Relying on Husserl as well as on the reflections by Merleau-Ponty on Cézanne, Henry on Kandinsky and Deleuze on Bacon, this essay sketches some basic problems that arise in a phenomenological account of non-figurative painting. An investigation of the distinction between phenomenological and pictorial perception, of the transposition of the painter’s mode of perception into a painted image, and of the expressive force of paintings inevitably confronts one with the enigma of the appearing of something invisible. The essay proceeds in (...) three steps. The first step describes pictorial perception in terms of a ‘seeing according to’. Such a mode of perception pays attention to visual ambiguities, to the ‘gaze of things’ and to the conditions of visibility that are ordinarily overlooked. The second step moves on to the issue of the transposition of a pictorial perception in a painted image. Deleuze’s account of “manipulated chance” proves to be very helpful here. In the final step, Henry’s and Deleuze’s emphasis on the painting’s expression of totally invisible ‘forces’ is discussed. (shrink)

This volume provides a valuable discussion of Husserl's lifelong project of the critique of science which makes no attempt to conflate the pre-World War I ...

A clarification of Husserl's changing conceptions of imaginary consciousness ( phantasy ) and memory, especially at the level of auto-affective time-consciousness, suggests an interpretation of Freud's concept of the Unconscious. Phenomenology of consciousness can show how it is possible that consciousness can bring to present appearance something unconscious, that is, something foreign or absent to consciousness, without incorporating it into or subordinating it to the conscious present. This phenomenological analysis of Freud's concept of the Unconscious leads to a partial critique (...) of Freud's metapsychological determination of the Unconscious as a simple, internally unperceived representational consciousness. It also suggests an account of how a reproductive inner consciousness can free the subject from the experience of anxiety by allowing for possibilities of self-distanciation and symbolic self-representation that protect the subject from traumatic affection by and through its own instinctual drives. (shrink)

The major part of this paper is devoted to the task of showing that Husserl's account of knowledge and truth in terms of a synthesis of fulfilment falls prey neither to a form of “metaphysics of presence” nor to a “myth of interiority” or mentalism. Husserl's presentation of the desire to know, his awareness of irreducible forms of absence at the heart of the intuitive presence of the object of knowledge and his formulation of general rules concerning the possible accomplishment (...) of a synthesis of fulfilment are therefore carefully examined. Special attention is also given to the fact that the determination of knowledge and truth provided by the Sixth Logical Investigation rests on an account of an original interweaving between the thing, consciousness, and language. Unlike in Husserl's earlier and later works, no attempt is thereby made to subordinate any of these three elements involved in all knowledge to one of the others. (shrink)

The drive dynamic -- Aristotle (and Heidegger) on natural movement and the drive force of living beings -- The metaphysics of drive and desire in Leibniz -- Schopenhauer on the drives of bodies and the ambiguities of human desire -- The three stages of Freud's drive theory and Lacan's amendments -- Drives and subjectivity -- Husserl on the pleasures of a bodily and drive-based subject -- The Freudian subject -- Schopenhauer, Nietzsche, and Lacan on a drive subject sublimated by the (...) encounter with art -- Abbreviations -- Notes -- Index. (shrink)

This article begins by presenting the two most important transformations that establish a genuine Husserlian approach to the imagination: the first lies in the grasping of imagination, despite its essential differences with perception and hallucination, as an intuitive, or sensuous consciousness ; the second lies in the insight that imagination, or better – phantasy –, requires no images, mental or otherwise. Further, the distinction between pure and perceptual phantasies and their respective fictional objects is drawn out. A comparison between pure (...) phantasy and memory, then leads to a closer look at the role of inner consciousness in pure phantasy and to a clarification of the ‘splitting of the subject’. The exploration of this split allows us to trace the role of the real-ego and the phantasy-ego in pure phantasy, which opens the exploration of phantasy as a consciousness of possibilities. This helps us gain clarity about the nature of both real and ideal possibilities and the respective modes of phantasy. Objects of phantasy also most easily lend themselves to an eidetic variation and to an insight into essences. Phenomenological essences concern the ideal possibility of real and ideal objects and of their experience. It is through their contribution to insight into the real and ideal conditions of possibility of different forms of intentional acts that acts of phantasy best show their potential for Husserl’s project of philosophy as a rigorous science. Imagination or fiction becomes, in his own words, the ‘vital element of phenomenology.’. (shrink)

In Matter and Memory, Bergson examines the relationship between perception and memory, the status of consciousness in its relation to the brain, and more generally, a possible conjunction of matter and mind. Our reading focuses in particular on his understanding of the evanescent presence of the present and of its debt vis-à-vis the "unconscious" consciousness of a "virtual" past. We wish to show that the Bergsonian version of a critique of "the metaphysics of presence" is, for all that, an offshoot (...) of a Platonic type of metaphysics. It is true that Bergson departs from traditional standpoints on the side of a self-sufficient and original present and a form of presence to which the transparency of consciousness would confer the character of immediate evidence. All the same, it can hardly be claimed that his rehabilitation of the past and the unconscious opens up new perspectives on how forgetting and death are bound up with the work of memory. (shrink)

Husserl's phenomenology of the body constantly faces issues of demarcation: between phenomenology and ontology, soul and spirit, consciousness and brain, conditionality and causality. It also shows that Husserl was eager to cross the borders of transcendental phenomenology when the phenomena under investigation made it necessary. Considering the details of his description of bodily sensations and bodily behaviour from a Merleau-Pontian perspective allows one also to realise how Husserl (unlike Heidegger) fruitfully explores a phenomenological field located between a science of pure (...) consciousness and the natural sciences. A phenomenological discussion of naturalism thus cannot limit itself to the task of discrimination, it must attempt to integrate what an eidetic analysis has separated: inside and outside, here and there, first-person and third-person perspective, motivation and causality. Husserl's phenomenology of the body thus shows that dualism is at best a methodological but never an ontological option for the mind-body problem. (shrink)

La double expérience que chacun de nous a des mouvements de son corps – comme objet mondain et comme organe de sa volonté – atteste, au sein de la métaphysique de Schopenhauer, la provenance de tout objet de représentation de la Volonté en soi. Nos « mouvements » charnels se prêtent cependant encore à des modalités diverses, selon qu’ils sont volontaires ou involontaires, et selon que la volonté y est appréhendée à travers une perception interne de ses « actes » (...) successifs ou à travers des sensations de plaisir et de douleur se rapportant à des « désirs » conscients ou inconscients. Formulé dans un langage freudien, la volonté-pulsion inconsciente se phénoménalise selon le double régime de la représentation et de l’affect, c’est-à-dire au sein d’un corps propre dont le principe de réalité et le principe de plaisir se disputent le gouvernement. Cette analyse des comportements corporels humains sert aussi de fondement à la philosophie de la nature de Schopenhauer. De même que nos actes volontaires, tout en se conformant à des « motifs » rationnels, puisent leur énergie dans une pulsion irrationnelle, les mouvements des corps matériels, tout en se conformant aux lois de la physique, restent animés par des « forces naturelles » qu’il faut comprendre comme la présence de la volonté pulsionnelle au sein de la nature. Croisant perspectives métaphysiques, anthropologiques et cosmologiques, l’auteur veut plus particulièrement mettre en lumière que la philosophie de la Volonté de Schopenhauer est la philosophie d’une force pulsionnelle nihiliste, héritière pessimiste du rationalisme leibnizien et visionnaire de la pulsion de mort de Freud. Tout en s’inscrivant dans le sillage kantien, cette philosophie conteste aussi déjà le principe d’une subjectivité originelle au nom du principe d’une vie pulsionnelle anonyme, inconsciente et irrationnelle. (shrink)

The article approaches the work of Van Breda and De Waelhens with respect to the question of how philosophical thought relates to the problems arising in natural life. Van Breda’s main contribution to philosophy is related to the exceptional natural skills he showed in his rescuing of E. Husserl’s Nachlass and his founding of the Husserl Archives in Leuven. It is lesser known that he also brought E. Husserrs widow to Leuven and rescued her from deportation by the German occupation (...) of Belgium during World War II. Extensive excerpts from Malvine Husserl’s private correspondence demonstrate her admiration for and gratitude towards Van Breda. This correspondence also gives us a good idea of her daily life during the seven years that she spent in Leuven, her strong character, and the reasons behind her conversion to Catholicism. Less anchored in natural life than Van Breda, De Waelhens nevertheless claimed that philosophy’s main task is to shed light on the problems of bodily human existence in its social dimensions and its relation to a linguistically-structured world. This led De Waelhens into a study first of Heidegger, then to Merleau-Ponty, Hegel and Marx and, finally, to psychoanalysis. But his entire work remained dedicated to a reflection on the relation between “philosophy and natural experiences‘. He understood this relation in strongly dialectical terms: philosophy must give natural life a better understanding of itself in order to allow it to play the role of a critical counter-balance to philosophical speculation. The article concludes with some of the author’s personal reflections on what philosophy can and cannot do in order to improve natural human life. (shrink)

While sublimation is not the first word in psychoanalysis, it nevertheless constitutes the final aim of psychoanalytic thought in both its clinical and theoretical orientations. Indeed, if psychoanalysis is primarily a practice whose aim is to alleviate a patient’s sufferings, and if these sufferings are largely the result of a conflict between the exigencies of an individual’s drives and the necessities of a civilized social life, then effective therapeutic action presupposes some knowledge of the way in which such a conflict (...) might be resolved.Yet the concept of sublimation not only exhibits the ultimate horizon, the aim or even the ethical norm of therapeutic action, it also provides a striking outline of the conception which psychoanalytic theory has of the human being. Sublimation cannot be understood without a previous understanding of such key psychoanalytic concepts as the unconscious, drive and desire, sexuality and pleasure, dream and reality. Tying together the ultimate ends of psychoanalytic therapy with the first principles of ‘Freudian metapsychology’, a study of the notion of sublimation invites us not only to take an overall view of psychoanalytic theory, but also to test its coherence.It would not, then, be an exaggeration to say that the value of psychoanalysis as theory and as practice depends essentially on its ability to think sublimation and, more specifically, to think the relation between the economy of a singular libidinal body and the demands of a cultural life accomplished within a symbolic field transcending the individual. (shrink)

Edmund Husserl (1859–1938) is the founder of the phenomenological movement which has profoundly influenced twentieth‐century Continental philosophy. The historical setting in which his thought took shape was marked by the emergence of a new psychology (Herbart, von Helmholtz, James, Brentano, Stumpf, Lipps), by research into the foundation of mathematics (Gauss, Rieman, Cantor, Kronecker, Weierstrass), by a revival of logic and theory of knowledge (Bolzano, Mill, Boole, Lotze, Mach, Frege, Sigwart, Meinong, Erdmann, Schröder), as well as by the appearance of a (...) new theory of language (Peirce, Marty). This context is thus very like that which gave birth to the Vienna Circle. Though Husserl's study of classical thinkers began with the British empiricists (Locke, Berkeley, and in particular Hume), he later turned almost exclusively to the writings of Kant, Descartes, and Leibniz. As for his contemporaries outside the phenomenological movement, Husserl's closest – though always critical – engagement was with the neo‐Kantians (Rickert and, above all, Natorp). (shrink)

Uma leitura atenta de Para lá do Princípio de Prazer de Freud sugere que o mecanismo da repetição cega, a oposição a toda a mudança e uma vontade niilista em afirmar o seu próprio poder excessivo caracterizam todas as pulsões. O que distingue as pulsões de morte das outras pulsões deve ser procurado noutra coisa, tal como uma forma particular de prazer ou destruição agressiva. Apesar do seu regresso a Freud, Lacan dá conta de uma nova imagem do mecanismo de (...) repetição. Quer aquilo que se repete seja a expressão de um trauma quer seja de um desejo inconsciente, a repetição ameaça sempre o princípio de prazer e a sua gestão por um ego imaginário. Para Lacan, a repetição descontrolada apela insistentemente à instituição de um sujeito cujo desejo simbolicamente determinado se situa para lá do curso natural de um princípio de prazer. (shrink)

For Freud, the pleasure principle is a fundamental principle of the psychische Geschehen, holding the same import as the reality principle. Properly speaking, the pleasure principle is the principle par excellence of the psychic processes, for without it, it would not be necessary to promote the recognition of reality to the status of a "principle." [...] it is given in a totally different way, as that principle immediately familiar to everyone, which is designated by the word will. It is easy (...) to understand why this conception of a double experience of the body as will and as representation constitutes a crucial pivotal point in Schopenhauer's metaphysical system. (shrink)

Philosophers have thought more about the nature of thinking than about anything else. After Plato and Aristotle, philosophers’ main concern was to promote good, that is, correct, thinking. Because correct thinking was achieved best in propositional statements, thinking became a matter of logic, and logic became a discipline dealing with the formulation of true predicative sentences.In the twentieth century, many philosophers expressed their dissatisfaction with this view. Some, such as Heidegger, have pointed to the ontological presuppositions of a logic that (...) makes truth a matter of correspondence between predicative sentences and the reality of states of affairs. Other philosophers, such as Deleuze, have .. (shrink)

Heidegger’s lecture course on “Parmenides” lays strong emphasis on the dimension of lethe in truth . Such a withdrawal belonging to unconcealment should not be confused with a dissembling or hiding . A concealment pertaining to the presence of a thing can be illustrated by means of a phenomenological description of oblivion, anamnesis, the rare, the gift and the secret. Especially Heidegger’s account of an “open secret” lends itself to a philosophical interpretation of Poe’s “The Purloined Letter”. Dupin recurrently meditates (...) on the right way of keeping a secret and mocks the police for confusing lethe with pseudos. Incidentally, stealing is shown to be no less a form of unconcealment than the gift. Poe’s description of how and where The Purloined Letter is openly present in the minister’s study sheds light on how a thing can remain secret by giving way to other things. (shrink)

This article seeks to reconstruct and critically extend Jacques Derrida’s critique of Edmund Husserl’s transcendental phenomenology. Derrida’s critique of Husserl is explored in three main areas: the phenomenology of language, the phenomenology of time, and the phenomenological constitution of ideal objects. In each case, Husserl’s analysis is shown to rest upon a one-sided determination of truth in terms of presence—whether it be the presence of expressive meaning to consciousness, the self-presence of the temporal instant, or the complete presence of an (...) ideal object through intuition. At every juncture, Derrida’s reasoning is deployed in order to demonstrate how presence is irreducibly bound up with absence and otherness and thus how the ideal of a phenomenological self-presence of consciousness is itself an abstraction from the contingency of history and our concrete embeddedness within a particular lifeworld. The article concludes with an appraisal of reason’s limits in a time of technological domination and the threat of global annihilation. Rather than a flight into irrationalism or skepticism, the author advocates a deepening of philosophical responsibility and an ethics of undecidability as essential for meeting the challenges of modernity. (shrink)

Cette édition numérique a été réalisée à partir d'un support physique, parfois ancien, conservé au sein du dépôt légal de la Bibliothèque nationale de France, conformément à la loi n° 2012-287 du 1er mars 2012 relative à l'exploitation des Livres indisponibles du XXe siècle. Pages de début Avant-propos La réduction phénoménologique et la double vie du sujet I - Intentionnalité et intersubjectivité 1. Intentionnalité et transcendance (Husserl et Heidegger) 2. Le concept de noème (Husserl) 3. Le monde (Husserl) II - (...) Perception 1. Finitude et téléologie de la perception (Husserl) 2. Perception et herméneutique (Husserl, Cassirer et Heidegger) 3. Perception et vie naturelle (Husserl et Merleau-Ponty) III - Temporalité, historicité, langage 1. Origine du temps et temps originaire (Husserl et Heidegger) 2. La présence du passé (Husserl) 3. L'encadrement du souvenir (Husserl, Proust et Barthes) 4. La voix de son maître (Husserl et Derrida) Conclusion Pages de fin. (shrink)

La critique levinassienne de l’égoïsme (transcendantal et éthique) engage à comprendre le sujet autrement, c’est-à-dire à partir de l’autre. L’A. examine plus particulièrement comment cette nouvelle conception de la subjectivité affecte notre manière de penser la limite du corps propre d’un sujet (métaphoriquement appelée sa «peau») et la transgression de cette limite dans la rencontre avec l’étranger. Cela amènera l’A. à plusieurs reprises à se servir de Husserl contre Levinas: non pour réaffirmer la souveraineté du sujet égologique autonome, mais pour (...) mettre en doute que la mise en valeur de la signification éthique de l’altérité d’Autrui implique avec nécessité son assimilation à un étranger ainsi que le caractère obligatoirement traumatique de toute rencontre avec lui. Cela conduira aussi l’A. à questionner la thèse selon laquelle toute forme de pensée analogique, ontologique ou communautaire serait, d’office, incompatible avec les exigences de la responsabilité éthique pour l’autre. (shrink)