This essay responds to Frederic Jameson’s Allegory and Ideology by arguing that this book is centrally concerned with the masses. By developing Jameson’s own model of allegorical reading the pressure of the masses on the text is explored. This is demonstrated through a reading of Albert Camus’s The Plague, Jameson’s central example of ‘bad’ allegory. While this novel is ‘bad’ for implying a one-to-one allegory between the plague infection and the occupation of France during World War Two or to the (...) human condition, a reading of the text as biopolitical allegory reveals the complex presence of the masses. Finally, this response considers the ‘immortality’ of the masses as the utopian moment traced within Allegory and Ideology. (shrink)

Francis Mulhern’s Figures of Catastrophe argues for the existence of a hitherto-unnoticed generic form: the condition of culture novel, which offers a metacultural reflection on the conditions for the existence of culture and for access to culture. Mulhern’s analysis is located within the framework of Marxist reflections on culture, the history of British cultural Marxism, and Mulhern’s own project of the critique and analysis of ‘metaculture’ in Britain. In particular, this review focuses on Mulhern’s contention that the ‘condition of culture (...) novel’ offers a catastrophic or even nihilistic vision of the access to culture by the working class. Mulhern’s argument is that the ‘condition of culture’ novel accompanies the emergence, solidification and collapse of the British culture of ‘labourism’. This review explores the consequences of this argument for the assessment of ‘culture’ and the future of the novel as a site of reflection on the condition of culture. (shrink)

The French intellectual Georges Bataille developed base materialism in his work during the late 1920s and early 1930s as an attempt to break with all existing materialism. This essay is an explication of base materialism and its radical implications for contemporary theory. Bataille argues for the concept of an active base matter that disrupts the opposition of high and low and destabilises all foundations. Then he attempts to use this to develop a radical libertarian Marxism, opposed to both Stalinism and (...) fascism. Although it provided a critique of the emphasis in Marxism on production, the active flux of base matter could not be contained in a political discourse. This means that Bataille's thought has an impact beyond the political and into the wider domain of theory. One example of this is the influence of base materialism on Derrida's deconstruction, and both share the attempt to destabilise philosophical oppositions by means of an unstable ‘third term’. This explains why Bataille's materialism does not appear as conventionally materialist, and why it has had little impact within contemporary materialism. Despite attempts to force base materialism into the mold of a new form of materialism it disrupts conventional materialism and the ‘radical’ politics that often goes with it. Bataille destroys the promise of liberated spaces and offers a more radical and disorienting freedom which inscribes instability into all discourses. It is this that defines the importance and necessity of Bataille's base materialism today. (shrink)

The contemporary theorization of art can be traced in a series of interlocking and antagonistic positions: the dissolution of art into social relations, the tracking of art as the work of objects that recede from our grasp, and the practice of art as instantiating or linking to an immanent plane. I take the question of immanence as central to these debates. This is because immanence implies a superior plane that exceeds specification or determination, and it also traces the problem of (...) capitalism as our horizon of immanence that threatens to absorb any such excess, whether that is artistic, political or ontological. Tracking the problem of immanence, I explore how it rests on the tension of a relation to immanence. Using the work of Gilles Deleuze I analyse this relation as existing in the tension between a moment of excess, often theological, and an immanent relation or fold. Returning to Deleuze's use of the early Sartre we find that Sartre offers a subtly different thinking of relations and immanence through exploring how we are cast out amongst relations and objects. I then use two of Sartre's later essays on art to examine his development of a “situated absolute”: the artwork as the site which condenses and gathers the contradictions of relations and objects into itself, precisely refusing immanence. This, I argue, offers the key to unsettling the coordinates of contemporary art theory by reinstating a thinking of the absolute as positional and at once immersed and antagonistic. (shrink)

At the heart of the cinema of Werner Herzog lies the vision of discordant and chaoticnature – the vision of anti-nature. Throughout his work we can trace a constant fascinationwith the violence of nature and its indifference, or even hostility, to human desires andambitions. For example, in his early film Even Dwarfs Started Small we have therecurrent image of a crippled chicken continually pecked by its companions.2Here theviolence of nature provides a sly prelude to the anarchic carnival violence of the (...) dwarfs’revolt against their oppressive institution. This fascination is particularly evident in hisdocumentary filmmaking, although Herzog himself deconstructs this generic category. Inthe ‘Minnesota Declaration’ 3on ‘truth and fact in documentary cinema’ he radicallydistinguishes between ‘fact’, linked to norms and the limits of Cinéma Vérité, and ‘truth’ asecstatic illumination, which ‘can be reached only through fabrication and imagination andstylization’ 2002, 301). In particular he identifies nature as the site of thisecstatic illumination – in which we find ‘Lessons of Darkness’ – but only through the lack ofany ‘voice’ of nature. While Herzog constantly films nature he films it as hell or as utterlyalien. This is not a nature simply corrupted by humanity but a nature inherently ‘corrupt’ in itself; Herzog’s vision of nature is a kind of anti-vitalism, a horror at the promiscuous vitality of nature. (shrink)

_Guy Debord: Complete Cinematic Works_ Translated and edited by Ken Knabb Oakland, California: AK Press, 2003 ISBN 1-902593-73-1 62 illustrations, 272 pp.

This review essay analyses the proposed synthesis of Lacanian psychoanalysis and Marxism, which often presents itself as a critique of the kind of utopianism associated with 'Freudo-Marxism'. In Yannis Stavrakakis's The Lacanian Left this anti-utopianism slides towards a left reformism, in which the emphasis on constitutive lack prevents any thinking of transformation. Ian Parker's Revolution in Psychology presents a bracing but reductive polemic, in which psychology and psychoanalysis seem to function as mere reflections of capitalist ideology. What goes missing in (...) both accounts is the possibility of a re-thinking of subjectivity, both individual and collective, posed between Lacanian psychoanalysis and Marxism. (shrink)

Contemporary forms of anti-critique take issue with critical distance as the root of critique’s ‘Olympian’ and hierarchical stance. Instead, they constantly call us to get closer: to immerse, network, touch or skim. Against claims to hidden or encrypted meaning to be revealed, they stress we stay as close to the surface of things as possible. These forms of ‘surface reading’ characterise a common orientation of literary and critical studies at the present moment – from invocations of materialities, networks and objects, (...) to statistical and cognitive methodologies. Taking issue with these orientations, I explore how such claims falsely characterise critique – notably psychoanalysis and Marxism – as based on distance and exteriority. In fact, these modes of critique constantly insist on our immersion and embeddedness in forms of relation: whether socio-economic or psychic. The forms of anti-critique dispute this form of immersion in the name of an affirmative form of taking a distance, escaping what they see as the problematic space of negativity that binds critique to its objects. So, while claiming to get us close, anti-critique inscribes an affirmative distance. I return to negativity as the inscription of a messy proximity that carves out an internal dissension and distance within the experience of immersion. (shrink)

The hegemonic form of contemporary queer theory is dependent on a model of desire as autonomous and deregulated, derived from post-'68 French theory and particularly the work of Michel Foucault. Such a model is at risk of finding itself in congruence with a deregulated post-Fordist capitalism that recuperates supposedly dissident sexual identities. This article returns to the work of Foucault to identify a largely unacknowledged tendency in his work that contests the valorization of sexuality and calls for an `end of (...) the monarchy of sex'. This possibility is linked to Foucault's controversial exploration of the concept of `spiritual politics' through his engagement with the Iranian revolution. Rather than regarding this as a regression into a reactionary religiosity, I argue that it forms an inquiry into new political possibilities of revolt. These possibilities contest what Alain Badiou has identified as the nihilism of contemporary capitalism, in which desire and sexuality are deployed to constrain the political imagination to a limited bodily `materialism'. Drawing on the work of the later Foucault, it becomes possible to develop this new politics around asceticism, which is not so much withdrawal from the world but the refusal of the mediations of identity through sexuality and the body. (shrink)

Gilles Deleuze's two-volume theory of film, _Cinema 1: The Movement-Image_ and _Cinema 2: The Time-Image_, have slowly been making an impact on Anglo-American film studies. The special issue of _Film-Philosophy_ on his work (vol. 5, 2001) and David Rodowick's excellent introduction, _Gilles Deleuze's Time Machine_ (1997), are just two signs, among many, of the growing interest in Deleuze's writings on cinema. His work has also inspired the Italian philosopher Giorgio Agamben to propose a new theory of film that significantly departs (...) from Deleuze. Agamben has developed a new theory of 'gestural cinema', arguing that '*the element of cinema is gesture and not image*'. [1] He has also argued that this new theory of gestural cinema means that cinema belongs, essentially, to the realm of ethics and politics, and not aesthetics. It is this new theory that I want to introduce. (shrink)

BioPortal is a Web portal that provides access to a library of biomedical ontologies and terminologies developed in OWL, RDF(S), OBO format, Protégé frames, and Rich Release Format. BioPortal functionality, driven by a service-oriented architecture, includes the ability to browse, search and visualize ontologies (Figure 1). The Web interface also facilitates community-based participation in the evaluation and evolution of ontology content.

This paper reviews Benjamin Noys’ recent attempt in Malign Velocities: Accelerationism and Capitalism to mount a critique of accelerationism. The book, persuasive in certain respects, bypasses the institutional dynamics of accelerationism’s theoretical progenitors, viz. Nick Land and the Cybernetic Culture Research Unit of Warwick University, and instead portrays it as a “defeatist strategy” of the post-’68 conjuncture of “Deleuzian Thatcherism.” Such portrayal is debatable to the extent that it exhibits a questionable appropriation of “theory” in the strict sense (...) of the term; a term the paper attempts to define with reference to Matthew Arnold, Louis Althusser and Gilles Grelet. (shrink)

We perceive smells as perduring complex entities within a distal array that might be conceived of as smellscapes. However, the philosophical orthodoxy of Odor Theories has been to deny that smells are perceived as having a distal location. Recent challenges have been mounted to Odor Theories’ veracity in handling the timescale of olfactory perception, how it individuates odors as a distal entities, and their claim that olfactory perception is not spatial. The paper does not aim to dispute these criticisms. Rather, (...) what will be shown is that Molecular Structure Theory, a refinement of Odor Theory, can be further developed to handle these challenges. The theory is further refined by focusing on distal perception that requires considering the perceptual object as mereologically complex persisting odor against a background scene conceived of as a smellscape. What will be offered is an expansion of Molecular Structure Theory to account for distal smell perception within natural environments. (shrink)

Capital punishment—the legally authorized killing of a criminal offender by an agent of the state for the commission of a crime—stands in special need of moral justification. This is because execution is a particularly severe punishment. Execution is different in kind from monetary and custodial penalties in an obvious way: execution causes the death of an offender. While fines and incarceration set back some of one’s interests, death eliminates the possibility of setting and pursuing ends. While fines and incarceration narrow (...) one’s routes to happiness, death eliminates its possibility. Not surprisingly, there is much debate about the moral permissibility of capital punishment. This entry maps the terrain of this debate. The first section discusses justifications of the death penalty as they appear in major theories of punishment. The second section surveys moral objections to execution that apply to most justifications. The third addresses procedural criticisms, which do not target the morality of execution so much as the justice of its implementation. (shrink)

We are immersed within an odorous sea of chemical currents that we parse into individual odors with complex structures. Odors have been posited as determined by the structural relation between the molecules that compose the chemical compounds and their interactions with the receptor site. But, naturally occurring smells are parsed from gaseous odor plumes. To give a comprehensive account of the nature of odors the chemosciences must account for these large distributed entities as well. We offer a focused review of (...) what is known about the perception of odor plumes for olfactory navigation and tracking, which we then connect to what is known about the role odorants play as properties of the plume in determining odor identity with respect to odor quality. We end by motivating our central claim that more research needs to be conducted on the role that odorants play within the odor plume in determining odor identity. (shrink)

To be a teacher of literature at a university today is to occupy a problematic position in the production and codification of knowledge - a fact that has generated a great deal of critical comment in recent years. But this position in its problematic dimensions is not necessarily new. The teacher of literature has always been a propagator of an aberrant science - yet a science that in its aberrations has more to do with the methodological problems of the natural (...) sciences than is usually credited. In this article the author approaches an initial statement of what makes the study of literature aberrant in this way, and in the process, elaborates upon a central dynamic of teaching literature that draws its strength from such scientific aberrance. In the process he moves towards a statement of the role played by an aberrant science in negotiating cultural identity. (shrink)

Nietzsche distinguished between two forces in art: Apollonian, which represents order and reason, and Dionysian, which represents chaos and energy. Economists, Ward argues, have operated for too long under the assumption that their work reflects the scientific, Apollonian principals that inform physics when they simply do not apply to economics: 'constants' in economics stand in for variables, and the core scientific principles of prediction and replication are all but ignored by economists. Ward encourages economists to reintegrate the standard rigor of (...) the scientific method into their work while embracing the fact of the shape-shifting changeability of human beings. Economists can still aspire to scientific standards, as is demonstrated by the success of biology, in which there is considerable Dionysian variability. Economists must avoid the temptation to wish away dynamic complexity and diversity and must recognize, among other things, that the desire to take risks is fundamentally human. The second half of the book takes some first steps toward creating this new Dionysian Economics. (shrink)

The National Center for Biomedical Ontology is now in its seventh year. The goals of this National Center for Biomedical Computing are to: create and maintain a repository of biomedical ontologies and terminologies; build tools and web services to enable the use of ontologies and terminologies in clinical and translational research; educate their trainees and the scientific community broadly about biomedical ontology and ontology-based technology and best practices; and collaborate with a variety of groups who develop and use ontologies and (...) terminologies in biomedicine. The centerpiece of the National Center for Biomedical Ontology is a web-based resource known as BioPortal. BioPortal makes available for research in computationally useful forms more than 270 of the world's biomedical ontologies and terminologies, and supports a wide range of web services that enable investigators to use the ontologies to annotate and retrieve data, to generate value sets and special-purpose lexicons, and to perform advanced analytics on a wide range of biomedical data. (shrink)

Hardly anyone disputes that discrimination can be a grave moral wrong. Yet this consensus masks fundamental disagreements about what makes something discrimination, as well as precisely why acts of discrimination are wrong. Benjamin Eidelson develops systematic answers to those two questions. He claims that discrimination is a form of differential treatment distinguished by its special connection to the differential ascription of some property to different people, and goes on to argue that what makes some cases of discrimination intrinsically wrongful (...) is that they manifest an attitude of disrespect for the personhood of those who are disfavored. He endeavors to specify what this attitude consists in, and to demonstrate how attending to its character can help us to better understand the moral dimensions of different forms of wrongful discrimination. The book concludes with an extended discussion of racial profiling in law enforcement. (shrink)

This book presents a contextual study of the life and work of the Cambridge Platonist Ralph Cudworth (1617-1688). Focusing on the theological basis of Cudworth's ethical philosophy, this book unlocks the hitherto ignored political aspect to Cudworth's ethical philosophy. Through a detailed examination of Cudworth's published works - particularly his voluminous "True intellectual system of the Universe" -, his posthumously published writings, and his 'freewill' manuscripts Benjamin Carter argues that the ethical and political arguments in Cudworth's philosophy develop out (...) of Cudworth's Trinitarian theology. Carter traces the link between Cudworth's trinitarianism and his ethical and political ideas by placing Cudworth's work in the turbulent religious and intellectual context of seventeenth-century England, and the University of Cambridge in particular. (shrink)

An English language translation accompanies the original Greek text of Aristotle's book about the nature of the state, constitutions, revolutions, democracy, and oligarchy.

While psychopathy research has been growing for decades, a relatively new area of research is corporate psychopathy. Corporate psychopaths are simply psychopaths working in organizational settings. They may be attracted to the financial, power, and status gains available in senior positions and can cause considerable damage within these roles from a manipulative interpersonal style to large-scale fraud. Based upon prior studies, we analyze psychopathy research pertaining to 23 moral emotions classified according to functional quality and target. Based upon our review, (...) we suggest that psychopaths are high in moral emotions associated with other-directed negative signals, low in self-directed negative signals, and low in other-directed positive signals. We found no empirical articles related to self-directed positive signals. This understanding of the specific moral emotion deficits of corporate psychopaths provides greater theoretical understanding and practical implications of knowing which individuals not to promote, though more research is needed on moral emotions that are faked for manipulative reasons. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps, and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may (...) freely copy and distribute this work, as no entity has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

The problem of deviant causation has been a serious obstacle for causal theories of action. We suggest that attending to the problem of deviant causation reveals two related problems for causal theories. First, it threatens the reductive ambitions of causal theories of intentional action. Second, it suggests that such a theory fails to account for how the agent herself is guided by her reasons. Focusing on the second of these, we argue that the problem of guidance turns out to be (...) related to a number of other issues in the literature on action explanation, and that it is much more general: it threatens not only causal theories but any theory of action. Finally, we suggest that a certain version of the view that acting has a constitutive or formal aim can overcome this problem. (shrink)

This introduction argues for the importance of Suárez’s philosophy for historians of medieval philosophy as well as historians of early modern philosophy. It also provides synopses of each of the essays in the volume and a brief biography of Suárez, placing his life and works into some historical context.