Disintegration and integration processes of German culture of the end of XX and beginning of XXI are analyzed by giving examples of stage interpretations of mythological plots in theatres of present-day Germany. It is stated that pluralism and multidimensionality of the spiritual experience of modern cultural workers, both writers (such as V. Braun, S. Schutz, B. Strauss etc.) and leading producers (D. Dorn, S. Nubling and others) contribute to the drawing up of a special syncretic style of theatre staging, (...) first of all with the use of the ancient material which is appropriate for it. Ancient myth, as one of the steadiest constants of the European literature, gives a universal key to the interpretation of various cultural and ethic-aesthetic phenomena that are irredundant to nothing else. There is a sociocultural context in which German spectators nowadays try to comprehend these dramaturgy phenomena; and there is a genuine stage director interpretations of them (in Aachen City Theatre, Dramatic Theatre of Hannover, Munich Chamber Theatre etc.) that not only lead to the decanonization of the classic model, but also pinpoint problematique of these performances. (shrink)

The literary scene of Kant’s day goes unmentioned by philosophical commentators. Yet some of its salient features have a clear relation to his problems and positions, not demonstrably causal in every detail, but too close overall to be coincidence in the random sense. Kant’s critical view of society and his establishing of an independent aesthetic realm parallel the themes, and the arguments in self-defence, of contemporaneous radical writing; his discussion of how to exemplify ethical arguments bears on the general Enlightenment (...) problem of how to embody abstractions persuasively, while his theoretical and practical difficulties over written style have consequences for the reception of his own work, and were responsible for divisions among writers of the day who might otherwise have made common cause. All this adds a valuable dimension to our understanding of both Kant’s aesthetics and his time. (shrink)

The notion that Charles Darwin embraced the German Romantic tradition seems plausible, given the early influence of Alexander von Humboldt. But this view fails to do justice to other scientific traditions. Darwin was a protégé of the Englishman John Stevens Henslow and was a follower of the Scott Charles Lyell. He had important debts to French scientists, notably Henri Milne-Edwards, Étienne and Isidore Geoffroy Saint-Hilaire, and Alphonse de Candolle. Many Germans were quite supportive of Darwin, but not all of (...) these were encumbered by idealistic metaphysical baggage. Both Darwin and Anton Dohrn treated science as very much a cosmopolitan enterprise. (shrink)

On the basis of analysis of Russian and foreign scholars, the work is aimed at studying the specificity of the transformation of antique stories and images, which is the desired model in the art of the 20th century thanks to its fluidity and unlimited variability. Actualization of antique stories and images in the works of German-language writers account for life-changing moments of social life, the periods of losing of constant moral landmarks and the periods of looking for new moral (...) and aesthetic ideals. The analysis of the reception and transformation of mythological stories and images in the contemporary literature proves the conception of its polysemy. The built-in contradiction of myths is realized through the transformation of mythological stories and images in the literary works of contemporary writers and is explained by the individuality of writers and theirs aesthetic aims. On the one side, the absence de facto in German drama of the 20th century of interpretations of the story about Achilles and of the image of Achilles, and numerous variations on the topic of moral strivings of fearless and peccant Ulysses, on the other side, are proving the statements of classic aesthetic that the tragedy is based on the conflict, which is close to lofty and linked with the idea of dignity of the man, which is ready and capable of promoting the views of his own by the real acts that are often lead to suffer and death. According to Aristotle, the sympathy for the character leads to catharsis - the basis of education of real civic-mindedness and humanness. (shrink)

During the Second World War, the Allies faced a question colloquially known as the “German Tank Problem”: how many tanks will the Axis ever produce? The answer resulted from an elegant probabilistic argument which was used by Allied mathematicians to make successful upper-bound estimates for the total Axis tank production. This paper shows that if two empirical postulates are true of the history of science, a parallel argument can be used to come up with lower-bound estimates for the number (...) of alternative scientific theories that remain undiscovered. The lower bound in question increases proportionally with the number of theories that have already been discovered. So, the problem of underconsideration is a serious problem and it will get worse, not better, as we discover new theories. (shrink)

This major addition to Ideas in Context examines the development of natural law theories in the early stages of the Enlightenment in Germany and France. T. J. Hochstrasser investigates the influence exercised by theories of natural law from Grotius to Kant, with a comparative analysis of the important intellectual innovations in ethics and political philosophy of the time. Hochstrasser includes the writings of Samuel Pufendorf and his followers who evolved a natural law theory based on human sociability and reason, fostering (...) a new methodology in German philosophy. This book assesses the first histories of political thought since ancient times, giving insights into the nature and influence of debate within eighteenth-century natural jurisprudence. Ambitious in range and conceptually sophisticated, Natural Law Theories in the Early Enlightenment will be of great interest to scholars in history, political thought, law and philosophy. Natural Law Theories in the Early Enlightenment has been selected as the winner of the annual Morris D. Forkosch Prize for the best book in intellectual history published in 2000. (shrink)

A Greek English Lexicon of the New Testament, being Grimm's Wilke's Clavis Novi Testamenti. Translated, Revised and Enlarged by Joseph Henry Thayer, D.D., Bussey Professor of New Testament Criticism and Interpretation in the Divinity School of Harvard University. Edinburgh, T. and T. Clark. 1886. 4to. pp. 726. 36s.Biblico Theological Lexicon to New Testament Greek. by Hermann Cremer, D.D., Professor of Theology in the University of Greifswald. Third English Edition. With Supplement. Translated from the latest German Edition by William Uewick, (...) M.A. Edinburgh, T. and T. Clark. 1886. 4to. pp. 943. 38s. (shrink)

Human beings have physical and psychological limits, but also ethical, which are precisely what make their actions human. These ethical limits enable any debate and investigation, in particular, with human beings. Therefore, any investigation would be unfeasi- ble without those limits. We talk about ethical limits, not in the sense of impediment but in the sense of possibility for action; you can only speak of ethical limits if you af rm a truth that is valid for everyone and for all (...) times, regardless of oneself. We are witnessing a true progress as long as a research is carried out for the bene t of human beings. That’s right; you can only speak of progress if it is understood in a growth in humanity. (shrink)

Résumé Le champ spécifique de l’urbanisme est profondément marqué par des notions, très enracinées dans le discours et la pensée utopiques, de ville idéale. En retraçant la relation urbanisme-utopie de ses origines à nos jours, l’auteur essaie de déterminer ce que les urbanistes, en s’attachant à organiser et à maîtriser l’espace, ont fait de l’utopie. La relation utopie-urbanisme est abordée ici à partir de deux questions : (a) Comment la ville donne-t-elle sa morphologie au discours utopique? et (b) L’urbanisme peut-il (...) être la science de la ville idéale? (shrink)

One of the psychological responses to audiovisual fictions that has been receiving more attention recently is appreciation, defined as a reflexive eudaimonic gratification obtained from a meaningful entertainment mode. Appreciation is the perception that the media experience has a profound meaning, has taught or revealed something. This study seeks to advance on the understanding of appreciation by youngsters. It translates and adapts the Oliver and Bartsch’s questionnaire for teenagers of three European countries. A total of 213 Italians, 55 Spaniards and (...) 42 Germans watched a drama film and immediately afterwards answered the questionnaire. The results of confirmatory factor analysis suggest the existence of four first-order factors for each country. The multi-group analysis shows the questionnaire is not invariant across groups. Thus, the concept of appreciation in its current formulation is not universal. Instead, it seems to be dependent on the cultural aspects of the audience. This article discusses the implications of such results for the understanding of appreciation and of teenagers’ media responses. It also reports mean comparisons for the invariant parameters. (shrink)

Despite the concern with oppressive systems and practices there have been few attempts to analyse the general concept of oppression. Recently, Iris Marion Young has argued that it is not possible to analyse oppression as a unitary moral category. Rather, the term ‘oppression’ refers to several distinct structures, namely, exploitation, marginalisation, powerlessness, cultural imperialism, and violence. This paper rejects Young's claim and advances a general theory of oppression. Drawing insight from American chattel slavery and the situation of the German (...) Jews during the 1930's, I argue that to be oppressed is to be unjustly denied the opportunity for what I call ‘resilient autonomy’. I argue that all instances of oppression can usefully be analysed in these terms. I test my analysis against each of Young's five structures of oppression, concluding that in each case they are captured by my analysis. (shrink)

Kant and Fichte developed the concept of a worldview as a way of reflecting on experience as a whole. But what does it mean to form a worldview? And what role did it play in the German Idealist tradition? This paper seeks to answer these questions through a detailed analysis of the form of a philosophical worldview and its historical portent, both of which remain unexplored in the literature. The dearth of attention is partially to blame on Kant’s desultory (...) development of it, as well as its place in Fichte’s understudied lectures on religion. In this paper, I first reconstruct Kant’s conception as the starting point and then trace it to Fichte who went on to evolve it further. Fichte endorses the basic conceptual shape pioneered by Kant, namely, a reflective process of positing an idea and then checking the coherence of necessary judgments relative to it. However, Fichte came to realize that its philosophical function needed expanding. Beyond recognizing the possibility for alternative worldviews, Fichte further fleshed out how worldview creation could lead to human flourishing. The common feature between both thinkers is that the formation of a worldview aims to turn philosophy into a life-orienting exercise. (shrink)

In 1872, Emil du Bois-Reymond delivered an astonishing lecture entitled “The Limits of Science” at a Congress of German Scientists and Physicians in Leipzig. No stranger to polemic and bellicose oratory, and possessing among his generation of physiologists unmatched rhetorical abilities, du Bois-Reymond had already attracted much public recognition and acclaim for his denigration of French culture at a time when belligerence and competition between Prussia and France had peaked. Yet, the topic of his 1872 lecture had a signal (...) significance which not only would inform du Bois-Reymond’s subsequent public lectures on literature, art, civilization and science, and the place of Darwin in the modern world, but would also elaborate a mechanistic and fatalistic view of consciousness, one that denied scientific understanding of the phenomenon as even obtainable. Controversy exploded—and from all quarters. Renowned scientists accused him of pessimism and of failing to apprehend the progress of in .. (shrink)

Natural experiments wherein preferred marriage partners are co-reared play a central role in testing the Westermarck hypothesis. This paper reviews two such hitherto largely neglected experiments. The case of the Karo Batak is outlined in hopes that other scholars will procure additional information; the case of the Oneida community is examined in detail. Genealogical records reveal that, despite practicing communal child-rearing, marriages did take place within Oneida. However, when records are compared with first-person accounts, it becomes clear that, owing to (...) age- and gender-segregating practices, most endogamously marrying individuals probably did not share a history of extensive propinquity. (shrink)

The paper gives an account of Št?pan Launer’s conception od modernization as developed in his work The Nature of Slavdom. The theoretical background of the paper is the distinction between national-emancipatory project, based on ethnic identity, and the modernization project, which focused on education and shared political identity indifferent to the emancipatory agenda of the linguistic nationalism. The basis of Launer’s considerations is philosophy of history, deriving from Hegel’s thesis, according to which the subjects of progress are always nations, which (...) create the history and represent the standard. Launer does not believe in romantic philosophy of revealing a specific common identity. Rather, he claims, that a civilization/historical achievment is possible only through adopting contemporary educational standard. In this sense, the contribution of Slavdom to the history is possible only through creative adopting of the contemporary English -French-Italian-German educational standards, rather than on the basis of a primordial constitution od national entity with its ideologically justified historical mission. (shrink)

Germany’s political and cultural past from ancient times through World War II has dimmed the legacy of its Enlightenment, which these days is far outshone by those of France and Scotland. In this book, Jim Reed clears the dust away from eighteenth-century Germany, bringing the likes of Kant, Goethe, Friedrich Schiller, and Gotthold Lessing into a coherent and focused beam that shines within European intellectual history and reasserts the important role of Germany’s Enlightenment. Reed looks closely at the arguments, achievements, (...) conflicts, and controversies of these major thinkers and how their development of a lucid and active liberal thinking matured in the late eighteenth century into an imaginative branching that ran through philosophy, theology, literature, historiography, science, and politics. He traces the various pathways of their thought and how one engendered another, from the principle of thinking for oneself to the development of a critical epistemology; from literature’s assessment of the past to the formulation of a poetic ideal of human development. Ultimately, Reed shows how the ideas of the German Enlightenment have proven their value in modern secular democracies and are still of great relevance—despite their frequent dismissal—to us in the twenty-first century. (shrink)

Among the problems dealt with by philosophers in the last twenty-five years, that of alienation stands out as having attracted major attention. It is well known that the problem is not new: it can be found in the works of the thinkers of the 18th century Enlightenment and of the German romanticists. It is a central problem for classical German philosophy, especially in the writings of Fichte, Hegel and Feuerbach. In their early works Marx and Engels developed a (...) new, materialistic approach to the problem in connection with the analysis of the origin of private property and the contradictions inherent in a money and business economy. (shrink)

In the *Science of Logic*, Hegel states unequivocally that the category of “life” is a strictly logical, or pure, form of thinking. His treatment of actual life – i.e., that which empirically constitutes nature – arises first in his *Philosophy of Nature* when the logic is applied under the conditions of space and time. Nevertheless, many commentators find Hegel’s development of this category as a purely logical one especially difficult to accept. Indeed, they find this development only comprehensible as long (...) as one simultaneously assumes that Hegel breaks his promise to let the logic do the leading. However, if Hegel were to in fact allow the logical development to be led by biological analogies at this point, problems would ensue. Not only would it contradict his own speculative method, which should secure the necessity of the categories, but it would also endanger the ontological generality of the category of life itself. Beyond undermining his method and the logical integrity of the category, however, I will argue that such a reading makes the transition to the next category of “cognition” unintelligible and problematic. My aim in the first part of this paper is to argue how logical life can be read as a pure category. I then argue in the second part how my reconstruction makes the transition to cognition intelligible without resorting to profane or supernatural interpretations. (shrink)

Just east of the Pamir mountains, and to the north of the great plateau of Tibet, lies the little-explored country of Chinese or Eastern Turkestan. In that country, towards the end of the last century, two hitherto unknown languages were discovered by European explorers and translated by European scholars. Several nations took part in the investigation, and the material discovered was amicably distributed among English, French, German, and Russian philologists. The material to which I refer, the precious sources from (...) which our knowledge of these languages is obtained, consists partly of engraved wooden tablets, but chiefly of documents written on a kind of paper which has been miraculously preserved in the extreme dryness of the sand for some 1,300 years—just like the eggs of the dinosaur recently discovered not so very far from this region, and which, we are told, have been there for ten million years. No such antiquity can be claimed for our documents, which are, in fact, distressingly late. Historical references contained in them seem to show that both languages existed at least as late as the seventh century A.D., when they disappeared. The most striking fact about these languages is that, though very different the one from the other, they both clearly belong to that great Indo-European family to which Greek, Latin, English, Sanskrit, Persian, and so many of the languages of Europe belong. (shrink)

For Viennese artist Florian Pumhösl »abstraction is a method«, not a category. Or rather, if abstraction is the defining category of modernism, the objective is to reproduce modernism's problems and limits and exploit relationships among its parts. Considering what Pumhösl calls the »textile complex« of modernism, this essay examines the artist's work in parallel with Charles Sanders Peirce's diagram concept and Gottfried Semper's use of textile diagrams throughout Style in the Technical and Tectonic Arts. _German_ »Abstraktion« ist für den Wiener (...) Künstler Florian Pumhösl eine »Methode«, keine Kategorie. Oder vielmehr, wenn Abstraktion die bestimmende Kategorie der Moderne ist, dann ist das Ziel, die Probleme und Beschränkungen der Moderne zu reproduzieren und die Beziehungen zwischen ihren Elementen auszunutzen. Vor dem Hintergrund dessen, was Pumhösl den »Gewebekomplex« der Moderne nennt, untersucht dieser Bei trag das Werk des Künstlers und führt es mit Charles Sanders Peirces Diagramm Konzept und Gottfried Sempers Einsatz von »textilen« Diagrammen in seinem Werk Der Stil in den technischen und tektonischen Künsten eng. (shrink)

In this work, the peculiarities of the communicative space in the novel of modern German writer Bernard Shlink ‘The Homecoming‘ are considered. These peculiarities include literary, historical and sociological context and intertextual sub-bases of the novel containing sense bearing matters relevant for all times and nationalities; dialogic relations, expressed in the strategy of communication of characters of the novel. It is proved that the communicative space is not limited in the novel by antiquity, but rather includes token for (...) class='Hi'>German mentality works, motifs and images. The famous Faust’s dilemma is being played up in the novel. Revealing in the mythological images models of main psychological types and conflicts connected with the type of the personality, B. Shlink creates in his novel a number of Odysseuses, Penelopes and Telemaches. The Odysseus model manifests itself primarily in two main characters of the novel: Peter and Johann Debauers. However, the father personifies only destructive and immoral, which finally leads to his moral inability, the Odysseus-junior - Peter, who played Telemachus in the beginning of the novel, finds in his wanderings solid moral values. Perceiving the myth as a historical and dialectic process, B. Shlink, like Th. Mann, takes it as a peculiar cipher of the human experience, a model of development of the humanistic values, a prototype of mutual battle between progress and regress, which b. Shlink masterfully describes in a communicative space of his novel. (shrink)