We address issues of description of the origin and evolution of the genetic code from a semiotics standpoint. Developing the concept of codepoiesis introduced by Barbieri, a new idea of semio-poiesis is proposed. Semio-poiesis, a recursive auto-referential processing of semiotic system, becomes a form of organization of the bio-world when and while notions of meaning and aiming are introduced into it. The description of the genetic code as a semiotic system allows us to apply the method of (...) internal reconstruction to it: on the basis of heterogeneity and irregularity of the current state, to explicate possible previous states and various ways of forming mechanisms of coding and textualization. The revealed patterns are consistent with hypotheses about the origin and evolution of the genetic code. (shrink)

As a category, poiesis can be extended beyond the standard anthropocentric use and applied across three radically different scales: auto-poiesis in everyday self-organization of every living creature, phylo-poiesis in the shaping of a species by sexual selection across various generations and onto-poiesis as an individual's development of formal skills and creative modification of its environment. In this paper, I apply these distinctions and argue, following Darwin and Sebeok, for the possibility of considering poietic and aesthetic (...) manifestations among various animal species in their ability of both appreciating and expressing rhythm, visual decorative patterns, and chromatic qualities. In music we can find song and equivalents to instrumental playing (cicadas and crickets), theater in representing fictitious situations (killdeer's broken wing act and playing), acrobatic skills (various types of woodcocks and paradise birds) and dancing (cranes and eleonora cockatoo). I do not claim there is animal art, since the very concept of the “artistic” is a result of convention. What I do assert, however, is that human aesthetic appreciation did not emerge ex nihilo nor was granted by God to humans only (as Wallace believed) but has evolutionary relevance and is preceded by the zoo-aesthetics in many other species. (shrink)

In 1804, when asked by the aspiring writer Clemens Brentano why she had chosen to publish her work, Karoline von Günderrode wrote that she longed “mein Leben in einer bleibenden Form auszusprechen, in einer Gestalt, die würdig sei, zu den Vortreflichsten hinzutreten, sie zu grüssen und Gemeinschaft mit ihnen zu haben.” In light of this kind of statement, it is perhaps not surprising if, despite some exceptions, much of the still relatively scant literature on Günderrode reads her works largely in (...) terms of how they articulate and manifest Günderrode’s desires, frustrations, and character, for the most part ignoring their imaginary, creative, and intellectual aspects. This interpretation of the author’s works as biography is, in Günderrode’s case, often accompanied by an interpretation of her biography, particularly her suicide, as literary work. This paper is not the first to question the conflation of Günderrode’s life, death, and writing, but it is one of only a handful that aim to address the autopoietic element of Günderrode’s work in a way that does not reduce her writings to biographical and psychological expressions, or Günderrode herself to an image – or a legend – encapsulated by her writings and her relationship to them. This paper argues that Günderrode’s own position on what the self is has been largely neglected as a result of this conflation, and that taking this position into account changes how we understand Günderrode’s articulations of self in her writings. Thus this paper has two goals: to address difficulties in articulating and even constituting oneself sincerely when one’s efforts are unrecognized, belittled, censored, and forced to conform to the conventions of a society in which one is marginalized; and to unearth a neglected and potentially rich account of the modern self. (shrink)

This article explores the so-called `postsecular' turn from two different but intersecting angles. The first part of the argument offers a reasoned cartography of the postsecular discourses, both in general and within feminist theory. The former includes the impact of extremism on all monotheistic religions in a global context of neo-conservative politics and perpetual war. The context of international violence has dire consequences for the social space, which is increasingly militarized, but also for academic debates, which become more and more (...) restricted in scope and freedom. The article then shifts to mapping the intersection between feminism and the postsecular condition. The main argument is that the postsecular turn challenges European feminism because it makes manifest the notion that agency, or political subjectivity, can be conveyed through and supported by religious piety, and may even involve significant amounts of spirituality. This statement also implies that political agency need not be critical in the negative sense of oppositional and thus may not be aimed solely or primarily at the production of counter-subjectivities. Subjectivity is rather a process ontology of auto-poiesis or self-styling, which involves complex and continuous negotiations with dominant norms and values, and hence also multiple forms of accountability. The double challenge of linking subjectivity to religious agency, and disengaging both from oppositional consciousness and critique defined as negativity, is one of the main issues this article wants to address. In the conclusion the article raises the issue of the affirmative power of critical theory and the kind of ethical values it may be able to engender. (shrink)

This article aims at contributing to the contemporary reception of Heidegger’s thought in eco-philosophical perspective. Its point of departure is Heidegger’s claim, in his Bremen lectures and The Question Concerning Technology, that today the earth is submitted to permanent requisition and planned ordering, and that, having thus lost sight of its auto-poiesis, we are no longer capable of listening, tuning in, and singing back to what he calls in his course on Heraclitus the “song of the earth.” Accordingly, (...) first we examine how the inherently reciprocal dynamics of “earth” and “world,” as thematised by Heidegger in The Origin of the Work of Art, have become opaque. Second, we analyse whether it is possible to find those same dynamics at play behind Heidegger’s “Fourfold,” which we propose to reread in binary key in dialogue with contemporary anthropology, from Bateson and Lévi-Strauss to Wagner and Viveiros de Castro, and in light of Guattari’s notion of “trans-entitarian generativity.” Third, we stress the need to reposition Heidegger’s thought alongside contemporary concerns on “worlding” and we explore its plausible intersections with today’s object-oriented ethnography. Lastly, we discuss the possibility of rereading Heidegger’s Fourfold afresh against the backdrop of Heidegger’s non-foundational thinking, as a conceptual metaphor for the joint dynamics of Abgrund and Grund. (shrink)

O objetivo deste artigo é associar a lógica de abdução de Peirce à cibernética de sistemas vivos. Sistemas vivos não podem ser entendidos através de uma epistemologia causalista, pois se comportam conforme os efeitos e não conforme as causas. A cibernética analisou o modo pelo qual máquinas não triviais se movem através de retroação, ou circuito de retorno: a cada etapa, o sistema corrige a etapa anterior, dependendo de até onde a etapa anterior pode ir em relação a um possível (...) equilíbrio. A dinâmica implica uma possível inibição da energia excessiva seguida de um possível aumento da energia insuficiente. Cada uma dessas condições é um erro que se corrige automaticamente, atingindo um estado temporário de homeostase. A auto-correção significa que é preciso adicionar à saída um impulso adicional “criativo” que seja singular e imprevisível. A lógica que é capaz de fazer sentido dessa dinâmica é a abdução de Peirce, também chamada retrodução, onde o ato inferencial retroage sobre um fato incompreensível, um “erro” epistemológico, inventando sua causa. O pensar e a auto-poiesis de sistemas vivos percorrem o mesmo caminho, substituindo estratégias ocasionais por causas universais atemporais. A abdução é a evidência de que é possível atingir uma condição de “conhecimento” sem apelar para causalidade. A possibilidade que as “leis da natureza”, possa seguir este caminho conclui o ensaio ao adicionar a noção do físico Lee Smolin do “princípio de precedência”, conforme foi inspirado pela ideia de Peirce da evolução das leis da natureza e seu caráter temporal, ou seja, contingente. (shrink)

At the centre of Kant’s “Critique of Aesthetic Judgment” lies a tantalising relation, the reciprocal semblance between nature and art, upon which the entire text pivots. With this thought, Kant suggests a critically licensed blurring of some of the defining presuppositions of critical philosophy and reconfigures the ancient problematic of mimesis. This paper will offer a sketch of how some of Kant’s key successors attempt to extend his project of ‘transcendental critique’ in the field of aesthetics by exposing and challenging (...) the residual pre-critical assumptions underpinning such a conception of the relation between nature and art. The possibility thereby arises of liberating critique from the restraints of the Kantian ‘as if’ without relapsing into a pre-critical naivety. In this respect the important notion of ‘auto-poiesis’, the indigenous artistic creativity of nature, will be considered in its phenomenological and materialist guises. (shrink)

El impacto de las nuevas tecnologías en la acción humana es un tema de fundamental importancia en la filosofía contemporánea. En el presente artículo se subrayarán algunas de las principales cuestiones metafísicas y éticas relacionadas con esta revolución tecnológica en continuo desarrollo, destacando un importante cambio de paradigma del pensamiento: la cuestión metafísica parece ser ahora hija de los interrogantes de pertinencia de la ética. Las posibilidades tecnológicas contemporáneas proceden en la dirección no tanto de exaltar el sujeto humano, cuanto (...) de aniquilarlo: el ser humano se considera «anticuado», profundamente afectado por sus límitaciones, y por esto ha de ser superado. La categoría de la dependencia se sustituye así con la de la auto-póiesis, orientando la reflexión hacia una búsqueda de la perfección que elimine radicalmente todo límite. Al revés, se pondrá de relieve que el concepto de límite puede ser un buen punto de partida para reconstruir una ontología de la diferencia y de la identidad: es precisamente el límite lo que nos permite reconocer la identidad. En cambio, en el ecologismo contemporáneo podemos observar la tendencia opuesta: todo individuo —el ser humano también es funcional para la conservación de la vida del ecosistema, y puede, así, ser sacrificado. En este sentido la superación de la naturaleza humana puede coincidir con la victoria de la Naturaleza, es decir de la Vida: la vida es un bien que hay que salvaguardar, siempre y en cualquier caso, tanto en lo humano como en otras especies. Las principales razones de este hecho radican en una concepción ingenua de Naturaleza y en la consideración del ser humano como amenaza; la conciencia de haber conseguido un gran poder destructivo, no puede ser un motivo suficiente para reducir el ser humano a cáncer del planeta. Si se desea restablecer una correcta relación del hombre consigo mismo y con el mundo, aparece pues necesario elaborar una antropología adecuada, que tenga en cuenta la dimensión natural y espiritual de la persona humana, su límite y sus límites. (shrink)

Instead of presuming the ‘observer’ as given, we are (re)sensing the observer and are thereby offering an ‘open order cybernetics’ (OOC). We are first of all concerned about our acquisition and use of language as the precondition for any meaningful statement. This self-reflexive point of departure distinguishes our project from philosophers who are presuming ‘something’ (‘closure’, ‘selforganization’, ‘self ’, ‘auto-poiesis’, ‘senses’, ‘objects’, ‘subjects’, ‘language’, ‘nervous systems’ etc.) in the first place without being aware of their presumptions i.e. that (...) they are able to already talk meaningfully about ‘something’. We are undertaking a self-reflexive loop towards our already undertaken ‘meaningful’ actions, reflecting inside our concepts on our concepts, trying to find out how our concepts about ‘something’ have come into existence. We are reflecting on our concepts through this ongoing open investigation. We are sketching the ramifications of such a self-reflexive loop for epistemology as well as for the main research areas within cognitive science (i.e. language acquisition, perception, consciousness). We are also pointing towards virtual reality in combination with the arts as an awareness aid, helping us in our self-reflexive endeavours. (shrink)

This paper argues that Karoline von Günderrode’s unique account of the socially constructed self provides a model for satisfying relationships and a stable self on the basis of a fragmented and untransparent subjectivity. Günderrode views experience as a discontinuous series of moments out of which a self can be constructed in two ways, both involving interactions with others. One of these is narrative; the other is a form of immediate experience, including experiencing together with others, that precedes narrative accounts of (...) identity. For Günderrode, the most important ways of interacting with others involve sharing thoughts, feelings and experiences without attempting to integrate these into a more holistic image of, or story about, the person with whom one is interacting. The result is a model for relationships between transitory, opaque selves that creates a basis for social interaction and the construction of identity that can survive and flourish without a stable self that is completely known to itself and others. -/- This journal is open access and includes so many wonderful articles. (shrink)

How does Sylvia Wynter’s theory of the human depart from Western bio-centric and teleological accounts of the human? To grapple with this question I clarify five key concepts in her theory: the Third Emergence, auto- and socio-poiesis, the autopoietic overturn, the human as hybrid, and sociogenesis. I draw on parts of Wynter’s oeuvre, texts she works with and my conversations with Anthony Bogues. Wynter invents a Third Emergence of the world to mark the advent of the human as (...) a hybrid being. She challenges Western conceptions that reduce the human to biological properties. In opposition to Western teleology, her counter-cartography of a history of human life offers a relational conception of human existence which pivots around Frantz Fanon’s theory of sociogeny. She draws on Aimé Césaire’s call for a conception of the human made to the measure of the world, not to the measure of ‘Man’. This makes Wynter’s theory counter-, not post-humanist. (shrink)

Exposición de algunas teorías de la auto-organización en el paradigma de la orden a través del desorden. Se analizan las crisis y las catastrofes por su valor auto-organizador en la formación de comportamientos colectivos.

Exposición de algunas teorías de la auto-organización en el paradigma de la orden a través del desorden. Se analizan las crisis y las catastrofes por su valor auto-organizador en la formación de comportamientos colectivos.

Having in mind the concept of poiesis, as Paul Valéry uses it, time and movement are presented as concepts produced within the project of understanding the natural world. From the idea of philosophy as a way of constructing through concepts the intelligibility of phenomena, I will show the coherence between the construction of the concept of time and that of the concept of movement.

Das 17. Jahrhundert ist beherrscht von der Maschine. Sie dominiert als technische Konstruktion die Theorien und Praxen der wissenschaftlichen Revolution und bedingt entscheidend den Aufstieg der empirischen Wissenschaften. Als Metapher hat sie Erklärungskraft für barocke Modelle von Welt und Mensch, von Körper und Geist; bildlich repräsentiert sie kulturelle und natürliche, weltliche und religiöse Prozesse. Auch Literatur und Theater sind nicht ohne Maschinen zu denken. Darum geht es in diesem Buch: um die polyfunktionale Figur der Maschine in Bezug auf theater- und (...) literaturästhetische Diskurse und Performanzen. Denn Maschinen haben im rationalistisch-mechanistischen Barockzeitalter nicht nur philosophischen Erklärungswert - sie besitzen zugleich Generierungspotenzial: das Potenzial, Neues und Anderes, Mögliches und Unmögliches zu generieren. Die Poiesis der Maschine in der barocken Theater- und Literaturästhetik steht zur Diskussion. Vorgestellt werden zwei zentrale poietische Prozesse: Die Maschine generiert literarisch-theatrale Möglichkeitsräume auf der Bühne und im Buch. Zum einen setzt die Theatermaschine die barocke Ästhetik des Spektakulären um, gesteigert in der maschinellen Theatralisierung der Welt im Rahmen des barocken Festes. Zum anderen inszeniert die Maschinenliteratur Technikutopien auf der Schnittstelle zwischen Wirklichkeit und utopisch-visionärer Möglichkeit – und steht damit für das noch nicht diversifizierte literarische System der Frühen Neuzeit ein. Den Hauptteil des Buchs bildet ein Repertorium, welches die Werkgruppe der "Theatra Machinarum" erstmals systematisch erfasst: gedruckte, ein- oder mehrbändige Technikschaubücher vom 16. bis 18. Jahrhundert, die reale und imaginierte Maschinen in Bild und Text präsentieren und sich, häufig durch einen theatermetaphorischen Titel, als Inszenierungen von Wissen auf einer Bühne ausstellen. (shrink)

El prefijo “auto” en autoorganización y autopoiesis se refiere a la existencia de una identidad o agencialidad implicada en el orden, organización o producción de un sistema que se corresponde con el sistema mismo, en contraste con el diseño o la influencia de carácter externo. La autoorganización (AO) estudia la manera en la que los procesos de un sistema alcanzan de forma espontánea un orden u organización complejo, bien como una estructura o patrón emergente, bien como algún tipo de (...) finalidad o identidad autoconstruida. En este trabajo nos ocupamos del concepto de AO en el contexto de la problemática sobre la naturaleza la vida y de los organismos vivientes. Este concepto se elabora en diferentes tradiciones científicas y filosóficas, a partir de su origen en la filosofía kantiana. La cibernética trata de emular la organización de los seres vivos y su teleología mediante la construcción de máquinas; desarrolla una perspectiva centrada en la regulación y en la causalidad mutua entre componentes del sistema. Estos trabajos, a veces complementados con la teoría de sistemas y la teoría de la información, son fundamentales para el desarrollo de la ciencia del siglo XX, especialmente las ciencias computacionales y la biología. Una segunda corriente surge desde la termodinámica de los procesos irreversibles alejados del equilibrio a partir, entre otros, de los trabajos de la escuela de Bruselas, en la que la AO se explora como la formación espontánea de estructuras de orden disipativo. Una tercera tradición, tal vez la más profundamente kantiana, se desarrolla en el contexto de la biología del desarrollo e integra a las dos mencionadas previamente, pues combina aspectos de las dos previas en el desarrollo ontogenético. Podemos decir que cada una de estas concepciones de la AO se relaciona con modelos paradigmáticos diferentes. La noción de autopoiesis (AP), por su parte, fue propuesta en los años 70 por los biólogos chilenos Humberto Maturana y Francisco Varela para explicar la organización individual de los seres vivos como un proceso dinámico que genera una identidad desde las operaciones del sistema (Maturana y Varela 1973). Puede decirse que hereda y reorganiza ideas de la tradición de la AO, especialmente la kantiana y la cibernética, para proponer una teoría biológica alternativa. El enfoque autopoiético concibe el fenómeno de la vida y a los seres vivos de forma muy diferente a la teoría de la evolución o la biología molecular que constituían las líneas de investigación predominantes en la biología de su tiempo. La teoría subraya como propiedad básica de un sistema viviente su autoconstitución dinámica como unidad dotada de identidad a partir de interacciones entre sus componentes. Sin embargo, aquellas propiedades de la vida consideradas primordiales en el enfoque darwiniano, como la reproducción o la evolución, se ven como secundarias, pues requieren de la existencia previa de sistemas autopoiéticos. El objetivo de esta voz es examinar diferentes aspectos que configuran las tradiciones autoorganizativa y autopoiética, en especial las tensiones conceptuales internas que permiten comprender los desafíos a los que se enfrentan ambas en el marco de la filosofía y la teoría de la biología, así como la forma en que sus posiciones e intuiciones contrastan con otras perspectivas en biología. (shrink)

Reacting against the turn to transcendence that heavily characterized the medieval worldview, the modern worldview is fundamentally exemplified by a threefold turn to immanence, consisting of a subjective turn, a linguistic turn and an experiential turn. Language plays a pivotal role here since it mediates between the subjective and the experiential. Ricoeur’s treatment of metaphor, significantly laid out in his The Rule of Metaphor, is crucial in bringing about this linguistic turn that mediates the subject and its experience of the (...) world. Through an analysis of “seeing as” as a poietic reconfiguration of reality in the subject’s experience, language transforms and founds the world as a “being as.” What is disclosed in this interpretative transformation of reality is not simply an hermeneutical ontology but possibly—also through language—an hermeneutical axiology. (shrink)

Scholars are increasingly concerned about social biases in facial analysis systems, particularly with regard to the tangible consequences of misidentification of marginalized groups. However, few have examined how automated facial analysis technologies intersect with the historical genealogy of racialized gender—the gender binary and its classification as a highly racialized tool of colonial power and control. In this paper, we introduce the concept of auto-essentialization: the use of automated technologies to re-inscribe the essential notions of difference that were established under (...) colonial rule. We consider how the face has emerged as a legitimate site of gender classification, despite being historically tied to projects of racial domination. We examine the history of gendering the face and body, from colonial projects aimed at disciplining bodies which do not fit within the European gender binary, to sexology's role in normalizing that binary, to physiognomic practices that ascribed notions of inferiority to non-European groups and women. We argue that the contemporary auto-essentialization of gender via the face is both racialized and trans-exclusive: it asserts a fixed gender binary and it elevates the white face as the ultimate model of gender difference. We demonstrate that imperialist ideologies are reflected in modern automated facial analysis tools in computer vision through two case studies: commercial gender classification and the security of both small-scale and large-scale spaces. Thus, we posit a rethinking of ethical attention to these systems: not as immature and novel, but as mature instantiations of much older technologies. (shrink)

Idipsum est une locution qu'Augustin utilise pour désigner Dieu. Elle signifie littéralement "cela même". Ce minimalisme sémantique ne laisse pas de la rendre mystérieuse. Faut-il y voir un emprunt à certains textes bibliques qui déjà en font usage? Dans ce cas, idipsum, tel un nom propre vide de toute signification, se bornerait à indiquer Dieu en tant qu'il échappe à toute définition rationnelle. Ou bien faut-il rattacher idipsum à la tradition platonicienne qui recourt à des locutions grecques similaires pour désigner (...) la réalité intelligible qui est " elle-même en elle-même "? Idipsum serait alors la trace d'un héritage philosophique conduisant Augustin à une définition métaphysique de Dieu comme Etre absolu. Cependant, cette alternative entre origine biblique et tradition platonicienne néglige la diversité des usages philosophiques des locutions formées sur auto puis ipsum: elles expriment d'abord l'identité et le fait d'être soi, puis la réflexivité, au croisement des champs dialectique, pratique et ontologique. Cet ouvrage explore la façon dont ces aspects de l'identité se sont construits, du autos grec à l'idipsum latin, à travers des études portant sur Homère, Platon, Aristote, le stoïcisme, le néoplatonisme grec puis latin, Augustin. (shrink)

In the last years, a series of automated self-representational social media sites have emerged that shed light on the information ethics associated with participation in Web 2.0. Sites like Zoominfo.com, Pipl.com, 123People.com and Yasni.com not only continually mine and aggregate personal information and biographic data from the web and beyond to automatically represent the lives of people, but they also engage algorithmic networking logics to represent connections between them; capturing not only who people are, but whom they are connected to. (...) Indeed, these processes of 'auto-biography' are 'secret' ones that for the most part escape the user's attention. This article explores how these sites of auto-biography reveal the complexities of the political economy of Web 2.0, as well as implicate an ethics of exposure concerning how these processes at once participate in the erosion of privacy, and at the same time, in the reinforcement of commodification and surveillance regimes. (shrink)

This paper explores auto-photography as a form of research practice in the area of identity and self-esteem research. It allows researchers to capture and articulate the ways identity guides human action and thought. It involves the generation and examination of the static images that participants themselves believe best represent them. Auto-photography is an important tool for building bridges with marginalized groups in the research process, since it offers researchers a way to let participants speak for themselves. Furthermore, by (...) using this method researchers can avoid exclusive reliance on survey questionnaires and other such research instruments that may be culturally biased. I present two research projects using auto-photography: one involving adolescent Latina girls and one involving Indian women. Based on the experience of these projects, I discuss auto-photography's importance in identity and self-esteem research. Finally, I discuss some of the benefits and challenges of working with this method. (shrink)

Historically, the productive aspect of the aesthetic experience can be described as a process during which aesthetic practice freed itself step by step from restrictions imposed on productive activity in both the classical and the biblical tradition. If one understands this process as the realization of the idea of creative man, it is principally art which actualizes this idea.1 First, when the poietic capacity is still one and undivided, it asserts itself subliminally; later, in the competition between technical and artistic (...) creation, it explicitly claims to be a production of a special kind. It is in that history of the concepts labor and work that the restrictions become most palpable.2 In the Greek tradition, all producing remains subordinate to practical action . As the activity of slaves who are rigorously excluded from the exercise of the virtues, poiesis occupies the lowest rank in social life. In the Christian tradition, handiwork is cursed, which means that man is meant to maintain himself only by toiling against a resistant nature ; salvation can only be found beyond his activity in this world. But in both the classical and the Christian conceptual fields relating to labor, we already encounter ambivalent definitions which could introduce and justify an upward revaluation of man's labor.1. See Hans Blumenberg, "'Nachahmung der Natur': Zur Vorgeschichte des schöpferischen Menschen," Studium Generale 10 : 266-83, still unexcelled. I also base my discussion on Jürgen Mittelstrass, Neuzeit und Aufklärung; Studien zur Entstehung der neuzeitlichen Wissenchaft und Philosophie , and to the results of two seminars at Constance held jointly and to which I owe essential insights.2. See Werner Conze, "Arbeit," in Geschichtliche Grundbegriffe: Historiches Lexikon zur politisch-sozialen Sprache in Deutschland, ed. Conze, Otto Brunner, and Reinhart Koselleck, 4 vols. , 1:154-215, and Walther Bienert, Die Arbeit nach der Lehre der Bibel ; an abbreviated version appears in Bienert's "Arbeit," Die Religion in Gescheichte und Gegenwart .Hans Robert Jauss is professor of literary criticism and Romance philology at the University of Constance. He is the author of many books and articles, including two works forthcoming in English, Toward an Aesthetic of Reception and Aesthetic Experience and Literary Hermeneutics, from which the present essay is taken. Michael Shaw has translated many works, among them Max Horkheimer's Dawn and Decline. (shrink)

This paper provides an introduction and overview of Michel Henry's work, with particular emphasis on his understanding of auto-affectivity. It concludes by pointing to some objections or questions sympathetic phenomenologists may have for his work.

If we think of artistic creation as a basic dimension of humanity we need to question the absence of female artists in history. We should also look at their gradual emergence in the late 20th century, an emergence that coincides with the feminist movement and a change in the conception of art itself, revealed chiefly by Duchamp. But does art by women have some specificity? Without giving a definite answer as far as subject matter is concerned, we note that the (...) conditions suited to both history and the history of art may affect their creation but without specifying it ontologically. If, moreover, some women artists define their work as feminist, it is through an act that combines artistic and political transgression. The exhibition currently arranged by the Georges Pompidou Centre, elles@ beaubourg, provides new resources for these complex questions. (shrink)

Se propone una lectura de la interpretación que Heidegger hace del problema de la auto-afección en la primera Crítica kantiana. Si el tiempo y el yo pienso se unifican es gracias a la idea del tiempo como auto-afección pura que permite captar el movimiento de formación del sí-mismo sin subordinarlo a un enlace extratemporal. Intentaremos mostrar que esta comprensión considera el tiempo como un movimiento autorreferencial que no obstante hace necesario un retiro y una demora de sí para (...) liberar lo que viene. Para hacer posible un encuentro con otro, dicha estructura autoafectiva debe darse el tiempo que impide la clausura autárquica de sí mismo. (shrink)

Greening Auto Jobs: A Critical Analysis of the Green Job Solution provides a major contribution to the growing and important field of environmental sociology and labor studies by providing a theoretical and practical understanding of how the broader political-economic relations of society affect the relationship between labor and the environment.

A groundbreaking conception of interactive media, inspired by continuity, field, and process, with fresh implications for art, computer science, and philosophy of technology.

I try to show that Aristotle does not restrict 'praxis' to those activities which have their end in themselves. NE VI 5, 1140b6-7 need not to be taken as an argument in favour of the restricted interpretation: the wording of the passage is compatible with the interpretation that the end of a praxis is (another) praxis (e.g. eupraxia), the end of a poiesis on the other hand is never a poiesis. This interpretation fits better the use of 'praxis' (...) throughout the NE. MM A 34, 1197a4-12 is discarded since the MM is not written by Aristotle. Next I discuss the relation between the verbs 'prattein' and 'poiein' on the one hand and the corresponding nouns 'poiesis' and 'praxis' on the other, in order to determine their exact meaning. To conclude, Aristotle's distinctions are compared to certain tenets of H. Arendt in her 'Vita Activa'. (shrink)

This essay starts with the possibility of situating Derrida’s aporetic ethics in the domain of normative ethics and argues that Derrida’s reflection on ethics is enrooted in the specific way he conceives the phenomenological notion of auto-affection. In the second section, I analyze, in the early work, auto-affection with signs and show its centrality in Derrida’s first encounter with Levinas’s philosophy. Derrida refuses to substitute the hetero-affective relation to the Other for auto-affection as the source of universal (...) law and normativity. He does not sacrifice universality and tackles the problem of autonomous ethical decision-making even though he welcomes through affectivity the signification of the singular other, which is irreducible to conceptual, emotive, and normative self-relation. This background helps us understand the rootedness of ethical aporias in a reflection on auto-affection. (shrink)

Si l ’ on peut bien affirmer que certains Sceptiques s ’ auto-réfutent, ce n ’ est pas le cas de Sextus Empiricus. En distinguant entre les modèles auto-référentiel et performatif de l ’ auto-réfutation auxquels on confronte les problèmes anciens du Menteur et du renversement ( peritropè ), on peut montrer que Sextus recourt à ce qu ’ il désigne par le mot sumperigraphè, qu ’ il convient de considérer comme un schème topologique verbal (une boucle (...) récursive). Il ressort que Sextus circonscrit la logique dont relève l ’ auto-réfutation, dans un effet réfléchissant et abyssal, rejoignant la grande tradition sceptique du théâtre grec. (shrink)

This article is a response to Ole Martin Skilleås's "Knowledge and Imagination in Fiction and Biography." The first section of the article summarizes the line of the argument in four theses: (1) What is real is more influential than what is made up; (2) there is no metaphysical chasm between autobiographers and us; (3) (auto)biographies are not just empirical; and (4) the moral lesson of a fiction need not be accepted. In the second section each of these theses is (...) criticized. This criticism leads to the conclusion that we should welcome (auto)biographical texts in our moral investigations, but not at the cost of fictional texts. This conclusion is coupled with a proposal to formulate criteria to distinguish texts that matter from those that do not. (shrink)

We propose a reading of Heidegger’s interpretation of the problem of Self-Affection in the first Kantian Critique. If the Time and the ‘I Think’ are unified is due to the notion of time as pure Self-Affection, that could capture the formation of Self without subordinating it to an extra-temporal connection. We attempt to show that Heidegger’s account considers time as a self-referential movement which however requires a delay and a retreat of itself to release what is coming. In order to (...) allow an encounter with another, the self-affective structure must give time to herself, which prevents the autarchic closure of herself. (shrink)

Basado en argumentos previos, propongo una [auto] etnografía civil, públicamente responsable, que aborde las temáticas centrales de self, raza, género, clase, sociedad y democracia. Comienzo con la pedagogía de la esperanza y la imaginación sociológica y etnográfica. Paso entonces al etnógrafo y los estudios culturales, revisando varios modelos de etnografía crítica. A continuación, examino la pedagogía performativa crítica, la política y la teoría racial crítica, concluyendo con una breve discusión sobre la práctica de una política cultural performativa.

Despite its imperative to include all gendered positions under one umbrella, ‘trans’ is continually riven by intramural confrontation over the differences between its masculine and feminine iterations. Whether in political organizing, on social media or in the pages of academic trans theory, it sometimes seems like ‘trans’ is subject to an interminable and gendered custody battle. Dissatisfied with the terms of masc–femme antagonism, this essay uses the gendered interfaces of critique and autotheory to enmesh the work of Jules Gill-Peterson and (...) Paul B. Preciado. Reading into the interdependence of Gill-Peterson’s and Preciado’s texts yields a different theory: trans as an auto-antonym, a word that produces opposite meanings depending on context. Treating trans as auto-antonymic conjures a relational and even erotic escape from the naturalization of gendered antagonism in trans theory, affirming the unexpected bridges, reversals or ‘sex changes’ of specifically trans writing. (shrink)