Since the late-1980s the rise of the Internet and the emergence of the Networked Society have led to a rapid and profound transformation of everyday life. Underpinning this revolution is the computer – a media technology that is capable of not only transforming itself, but almost every other machine and media process that humans have used throughout history. In _Philosophy of Media_, Hassan and Sutherland explore the philosophical and technological trajectory of media from Classical Greece until (...) today, casting a new and revealing light upon the global media condition. Key topics include: the mediation of politics the question of objectivity automata and the metaphor of the machine analogue and digital technological determinism. Laid out in a clear and engaging format, _Philosophy of Media_ provides an accessible and comprehensive exploration of the origins of the network society. It is essential reading for students of philosophy, media theory, politics, history and communication studies. (shrink)

Since cinema has entered the digital era, its very nature has come under renewed scrutiny. Countering the "death of cinema" debate, Film History as Media Archaeology​ presents a robust argument for cinema's current status as a new epistemological object of interest to philosophers, while also examining the presence of moving images in museum and art spaces as a challenge for art history. The study is the fruit of twenty years of research and writing at the interface of (...) film history, media theory, and media archaeology by one of the acknowledged pioneers of new film history and media archaeology. It joins the efforts of other media scholars to locate cinema's historical emergence and subsequent transformations within the broader field of media change and interaction as we experience them today. (shrink)

Proponents of the “literacy” thesis share with proponents of the “extended mind” thesis the viewpoint that communication systems such as language or writing have cognitive implications that go beyond their purely social and communicative purposes. Conceiving of media as extensions of the mind thus has the potential to bring together and cross-fertilize research programs that are currently placed in distant corners of the study of mind, language, and society. In this issue, we bring together authors with a diverse set (...) of interests to identify promising areas of overlap, blaze new trails for us to explore, but also to highlight dissonances and challenges that will have to be addressed in future work. (shrink)

Writing Technology in Meiji Japan: A Media History of Modern Chinese Literature and Visual Culture. By Seth Jacobowitz. Harvard East Asian Monographs, vol. 387. Cambridge, Mass.: Harvard University Asia Center, Harvard University Press, 2015. Pp. xii + 299. $39.95.

In 1939, a young Vilém Flusser faced the Nazi invasion of his hometown of Prague. He escaped with his wife to Brazil, taking with him only two books: a small Jewish prayer book and Goethe's Faust. Twenty-six years later, in 1965, Flusser would publish The History of the Devil, and it is the essence of those two books that haunts his own. From that time his life as a philosopher was born. While Flusser would later garner attention in Europe (...) and elsewhere as a thinker of media culture, The History of the Devil is considered by many to be his first significant work, containing nascent forms of the main themes that would come to preoccupy him over the following decades. In The History of the Devil, Flusser frames the human situation from a pseudo-religious point of view. The phenomenal world, or “reality” in a general sense, is identified as the “Devil,” and that which transcends phenomena, or the philosophers' and theologians' “reality,” is identified as “God.” Referencing Wittgenstein's Tractatus Logico-Philosophicus in its structure, Flusser provocatively leads the reader through an existential exploration of nothingness as the bedrock of reality, where “phenomenon” and “transcendence,” “Devil” and “God” become fused and confused. So radically confused, in fact, that Flusser suggests we abandon the quotation marks from the terms “Devil” and “God.” At this moment of abysmal confusion, we must make the existential decisions that give direction to our lives. (shrink)

This essay explores histories of common salt, sodium chloride, using concepts and methods from media theory. It contributes to research on media and environment and the general ‘material turn’ taken across the Humanities. I conceive of salt as what Peters calls an ‘elemental’ medium so as to show, first, the imbrication of naturally-occurring substances in the operations and supply chains of digital culture. Second, the many lives salt has lived materially, in techniques of survival and exchange, and metaphorically, (...) in cultural expression, complicate conventional understandings of media. In showing how salt performs three functions, processing, storage, and transfer, which Kittler ascribed to technical and symbolic media, I argue for a more expansive use of ‘mediation’ as a bridge concept that speaks to matters of nature and culture, Arts and Science, and to account for deep histories of extraction and economy that shape digital culture and global supply chains. (shrink)

The human history relates to the history of communication, which has also been a co-driver of human development. Communication integrates the knowledge, organization and power of a society.Today, there is an increasing debate over the importance of politicians' mutual communication, communication with voters and the media, the role of public relations in politics, and communication with the civil society. Thus, political communication and the creative use of the media remain the essential component of any individual involved (...) in politics or even of a political group.In this study, political communication in North Macedonia is presented in the context of political efforts into the integration process in European Union (EU), by observing all the stages within the process so far. From the content and the issues addressed, it is clear that policymakers face the challenges of communication (as is the case in many countries aspiring the European integration).In this paper, the premises of genuinely political communication strategy are analyzed separately, assessing them in the context of the political communication theory. It will be shown that successful communication is an important tool for convincing citizens that EU provides a better quality of life and work. (shrink)

In 1939, a young Vilém Flusser faced the Nazi invasion of his hometown of Prague. He escaped with his wife to Brazil, taking with him only two books: a small Jewish prayer book and Goethe’s _Faust_. Twenty-six years later, in 1965, Flusser would publish _The History of the Devil_, and it is the essence of those two books that haunts his own. From that time his life as a philosopher was born. While Flusser would later garner attention in Europe (...) and elsewhere as a thinker of media culture, _The History of the Devil_ is considered by many to be his first significant work, containing nascent forms of the main themes that would come to preoccupy him over the following decades. In _The History of the Devil_, Flusser frames the human situation from a pseudo-religious point of view. The phenomenal world, or “reality” in a general sense, is identified as the “Devil,” and that which transcends phenomena, or the philosophers’ and theologians’ “reality,” is identified as “God.” Referencing Wittgenstein’s _Tractatus Logico-Philosophicus_ in its structure, Flusser provocatively leads the reader through an existential exploration of nothingness as the bedrock of reality, where “phenomenon” and “transcendence,” “Devil” and “God” become fused and confused. So radically confused, in fact, that Flusser suggests we abandon the quotation marks from the terms “Devil” and “God.” At this moment of abysmal confusion, we must make the existential decisions that give direction to our lives. (shrink)

ABSTRACTMethodologies and theories for writing histories of philosophy are particularly relevant today due to the abounding challenges to the discipline that have emerged: e.g. the problem concerning the precise mode of the inclusion of non-Western philosophies in the history of philosophy, the response to postcolonial considerations at large, the transformative impact of new media and the question whether the history of philosophy is primarily a philosophical, rather than merely historical, enterprise. À propos the relative scarcity that is (...) to be witnessed in explicit articulations of methodologies and theories for writing histories of philosophy, in this note I focus on certain spontaneous, rather than theoretically planned, responses that have emerged to the above challenges – in particular, Peter Adamson’s History of Philosophy without any gaps – and in conclusion, as an example of methodological development, I touch on some of the problems we encounter in the case of the inclusion of Byzantine philos... (shrink)

This book provides the first intellectual history of cosmopolitan ideas in the early modern age. The roots of modern cosmopolitanism can be traced back to as early as the 1500s when a meta-narrative and awareness of the cosmopolitan idea came into existence. Unearthing occurrences of cosmopolitan language in popular media and analysing the writings of leading thinkers, Leigh T.I. Penman illustrates how cosmopolitanism was not, as previously thought, purely secular and inclusive but could be sacred and exclusive too. (...) And, significantly, this book reveals the extent to which these contesting ideas of cosmopolitanism influenced the modern concept of the cosmopolitan. (shrink)

Silence is not simply the absence of noise. It is within us, in the inner citadel that great writers, thinkers, scholars and people of faith have cultivated over the centuries. It characterizes our most intimate and sacred spaces, from private bedrooms to grand cathedrals – those vast reservoirs of silence. Philosophers and novelists have long sought solitude and inspiration in mountains and forests. Yet despite the centrality of silence to some of our most intense experiences, the transformations of the twentieth (...) century have gradually diminished its value. Today, raucous urban spaces and a continual bombardment from different media pressure us into constant activity. We are losing a sense of our inner selves, a process that is changing the very nature of the individual. This book rediscovers the wonder of silence and, with this, a richer experience of life. With his predilection for the elusive, Corbin calls us to listen to another history. (shrink)

In recent years the philosophy of information has emerged as an important area of research in philosophy. However, until now information’s philosophical history has been largely overlooked. Information and the History of Philosophy is the first comprehensive investigation of the history of philosophical questions around information, including work from before the Common Era to the twenty-first century. It covers scientific and technology-centred notions of information; views of human information processing, as well as socio-political topics such as the (...) control and use of information in societies. Organised into five parts, nineteen chapters by an international team of contributors cover the following topics and more: Information before 500 CE, including ancient Chinese, Greek and Roman approaches to information Early theories of information processing, sources of information and cognition Information and computation in Leibniz, visualised scientific information, copyright and social reform The nineteenth century, including biological information, knowledge economies, and information’s role in empire and eugenics Recent and contemporary philosophy of information, including racialized information, Shannon information, and the very idea of an information revolution. Information and the History of Philosophy is a landmark publication in this emerging field. As such, it is essential reading for students and researchers in the history of philosophy, philosophy of science and technology, and library and information studies. It is also a valuable resource for those working in subjects such as the history of science, media and communication studies, and intellectual history. (shrink)

As cable television channel bloomed and grew in Taiwan, more and more teenagers watched a wide variety of foreign TV programmers through hundreds of channels. The impact of this media trend among Taiwanese youth stresses the importance of research to assess whether local college students learn from foreign television programming. In this research, which supports the theoretical discussion in this paper, the nature of these learnings was analyzed as well. In general, this study aims to explore the relevant literature (...) and examine whether college students engage in critical thinking when viewing foreign television programs. This research used a popular Korean series shown in Taiwan to examine various perspectives and views related to the issue. Based from the gathered findings, college students appear to pay more critical attention to the program script, character, rhythm, plot and cultural differences. In relation to aesthetic, ideology and cultural identity issues, less response on the educational impact of the program was obtained from the participants. This confirms the claim that Taiwanese youth view television as an entertainment medium rather than an educational one. For this reason, the role of media education, specifically the integration of visual literacy and critical thinking, is highly significant to generate less passive television viewers. (shrink)

In the paper, the author deals with the history of attempts to defame integrative bioethics by a group of Croatian philosophers and incidental media appearances in which the tendency was to slander the long-standing research concept of the Zagreb bioethics school. In the introduction, a historical overview of the basic qualitative and quantitative results of integrative bioethics in the Croatian and European context is given. This is followed by an analysis of the context of defamation of integrative bioethics (...) and the actors of defamation, separated according to “scientific” and media content. Finally, the attempt to compromise and profane integrative bioethics is interpreted as part of the destrolution phenomenon, the theory of post-communist chaos and the production of fake envy. (shrink)

The originality of Kittler is not his preference for technical media, but his insight in the linking of media with the technique of time axis manipulation. The most elementary experience in human existence is the irreversibility of the flow of time. Technology provides a means for channeling this irreversibility. Media are practices that use strategies of spatialization to enable one to manipulate the order of things that progress in time by transforming singular events in reproducible data. Human (...) bodies cannot be seen as media because they are subject to the linearity of time. Are media a priori functioning universals for Friedrich Kittler? The answer is: no. Media history has a beginning (writing) and an end (computer). (shrink)

"This book deals with various issues related but not limited to the use of social media by the youths, influence of mediated violence on children/youths, communication policy and youth development. Other important themes you could reference in this book are child rights issues, advertising and children, sexual content and the exploitation of vulnerable children, media role in encouraging and curbing anti-social behaviour amongst children/youths, a pervasive youth culture in the age of social media, and some theoretical arguments (...) that support the various positions."--page 4 of cover. (shrink)

_A wide-ranging illustrated history of transparency as told through the evolution of the glass window__ “With impressive detail and wide-ranging erudition, Jütte charts the history of a single material, glass, as a product of human ingenuity developed across centuries.”—James Gleick, _New York Review of Books__ Transparency is a mantra of our day. It is key to the Western understanding of a liberal society. We expect transparency from, for instance, political institutions, corporations, and the media. But how did (...) it become such a powerful—and global—idea? From ancient glass to Apple’s corporate headquarters, this book is the first to probe how Western people have experienced, conceptualized, and evaluated transparency. Daniel Jütte argues that the experience of transparency has been inextricably linked to one element of Western architecture: the glass window. Windows are meant to be unnoticed. Yet a historical perspective reveals the role that glass has played in shaping how we see and interpret the world. A seemingly “pure” material, glass has been endowed, throughout history, with political, social, and cultural meaning, in manifold and sometimes conflicting ways. At the same time, Jütte raises questions about the future of vitreous transparency—its costs in terms of visual privacy but also its ecological price tag in an age of accelerating climate change. (shrink)

According to philosopher Michel Foucault, the 'history of the present' should constitute the starting point for any enquiry into the past and a critical ontology of ourselves. This book comprises a series of essays all centering on the question of the present, or rather, multiple presents which compose contemporary experience. The collection brings together philosophical readings of Foucault which try to rework his thought in light of our present, together with practical analyses of our own moment which draw on (...) his methodological approaches to questions of power, knowledge and subjectivity. Covering a range of topics including freedom, politics, ethics, security, war, migration, incarceration, the sociology and political economy of new media, Marxism and activism, Foucault and the History of Our Present features essays from Tiziana Terranova, Alberto Toscano, Judith Revel, Sanjay Seth, Saul Newman, Mark Neocleous and William Walters. (shrink)

Artificial insemination has a considerable cultural significance in addition to its economic and technical impact. This study is the first to examine the history of its application to pigs, and uses evidence provided directly by both the scientists involved in its development, and some of the farmers who were among the first to use it, in addition to archival and published sources, to show how the scientific studies of the 1950s evolved into a widely available commercial product by the (...) 1980s. It describes the initial scientific work and quantifies the extent to which the technique was used at various points in time, showing that by 1990 nearly one half of UK pig herds were using AI for more than 25% of all services. It traces changes in the techniques employed and argues that these were the result of a multi-dimensional process of contemporaneous change. The various dimensions are identified firstly as authorities, meaning the people and organisations controlling the perception, administration, control, and so on, of the technique; secondly the discourses employed by the authorities; and thirdly the media by which the discourses were disseminated. Finally, it is suggested that this approach might be used more widely to examine the construction of other technologies. (shrink)

In Sensations of History, James J. Hodge argues that animation in new media art transforms historical experience in the digital age. Combining close textual analysis of experimental new media artworks with discussion of key phenomenological texts, Sensations of History argues for the broad critical significance of animation as we shift from analog to digital technologies. Hodge looks closely at animation aesthetics, which allow for a clear grasp of the ways digital technologies transform our sense of historical (...) experience. (shrink)

Communication plays a vital and unique role in society-often blamed for problems when it breaks down and at the same time heralded as a panacea for human relations. A sweeping history of communication, _Speaking Into the Air_ illuminates our expectations of communication as both historically specific and a fundamental knot in Western thought. "This is a most interesting and thought-provoking book.... Peters maintains that communication is ultimately unthinkable apart from the task of establishing a kingdom in which people can (...) live together peacefully. Given our condition as mortals, communication remains not primarily a problem of technology, but of power, ethics and art." —Antony Anderson, _New Scientist_ "Guaranteed to alter your thinking about communication.... Original, erudite, and beautifully written, this book is a gem." —_Kirkus Reviews_ "Peters writes to reclaim the notion of authenticity in a media-saturated world. It's this ultimate concern that renders his book a brave, colorful exploration of the hydra-headed problems presented by a rapid-fire popular culture." —_Publishers Weekly_ What we have here is a failure-to-communicate book. Funny thing is, it communicates beautifully.... _Speaking Into the Air_ delivers what superb serious books always do-hours of intellectual challenge as one absorbs the gradually unfolding vision of an erudite, creative author." —Carlin Romano, _Philadelphia Inquirer_. (shrink)

Communication plays a vital and unique role in society-often blamed for problems when it breaks down and at the same time heralded as a panacea for human relations. A sweeping history of communication, _Speaking Into the Air_ illuminates our expectations of communication as both historically specific and a fundamental knot in Western thought. "This is a most interesting and thought-provoking book.... Peters maintains that communication is ultimately unthinkable apart from the task of establishing a kingdom in which people can (...) live together peacefully. Given our condition as mortals, communication remains not primarily a problem of technology, but of power, ethics and art." —Antony Anderson, _New Scientist_ "Guaranteed to alter your thinking about communication.... Original, erudite, and beautifully written, this book is a gem." —_Kirkus Reviews_ "Peters writes to reclaim the notion of authenticity in a media-saturated world. It's this ultimate concern that renders his book a brave, colorful exploration of the hydra-headed problems presented by a rapid-fire popular culture." —_Publishers Weekly_ What we have here is a failure-to-communicate book. Funny thing is, it communicates beautifully.... _Speaking Into the Air_ delivers what superb serious books always do-hours of intellectual challenge as one absorbs the gradually unfolding vision of an erudite, creative author." —Carlin Romano, _Philadelphia Inquirer_. (shrink)

Wolfgang Ernst, Professor of Media Theories at the Humboldt University in Berlin, has become known through his work on media archaeology. Hence the inclusion of this translation represents an alternative take on cultural techniques. It places the legacy of cultural studies, or Kulturwissenschaften, in an interesting tension with the different epistemological demands that technical media impose. After Vico and Dilthey, argues Ernst, we need to investigate the specific modes of knowledge that technical media propose to cultural (...) techniques. Ernst’s media archaeology and the slightly different approach to cultural techniques found in some other contributions in this issue can be seen as two of the most intriguing ways in which current German media studies has been developing in relation to Friedrich Kittler’s impact. For Ernst, this has resulted in a more technical focus and also in the development of critiques of temporality that go beyond media history. Ernst argues that media temporality is not to be understood only through the cultural history of media technologies, but also how media technologies produce time. Machines have their own specific temporality, Eigenzeit. It is in this context that the article discusses the different approaches to cultural techniques, taking into consideration the specific time-critical and epistemic implications of technical media. (shrink)

This article presents a model and a case study of the narrative structures that are present in the interactive media design of multimedia applications in the mass media. As basic categories for the history and structure of media, we employ the model of the modes of the physical, analog, and digital presentation/representation. In this case study of the online edition of the New York Times, we have the case of a newspaper that in the digital edition (...) employs multi-media applications. Contrasting the traditional concept of “narrativity” with the current status quo of the digital media outlets, we will examine the specific conditions of the multimedia applications in the mass media with this sample case of the New York Times. As narrative structure of interactive design in multimedia for mass communication, we analyze the types of narrative media and general narrativity in the New York Times with the background of its processes of interactivity and media convergence. (shrink)

This ambitious literary history traces the American novel from its emergence in the late eighteenth century to its diverse incarnations in the multi-ethnic, multi-media culture of the present day. In a set of original essays by renowned scholars from all over the world, the volume extends important critical debates and frames new ones. Offering new views of American classics, it also breaks new ground to show the role of popular genres - such as science fiction and mystery novels (...) - in the creation of the literary tradition. One of the original features of this book is the dialogue between the essays, highlighting cross-currents between authors and their works as well as across historical periods. While offering a narrative of the development of the genre, the History reflects the multiple methodologies that have informed readings of the American novel and will change the way scholars and readers think about American literary history. (shrink)

Historians of science have participated actively in debates over American science policy in the post–World War II period in a variety of ways, but their impact has been more to elucidate general concepts than to effect specific policy changes. Personal experiences, in the case of the debate over global warming, have demonstrated both the value and the limits of such involvement for the making of public policy. To be effective, historians of science need to strive for clarity in public expression, (...) to accept the importance of engaging with the public at all levels and through diverse media, and, above all, to recognize that the nature of such debates will make normal scholarly nuance hard to achieve. Moreover, in the current political climate, historians may be surprised to find themselves defending sciences, when the usual stance of historians is to be critical. (shrink)

The term “psychopath” has enjoyed wide currency both in popular culture and among specialists in forensic psychiatry. Historians, however, have generally neglected the subject. This essay examines the history of psychopathy in the country that first coined the term, developed the concept, and debated its treatment: Germany. While the notion can be traced to nineteenth-century psychiatric ideas about abnormal, yet not completely pathological, character traits, the figure of the psychopath emerged out of distinctly twentieth-century preoccupations and institutions. The vagueness (...) and plasticity of the diagnosis of psychopathy proved to be one of the keys to its success, as it was embraced and employed by clinicians, researchers, and the mass media, despite attempts by some to curb its use. Within the span of a few decades, the image of the psychopath became one of a perpetual troublemaker, an individual who could not be managed within any institutional setting. By midcentury, psychopaths were no longer seen as simply nosological curiosities; rather, they were spatial problems, individuals whose defiance of institutional routine and attempts at social redemption stood in for an attributed mental status. The history of psychopathy therefore reveals how public dangers and risks can be shaped and defined by institutional limitations. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.2 (2003) 282-284 [Access article in PDF] Bruce Kuklick. A History of Philosophy in America, 1720-2000. New York: Oxford University Press, 2001. Pp. xiii + 326. Cloth, $30.00. Scott L. Pratt. Native Pragmatism: Rethinking the Roots of American Philosophy. Bloomington: Indiana University Press, 2002. Pp. xviii + 316. Cloth, $49.95. Paper, $21.95. In his earlier works Bruce Kuklick has studied major (...) figures and episodes in the evolution of American thought, most famously the Golden Age of Harvard. In the present book he proposes to tell the whole story. Beginning, as it must, with Jonathan Edwards, Part I traces the long and difficult process by which philosophy gradually distinguishes itself from theology. Part II deals magisterially with the age of pragmatism, from Darwin to Dewey, and Part III with professional philosophy in the twentieth century. Kuklick's account of this latest development, briefly adumbrated in his previous books, is the freshest and (to this retired professional) most engaging part of the narrative. Once philosophy had loosened the bonds that tied it to theology, once sciences like psychology, originally parts of philosophy, had declared independence and set out on their own, and once philosophy's role as counselor to private morals and public policy had been taken over by psychoanalysis, economics, sociology, and political science, philosophers had to discover a new identity for themselves. Inspired by logical positivism and the linguistic ruminations of the late Wittgenstein, professional philosophy came to mean, very largely, a preoccupation with problems of logic, philosophy of language, philosophy of science, and epistemology. The result was that, apart from undergraduate lectures and occasional ventures into the popular media, what philosophers said and wrote, intelligible only to other philosophers, became irrelevant to just about everything of personal and public interest, and even to the traditional concerns of philosophy itself with the nature of reality and the conduct of life.The eventual arrival in the American academy of phenomenology, existentialism, and deconstruction, in spite of their apparent engagement with "real life" and their appeal to undergraduates, only bred another species of professionals and precipitated the familiar antagonism between analytic and continental philosophy. Late in the last century Richard Rorty, a preeminent analytic philosopher, broke ranks, discovered first Heidegger and Derrida, then William James and John Dewey, and declared himself a pragmatist. He characterized philosophy as a single voice in the conversation of the West, which also included literature, literary criticism, the arts, and all the sciences both natural and humane. But he remains a philosopher of language. The pragmatism of the nineteenth century was a low-mimetic [End Page 282] form of the high-mimetic idealism from which it emerged: from Royce to James. Rorty's pragmatism not only takes for granted the (often implicit) materialism and atheism of analytic philosophy, but is itself a new way of understanding and using language. It has been called, inverting James, an old name for a new way of thinking.But I need to correct this overly simple account. As Kuklick is aware, philosophy in America, though it did succeed in detaching itself from theology, has never wholly dissolved its ties to religion. Royce and James in the nineteenth century and Dewey in the twentieth continued to be preoccupied with religious questions, especially with the apparent conflict of religion and science suggested by Darwin's theory. Religious interests survive, barely, in "critical realism." And even though analytic philosophy would seem to be most comfortable with atheism, more than a few thinkers trained in analysis have combined analytic logic and religious faith. Witness the Society of Christian Philosophers. On the whole, however, professional philosophy has been devoid of religious, socio-political, or existential interest. This should not be surprising. All genuine professions serve an end beyond themselves—as medicine serves health, law justice, and theology salvation. But when philosophy becomes a "profession," it has no end but self-preservation, i.e., creating more philosophers and finding jobs for them.One slightly disconcerting feature of Kuklick's... (shrink)

The third article of the “Naming game…” series presents the issues of naming elements discovered and synthesized in the twentieth and twenty-first centuries. Based on the source data, the publication time of the names of the last 35 chemical elements was identified. In the case of discoveries from the end of the twentieth century and the beginning of the twenty-first century, the principle was adopted of the priority of information about the synthesis of a new chemical element in scientific journals (...) or conference reports. However, when the same information was published earlier in the news sections of scientific journals, in articles in popular science journals, and (in modern times) on the websites of interested research institutes, such an info is presented as well. It turned out that in some cases this information is very complex as the names of some elements were changed several times and published in different media in the same period. Therefore, this article is an attempt to sort out the issue of first publishing of the names of the last known 35 chemical elements. (shrink)

Much has been written about how Foucault's archaeology of the modern episteme, emerging from early 19th-century Europe, was curiously divorced from its context of colonialism. Media archaeology, as Foucault's legacy, has also remained rather geopolitically insular and race agnostic in its epistemological reverse engineering of media modernity. Using screenwriting history as a case study, this article demonstrates how bringing decolonial thinking and media archaeology together can challenge linear narratives of modernity/coloniality in media history. The (...) article connects two seemingly disparate histories of archival absence and human obsolescence to reveal the construction of an elusive screenwriting modernity that has historically obscured parallel scripting practices and pre-existing scribal traditions. (shrink)

It is argued that since its institutionalization in the 1970s, Uses and Gratifications research has been heavily influenced by applied economic theories about Expectancy Value and Subjective Expected Utility. Underlying these theories are assumptions about the acting individual having full mastery of situations. This idea is contrasted with the way in which action theory portrays action. Here, mastery of situations is not assumed at forehand, but depends on the situation and is something that has to be achieved. Action theories further (...) emphasize the influence of others. Applying these ideas to the study of media use means that more attention has to be paid to processes of gaining mastery, to situational influences, and to the influence of others. It is argued that discrete-time event history analysis may be a valuable tool to accomplish this. This may contribute to the study of several important questions in communication research, regarding audience flow and audience selectivity, and the social uses of media use. (shrink)

This article examines strands of an intellectual history in Media and Cultural Studies and Science and Technology Studies in both of which researchers were prompted to take up ethnography. Three historical phases of this process are identified. The move between phases was the result of particular displacements and contestations of perspective in the research procedures within each discipline. Thus concerns about appropriate contextualization led to the eventual embrace of anthropological ethnographic methods. The article traces the subsequent emergence of (...) a ‘crisis of context’ in the deployment of ethnography within these disciplines. The analysis of these historical changes is informed by a particular depiction of Euro-American knowledge conventions. The article suggests that the limits currently perceived for ethnography are a specific instance of the more general limits now recognized for these knowledge conventions. (shrink)

Philosophical science is a living reality in the personal minds of genial thinkers, bound to their limitations in tradition, experience and mental energy and developed in the dialectic of their spatio–temporal history. In an age of mass pictorial media of communication it is natural and possibly fruitful to present even a purely intellectual doctrine to the public with the visual aids which any exercise in thought now popularly demands. The indefatigable editor of the Philosophical Library, New York, bows (...) to our Zeitgeist in this luxurious volume which tempts everyman to make the acquaintance of the world’s great and thinkers of the past three thousand years. To nearly one thousand illustrations of historic portraits, facsimiles, archaeological diagrams and photographs he has added succinct thumbnail biographies and thematic explanations, which are clearly printed on double–column pages of approximately Demy Quarto format and handsomely bound. In such a presentation personal interest is gained for philosophy, while systematic depth is lost; but doctrinal analysis should be sought, perhaps, properly in the orthodox textbook. (shrink)

This article examines the history of Erich Auerbach’s relationship with the DVjs, in which science and politics intersect. In the early phase of his career, Auerbach attributed great importance to the DVjs and developed a special relationship with Rothacker in particular. This is evident from his letters to the journal’s editors, which are the focus of this study. When Rothacker began to take sides with National Socialism, Auerbach turned his back on the DVjs. After the Second World War, he (...) was one of the emigrated academics whose cooperation the journal sought. The effects of the political upheavals of 1933/45 on the DVjs can be exemplified by the relationship Auerbach had with it. (shrink)

Introduction. The development of legal culture and a culture of human rights in the modern world through media technologies, is acquiring special significance in connection with the processes of globalization and the spread of media in recent decades. The purpose of the article is to study the prospects for the use of media education in the formation of the legal social culture and a culture of human rights. Materials and methods. Based on a study of domestic and (...) foreign sources, issues of media education, media literacy, spiritual and moral education, the legal culture of society, the phenomenon of post-truth and ways of forming critical, creative thinking are considered. The use of general scientific, philosophical, and socio-pedagogical methods has made it possible to study media education as a dialogue of learning, stimulating the development of rational, critical thinking, focused on the search for the value foundations of intellectual and social activity. Results. The development of the field of information and communication technologies determines the principles for the formation of the content and orientation of modern education. Media education is interlinked with the development of democracy and human rights. It influences the formation of a culture of citizen participation, their active social position, civic and political culture. Media education plays a significant role in shaping the legal culture of society since critical media research and information research focuses on the analysis of power structures and structures of dominance in the media. A study of the interpretations of the concepts of "media education" and "media literacy" made it possible to show that media education focuses a person on a critical approach to media content. One of the main issues of media education is teaching a person the skills to critically study media and media technologies, which involves addressing the technological, cultural and historical specifics of specific media used at a specific time and place. Information and communication technologies have changed the way of life, work, communication, and ways of selfpresentation, the formation of values, participation in socially significant events. Therefore, a critical approach to mass media should be based on knowledge of socio-philosophical theories, ethics and research in the field of mass media. Discussion. Mass media are constructing a history of human rights, which updates the topic of the media policy of human rights, combining socio-legal, cultural and media theories. Education in the field of acquiring information perception skills, the ability to correctly understand the importance of audiovisual images, to competently handle and navigate information flows are necessary for the life of a modern person in society. (shrink)

With studies like Discourse Networks 1800/1900 and Gramophone, Film, Typewriter, Friedrich A. Kittler contributed significantly to transforming the history of media into a vital field of inquiry. This essay undertakes to more precisely characterize Kittler’s historiographical approach. When we look back on his early contributions to studies of the relationship between literature, madness and truth – among others, his doctoral dissertation on the Swiss poet and writer Conrad Ferdinand Meyer – what strikes us is the significance that Jacques (...) Lacan’s structuralist psychoanalysis had in shaping the orientation of Kittler’s later studies. His intensive engagement with Lacan galvanized Kittler’s concern with the question of sex and/or gender in the evolution of the humanities as well as his concern with the media history of the university. At the same time, Kittler’s reliance on Lacan led him to a kind of history that is interested above all in the internal logic of discourse. As we see, for instance, in Kittler’s anecdotic treatment of 19th-century physiologist Hermann von Helmholtz, this historiography does not involve any original research in archives and/or museums. Rather, it builds upon existing historical accounts and focuses its analyses on the issue of symbolic structures. Instead of investigating the history of the material culture of science and technology, what is thereby ultimately reinforced is a philosophical idealism in which knowledge and paranoia become superimposed in and by means of an ‘original syntax’. (shrink)

This special issue arose from a joint conference of the History of Education Society, UK and the Australian and New Zealand History of Education Society, held in Malvern in Worcestershire, England in 2016 on the theme ‘sight, sound and text in the history of education’. The conference drew together media and educational historians, as well as archivists and museum professionals, to examine both methodological issues and a range of examples of sensory and textual histories. The three-day (...) event, as well as being enriching for its international character, proved that although much work has already been done in this area, there is so much more to consider and exploit when it comes to the study of the ‘new’ sonic and visual sources and their intertextual relationship with the documentary, as well as traditional understandings of ‘text’. (shrink)

Medical professionals are expected to act in the interest of patients, the public, and the pursuit of medical knowledge. Their disinterested pursuit offers them credibility and authority. But what happens when doctors' supposed impartiality comes under fire? Medicine and Morality considers the ways in which moral and scientific norms in Canadian medicine have emerged and evolved over time. Critics of biomedicine tend to discuss conflict of interest as a contemporary phenomenon - namely in relation to the damaging influence of the (...) pharmaceutical industry on medical practice and research. But Helen Kang examines three moments in the history of the medical profession in Canada, spanning more than 150 years, when doctors' moral and scientific authority was questioned. Kang shows that, in these moments of crisis, the profession was compelled to re-examine its priorities, strategize in order to regain credibility, and redefine what it means to be a good doctor. Medicine and Morality reveals that professional medicine defines integrity, objectivity, accountability, neutrality, and other ideals according to its social, political, historical, and economic struggles with the state, the media, and even the public. In other words, moral and scientific standards in medicine are determined in direct relation to, not in spite of, conflict of interest. (shrink)