of Saito's reading is that the Emersonian concern for the project of moral perfection is found to be quite alive in Dewey's pedagogical outlook and that questions regarding the goals of Deweyan education can be addressed from the standpoint of the cultivation of the native imaginative capacities of individuals. In sum: Education is a matter of identifing, cultivating, and, when necessary, retrieving the gleam of light intrinsic to each person.Readers interested in Saito's creative and fine reading of these three philosophers will have to be wary, however. In the course of drawing their works into relationship she cannot resist the anachronistic impulse to bring all three into conversation as if they were contemporaries fully aware of each one's respective body of writing. This is interesting rhetorically, but questionable in a work that is firmly grounded in the history of philosophy. Moreover, as it is only Saito who is in the position to create this three-way [End Page 303] conversation, her anachronistic gestures occur at times when she should forthrightly join that conversation and make her own claims.Taking a step back from Saito's close reading of the major texts of these three philosophers, readers will also find a larger argument for ameliorating differences between pragmatism and idealism via an aesthetic analysis of human experience and action. This might be Saito's principal contribution. Looking to Dewey's Experience and Nature and Art as Experience, Saito finds that these works lay more emphasis on individual experience and imagination. It is when one considers experience from the first-person standpoint (appropriately infused with aesthetic categories) that the apparent scientistic quality of Dewey's philosophy is constrained and the Emersonian theme of personhood is highlighted. The claim undergirding this approach is that while idealism and pragmatism differ widely when considered from the standpoints of epistemology and metaphysics, it is in aesthetics that there are grounds for conceptual reconciliation. This is a provocative thesis that bears further consideration by Saito and others.The Gleam of Light is less satisfying when one considers the book from the standpoint of pedagogical theory. Saito aims to contribute to the discussion regarding goal-oriented... (shrink)

We invited five Cavell scholars to write on this topic. What follows is a vibrant exchange among Paola Marrati, Andrew Norris, Jörg Volbers, Cary Wolfe and Thomas Dumm addressing the question whether, in the contemporary political context, Cavell’s skepticism and his Emersonian perfectionism amount to a politics at all.

This paper examines the different conceptions of personal renewal offered in the writings of John Dewey and Stanley Cavell. Both conceptions, I suggest, can be seen as attempting to reconcile the quest for self-realization with democratic life through a poetic, essentially Emersonian vision of the self as a continual work-in-progress. Accordingly, the kinds of selves that Dewey and Cavell seek are in the end highly compatible. Yet it seems clear too that Dewey and Cavell also stand in a somewhat (...) different relation to the Emersonian tradition, and thus diverge in important ways as to the most preferable means of personal renewal. While Dewey tends to focus on the extensive workings of embodied habit, Cavell's ``Emersonian Perfectionism'' takes a more distinctively linguistic turn. After showing the strengths and weaknesses of each approach to personal renewal, I prevail upon the need for educational environments that recognize both the discursive and nondiscursive dimensions of reconstructing the self. (shrink)

'Becoming Who We Are' clarifies the political and existential aspects of Stanley Cavell's understanding of ordinary language and of skepticism, and shows the close connection between his reception of Kant, Heidegger, and Austin and his exploration of what Emersonian Perfectionism offers to democracy and modern life.

Paul Guyer’s reading of the work by Stanley Cavell and Immanuel Kant on moral perfectionism is, I think, insightful, valuable and sympathetic, and his critique of Stanley Cavell is nuanced and considerate. He argues in “Examples of Perfectionism,” the previous article in this journal, that “Kant offers a fuller example of what Stanley Cavell calls Emersonian perfectionism, … than Cavell himself has recognized even in his most sympathetic account of Kant” (5). Guyer argues, moreover, “that there (...) is a deep affinity between the views of moral education with which Kant and Cavell accompany their examples of moral perfectionism, in that each thinks that examples of the possibility of actually living a moral life in the.. (shrink)

In the context of contemporary nihilistic tendencies in democracy and education, Dewey’s pragmatism must respond to the criticism that it lacks a tragic sense. By highlighting the Emersonian perfectionist dimension latent in the concept of growth, this paper attempts to reveal a sense of the tragic in Dewey’s work—his humble recognition of the double nature of democracy as both attained and unattained. It is precisely the lack of this sense of the tragic that characterises contemporary nihilism. In resistance to (...) this, Deweyan growth points to a perfectionist education committed to the re–awakening of intensity of impulse. (shrink)

John Dewey’s conception of democracy as the political form devoted to the maximum individual self-realization of the citizenry, in the broadest sense of that term, promises to lift democracy above angry populism while avoiding untenable and contentious metaphysical commitments. The idea of self-realization is traditionally tied to a hierarchical and therefore unacceptable model of society. Dewey breaks this tie by stripping the idea of its metaphysical commitments. But Dewey requires supplementation. I argue that Dewey’s own insights can be best kept (...) alive by being read in light of Stanley Cavell’s understanding of Emersonian Perfectionism, in particular the latter’s focus on the failure of the self to realize itself and its ordinary resistance to doing so. Bringing this Romanticism to bear upon Dewey’s ideas would temper them in important ways, preserving and developing what is best in the rich conception of democratic citizenship he has left us. (shrink)

Naoko Saito has made a good case for emphasising the ‘tragic’ dimension within Dewey’s pragmatism. My response suggests ways in which Saito has not gone far enough. She does not adequately move beyond ‘procedural pragmatism’ to a ‘programmatic pragmatism’ which offers substantive articulations about the human good. In addition, her emphasis on ‘Emersonian perfectionism’ is misguided. Both the language of ‘perfectionism’ and the figure of Emerson are unsuitable for the project she intends. Speaking more concretely of a (...) ‘tragic–comic meliorism’ allied to the novelist Hawthorne, it is suggested, provides a more fruitful path. (shrink)

Naoko Saito has made a good case for emphasising the ‘tragic’ dimension within Dewey’s pragmatism. My response suggests ways in which Saito has not gone far enough. She does not adequately move beyond ‘procedural pragmatism’ to a ‘programmatic pragmatism’ which offers substantive articulations about the human good. In addition, her emphasis on ‘Emersonian perfectionism’ is misguided. Both the language of ‘perfectionism’ and the figure of Emerson are unsuitable for the project she intends. Speaking more concretely of a (...) ‘tragic–comic meliorism’ allied to the novelist Hawthorne, it is suggested, provides a more fruitful path. (shrink)

Return to the ordinary as extraordinary has become the signature motif for the Emersonian perfectionism of Stanley Cavell in contemporary American philosophy. In this article I develop Cavell's notion of “the ordinary” as an intercultural theme for exploring aspects of traditional Chinese philosophy, especially Confucianism and Chan Buddhism. I further use Cavell's philosophy of the ordinary to examine Sino-Japanese thought as found in the Zen tradition of Japan and its reformulation by Nishida Kitarô in modern Japanese philosophy. It (...) will be seen how for both Cavell and Sino-Japanese philosophy, perfection is achieved not by transcendence of the ordinary, but through continuous return to and affirmation of the ordinary as extraordinary. I thus endeavor to illuminate the quotidian as articulated by Cavell, Chinese philosophy, and the Sino-Japanese tradition. (shrink)

Return to the ordinary as extraordinary has become the signature motif for the Emersonian perfectionism of Stanley Cavell in contemporary American philosophy. In this article I develop Cavell’s notion of “the ordinary” as an intercultural theme for exploring aspects of traditional Chinese philosophy, especially Confucianism and Chan Buddhism. I further use Cavell’s philosophy of the ordinary to examine Sino-Japanese thought as found in the Zen tradition of Japan and its reformulation by Nishida Kitarô in modern Japanese philosophy. It (...) will be seen how for both Cavell and Sino-Japanese philosophy, perfection is achieved not by transcendence of the ordinary, but through continuous return to and affirmation of the ordinary as extraordinary. I thus endeavor to illuminate the quotidian as articulated by Cavell, Chinese philosophy, and the Sino-Japanese tradition. (shrink)

In order to explain Cavell's account of what makes movies so magical, this article will offer a chronological survey of his major writings on film, beginning with the first edition of The World Viewed (1971), where he poses an intriguing theoretical hypothesis about what distinguishes the movies from the other major art forms. The survey will continue by considering the expanded edition of The World Viewed (1979), Pursuits of Happiness: The Hollywood Comedy of Remarriage (1984), and Contesting Tears: The Hollywood (...) Melodrama of the Unknown Woman (1997), and will conclude with an analysis of Cavell's discussion of Emersonian perfectionism in Cities of Words (2005). Throughout, I show how the specific film interpretations he proposes serve as archetypal examples of crucial features of his philosophy. Cavell's general thesis, I take it, is that films can pose particularly satisfying responses to the skepticism we all harbour about our most deeply held values. In a nutshell, the movies are magical because they tell us myths that allow us to see our lives as worth living, helping to restore our faith in the wellsprings of human value: romantic love, individual autonomy, nonconformity, and the search for self-improvement. (shrink)

Herdt's Putting On Virtue has two chief aims. The first is to champion the virtue tradition against Christian moral quietism and modern deontological ethics. The second is to facilitate reconciliation between Augustinian and Emersonian virtue. To accomplish these tasks Herdt constructs a counter-narrative to Schneewind's Invention of Autonomy, in which Luther's resignation and Kant's innovation are tragic consequences of “hyper-Augustinianism”—a competitive conception of divine and human agency, which leads to excessive suspicion of acquired virtue. This review argues that Putting (...) On Virtue succeeds in its first aim but leaves its second intriguingly uncompleted. Despite this deficiency, however, this essay also argues that Putting On Virtue makes plausible Herdt's audacious suggestion that Augustinian and Emersonian perfectionism may be reconciled by bringing acquired and infused virtue under a single term. (shrink)

Plato's texts have been subject to re‐reading in recent years, reflecting new ways in which philosophy has sought to understand the relationship between the author, the reader, and the text. This chapter begins by restating the allegory of the Stanley Cavell in The Republic, before turning to Cavell's reading of this in relation to the opening of the text. It further illustrates the idea of education as a finding of voice, which Cavell articulates through Emersonian moral perfectionism with (...) reference to his work on philosophy as autobiography. The educative relationship to the self and to the other, and the responsibility one takes for one's voice, is then illustrated further by way of Michel Foucault's account of Socratic parrhesia, a practice evident in The Republic and in other texts of Plato to which Foucault refers. Cavell ventures the term sublimation in relation to his questioning of the allegory of the Cave. (shrink)

The aim of this article is to comment on an episode of The Sopranos in which we are shown two simultaneous failed attempts at education. Tony Soprano’s son and “nephew” seek their own path, their own education, and both end up returning to the world of the two families: the Soprano family and the Mafia family. On this road, they meet people who could lead them out of these worlds, but their affiliation with the family will not be scratched: the (...) two families have too many attractions to be abandoned. The missed education of the two young men mirrors the fall of Tony Soprano, whose tragic fate this episode anticipates. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Stanley Cavell: Philosophy’s Recounting of the OrdinaryRoblin MeeksStanley Cavell: Philosophy’s Recounting of the Ordinary, by Stephen Mulhall; xxv & 351 pp. New York: Oxford University Press, 1994, $52.00.Despite what his book’s title might suggest, Stephen Mulhall’s thorough explication of Stanley Cavell’s philosophy is anything but ordinary. At the outset Mulhall makes it clear that he intends to address Cavell’s exceptional formidability, and sets himself “not to attempt to (...) do what can and must only be done by Cavell’s own prose, but to clear the space that is required for it to do so” (p. vii). He grapples with those peculiar factors that fortify Cavell’s work against many readers: a viscous style and the manifold directions in which that style has stretched. An extensive exegesis, Mulhall believes, will prepare the ground for thoughtful critiques long overdue.In order to disarm Cavell’s “unfashionable tone” (p. viii), Mulhall opens with a discussion of Cavell’s earlier and more traditional work in aesthetics. He carefully attends to the ways in which Cavell appropriated and practiced ordinary language philosophy as established by Wittgenstein and Austin, and in so doing he displays Cavell’s struggle with this methodological inheritance. Conceiving it as the “paradigmatically modern philosophy” (p. 73), Cavell believes that ordinary language creates a tension between philosophy’s present and its past inflections—an urgency he finds ubiquitous in modern Western culture, echoed in contemporary painting and music. For Cavell, philosophy is invariably both subject and object.The second part of the book informs and extends the first, addressing Cavell’s elemental motivation—skepticism. Mulhall shows that Cavell “sees the practices of ordinary language philosophy as everywhere set in opposition to [End Page 407] the skeptical impulse” (p. 186). In reply to each “specific outbreak of what seems to be a fundamental human desire to repudiate that which aligns speakers with one another and with the world they inhabit” (p. 186), Cavell argues that investigations into the criteria governing what we say when—this is the sense in which he “recounts the ordinary”—can reaffirm the alignments between speakers and their world.Mulhall devotes most of his remaining pages to subjects in which Cavell observes the meeting of ordinary language philosophy and the skeptical impulse: film, literary theory, psychoanalysis, and the writings of Shakespeare, Emerson, and Thoreau—subjects traditionally located outside the philosophical pale of settlement. Mulhall demonstrates how these things have in turn shaped Cavell’s own method. Where Wittgenstein, for example, adopted a dense but laconic approach in his investigations, Cavell has come to exercise a species of Emersonian perfectionism. His abundant prose is intended to revise and to expand upon itself, offering itself up for criticism.Mulhall himself, however, does not fully accept this invitation. Since he states in his introduction that he is interested primarily in opening up Cavell’s philosophy for genuine critical response, and since he presents the strongest possible case on its behalf, he is in an ideal position—indeed, no one is better positioned—to offer an exhaustive critique. And yet the criticism he eventually levels (Cavell’s reliance upon religious metaphor is undercut by a chronic distaste for Christianity) fails to persuade; it is inadequately developed. Mulhall wants to maintain the exegete’s distance even when Cavell’s writing beckons him into the more intimate role of critic.Mulhall is right that Cavell’s philosophical aim is “to create a set of texts, to establish and maintain a texture of prose, that can earn the title of philosophy from its readers” (p. xiv). But he insufficiently explores the degree to which the skeptical impulse fundamentally infects this overarching ambition with doubt. And so he under-appreciates Cavell’s vexation. For if ordinary language philosophy—in working through the ineluctable tension between modernity and history—cannot produce work capable of being called philosophy or itself fails to find an audience, what can? Such questions ultimately lead back to Cavell’s own prose, and it is to Mulhall’s credit that he has cleared the space for such a return.Roblin MeeksCity University of New YorkCopyright © 1995 The Johns Hopkins University Press... (shrink)

This chapter focuses on the work of Ralph Waldo Emerson and Henry David Thoreau, and their interpretation by Stanley Cavell. Cavell's philosophy has sought to reclaim the work of Emerson and Thoreau for and as philosophy, and particularly as American philosophy. In Cavell's Emersonian moral perfectionism, perfectionism is understood as ateleological, and not in terms of perfectibility. Cavell therefore seeks to distinguish this American expression of perfectionism from what he identifies as a dimension or tradition of (...) the moral life that spans the course of Western thought, found in teleological form in, for example, Plato and Aristotle. Emerson's essay expresses a disappointment in America's passive acceptance of its European inheritance and in the implications of this for citizenship and democracy. America, or American man, must undertake its own labour to produce its own knowledge of itself and the world. (shrink)

Contemporary scenes of democracy and education exemplify a real scepticism about the point of political participation, and by implication about one's place in society in relation to others. What is called for is a recovery of desire per se ? of people's desire to say what they want to say and their desire to participate in the creation of the public. In response, this article examines Stanley Cavell's ordinary language philosophy. The way he reconstructs philosophy from the perspective of ordinary (...) language provides us with an alternative route to citizenship. Cavell's philosophy is turned towards our existential need to recover political passion, the mainspring of a desire to think that affirms humanity as necessarily political. And in the end this existential need dovetails with the need of the polis: that people speak in their own voice. That, I shall conclude, must be the basis of education for citizenship and political literacy. (shrink)

John Rawls offers an account of public reason that argues that comprehensive doctrines are admissible into public deliberations of fundamental political matters only when they are used to say things that can also be said on the basis of the noncomprehensive liberal political values of freedom and equality. This essay argues that elements of comprehensive doctrines ought to be allowed into public reason even when those elements cannot be translated into the terms of liberal political values. It draws on Ralph (...) Waldo Emerson's conception of communication among citizens and Stanley Cavell's interpretation of Emersonian moral perfectionism to develop a conception of public reason that allows a greater range of views held by citizens to play a legitimate role in democratic deliberations. An Emersonian conception of liberal democracy differs from Rawls's in that it more explicitly views the democratic community as actively engaged in continually revising and perfecting the liberal political values of freedom and equality. (shrink)

This article begins by clarifying the notion of what Stanley Cavell has called ‘Emersonian moral perfectionism.’ It goes on to explore this through close analysis of aspects of Emerson’s essay ‘Experience,’ in which ideas of trying or attempting or experimenting bring out the intimate relation between perfectionism and styles of writing. ‘Where do we find ourselves?’ Emerson asks, and the answer is to be found in part in what we write and what we say, injecting a new (...) sense of possibility and responsibility into our relation to our words. But the language we speak and the lives that go with it are at the same time burdened with a past, and in the case of English, and in the American context especially, it is marked with a kind of repression relating to questions of slavery and race. These matters are implicated in questions of constitution, in both general and specifically political senses. Hence, inheritance and appropriation become causes of critical sensitivity, as do the forms of praise and acknowledgment that should meet them. The article explores ways of thinking through Emerson’s relation to these aspects of experience and seeks to find responses pertinent to today. (shrink)

In the practice of education and educational reforms today ‘meritocracy’ is a prevalent mode of thinking and discourse. Behind political and economic debates over the just distribution of education benefits, other kinds of philosophical issues, concerning the question of democracy, await to be addressed. As a means of evoking a language more subtle than what is offered by political and economic solutions, I shall discuss Ralph Waldo Emerson's idea of perfectionism, particularly his ideas of the ‘gleam of light’ and (...) ‘genius’, as an alternative mode of thinking of human power. Through this Emersonian lens, a provocative shift will be made from meritocracy and ‘mediocracy’ to aristocracy. Emersonian aristocracy destabilizes balanced measures and prevailing discourse about fairness and justice, and makes us reconsider how to achieve a just society in democracy. As an educational implication, I shall propose the idea of citizenship without inclusion—a vision of education for a democratic society in which we learn to live as and with the Great Man. (shrink)

Against the prevailing outcomes-based education and the instrumentalization of education, a movement has arisen towards holistic education. This aims to go beyond objective measurement of the outcomes of education in order to treat the student as a whole person. In this paper, we shall examine some strands of education in Japan which in some way or another feature the idea of the whole person. This includes the tradition of clinical pedagogy, which originated in Kyoto University, Yukichi Shitahodo’s educational anthropology (Kyoiku-Ningengaku), (...) Kuniyoshi Obara’s Zenjin Education (the education of the whole person) and holistic education. Notwithstanding the fact that such education is benevolent in intention, it can be miseducative in some respects. In the light of this, and with some reference to criticism of the idea of the whole person, we shall point to an alternative vision of education of the whole person following Cavell’s Emersonian moral perfectionism – a perfectionism that is thoroughly anti-foundationalist and that transcends self-entrapment in circulatory discourse on the whole. In critical dialogue between the rich traditions of Japanese thought and the critical voice of liberalism raised from within the West, we hope to find a more nuanced answer to the question of how being a whole might make sense. (shrink)