On 18–19 May 2018, a symposium was held in the Research Institute of Irish and Scottish Studies at the University of Aberdeen to commemorate the tenth anniversary of the death of Ronald W. Hepburn (1927–2008). The speakers at this event discussed Hepburn’s oeuvre from several perspectives. For this book, the collection of the revised versions of their talks has been supplemented by the papers of other scholars who were unable to attend the symposium itself. Thus this volume contains contributions from (...) eighteen notable scholars of different disciplines, ranging from contemporary aesthetics and art theory through to philosophical approaches to religion, education and social anthropology. It also includes a bibliography of Hepburn’s writings. The essays were first published in two special issues of the Journal of Scottish Thought, vols. 10–11 (2018–2019). -/- Ronald William Hepburn was born in Aberdeen on 16 March 1927. He went to Aberdeen Grammar School, then he graduated with an M.A. in Philosophy (1951) and obtained his doctorate from the University of Aberdeen (1955). His tutor at Aberdeen was Donald MacKinnon (1913– 1994), a Scottish philosopher and theologian, the author of A Study in Ethical Theory (1957) and The Problem of Metaphysics (1974). Hepburn taught as Lecturer at the Department of Moral Philosophy at Aberdeen (1956–60), and he was also Visiting Associate Professor of Philosophy at New York University (1959–60). He returned from the United States as Professor of Philosophy at Nottingham University. In 1964, he was appointed as a Chair in Philosophy at the University of Edinburgh and between 1965 and 1968 he was also Stanton Lecturer in the Philosophy of Religion at the University of Cambridge. From 1975 until his retirement in 1996, he held the Professorship of Moral Philosophy at Edinburgh. He died in Edinburgh on 23 December 2008. His philosophical interests ranged from theology and the philosophy of religion through moral philosophy and the philosophy of education to art theory and aesthetics. Notably, Hepburn is widely regarded as the founder of modern environmental and everyday aesthetics as a result of the influence of papers in the 1960s which pioneered a new approach to the aesthetics of the natural world. (shrink)

The article re-examines Marx’s liberal period as a contributor to and later as a member of the editorial board of the Rhenish Gazette and the question of the consequences of his liberalism on his transition to socialism. Far from claiming straight away to be the most politically radical of the young Hegelians, the young Marx outlined in his 1842-43 articles a version of moderate republicanism, close to that of Carl von Rotteck. It was by following the gradual distancing of the (...) young Hegelians from liberalism and their concomitant radicalisation, that Marx successively adopted democratic and then socialist positions. This political and theoretical evolution is nonetheless predicated upon the anti-liberal elaboration of what had been a liberal problematic, formulated from 1842 : the question of the autonomy of society relative to the State. It was by way of the critical comprehension of the implications of this demand that Marx gradually arrives at the critique of the constitutional State as an abstract political sphere, and to the defense of a social self-organization for which the requisite is the prior transformation of the activity in question. (shrink)

German Romanticism is commonly associated with nationalism rather than cosmopolitanism. Against this standard picture, I argue that the early German romantic author, Novalis (Georg Philipp Friedrich von Hardenberg, 1772–1801) holds a decidedly cosmopolitan view. Novalis’s essay “Christianity or Europe” has been the subject of much dispute and puzzlement ever since he presented it to the Jena romantic circle in the fall of 1799. On the basis of an account of the philosophical background of Novalis’s romanticism, I show that the image (...) of the Middle Ages sketched in “Christianity or Europe” plays a symbolic role and should not be taken as a literal description of the historical past or as a blueprint for the future. Rather, the romantic picture of medieval Europe serves to evoke poetically the ideal of a cosmopolitan re-unification of humanity. (shrink)

Drawing on a Leibnizian panpsychist ontology of living beings that have a body and a soul, this paper outlines a theory of space based on the perceptual and appetitive relations among these creatures’ souls. In parallel with physical space founded on relations among bodies subject to efficient causation, teleological space results from relations among souls subject to final causation and is described qualitatively in terms of creatures’ pleasure and pain, wellbeing and happiness. Particular places within this space include the kingdom (...) of grace, where morally responsible, rational beings act as far as possible in accord with the ideal of justice as universal love and wise benevolence. However, while Leibniz considered love as properly directed only towards rational beings, it is argued here that the truly wise person will direct their love and benevolence towards all living things. Ausgehend von Leibniz’ panpsychistischer Ontologie von Lebewesen, die einen Körper und eine Seele haben, skizziert dieser Beitrag eine Theorie des Raumes, der auf den perzeptuellen und appetitiven Relationen zwischen den Seelen der Geschöpfe beruht. Parallel zum physikalischen Raum, der in Relationen zwischen den effizient kausal interagierenden Körper begründet liegt, ergibt sich aus den Relationen zwischen den Seelen, die finaler Verursachung unterliegen und in qualitativen Begriffen von Freude und Schmerz wie von Wohl und Zufriedenheit beschrieben werden, ein teleologischer Raum. Besondere Regionen dieses Raumes bilden das Königreich der Gnade, wo moralisch verantwortliche, rationale Wesen so weit wie möglich in Übereinstimmung mit dem Ideal der Gerechtigkeit als universale Liebe und weise Güte handeln. Während Leibniz jedoch meinte, dass sich echte Liebe nur auf rationale Wesen richte, wird hier argumentiert, dass eine wahrhaft weise Person ihre Liebe und Güte auf alle Lebewesen beziehen wird. (shrink)

Dieser Aufsatz hält es für angeraten, einen bisher vernachlässigten Aspekt der Leibnizschen Gedanken bezüglich der Willensfreiheit, nämlich die Rolle der Rationalität, näher zu betrachten. Von den drei für die Freiheit notwendigen Bedingungen gehört nur die Rationalität all denjenigen Menschen, die frei sind, und ihnen ausschließlich an. Kontingenz und Spontaneität können die Handlungen unfreier Menschen kennzeichnen. Die Rolle der Rationalität erscheint in klarem licht, wenn man sie in die Reihe folgender zueinander in Beziehung stehender Konzepte stellt: Kraft, Wahrnehmung, Tätigsein, Vollkommenheit, Schönheit, (...) Weisheit, Liebe, Gerechtigkeit, Glück. Kritische Bemerkungen und im Sinne Leibnizens gegebene Antworten gegen Ende dieses Aufsatzes dienen nicht nur dem Zweck, Leibniz' Stellung zu beurteilen, sondern auch dem Zweck, seine Gedanken bezüglich dieses Themas näher zu erläutern. (shrink)

This title sees the re-emergence of the seminal 1970s magazine Curtains edited by Paul Buck. With its early promotion of French writers such as Georges Bataille, Maurice Blanchot, Jacques Derrida, Jean-Pierre Faye and Edmond Jabès, Curtains’ re-appearance in 2016 arrives after an exhibition at Focal Point Gallery in 2012 that was recreated from an earlier 1992 work at Cabinet Gallery around the concept of ‘disappearing’. The invited contributions come from thirteen artists with whom the editor has engaged over the years. (...) In addition, Buck has returned to pull threads from the earlier editions of his magazine to explore ideas with writers encountered in the intervening years, making all appear in a consolidated grouping as a final gesture, one that refuses to disappear. Contributions include those by: Kathy Acker, Anne-Marie Albiach, Mireille Andres, Stephen Barber, David Barton, Diane Bataille, Georges Bataille, Mathieu Bénézet, Jean-Pierre Bobillot, Joë Bousquet, Michael Camus, Danielle Collobert, David Coxhead, John Cussans, Tatjana Doll, Jerry Estrin, Ulli Freer, Margarita Gluzsberg, Paul Green, Anouchka Grose, Pierre Guyotat, Susan Hiller, Andrew Hunt, Franz Kamin, Chris Kraus, Liane Lang, Roger Laporte, Francesca Lisette, Lucy McKenzie, Bernard Noël, Hestia Peppe, Holly Pester, Perle Petit, Richard Prince, Pascal Quignard, Clunie Reid, Mitsou Ronat, Claude Royet-Journoud, Eugène Savitzkaya, Will Shutes, Sophie Sleigh-Johnson, Miroslav Tichy, Colette Thomas, Simon Thompson, Sophie von Hellermann, and Gabrielle Wittkop. (shrink)

English summary: Was Paul of Tarsus a philosopher? Does he even rank amongst those philosophers who influenced occidental live and thought? The Italian philosopher Giorgio Agamben says, that the Epistle to the Romans is the fundamental messianic text of the western culture. The Jewish scholars Jacob Taubes and Daniel Boyarin insist on the philosophical and political Force of Pauline thinking. Long before that, Friedrich Nietzsche and Martin Heidegger dealt intently with the Epistle. Was Paul a Philosopher? In any case (...) he received a lot of attention from the modern philosophers. The collection of contributions by theologians and philosophers gives profound insights into his thinking. German description: War Paulus aus Tarsus ein Philosoph? Zahlt er gar zu jenen bedeutenden Philosophen, die das abendlandische Leben und Denken massgeblich mit pragten? Der italienische Philosoph Giorgio Agamben bezeichnet jedenfalls den Romerbrief des Apostels als "grundlegenden messianischen Text der westlichen Kultur". Nachdrucklich weisen auch judische Gelehrte wie Jacob Taubes und Daniel Boyarin auf die philosophisch-politische Sprengkraft paulinischen Denkens hin. Lange zuvor setzten sich bereits Friedrich Nietzsche und Martin Heidegger intensiv mit den Briefen des Apostels auseinander. War Paulus ein Philosoph? In jedem Fall geniesst er unter den Philosophen der Moderne und Spatmoderne eine bemerkenswert grosse Aufmerksamkeit. Die hier versammelten Beitrage von Philosophen und Theologen geben einen profunden Einblick in sein denkerisches Potential. (shrink)

Within the broader horizon of asking about the relevance of the Reformation, or more particularly, Martin Luther’s thought, this paper first draws on the old debate whether there can be a Christian conception of tragic guilt by reconstructing an argument Giorgio Agamben develops against von Fritz’s denial of this possibility. The paper shows that Agamben makes a similar move as Protestantism by claiming that natura, which is always already spoiled by hamartia, is objective, naturaliter not personaliter. But in doing so, (...) he does not draw the proper consequences. He tries to re-inscribe this realization into a post-Thomist anthropology, thus not drawing the most radical conclusions necessary from the objectification of hamartia as natura, namely that natura is always already lacking and is itself in a sense an object as lack. This paper shows how this consequences is, on the contrary, developed in Martin Luther’s notion that the “whole of nature” is corrupted and in the ensuing totus-homo principle. To draw the delineation of the production of this lack, it is useful to draw on the notion of kerygma and its usage in both tragedy and the Pauline New Testament. With it, one can think of a repetition of the constitution of the subject through a “message” or “kerygma” that is heteronomous. What is left in and through this repetition can be viewed as “nothingness”, as is shown in the example of Martin Luther’s translation of the humilitas of Mary as “nothingness”. This product of kerygma is at the same time potentially the cause for another type of subjectivity, a comic subjectivity, yet one which carries the heritage of its tragic constitution with it. As a methodological consequence, this paper suggests that it is not possible to develop proper notions of the subject within contemporary debates without repeating or representing the event of the site of this potentially comic subjectivity within the early thought of Martin Luther. (shrink)

In seiner Geschichtsphilosophie, insbesondere der "Idee zu einer allgemeinen Geschichte in weltbürgerlicher Absicht" erforscht Kant die Geschichte nicht in der bunten Fülle der Geschehnisse. Diese Aufgabe überläßt er der,,eigentlichen bloß empirisch abgefassten Historie". Er betrachtet die Geschichte vielmehr, insoweit sie für den Menschen als praktisches Vernunftwesen von Interesse ist. Dabei wahrt er den Zusammenhang mit der transzendentalen Vernunftkritik und fragt, unter welchen erfahrungsunabhängigen Bedingungen der Gang der Geschichte als vernünftig, als sinnvoll erscheint. So wirft Kant jene Sinnfrage auf, die von (...) den empirischen Geschichtswissenschaften weder gestellt noch beantwortet wird. MIT BEITRÄGEN VON: Karl Ameriks, Reinhard Brandt, Volker Gerhardt, Otfried Höffe, Christoph Horn, Patrick Kain, Pauline Kleingeld, Jane Kneller, Dieter Langewiesche, Jean-Michel Muglioni, Alessandro Pinzani und Wolfgang M. Schröder. (shrink)

In seiner Geschichtsphilosophie, insbesondere der „Idee zu einer allgemeinen Geschichte in weltbürgerlicher Absicht" (1784) erforscht Kant die Geschichte nicht in der bunten Fülle der Geschehnisse. Diese Aufgabe überlässt er der „eigentlichen bloß empirisch abgefassten Historie". Er betrachtet die Geschichte vielmehr, insoweit sie für den Menschen als praktisches Vernunftwesen von Interesse ist. Dabei wahrt er den Zusammenhang mit der transzendentalen Vernunftkritik und fragt, unter welchen erfahrungsunabhängigen Bedingungen der Gang der Geschichte als vernünftig, als sinnvoll erscheint. So wirft Kant jene Sinnfrage auf, (...) die von den empirischen Geschichtswissenschaften weder gestellt noch beantwortet wird. Für die 2. Auflage anlässlich des 300. Jubiläums Immanuel Kants wurden die einzelnen Beiträge komplett überarbeitet und auf den neuesten Forschungsstand gebracht. Mit Beiträgen von: Karl Ameriks, Reinhard Brandt, Volker Gerhardt, Otfried Höffe, Christoph Horn, Patrick Kain, Pauline Kleingeld, Jane Kneller, Dieter Langewiesche, Jean-Michel Muglioni, Alessandro Pinzani und Wolfgang M. Schröder. (shrink)

How to Read the Old Testament. By Etienne Charpentier. Pp.124, London, SCM Press, 1982, £3.95. How to Read the New Testament. By Etienne Charpentier. Pp.129, London, SCM Press, 1982. £3.95. Beginning Old Testament Study. Edited by John Rogerson. Pp.vi, 157, London, SPCK, 1982, £3.95. Welt aus der die Bibel kommt Welt aus der die Bibel kommt: Biblische Hil ‘swissenschaften’. By Mechthild Kellermann, Stanisław Medala, Michele Piccirillo and Eugene Sitarz. Pp.263, Kevelaer, Butzon und Bercker; Stuttgart, Verlag Katholisches Bibelwerk, 1982, DM 28. (...) The Structure of Biblical Myths. The Structure of Biblical Myths. By Heinz Westman. Pp.xxii, 477, Dallas, Spring Publications, 1983, no price given. Toward Old Testament Ethics. Toward Old Testament Ethics. By Walter C. Kaiser, Pp.xii, 345, Grand Rapids, Academie Books, 1983, £13.95. Das Evangelium and die Evangelien. Das Evangelium and die Evangelien. Edited by Peter Stuhlmacher. Pp.viii, 454, Tubingen, J.C.B. Mohr, 1983, DM 178. Once More Astonished Once More Astonished: The Parables of Jesus. By Jan Lambrecht. Pp.xiv, 245, New York, Crossroad Publishing, 1983, $9.95. Mark: The Gospel as Story. Mark: The Gospel as Story. By Ernest Best. Pp.vii, 155, Edinburgh, T & T. Clark, 1983, £8.95. The ‘Son of Man’ as The Son of God. The ‘Son of Man’ as The Son of God. By Seyoon Kim. Pp.x, 118, Tübingen, J.C.B. Mohr, 1983, DM 48. Paul and the Law. Paul and the Law. By Heikki Räisänen. Pp.xi, 320, Tübingen, J.C.B. Mohr, 1983, DM 108. Pauline Christianity. Pauline Christianity. By John Ziesler, Pp.ix, 157, Oxford University Press, 1983, £3.50. God as the Mystery of the World God as the Mystery of the World: On the Foundations of the Theology of the Crucified One in the Dispute between Theism and Atheism. By Eberhard Jüngel, translated by Darrell L. Guder.Pp. xvi, 414, Edinburgh, T. and T. Clark, 1983, £14.95. Theologia: The Fragmentation and Unity of Theological Education. Theologia: The Fragmentation and Unity of Theological Education. By Edward Farley. Pp.xiv, 206, Philadelphia, Fortress Press, 1983, $14.50. Unity in Theology Unity in Theology: Lonergan's Framework for Theology in its New Context. By Michael C. O'Callaghan. Pp.xlii, 553, Lanham, University Press of America, 1980, $24.50, $16.75. Understanding Karl Rahner, vol.1: A Theologian in Search of a Philosophy. Understanding Karl Rahner, vol.1: A Theologian in Search of a Philosophy. By George Vass. Pp.xix, 153, London, Sheed and Ward, 1985, £8.50. Understanding Karl Rahner, vol.2: The Mystery of Man and the Foundations of a Theological System. By George Vass. Pp.xvii, 200, London, Sheed and Ward, 1985, £9.50. Ignatius von Loyola Ignatius von Loyola: Die Exerzitien. By Lothar Lies, Pp. 142, Innsbruck‐Vienna, Tyrolia Verlag, 1983, DM 26. The Name of Christ The Name of Christ: The Names of Jesus Used by the Early Cristians, The Development of the Jesus Prayer. By Irenée Hausherr. Pp.viii, 358, Kalamazoo, Cistercian Publications, 1978, $8.00. The Easter Sermons of Gregory of Nyssa. The Easter Sermons of Gregory of Nyssa. Edited by Andreas Spira and Christopher Klock. Pp.x, 384, Cambridge, The Philadelphia Patristic Foundation, 1981, $10.00. Anonymus in Ecclesiasten Commentarius qui dicitur Catena Trium Patrum. Anonymus in Ecclesiasten Commentarius qui dicitur Catena Trium Patrum. Edited by Santo Lucá. Pp.lvi, 139, Turnhout, Brepols, and Leuven, University Press, 1983, no price given. The Medieval Inquistion. The Medieval Inquistion. By Albert Clement Shannon. Pp viii, 153, Washington D.C., Augustinian College Press, 1983, $10.00. John Calvin. John Calvin. Edited by G.R. Potter and M. Greengrass. Pp.xvi, 176, London, Edward Arnold, 1983, £4.95. When Fathers Ruled. Family Life in Reformation Europe. When Fathers Ruled. Family Life in Reformation Europe. By Steven Ozment. Pp.x, 238, Cambridge, Harvard University Press, 1983, £14.85. The Apocalypse in English Renaissance Thought and Literature. The Apocalypse in English Renaissance Thought and Literature. Edited by C.A. Patrides and Joseph Wittreich. Pp. ix, 452, Manchester University Press, 1984, £37.50. The Contribution of British Writers between 1560 and 1830 to the Interpretation of Revelation 13.16–18. By David Brady, Pp.vii, 335, Tubingen, J.C.B. Mohr, 1983, DM 98. Typologies in England, 1650–1820. Typologies in England, 1650–1820. By Paul J. Korshin. Pp.xvii, 437, Princeton University Press, 1982, £26.10. The Great Debate on Miracles. The Great Debate on Miracles. By R.M. Burns. Pp.305, Lewisburg, Bucknell University Press, 1981, £12.00. Coleridge's Religious Imagination. Coleridge's Religious Imagination. By Stephen Happel. Pp.xii, 943, Salzburg, Institut für Anglistik und Amerikanistik, 1983, no price given. Jacques Maritain and the French Catholic Intellectuals. Jacques Maritain and the French Catholic Intellectuals. By Bernard Doering, Pp.x, 268, Notre Dame, University of Notre Dame Press, 1983, £18.25. Dorothy Day: A Biography. Dorothy Day: A Biography. By William D. Miller. Pp.xv, 527, New York, Harper and Row, 1982, $18.00, $10.50. For God and Clarity: New Essays in Honour of Austin Farrer. For God and Clarity: New Essays in Honour of Austin Farrer. Edited by Jeffrey C. Easton and Ann Loades. Pp.xiii, 205, Allison Park, Pickwick Publications; Edinburgh, T. & T. Clark, 1983, £11.75. God, Free Will, and Morality. God, Free Will, and Morality. By Robert J. Richman. Pp.xi, 195, Dordrecht, D. Reidel, 1983, $36.95. God and Skepticism: A Study in Skepticism and Fideism. God and Skepticism: A Study in Skepticism and Fideism. By Terence Penelhum. Pp.xii, 186, Dordrecht, D. Reidel, 1983, $34.00. Religious Belief and Religious Skepticism. Religious Belief and Religious Skepticism. By Gary Gutting. Pp.xi, 192, Notre Dame, University of Notre Dame Press, 1982, £11.20. A Philosopher's Search for the Infinite. A Philosopher's Search for the Infinite. By Jules M. Brady. Pp.94, New York, Philosophical Library, 1983, $10.00 Realism and Reason: Philosophical Papers, Vol.3. Realism and Reason: Philosophical Papers, Vol.3. By Hilary Putnam. Pp.xviii, 312, Cambridge University Press, 1983, £22.50. Perception, Learning and the Self. Perception, Learning and the Self. By D.W. Hamlyn. Pp.viii, 311, London, Routledge and Kegan Paul, 1982, £14.95. Science and Speculation: Studies in Hellenistic Theory and Practice. Science and Speculation: Studies in Hellenistic Theory and Practice. Edited by Jonathan Barnes. Pp.xxvii, 351, Cambridge University Press, 1983, £25.00. Plato: Hippias Major. Plato: Hippias Major. Translated with a commentary and essay by Paul Woodruff. Pp.xvi, 211, Oxford, Basil Blackwell 1983, £12.50. Max Scheler: The Man and his Work. Max Scheler: The Man and his Work. By John H. Nota, translated by T. Plantinga and J. Nota. Pp.vii, 213, Chicago, Franciscan Herald Press, 1983, $12.00. Searching: Practices and Beliefs of the Religious Cults and Human Potential Groups. Searching: Practices and Beliefs of the Religious Cults and Human Potential Groups. By Harriet S. Mosatche. Pp.432, New York, Straven Educational Press, 1983, £10.95. (shrink)

The music of Christoph Willibald von Gluck was a revolution for Paris operagoers when his work premiered there in 1774. In a setting known for its restive and often rowdy spectators, Alceste, Iphigénie en Aulide, and Orpheé et Eurydice seized audiences with unprecedented force. They shed silent tears or sobbed openly, and some cried out in sympathy with the sufferers onstage. “Oh Mama! This is too painful!” three girls called out as Charon led Alcestis to the underworld, and a boy (...) pleaded with his father to take him home. A woman who watched the same performance described falling on her knees in her opera-box as the march of the priests of Apollo began, staying in this position “suppliant and with my hands clasped until the end of the piece.”Gluck's streamlined musical language was one reason for these emotional responses. He and his librettist Ranieri de’ Calzabigi simplified the conventions by eliminating extraneous subplots, abandoning the repetitive da capo form, and replacing trills and runs with simpler melodies meant to convey passion. Another reason was the widespread culture of sentimentalism, which equated virtue with sincerity and judged tears to be the natural sign of an open heart. Painters depicted tender and tumultuous family scenes, and friends pledged trembling vows of fidelity. Listeners were also readers, and many described similar tearful responses when they read the century's bestseller, Rousseau's novel Julie; or, The New Heloise.Everist, a musicologist, takes up the story of Gluck in France in the nineteenth century, when the German composer remained a presence in repertoires. No longer prone to tears, the public was often indifferent and sometimes hostile to his works. Conductors and composers nevertheless persisted in promoting Gluck's music. Between 1828 and 1870, operatic excerpts appeared roughly twice a year in performances of the prestigious Société des Concerts, and the charismatic conductor Jules Pasdeloup regularly programmed his music. Many listeners remained unconvinced. A writer in 1861 described the “sepulchral boredom that reigned the length of all five acts” of Alceste. The periodical Monde dramatique used the same language to characterize Gluck's music: it was “profoundly boring.” After a high point of performances in the middle of Napoleon III's reign, Gluck disappeared from the Paris opera and concert stage for some thirty years.Everist's aim in this slim book is to isolate the “agents” involved in the French reception of Gluck. Traditional reception histories might begin with Gluck and his aims, identifying musical features, particular responses of audiences, critics’ accounts, and perhaps the more elusive temper of the times. Everist focuses instead on less conspicuous networks of impresarios, theater directors, and publishers. In his telling, such agents also include journalists and writers of fiction. The avowed effort is to decenter the artist and his art to emphasize the limited role that composers and librettists play in the performance of an opera. A quoted passage in the book reminds us that without parking attendants, stagehands, and ticket sellers the show could not go on. True enough. Genealogies of Music and Memory therefore provides tables listing Gluck arias in anthologies, particular singers’ performances, works by composers other than Gluck who also drew themes from classical antiquity, and works by other foreign-born composers. A section on “material culture” lists paintings and sculptures of Gluck in Paris theaters and museums.As a “genealogy,” the book is a salutary reminder of the web of amateurs and professionals who discuss, promote, and perform works that others have created. Writers such as E. T. A. Hoffmann, Mme de Staël, and Hippolyte Taine held up Gluck as the embodiment of German music. Hector Berlioz wrote frequently and enthusiastically about Gluck, although he was less keen to program his music. The singers François Delsarte and Pauline Viardot aroused temporary interest in Gluck by regularly including his arias in their recitals. Musical anthologies for the bourgeois household included piano arrangements of his best-known arias. Some nineteenth-century adaptations of his works were scored for the military band.Genealogies of Music and Memory is musicology with very little music. Everist's reliance on networks of actors, agents, publishers, pedagogical practices, and archival environments leads him to assert that “multiple agency is endemic in the story told here.” Unfortunately, it is often unclear just what the story is. Carelessness in writing and editing throughout—including a subject-verb clash in the book's final sentence—has rendered key passages obscure. Everist describes Delsarte's voice as feeble, broken, veiled, and ready to be extinguished twice in the same paragraph, first as a paraphrase and again in a quotation (with a misplaced comma).Decentering artists and their work to elevate others responsible for its reception brings attention to the unseen and often unsung. In the absence of particular performance histories, musical analyses and description, or sustained accounts of shared tastes or critical responses, however, conclusions remain piecemeal. Everist claims to have revealed a “Geertzian web of culture” in his study. A more modest account would describe it as an enumeration of references, revivals, editions, excerpts, and arrangements. (shrink)

ZusammenfassungP. Bernays hat darauf hingewiesen, dass man, um die Widerspruchs freiheit der klassischen Zahlentheorie zu beweisen, den Hilbertschen flniter Standpunkt dadurch erweitern muss, dass man neben den auf Symbole sich beziehenden kombinatorischen Begriffen gewisse abstrakte Begriffe zulässt, Die abstrakten Begriffe, die bisher für diesen Zweck verwendet wurden, sinc die der konstruktiven Ordinalzahltheorie und die der intuitionistischer. Logik. Es wird gezeigt, dass man statt deesen den Begriff einer berechenbaren Funktion endlichen einfachen Typs über den natürlichen Zahler benutzen kann, wobei keine anderen (...) Konstruktionsverfahren für solche Funktionen nötig sind, als einfache Rekursion nach einer Zahlvariablen und Einsetzung von Funktionen ineinander .P. Bernays has pointed out that, in order to prove the consistency of classical number theory, it is necessary to extend Hilbert's finitary stand‐point by admitting certain abstract concepts in addition to the combinatorial concepts referring to symbols. The abstract concepts that so far have been used for this purpose are those of the constructive theory of ordinals and those of intuitionistic logic. It is shown that the concept of a computable function of finite simple type over the integers can be used instead, where no other procedures of constructing such functions are necessary except simple recursion by an integral variable and substitution of functions in each other. (shrink)