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Literary Values

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  1. Jane Adamson, Richard Freadman & David Parker (1998). Renegotiating Ethics in Literature, Philosophy, and Theory. Cambridge University Press.
    Is it possible for postmodernism to offer viable, coherent accounts of ethics? Or are our social and intellectual worlds too fragmented for any broad consensus about the moral life? These issues have emerged as some of the most contentious in literary and philosophical studies. In Renegotiating Ethics in Literature, Philosophy, and Theory a distinguished international gathering of philosophers and literary scholars address the reconceptualisations involved in this 'turn towards ethics'. An important feature of this has been a renewed interest in (...)
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  2. Antony Aumann, Aesthetic Value, Cognitive Value, and the Border Between.
    It is sometimes held that “the aesthetic” and “the cognitive” are separate categories. Enterprises concerning the former and ones concerning the latter have different aims and values. They require distinct modes of attention and reward divergent kinds of appreciation. Thus, we must avoid running together aesthetic and cognitive matters. In this paper, I challenge the independence of these categories, but in unorthodox fashion. Most attempts proceed by arguing that cognitive values can bear upon aesthetic ones. I approach from the opposite (...)
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  3. Thomas Davidson (1906/1969). The Philosophy of Goethe's Faust. New York, Haskell House.
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  4. Richard Thomas Eldridge (2009). The Oxford Handbook of Philosophy and Literature. Oxford University Press.
    The Oxford Handbook of Philosophy and Literature contains 23 newly commissioned essays by major philosophers and literary scholars that investigate literature ...
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  5. John Gibson (2009). Literature and Knowledge. In Richard Eldridge (ed.), Oxford Handbook of Philosophy and Literature.
    What is the relation between works of fiction and the acquisition of knowledge?
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  6. John Gibson, Luca Pocci & Wolfgang Huemer (2007). A Sense of the World: Essays on Fiction, Narrative, and Knowledge. Routledge.
    A team of leading scholars have been brought together in this impressive book to examine how works of literary fiction can be a source of knowledge. Together, they analyze the important trends in this current popular debate.
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  7. Mitchell Green (2010). How and What We Can Learn From Fiction. In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
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  8. Garry Hagberg (2008). Art and Ethical Criticism. Blackwell Pub..
    A timely and philosophically significant contribution to modern aesthetics featuring some of the best contemporary work in philosophical studies of literature, moral beliefs, and thinking in art Reflects the importance of a moral life of engagement with works of art Forms part of the prestigious New Directions in Aesthetics series, which confronts the most intriguing problems in aesthetics and the philosophy of art today.
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  9. John Kekes (2006). The Enlargement of Life: Moral Imagination at Work. Cornell University Press.
    Moral imagination, according to John Kekes, is indispensable to a fulfilling and responsible life.
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  10. Quentin Lauer (1988). G.K. Chesterton: Philosopher Without Portfolio. Fordham University Press.
    Despite all this, no one has, up to the present, devoted an entire book to the examination and analysis of his properly philosophical thinking and writing.This ...
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  11. Nicholas Maxwell (2003). Art as Its Own Interpretation. In Andreea Ruvoi (ed.), Interpretation and Its Objects: Studies in the Philosophy of Michael Krausz. Rodopi.
    In this article I argue that a work of art provides the best interpretation of itself - more faithful than any other scholarly interpretative work.
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  12. Friedrich Wilhelm Nietzsche (1974). The Birth of Tragedy; or, Hellenism and Pessimism. Gordon Press.
    AN ATTEMPT AT SELF- CRITICISM. I. Whatever may lie at the bottom of this doubt- ful book must be a question of the first rank and attractiveness, ...
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  13. Timothy J. Reiss (1992). The Meaning of Literature. Cornell University Press.
    Introduction In Rene Wellek wrote that the "political attack on literature is a foolish generalization." He was dismissing those who would deprecate ...
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  14. Julian Lenhart[from old catalog] Ross (1950). Philosophy in Literature. Thought 25 (1):141-142.
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  15. Susan Schneider (2009). Science Fiction and Philosophy: From Time Travel to Superintelligence. Wiley-Blackwell.
    This thought-provoking volume is suitable for students and general readers and at the same time examines new and more advanced topics of interest to seasoned ...
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  16. M. S. Silk (1981). Nietzsche on Tragedy. Cambridge University Press.
    This is the first comprehensive study of Nietzsche's earliest (and extraordinary) book, The Birth of Tragedy (1872). When he wrote it, Nietzsche was a Greek scholar, a friend and champion of Wagner, and a philosopher in the making. His book has been very influential and widely read, but has always posed great difficulties for readers because of the particular way Nietzsche brings his ancient and modern interests together. The proper appreciation of such a work requires access to ideas that cross (...)
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  17. Jon Stewart (2008). Johan Ludvig Heiberg: Philosopher, Littérateur, Dramaturge, and Political Thinker. Museum Tusculanum Press.
    The hope is that this collection will encourage students and scholars to further explore the different dimensions of Heiberg's thought, both on its own terms ...
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  18. Peter Swirski (2006). Of Literature and Knowledge: Explorations in Narrative Thought Experiments, Evolution, and Game Theory. Routledge.
    " Of Literature and Knowledge looks ... like an important advance in this new and very important subject... literature is about to become even more interesting.
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  19. Katie Terezakis (2010). Afterword: The Legacy of Form. In Katie Terezakis John T. Sanders (ed.), Lukacs: Soul and Form. Columbia University Press.