"In 12 excellent essays by scholars East and West, this collection explores the many dimensions of Heidegger's relation to Eastern thinking. Because of the quality of the contributions, the eminence of the many contributors. this volume must be considered an indispensable reference on the subject. Highly recommended." --Choice.

Whereas the Platonic-Christian philosophical tradition in the West favours an ”ascent to theory’ and abstract reasoning, east-Asian philosophies tend to be rooted in somatic, or bodily, practice. In the philosophies of Confucius and Zhuangzi in China, and KÅ«kai and Dōgen in Japan, we can distinguish two different forms of somatic practice: developing physical skills, and what one might call ”realising relationships’. These practices improve our relations with others -- whether the ancestors or our contemporaries, the things with which we surround (...) ourselves or the phenomena of nature -- by reducing egocentrism and increasing humility. Because they transform the practitioner’s experience, the major benefit of philosophies grounded in somatic practice is that they help close the gap between beliefs and behaviour, and between ideas and action. (shrink)

Nietzsche wrote in _Ecce Homo_, "That a psychologist without equal speaks from my writings—this is perhaps the first insight gained by a good reader.... Who among the philosophers before me was in any way a psychologist? Before me there simply was no psychology." _Composing the Soul_ is the first study to pay sustained attention to this pronouncement and to examine the contours of Nietzsche's psychology in the context of his life and psychological makeup. Beginning with essays from Nietzsche's youth, Graham (...) Parkes shows the influence of such figures as Goethe, Byron, and Emerson on Nietzsche's formidable and multiple talents. Parkes goes on to chart the development of Nietzsche's psychological ideas in terms of the imagery, drawn from the dialogues of Plato as well as from Nietzsche's own quasi-mystical experiences of nature, in which he spoke of the soul. Finally, Parkes analyzes Nietzsche's most revolutionary idea—that the soul is composed of multiple "drives," or "persons," within the psyche. The task for Nietzsche's psychology, then, was to identify and order these multiple persons within the individual—to compose the soul. Featuring all new translations of quotations from Nietzsche's writings, _Composing the Soul_ reveals the profundity of Nietzsche's lifelong personal and intellectual struggles to come to grips with the soul. Extremely well-written, this landmark work makes Nietzsche's life and ideas accessible to any reader interested in this much misunderstood thinker. (shrink)

Nietzsche wrote in _Ecce Homo_, "That a psychologist without equal speaks from my writings—this is perhaps the first insight gained by a good reader.... Who among the philosophers before me was in any way a psychologist? Before me there simply was no psychology." _Composing the Soul_ is the first study to pay sustained attention to this pronouncement and to examine the contours of Nietzsche's psychology in the context of his life and psychological makeup. Beginning with essays from Nietzsche's youth, Graham (...) Parkes shows the influence of such figures as Goethe, Byron, and Emerson on Nietzsche's formidable and multiple talents. Parkes goes on to chart the development of Nietzsche's psychological ideas in terms of the imagery, drawn from the dialogues of Plato as well as from Nietzsche's own quasi-mystical experiences of nature, in which he spoke of the soul. Finally, Parkes analyzes Nietzsche's most revolutionary idea—that the soul is composed of multiple "drives," or "persons," within the psyche. The task for Nietzsche's psychology, then, was to identify and order these multiple persons within the individual—to compose the soul. Featuring all new translations of quotations from Nietzsche's writings, _Composing the Soul_ reveals the profundity of Nietzsche's lifelong personal and intellectual struggles to come to grips with the soul. Extremely well-written, this landmark work makes Nietzsche's life and ideas accessible to any reader interested in this much misunderstood thinker. (shrink)

I consider it a 'must read'"—Kathleen Marie Higgins, Philosophy East and West "An excellent introduction to the broad ranging reception of Nietzsche among Asian thinkers."—James R. Watson, Canadian Philosophical Review "The essays in ...

Friedrich Nietzsche's work has had a significant impact on the intellectual life of non-Western cultures and elicited responses from important thinkers outside of the Anglo-American philosophical traditions as well. Bringing together thirteen internationally renowned scholars, this is the first collection of essays to address the connection between Nietzsche's ideas and philosphies in India, China, and Japan. The contributors are Roger T. Ames, Johann Figl, Chen Guying, Michel Hulin, Arifuku Kogaku, David A. Kelly, Glen T. Martin, Sonoda Muneto, Graham Parkes, okochi (...) Ryogi, Eberhard Scheiffele, Mervyn Sprung, and Joan Stambaugh. "Exemplary. Its comparative approach is incisive yet accessible. I consider it a 'must read'"—Kathleen Marie Higgins, _Philosophy East and West_ "An excellent introduction to the broad ranging reception of Nietzsche among Asian thinkers."—James R. Watson, _Canadian Philosophical Review_ "The essays in this welcome collection are invariably thought-provoking and genuinely cross-disciplinary."—Kenneth Surin, _Religious Studies Review_ "A worthy and undogmatic introduction to several fascinating questions concerning the relations between Nietzschean thought and certain traditions of thought in India, China, and Japan."—Don Miller, _Asian Studies Review_. (shrink)

In the context of an unprecedented level of human harm to the natural world on a global scale, this essay aims to rehabilitate the category of the natural by drawing on the philosophies of the classical Daoist Zhuangzi and Friedrich Nietzsche. It considers the benefits of their undermining of anthropocentrism, their appreciation of natural limitations, their checking of human projections onto nature, and their recommendations concerning following the ways of nature while at the same time promoting human culture. The essay (...) concludes with a few examples of how these ideas apply to some current environmental issues. (shrink)

Although the planet is currently facing an unprecedented array of environmental crises, those who are in a position to do something about them seem to be paralyzed and the general public apathetic. This pathological situation derives in part from a particular concep­tion of the human relationship to nature which is central to anthro­pocentric traditions of thought in the West, and which understands the human being as separate from, and superior to, all other beings in the natural world. Traditional East Asian (...) understandings of this relationship are quite different and remarkably un-anthropocentric, especially as exemplified in the ideas of Chinese Daoism and Japanese Buddhism—even though Western conceptions now predominate in both China and Japan. Nevertheless, these ideas and understandings are experientially accessible to any contemporary person who has full contact with the natural world, regardless of which tradition that per­son stands in.This essay examines the understanding of the human-nature rela­tion that we find in the philosophies of Kūkai and Dōgen, from whom we can learn much that is ben­eficial in the context of our current environmental predicament. The ideas of both thinkers are firmly rooted in practice, and especially bodily or somatic practice, designed to bring about a transformation of experience. The argument is not that we should appropriate their conceptions of nature in order to solve our environmental problems; rather, since they both practice “philosophy as a way of life,” the sug­gestion is that we can learn from the practices they advocate in the light of what they say about natural phenomena and would benefit from emulating their ways of engaging the world ecologically. (shrink)

There is a current fashion among some prominent Japanologists to brand Kyoto School philosophers as mere fascist or imperialist ideologues. This essay examines these charges, and criticizes the critics, endeavoring thereby to encourage a more responsible evaluation of the relationship between philosophical and political discourse.

Many of our current environmental problems stem from damage to the natural world through excessive use of modern technologies. Since these problems are now global in scope, it is helpful to take a comparative philosophical approach—in this case by way of Laozi, Zhuangzi, and Martin Heidegger. Heidegger's thoughts on these topics are quite consonant with classical Daoist thinking, in part because he was influenced by it. Although Zhuangzi and Heidegger warn against the ways technology can impair rather than promote human (...) flourishing, they are not simply anti‐technological in their thinking. Both rather recommend a critical stance that would allow us to shift to a more reflective employment of less disruptive technologies. (shrink)

Many of our current environmental problems stem from damage to the natural world through excessive use of modern technologies. Since these problems are now global in scope, it is helpful to take a comparative philosophical approach—in this case by way of Laozi, Zhuangzi, and Martin Heidegger. Heidegger's thoughts on these topics are quite consonant with classical Daoist thinking, in part because he was influenced by it. Although Zhuangzi and Heidegger warn against the ways technology can impair rather than promote human (...) flourishing, they are not simply anti‐technological in their thinking. Both rather recommend a critical stance that would allow us to shift to a more reflective employment of less disruptive technologies. (shrink)

Many of our current environmental problems stem from damage to the natural world through excessive use of modern technologies. Since these problems are now global in scope, it is helpful to take a comparative philosophical approach—in this case by way of Laozi, Zhuangzi, and Martin Heidegger. Heidegger’s thoughts on these topics are quite consonant with classical Daoist thinking, in part because he was influenced by it. Although Zhuangzi and Heidegger warn against the ways technology can impair rather than promote human (...) flourishing, they are not simply anti-technological in their thinking. Both rather recommend a critical stance that would allow us to shift to a more reflective employment of less disruptive technologies. (shrink)

Against the background of a growing interest in Nietzsche’s moral philosophy, several articles have appeared in these pages in recent years dealing with his relation to environmental ethics. While there is much here that is helpful, these essays still fail to do full justice to Nietzsche’s understanding of optimal human relations to the natural world. The context of his life helps to highlight some ecological aspects to his thinking that tend to be overlooked. His ideas about the Overhuman in Thus (...) Spoke Zarathustra undermine the traditional anthropocentric attitude toward nature. By understanding Nietzsche’s idea of will to power primarily as interpretation, following his suggestion that we engage the world as a play of interpretive forces, and paying attention to the relevant parallels with Chinese Daoism and Mahaμyaμna Buddhism, it is clear that Nietzsche takes a salutary step beyond biocentrism to a Dionysian celebration of existence as a whole. (shrink)

Chinese culture is distinguished among the world’s other great traditions by the depth and intensity of its love for rock and stone. This enduring passion manifests itself both in the art of garden making, where rocks form the frame and the central focus of the classical Chinese garden, and also on a smaller scale, in the practice of collecting stones to be displayed on trays or on scholars’ desks indoors. This essay sketches a brief history of lithophilia in China, then (...) adduces the most important philosophical presuppositions for it, and concludes by suggesting some implications for our experience of, and interactions with, the realm of stone and rock. (shrink)

In the second edition of this groundbreaking text in non-Western philosophy, sixteen experts introduce some of the great philosophical traditions in the world. The essays unveil exciting, sophisticated philosophical traditions that are too often neglected in the western world. The contributors include the leading scholars in their fields, but they write for students coming to these concepts for the first time. Building on revisions and updates to the original, this new edition also considers three philosophical traditions for the first time—Jewish, (...) Buddhist, and South Pacific philosophy. (shrink)

What impact are we having on the environment around us? How can we limit the effect of human life on the natural world? These questions and more are considered in 'Advances in Sustainability and Environmental Justice' volume 13, which looks at environmental philosophy, humanity's place in the world, and how we can live in harmony with our planet.

Graham Parkes untersucht in seinem Beitrag Vertreter traditioneller ostasiatischer Philosophie und hebt in besonderer Weise den Aspekt der Leiblichkeit – als gelebte philosophische Praxis der Selbst-Kultivierung hervor: Diese Aktivität als Weg zur Veredelung des Selbst gilt als Voraussetzung zur Entstehung der Beziehungen zu anderen Menschen und zur Umwelt. Sie sichert somit als einziger Weg die Bewahrung der Welt. Momente wie etwa die Praxis der »Selbst-Kultivierung« oder das Hören mit einem »dritten Ohr«, aber auch die Integration des eigenen Handelns und Denkens (...) in den »Rhythmus des Kosmos« fordern europäische Formen des Philosophierens dazu heraus, Grenzen und Aporien ihrer eigenen Methodik wahrzunehmen. (shrink)

Dōgen Kigen (1200–1253 ce) is one of the most revered figures in the history of Japanese culture. A Zen master regarded by the Sōtō School as its spiritual founder, Dōgen is also considered by many to be Japan's greatest philosopher. (The other major contender is kūkai, with whose philosophy Dōgen's shares a number of features.) Possessed of a prodigious and subtle intellect, and master of a strikingly poetic style, he surely ranks among the world's most formidable thinkers.

The Japanese dry landscape garden has long attracted—and long baffled—viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their philosophical and aesthetic significance obscured. _Reading Zen in the Rocks_, the classic essay on the _karesansui_ garden by French art historian François Berthier, has now been translated by Graham Parkes, giving English-speaking readers a concise, thorough, and beautifully illustrated (...) history of these gardens. Berthier's guided tour of the famous garden of Ryoanji in Kyoto leads him into an exposition of the genre, focusing on its Chinese antecedents and affiliations with Taoist ideas and Chinese landscape painting. He traces the roles of Shinto and Zen Buddhism in the evolution of the garden and also considers how manual laborers from the lowest classes in Japan had a hand in creating some of its highest examples. Parkes contributes an equally original and substantive essay which delves into the philosophical importance of rocks and their "language of stone," delineating the difference between Chinese and Japanese rock gardens and their relationship to Buddhism. Together, the two essays compose one of the most comprehensive and elegantly written studies of this haunting garden form. _Reading Zen in the Rocks_ is fully illustrated with photographs of all the major gardens discussed, making it a handsome addition to the library of anyone interested in gardening, Eastern philosophy, and the combination of the two that the _karesansui_ so superbly represents. Praise for the French edition: "A small book of rare depth, remarkably illustrated, on one of the most celebrated and beautiful rock gardens of the monasteries of Kyoto."—_L'Humanité_ "Through _Le Jardin de Ryoanji_, Berthier teaches us to read the zen in the rocks, to discover the language offered by the garden at Ryoanji. Enigmatic, poetic, and disconcerting, an enriching journey through a work of art of surprising modernity, _Le Jardin de Ryoanji_ is a work that will interest all the amateurs of Japanese art and Eastern philosophy."—_Lien Horticole_. (shrink)

The Japanese dry landscape garden has long attracted—and long baffled—viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their philosophical and aesthetic significance obscured. _Reading Zen in the Rocks_, the classic essay on the _karesansui_ garden by French art historian François Berthier, has now been translated by Graham Parkes, giving English-speaking readers a concise, thorough, and beautifully illustrated (...) history of these gardens. Berthier's guided tour of the famous garden of Ryoanji in Kyoto leads him into an exposition of the genre, focusing on its Chinese antecedents and affiliations with Taoist ideas and Chinese landscape painting. He traces the roles of Shinto and Zen Buddhism in the evolution of the garden and also considers how manual laborers from the lowest classes in Japan had a hand in creating some of its highest examples. Parkes contributes an equally original and substantive essay which delves into the philosophical importance of rocks and their "language of stone," delineating the difference between Chinese and Japanese rock gardens and their relationship to Buddhism. Together, the two essays compose one of the most comprehensive and elegantly written studies of this haunting garden form. _Reading Zen in the Rocks_ is fully illustrated with photographs of all the major gardens discussed, making it a handsome addition to the library of anyone interested in gardening, Eastern philosophy, and the combination of the two that the _karesansui_ so superbly represents. Praise for the French edition: "A small book of rare depth, remarkably illustrated, on one of the most celebrated and beautiful rock gardens of the monasteries of Kyoto."—_L'Humanité_ "Through _Le Jardin de Ryoanji_, Berthier teaches us to read the zen in the rocks, to discover the language offered by the garden at Ryoanji. Enigmatic, poetic, and disconcerting, an enriching journey through a work of art of surprising modernity, _Le Jardin de Ryoanji_ is a work that will interest all the amateurs of Japanese art and Eastern philosophy."—_Lien Horticole_. (shrink)

The first English translation of a forty-year-old Japanese classic--Nishitani's treatment of the problem of nihilism, with particular reference to Nietzsche's philosophical ideas, and from a perspective influenced by Buddhist thought. Paper edition, $14.95. Annotation copyrighted by Book News, Inc., Portland, OR.

"Without music, life would be an error."—Friedrich Nietzsche In his youth, Friedrich Nietzsche yearned to become a great composer and wrote many pieces of music. He later claimed to be "the most musical of all philosophers." Yet most books on Nietzsche fail to explore the importance of music for his thought. _Nietzsche and Music_ provides the first in-depth examination of the fundamental significance of music for Nietzsche's life and work. Nietzsche's views on music are essential for understanding his philosophy as (...) a whole. Part biography and part critical examination, Georges Liébert brilliantly demonstrates that despite failed attempts at a professional career as composer, Nietzsche never fully removed himself from the world of music, but instead, became a composer of philosophy, utilizing the musical form as a template for his own writings and creative thought. Liébert's study surveys Nietzsche's opinions about particular composers and compositions, as well as his more theoretical writings on music and its relation to the other arts. He also explores Nietzsche's listening habits, his playing and style of composition, and his many contacts in the musical world, including his controversial and contentious relationship with Richard Wagner. For Nietzsche, music gave access to a realm of wisdom that transcended thought. Music was Nietzsche's great solace; in his last years, it was his refuge from madness. A virtuoso exploration of this little-known but crucial aspect of Nietzsche's life and work, this volume will be of enormous value to scholars of philosophy, music, aesthetics, and literature. (shrink)

Performing Philosophy in Asian Traditions.

In Thus Spoke Zarathustra Nietzsche addresses the problem of how to live a fulfilling life in a world without meaning, in the aftermath of 'the death of God'. Nietzsche's solution lies in the idea of eternal recurrence. This translation of Zarathustra reflects the musicality of the original German, and for the first time annotates the abundance of allusions to the Bible and other classic texts with which Nietzsche's masterpiece is in conversation.

(2013). Nietzsche on Rock and Stone: The Dead World, Dance and Flight. International Journal of Philosophical Studies: Vol. 21, No. 1, pp. 20-40. doi: 10.1080/09672559.2012.746273.