Austin attacks the view that language is referential, based on the simplistic division of utterances into the ‘descriptive’ and ‘evaluative’, using his notion of performative utterances. Such utterances, in the appropriate circumstances, are neither descriptive nor evaluative, but count as actions, i.e., create the situation rather than describing or reporting on it. In saying ‘I promise to go’ one is making a promise, not stating that one is making it. A performative promise is not, and (...) does not involve, the statement that one is promising. It is an act of a distinctive sort, the very sort named by the performative verb. And, according to Austin, making explicit what one is doing is not describing what one is doing or stating that one is doing it. (shrink)

In a recent book (_Lying and insincerity_, Oxford University Press, 2018), Andreas Stokke argues that one lies iff one says something one believes to be false, thereby proposing that it becomes common ground. This paper shows that Stokke’s proposal is unable to draw the right distinctions about insincere performative utterances. The objection also has repercussions on theories of assertion, because it poses a novel challenge to any attempt to define assertion as a proposal to update the common ground.

Performative Utterances: Seven Puzzles It was John Austin who introduced the word "performative" into the philosophy of language and linguistics. His original idea was that there are utterances which are more correctly characterized as doing something rather than stating something. Austin wrote: "when I say ‘I do’, I am not reporting on a marriage, I am indulging in it." As is well known, Austin went on to work out this notion of a performative utterance in (...) a number of directions, but in the end the attempt to isolate performatives from constatives failed dramatically, and the idea of viewing language use in terms of the performative-constative dichotomy gave way to the study of speech acts: "The total speech act in the total speech situation is the only actual phenomena which, in the last resort, we are engaged in elucidating." But giving up the performative-constative distinction does not mean giving up theorizing about performatives, and there is a cottage industry in the theory of language devoted to them. We identify seven puzzles for theorizing about performatives. We consider how Austin might have dealt with some of them. Finding his answers problematic, we then survey recent theories of performatives and zoom in on the major contenders, identifying one theory in particular for scrutiny and seeing how it fares with the seven puzzles. The upshot is that there is still work to be done understanding performatives. (shrink)

Utterance of a sentence in poetry can be performative, and explicitly so. The best-known of Geoffrey Hill’s critical essays denies this, but his own poetry demonstrates it. I clarify these claims and explain why they matter. What Hill denies illuminates anxieties about responsibility and commitment that poets and critics share with philosophers. What Hill demonstrates affords opportunities for mutual benefit between philosophy and criticism.

Professor Recanati's book is a major new contribution to the philosophy of language. Its point of departure is a refutation of two views central to the work of speech-act theorists such as Austin & Searle: that speech acts are essentially conventional, & that the force of an utterance can be made fully explicit at the level of sentence-meaning & is in principle a matter of linguistic decoding. The author argues that no utterance can be fully understood simply in terms of (...) its linguistic meaning, but that only a contextual inference can provide an adequate framework. In pursuit of this argument, he deals with the major issues of pragmatics & speech-act theory: conversational implicatives & indirect speech acts, the classification of illocutionary forces, the performative/constative distinction, delocutivity, locutionary meaning, non-literal uses of languages, the principle of expressibilty, & the difference between institutional & communicative illocutionary acts. (shrink)

Several authors propose that performative speech acts are self-guaranteeing due to their self-referential nature (Searle 1989; Jary 2007). The present paper offers an analysis of self-referentiality in terms of truth conditional semantics, making use of Davidsonian events. I propose that hereby can denote the ongoing act of information transfer (more mundanely, the utterance) which thereby enters the meaning of the sentence. The analysis will be extended to cover self-referential sentences without the adverb hereby. While self-referentiality can be integrated in (...) ordinary truth conditional semantic analysis without being a mystery, the resulting account shows that self-referentiality in this sense is a necessary but not a sufficient condition for performative utterances. I propose that the second ingredient of performative utterances consists in an act of the speaker defining her utterance to be an act of the respective kind. The final theory can successfully predict the performativity, or lack thereof, of a wide range of performative sentences, and leads to an explicated interface between compositional sentence meaning and speech act. (shrink)

In recent years restorative practice in schools has been heralded as a new paradigm for thinking about student behaviour. Its premise is to provide solutions to indiscipline, to restore relationships where there has been conflict or harm, and to give pupils a language with which to understand wrongdoing. This article offers a critique of practitioners’ use of scripts with which to facilitate the restorative conference, one of the key strategies of restorative practice. To do so I turn to J.L. Austin (...) and Stanley Cavell whose writing on performative and passionate utterance point to the educational importance of making room for freedom in speech and emotion, over performance. Indeed, it is through making room for negative emotion, or silence, as observed in Cavell’s reading of King Lear, that we can see an opening up of the possibilities present in restorative practice. (shrink)

This paper contributes to the study of explicit performative utterances in the following ways. First, it presents arguments that support Austin’s view that these utterances are not assertions. In doing so, it offers an original explanation of why they cannot be true or false. Second, it puts forward a new analysis of explicit performatives as cases of showing performing, rather than of instances of asserting or declaring that one is performing a particular act. Finally, it develops a (...) new account of the role of the performative prefix in signalling performative intentions that shows how the prefix can play a special role in the interpretation of performatives utterances. (shrink)

I explore how gender can shape the pragmatics of speech. In some circumstances, when a woman deploys standard discursive conventions in order to produce a speech act with a specific performative force, her utterance can turn out, in virtue of its uptake, to have a quite different force—a less empowering force—than it would have if performed by a man. When members of a disadvantaged group face a systematic inability to produce a specific kind of speech act that they are (...) entitled to perform—and in particular when their attempts result in their actually producing a different kind of speech act that further compromises their social position and agency—then they are victims of what I call discursive injustice. I examine three examples of discursive injustice. I contrast my account with Langton and Hornsby's account of illocutionary silencing. I argue that lack of complete control over the performative force of our speech acts is universal, and not a special marker of social disadvantage. However, women and other relatively disempowered speakers are sometimes subject to a distinctive distortion of the path from speaking to uptake, which undercuts their social agency in ways that track and enhance existing social disadvantages. (shrink)

This paper argues that historians of ideas must, when seeking to reconstruct webs of beliefs, interpret texts as though they were performances. As this is particularly the case with dialogic texts, the paper focuses on Plato's dialogues to show that the arguments expressed therein cannot be taken as expressions of Plato's beliefs. Rather, such arguments seek to prompt thought in their readers and thus reveal beliefs indirectly. We must therefore revise Mark Bevir's account of the reconstruction of webs of beliefs (...) so that we construct a consistent web and then assume that to be the web of the author in question, rather than assuming that the web we construct is a consistent one. Consideration of Leo Strauss's argument that philosophers have often had to hide their meaning for fear of persecution, the paper concludes that its argument may apply to treatise-based writing as well as to dialogues. All texts include an element of the performative. (shrink)

Performative utterances such as ‘I promise you to φ’, issued under suitable conditions, have been claimed by Austin (1962) to constitute the enactment of something rather than the stating of something. They are thus not to be assessed in terms of truth and falsity. Subsequent theorists have typically contested half of this Austinian view, agreeing that a performative utterance such as ‘I promise you to φ’ is the enactment of a promise, but claiming that it is also (...) a statement to the effect that the promise is issued. I argue that speech-act-theoretically, uttering ‘I promise you to φ’ under suitable conditions is not also the statement that the promise is issued. This is compatible, however, with the fact that semantically, ‘I promise you to φ’ is true just in case my promise to you to φ is issued. (shrink)

Recording devices are generally taken to present problems for the standard Kaplanian semantics for indexicals. In this paper, I argue that the remote utterance view offers the best way for the Kaplanian semantics to handle the recalcitrant data that comes from the use of recording devices. Following Sidelle I argue that recording devices allow agents to perform utterances at a distance. Using the essential, but widely ignored, distinction between tokens and utterances, I develop the view beyond the initial (...) sketch given by Sidelle, and I answer the main objections raised against the view. The paper is structured as follows. Section 1 gives a succinct presentation of Kaplanian semantics and of the problem raised by the use recording devices, Section 2 presents the remote utterance view and Section 3 answers the objections put forward against the view and further develops it. I conclude that the remote utterance view can handle the data that comes from the use of recording devices with only modest modifications of the Kaplanian semantics. (shrink)

Paradoxical though it may seem, there are certain things one can do just by saying what one is doing. This is possible if one uses a verb that names the very sort of act one is performing. Thus one can thank someone by saying 'Thank you', fire someone by saying 'You're fired', and apologize by saying 'I apologize'. These are examples of 'explicit performative utterances', statements in form but not in fact. Or so thought their discoverer, J. L. (...) Austin, who contrasted them with 'constatives'. Their distinctive self-referential character might suggest that their force requires special explanation, but it is arguable that performativity can be explained by the general theory of speech acts. (shrink)

In this article, I attempt to bring some colour to a discussion of fraught topics in education. Though the scenes and stories (from education and elsewhere) that feature here deal with racism, the discussion aims to say something to such topics more generally. The philosophers whose work I draw on here are Stanley Cavell and Judith Butler. Both Butler and Cavell develop (or depart from) J.L. Austin's theory of the performative utterance. Butler, following Derrida, argues that in concentrating on (...) the illocutionary force of utterances (their capacity to do things), Austin fails to account for the force of words themselves. The iterability of language means that words are never at one with themselves. They carry their old contexts with them as they enter into new ones. This has important consequences for ethical issues that pertain to what Butler calls the ?performativity? of gender and race. Though we are performed by language, this performance has a dynamic quality that leads to the reshaping of identity. In contrast, for Cavell, the disappointing aspect of Austin's thought relates to the latter's neglect of the perlocutionary effect of language ? what is done ?by words?. By taking on this project, Cavell embraces the unconventional aspects of language characterised by ?passionate? expression and exchange. Butler and Cavell approach the performative utterance from different directions. In the last part of this article, the significance of this difference is discussed in relation to the provision of a moral education with regard to tackling issues surrounding racism. (shrink)

The theory of speech acts, formulated by Austin and developed by Searle, is widely applied to analyse and classify various speech acts. In this paper it is assumed that legal texts, especially normative acts i.e. constitutions and statutes, are direct speech acts. Normative acts are linguistic entities and they do not exist outside the language, thus the theory of speech acts may be applied to examine them. They are also considered to be performative utterances according to Austin’s classification. (...) In this paper the intention is to compare Cypriot, Greek and Polish normative acts on the basis of the so-called classical theory of speech acts and typology of performativity exponents. The author will compare various methods of expressing performativity in reference to the meaning conveyed by them. Furthermore, other exponents of performativity occurring in the analysed texts shall also be compared. The results obtained while performing the analysis and comparison may be significant for scholars, lawyers and translators. (shrink)

It is argued that genuinely subsentential phrases, such as a discourse-initial utterance of “From France” to indicate the provenance of an item, provide evidence for the reality of the pragmatic process of free enrichment. I consider recent attempts to treat such discourse-initial fragments as linguistic ellipsis of some kind while accommodating the difference between these cases and accepted types of ellipsis such as sluicing and gapping. I claim that the mechanisms they posit to save an ellipsis story have no role (...) in an account of performance. An argument against the enrichment approach from the indeterminacy of the content of subsentential utterances is discussed, and refuted, and it is shown how this indeterminacy is accommodated in a contextualist pragmatic theory. (shrink)

Human communication is multi-modal. It is an empirical fact that many of our acts of communication exploit a variety of means to make our communicative intentions recognisable. Scholars readily distinguish between verbal and non-verbal means of communication, and very often they deal with them separately. So it is that a great number of semanticists and pragmaticists give verbal communication preferential treatment. The non-verbal aspects of an act of communication are treated as if they were not underlain by communicative intentions. They (...) are “relegated” to mere aspects of the context. However, several schools of thoughts have a different take on the issue. Thus psychologists or semioticians of gesture have shown how intricately gestures and speech are related in utterances. And, in a different area of the theoretical landscape, so-called “Relevance Theorists” have made the same point. Thus, Robyn Carston writes that “the domain of pragmatics is a natural class of environmental phenomena, that of ostensive stimuli; verbal utterances are the central case, but not the only one, and they themselves are frequently accompanied by other ostensive gestures of the face, hands, voice etc, all of which have to be interpreted together if one is to correctly infer what is being communicated”. This position rests on the assumption that there is a single “pragmatic system” or module at work in the interpretation of “ostensive stimuli”. When it comes to interpreting verbal stimuli, the same mechanisms and resources are used as when it comes to processing non-verbal ones. If there is no distinct “linguistic pragmatic system”, then the scholar who studies communication should not favour the verbal at the expense of the non-verbal. In this paper, I want to make a contribution to the study of multi-modal messages by considering a type of utterances that mix the verbal with the non-verbal in such a way that a piece of non-linguistic communication seems to stand in for a linguistic constituent which remains unrealised. Here is a real-life example : I didn't see the [IMITATION OF FRIGHTENING GRUMPINESS] woman today; will she be back this week? The square-bracketed string in small capitals is meant to capture the facial expressions and gestures performed in the conversational setting. What is intriguing here is that this instance of ostensive mimicry does not come as a mere complement to some linguistic stimulus; it appears to take the place of that stimulus. I shall try to show that a linguistic analysis can indeed be offered for cases like – though, I believe, without succumbing to the pro-linguistic bias that Carston warns against. I will, however, argue against an ellipsis-based account : the structure of sentence does not contain an unrealised adjective phrase. Instead, I shall defend a ‘syntactic-recruitment' account. (shrink)

This paper explores Stanley Cavell’s notion of ‘passionate utterance’, which acts as an extension of/departure from (we might read it as both) J. L. Austin’s theory of the performative. Cavell argues that Austin having made the revolutionary discovery that truth claims in language are bound up with how words perform, then gets bogged by convention when discussing what is done ‘by’ words. In failing to account for the less predictable, unconventional aspects of language, the latter therefore washes his hands (...) of the expressive passionate aspects of speech. To ignore such aspects is to ignore an important moral dimension of language. Finally, I bring Cavell’s approach to bear on the epistemic criterion, which Michael Hand applies in his paper ‘Should We Teach Homosexuality as a Controversial Issue?’. I suggest that Hand’s approach, by failing to account for the linguistic dimension of truth and the expressive quality that accompanies this dimension, presents an overly narrow conception of moral education. (shrink)

Speakers often use ordinary words and phrases, unembedded in any sentence, to perform speech acts—or so it appears. In some cases appearances are deceptive: The seemingly lexical/phrasal utterance may really be an utterance of a syntactically eplliptical sentence. I argue however that, at least sometimes, plain old words and phrases are used on their own. The use of both words/phrases and elliptical sentences leads to two consequences: 1. Context must contribute more to utterance meaning than is often supposed. Here's why: (...) The semantic type of normal words and phrases is non-proppositional, even after the usual contextual features are added . Yet an utterance of a word/phrase can be fully propositional. 2. Often, a hearer does not need to know the exact identity of the expression uttered, to understand an utterance. The reason: Typically, words/phrases in context will sound the same, and mean the same, as some elliptical sentence token. (shrink)

The term “performative” is used in at least two different senses. In the first sense, performatives are generatives, i.e. expressions by the use of which one creates new deontic states of affairs on the ground of extralinguistic conventions. In the second sense, performatives are operatives, i.e. expressions which contain verbal predicates and state their own utterances. In the article, both these types of expressions are compared to the class of imperatives which are characterized as expressions of the form (...) “Let x see to it that p” and typically express wishes. It is claimed that (1) only these imperatives are generatives which are uttered by deontic authorities, (2) no imperative is an imperative sensu stricto; (3) imperative operatives are used instead of “pure” imperatives in order to emphasize the force of resolution. (shrink)

Wittgenstein demystified the notion of 'observational self-knowledge'. He dislodged the long-standing conception that we have privileged access to our impressions, sensations and feelings through introspection, and more precisely eliminated knowing as the kind of awareness that normally characterizes our first-person present-tense psychological statements. He was not thereby questioning our awareness of our emotions or sensations, but debunking the notion that we come to that awareness via any epistemic route. This makes the spontaneous linguistic articulation of our sensations and impressions nondescriptive. (...) Not descriptions, but expressions that seem more akin to behaviour than to language. I suggest that Wittgenstein uncovered a new species of speech acts. Far from the prearranged consecration of words into performatives, utterances are deeds through their very spontaneity. This gives language a new aura: the aura of the reflex action. I argue, against Peter Hacker, that spontaneous utterances have the categorial status of deeds. This has no reductive consequences in that I do not suggest that one category is reduced to another, but that the boundary between them is porous. This explodes the myth of an explanatory gap between the traditionally distinct categories of saying (or thinking) and doing, or of mind and body. (shrink)

Decisions are performatives - or at least, they share important features with performative utterances that can elucidate our theory of what type of thought they are, and what they do. Namely, decisions have an analogous force to that of performatives, where the force of a propositional attitude or utterance is constituted by its point, or purpose, which is mainly a matter of its direction-of-fit, and its felicity conditions. The force of both decisions and performatives is to bring into (...) being the states of affairs represented in their intentional contents, merely in virtue of the decision or performative’s occurrence and the satisfaction of the felicity conditions they presuppose. The first chapter of the thesis explicates this general framework, and the second and third attempt to show some of the work it can do for a theory of decisions. (shrink)

Creative collective actions can have the potential of true performative utterances opening windows of opportunities for new realities to emerge, for new possible worlds to be created—the realm of the arts is the realm of the “possible.” Group poetry writing can be a performative, dialogic act, and a transformative, revolutionary one as well. Collective artistic creations can break the isolation that the capitalistic patriarchal system imposes on us, helping us connect with one another, giving us hope.

It sometimes happens that a philosopher will develop a view on some topic and then later come to reject it. J. L. Austin was perhaps unique in that he not only rejected a philosophical view of which he himself was the author, he patiently developed the view and then showed it to be ultimately unsatisfactory within the compass of the same work. And he did this not once but three times, in material intended for publication. I am thinking, of course, (...) of his notion of performative utterances: the view that there is a class of utterance, the members of which would on standard grammatical grounds be classed as statements, yet whose proper business is not to state anything but to perform some act. For example, to say ‘I promise to be there’ is to promise to be there, and not to state that one promises nor even to state that one will be there. (shrink)

The aim of this contribution is to propose a natural implementation of the reflexive-referential theory advanced by Perry 2001 that aims at accounting for the reflexive character of explicit performative utterances. This is accomplished by introducing a reflexive-performative constraint on explicit performatives.