Cooper, Austin Some years ago a priest who was dying told me that he had not had a spiritual director for years: he just kept reading St Teresa. Having a continuing conversation with a holy person by engaging with his or her writings would seem to conform to our beliefs: in the Apostles' Creed we affirm that the Holy Spirit enlivens the church and the communion of saints. And T. S. Eliot articulated the truth in poetic terms when he (...) wrote, 'the communication of the dead is tongued with fire beyond the language of the living'. (shrink)

This essay reads Julia Kristeva’s ‘novel-essay’ on St. Teresa of Avila, Thérèse mon amour, as a form of relationship to literature we can also see suggested, though not theorized, in Kristeva’s critical thought. Thérèse mon amour performs feats of interpretation and intimacy with St. Teresa’s writing that rehearse key tenets of her theology, but that also revive and re-open questions at the heart of Kristeva’s theoretical matrix, questions of narcissism and love, metaphor and language. The essay traces (...) these questions in Kristeva’s oeuvre, proposing that Thérèse mon amour exposes unexpected affinities between a Kristevan ethics of relationship and the radical dilemma of faith in St. Teresa. The two are united, I suggest, by the fraught project of writing love. (shrink)

Recent research in Baroque Scholastic and early modern meditational exercises has demonstrated similarity between Descartes’s Meditations and St. Teresa of Ávila’s El Castillo Interior. While there is growing agreement on the influence of Catholic meditations on Descartes, the extent of Teresa’s role is debated. Instead of discussing the full extent of Teresa’s influence, this paper concentrates on one example of the considered influence: the skeptical scenario of demonic deception, having clear anticipation in Teresa’s work where the (...) exercitant faces off against deceiving demonic forces, which confound and temporarily halt the meditative progress. The paper analyzes Teresa’s use of deceptive demons and its influence on the Cartesian Evil Demon scenario, while contrasting both with a discussion of demonic deception in the late Medieval and Baroque Scholastic context, arguing that demonological discussions in 1500s allowed both Teresa’s and Descartes’s deceivers to not only cause diversions but to make the deception laborious to resist. (shrink)

In this article, the authors study the phenomenon of mystical death in the spirituality of Saint Teresa of Ávila. They first explain the phenomenon of mystical death in the history of Christian spirituality. The authors note that the history of this phenomenon goes as far back as the New Testament, where it can be found in the texts by St. Paul and St. John, but it was first formulated explicitly by an unknown author much later—in the seventeenth century. Mystical (...) death is a concept used to explain mystics’ experience of transformation from self-centeredness to other-centeredness. The authors want to use this concept to open up a further interpretation of Teresa of Ávila’s work, it provides a key for unlocking a major theme of her work. In the mysticism of Saint Teresa of Ávila, the authors investigate this phenomenon in two of her books: The Interior Castle or The Mansions and The Life of Teresa of Jesus. Firstly, this phenomenon is in her description of the fifth mansion of The Interior Castle or The Mansions in the symbolism of the transformation of a caterpillar into a butterfly, conditioned by ascending of internal energies. Secondly, they can trace the phenomenon of mystical death in her work The Life of Teresa of Jesus, especially in her explanation of her near-death experience. According to the authors, the phenomenon of mystical death in the mysticism of Teresa of Ávila constitutes a condition for higher spiritual states, especially the state of mystical unity. Finally, the authors outline that the phenomenon of mystical death in the spirituality of Teresa of Ávila is similar to mysticism in Eastern spiritual traditions. They discuss the importance of revealing these similarities for a better understanding of the human being and hir further spiritual development. (shrink)

The influence of St. Teresa of Jesus in St. Josemaría Escrivá de Balaguer is well known, but it was especially stressed in his writings. This paper concentrates on the most famous book of St. Josemaría, The Way. The presence of Teresian thought in this work is researched, considering the way Escrivá integrates it in his personal doctrine, and particularly how he adopts it in order to establish the cornerstone of his message: contemplation in daily life.

No altar da Igreja de Santa Maria della Vittoria, encontramos a bela escultura de Bernini, denominada “O êxtase de Santa Teresa”. Símbolo da entrega ao gozo espiritual, a escultura do artista italiano representa Santa Teresa de Ávila recebendo do anjo a seta do amor divino, reprodução perfeita do êxtase místico e religioso. Esse trabalho tem como objetivo analisar a ocorrência de Teresas na literatura brasileira, como heroínas divididas entre o sacro e o profano. Propomos o estudo do romance (...) Tereza Batista: cansada de guerra, de Jorge Amado, a partir da intertextualidade com a tradição literária baiana, de Gregório de Matos e Castro Alves, e em contraponto ao pensamento religioso da obra lírica de Santa Teresa de Ávila, em diálogo com a escultura extática da santa, criada por Gian Lorenzo Bernini.Palavras-chaves: Santa Teresa de Ávila. Jorge Amado. Castro Alves. Gregório de Matos. Sagrado. Profano.At the altar of the Church of Santa Maria della Vittoria, is located the Bernini’s sculpture, called "The Ecstasy of St. Teresa." Symbol of surrender to spiritual joy, the sculpture by the Italian artist represents St. Teresa of Avila affected by the arrow of the Angel, perfect reproduction of the religious and mystical ecstasy. This article aims to analyze the occurrence of Teresas in Brazilian literature, as heroines divided between the sacred and the profane. We propose to study of the novel Tereza Batista: cansada de guerra, by Jorge Amado, from the intertextuality with the literary tradition of Bahia, of Gregorio de Mattos and Castro Alves, and in opposition to the religious thought of the lyrical work of St. Teresa de Ávila, in dialogue with the ecstatic sculpture of St. Tereza, by Gian Lorenzo Bernini.Keywords: St. Teresa of Ávila. Jorge Amado. Castro Alves. Gregório de Mattos. Sacred. Profane. (shrink)

This article examines Teresa of Avila's understanding of the relationship between spiritual dryness, intellectual frustration, and shame. It argues that Teresa presents these experiences as interconnected, as well as spiritually and intellectually valuable. This aspect of Teresa's thought provides important resources for theologians in the contemporary age in its insistence on the necessarily dynamic relationship between the spiritual and the intellectual in the life of the theologian. The article concludes with an examination of shame and its (...) impact on theological developments in our time, as well as the possibilities for integrating shame productively. (shrink)

This study concerns the theory of mystical knowledge advanced by the practically unknown seventeenth-century Carmelite author Philip of the Blessed Trinity in his work Summa Theologiae Mysticae. Philip introduces “a new kind” of spiritual species representing the intellectibilia to describe how individuals are granted mystical knowledge, and in doing so distinguishes between three kinds of species. Philip’s notion of mystical knowledge is closely related to the topic of contemplation and is profoundly influenced by The Interior Castle of St. Teresa (...) of Avila. The analysis presented here, therefore, represents an original contribution to the ongoing scholarly study of species, (mystical) knowledge, and Teresian spirituality. (shrink)

This article discusses works of two artists—Marina Abramović and Elżbieta Jabłońska —who explore a clash between heroism and everydayness in the kitchen space. Everyday routine inexorably demands being performed. Its uncompromising decrees spare neither mystics nor the free souls of artists. Even the most spiritual people must eat and drink. To solve the conflict of matter and spirit, these artists draw on different traditions that transcend reality: mysticism and the superheroes of popular culture, respectively. Abramović enters the kitchen as St. (...) Teresa of Avila while Jabłońska dons Superman’s cap. Does one have to rise above the ground to feel that cooking, cleaning, and washing up are not beyond the powers of an average woman? Are the body and the soul doomed to fight each other permanently? Each artist’s work suggests different answers and solutions. (shrink)

Modern philosophy is based on the presupposition of the certainty of the ego’s experience. Both Descartes and Kant assume this certitude as the basis for certain knowledge. Here the argument is developed that this ego has its sources not only in Scholastic philosophy, but also in the narrative of the emotional self as developed by both the troubadours and the medieval mystics. This narrative self has three moments: salvation, self-irony, and nostalgia. While salvation is rooted in the Christian tradition, self-irony (...) and nostalgia are first addressed in twelfth-century troubadour poetry in Occitania. Their integration into a narrative self was developed in late medieval mysticism, and reached its fullest articulation in St. Teresa of Avila, whom Descartes read. (shrink)

Exploring the first-person narratives of three figures from the Christian, Jewish, and Islamic mystical traditions—St. Teresa of Avila, Rabbi Dov Baer, and Rzbihn Baql—Anthony J. Steinbock provides a complete phenomenology of mysticism based in the Abrahamic religious traditions. He relates a broad range of religious experiences, or verticality, to philosophical problems of evidence, selfhood, and otherness. From this philosophical description of vertical experience, Steinbock develops a social and cultural critique in terms of idolatry—as pride, secularism, and fundamentalism—and suggests (...) that contemporary understandings of human experience must come from a fuller, more open view of religious experience. (shrink)

Exploring the first-person narratives of three figures from the Christian, Jewish, and Islamic mystical traditions—St. Teresa of Avila, Rabbi Dov Baer, and Rzbihn Baql—Anthony J. Steinbock provides a complete phenomenology of mysticism based in the Abrahamic religious traditions. He relates a broad range of religious experiences, or verticality, to philosophical problems of evidence, selfhood, and otherness. From this philosophical description of vertical experience, Steinbock develops a social and cultural critique in terms of idolatry—as pride, secularism, and fundamentalism—and suggests (...) that contemporary understandings of human experience must come from a fuller, more open view of religious experience. (shrink)

Despite what you have heard over the years, the famous evil deceiver argument in Meditation One is not original to Descartes. Early modern meditators often struggle with deceptive demons. The author of the Meditations is merely giving a new spin to a common rhetorical device. Equally surprising is the fact that Descartes’ epistemological rendering of the demon trope is probably inspired by a Spanish nun, Teresa of Ávila, whose works have been ignored by historians of philosophy, although they were (...) a global phenomenon during Descartes’ formative years. In this paper, I first answer the obvious question as to why previous early modernists have missed something so important as the fact that Descartes’ most famous publication relies on a well-established genre and that his deceiver argument bears a striking similarity to ideas in Teresa’s final work, El Castillo Interior? I discuss the meditative tradition at the end of which Descartes’ Meditations stands, present evidence to support the claim that Descartes was familiar with Teresa’s proposals, contrast their meditative goals, and make a point-by-point comparison between the meditative steps in Teresa’s Interior Castle and those in Descartes’ Meditations which constitute their common deceiver strategy. My conclusion makes a case for a broader and more inclusive history of philosophy. (shrink)

This review does not comment adversely against the original writer of this work, who is a Doctor of the Roman Catholic Church. The review shows how this particular edition of the book fails as a study edition. It does not show, even in its reprint version, the sources of St. Teresa of Avila's mysticism. This edition of the book is shallow and irrelevant. Not so the actual text of St. Teresa of Avila.

Julia Kristeva refracts the impulse to hate through psychoanalysis and text, exploring worlds, women, religion, portraits, and the act of writing. Her inquiry spans themes, topics, and figures central to her writing, and her paths of discovery advance the theoretical innovations that are so characteristic of her thought. Kristeva rearticulates and extends her analysis of language, abjection, idealization, female sexuality, love, and forgiveness. She examines the "maladies of the soul," utilizing examples from her practice and the ailments of her patients, (...) such as fatigue, irritability, and general malaise. She sources the Bible and texts by Marguerite Duras, St. Teresa of Avila, Roland Barthes, Simone de Beauvoir, and Georgia O'Keefe. Balancing political calamity and individual pathology, she addresses internal and external catastrophes and global and personal injuries, confronting the nature of depression, obliviousness, fear, and the agony of being and nothingness. Throughout Kristeva develops the notion that psychoanalysis is the key to serenity, with its processes of turning back, looking back, investigating the self, and refashioning psychical damage into something useful and beautiful. Constant questioning, Kristeva contends, is essential to achieving the coming to terms we all seek at the core of forgiveness. (shrink)

Julia Kristeva refracts the impulse to hate through psychoanalysis and text, exploring worlds, women, religion, portraits, and the act of writing. Her inquiry spans themes, topics, and figures central to her writing, and her paths of discovery advance the theoretical innovations that are so characteristic of her thought. Kristeva rearticulates and extends her analysis of language, abjection, idealization, female sexuality, love, and forgiveness. She examines the "maladies of the soul," utilizing examples from her practice and the ailments of her patients, (...) such as fatigue, irritability, and general malaise. She sources the Bible and texts by Marguerite Duras, St. Teresa of Avila, Roland Barthes, Simone de Beauvoir, and Georgia O'Keefe. Balancing political calamity and individual pathology, she addresses internal and external catastrophes and global and personal injuries, confronting the nature of depression, obliviousness, fear, and the agony of being and nothingness. Throughout Kristeva develops the notion that psychoanalysis is the key to serenity, with its processes of turning back, looking back, investigating the self, and refashioning psychical damage into something useful and beautiful. Constant questioning, Kristeva contends, is essential to achieving the coming to terms we all seek at the core of forgiveness. (shrink)

Before approaching the problem of „The Torment of Christ in Polish Carmelitan Poetry Manuscripts”, it was necessary, specifically for the purpose of this work, to consider the problem of the beginning passion of Christ in Polish poetry in the 13th century. The sources creative invention, as in art and literature in the Middle Ages is evangelical dramatic torment of Christ. This subject presents mediaeval liturgical dramas, passion’s mysteries, meditations, saint biographies, legends, etc. The inspiration for literature is dolorysm and a (...) picture of pieta. In mediaeval Polish literature are very alive characteristics of passion’s motifs: meditation, compassion and imitation torment of Christ. Such a popular subject in the Middle Ages, the torment of Christ was also present in a rich array of literature in the 17th century. This article deals how the problem of the torment of Christ was visible in Polish carmelitan poetry manuscripts from 17th and 18th centuries. These carmelitan manuscript texts, which I research in this work, are contained in the Library of Jagiellonia and they have signatures: 3640 and 3642. The article also shows the influence of mysticism of St. Teresa of Avila and of St. John of the Cross in these manuscripts, but shows as well the original conception of Cracow’s anonymous poets from the 17th century. This work particularly presents the personal experiences of Cracow’s carmelitans (dialogue with God, the love to Him, a need of suffering how Christ and the need of death). This article shows not only carmelitan literary ingeniousness, but also a personal metaphysical and mystical way to the soul of God. (shrink)

The article deals with the 17th century autobiographic nun's characteristic vision of man as a being the relations between man and God. The 17th century was a time of rapid change all over Europe. In the 17th century arrived in Poland from Netherlands the first caramel’s nuns. There were: Anna оf the Jesus (Jadwiga Stobieńska) - the first Polish caramel’s nun, then Teresa of the Jesus (Marianna Marchocka) etc. The autobiography of Jadwiga Stobieńska’s expresses the relations between man and (...) God, and mystical inspirations (particularly St. Teresa of Avila and St. John of the Cross). The article presents the religious direct experiences of Jadwiga Stobieńska. There are many images, motifs taken from the great tradition of religious literature. The article shows influence mysticism of St. Teresa of Avila for the Jadwiga Stobieńska’s spiritual life. This article the particularly presents the personal experiences of Polish nun (dialogue with God, the love to Him and mystical unity with God). Jadwiga Stobieńska gave original the reason of relations a man with Absolute, and shoed metaphysical and mystical the way of soul to God. (shrink)

What follows is but the attempt to draw the lessons from the mystical and visionary text of Teresa of Ávila in order to consider today issues that concern us, questions that are asked of Aesthetics, and not only as theoretical discipline that theorises on the arts and considers the beautiful, but as a reflection on aísthesis, of sensitivity, of the sensitive edge exposed by a constituent relationship which installs the human in a world. Consideration, then, of the happening, of (...) entering the world, creative experience. This essay seeks to consider the relationship between the image and the body via the visionary discourse of the mystics, because their writings question and lend shape to a large number of formulae of thought that can help us better understand the questions facing us today. Let us imagine that the mystics made of their body a frontier or a support where what by definition has no place could take place. Place: part of space occupied by a body, the boundary of a containing object. This then is what is addressed here, a question of boundaries. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 379 Hoedl) would warrant a less minimalistic interpretation of Thomas's prominence in the theological controversies of the 70s and 80s of the thirteenth century. This volume claims to examine Thomas's work and influence in light of the newest research. This is very true of Wielockx's article, but not every contribution equally justifies this claim. Still, this collection is a welcome addition to the ongoing investigation of Thomas's (...) thought. It is all the more regrettable, then, that the publishers have decided upon such an exhorbitant price, apparently resigning themselves to the belief that there is no market for the book outside libraries which have already ordered the series. The editors and contributors deserve a wider audience. Bayerische Akademie der Wissenschaften Munich RICHARD SCHENK, O.P. Edith Stein: Scholar, Feminist, Saint. By FREDA MARY 0BEN. New York: Alba House, 1988. Pp. 80. $5.95 (paper). Essays on Woman. By EDITH STEIN. Edited by Dr. L. Gelber and Romaeus Leuven, O.C.D. Translated by Freda Mary Oben. The Collected Works of Edith Stein, Teresa Benedicta of the Cross, Discalced Carmelite, 1891-1942, vol. 2. Washington, DC: ICS Publications, 1987. Pp. ix + 290. $7.95 (paper). Whether as an ample introduction for one unfamiliar with Edith Stein or as a further education for one who already appreciates her legacy, these two books will serve the reader well. The saintly philosopher and educator became a Carmelite nun and eventually a victim of the Holocaust; she was beatified in 1987. Doctor Freda Mary Oben is well qualified to interpret Stein's writings as she, like Edith Stein, is a convert from Judaism to Catholicism and a scholar as well. She began to study Edith Stein after her conversion but }lad to learn German to do it. Essays on Woman is a testimonial to Oben's nearly 30year enterprise. This work is a translation of Die Frau, Ihre Aufgabe nach Natur und Gnade, which contains Edith Stein's lectures and writings on woman, compiled and edited by Dr. L. Gelber and Romaeus Leuven, O.C.D., of the Archivum Carmelitanum Edith Stein in Brussels. These two works can be read in either order, as each supports and elucidates the other, but for an introduction, Edith Stein: Scholar, Feminist, Saint should be read first. Since Oben refers to Stein as Edith in this work, this reviewer will do the same. 380 BOOK REVIEWS The Edith Stein work consists of three chapters. Chapter One is a 37-page, well-documented biography supported by quotations from Edith's writings. Oben's straightforward, lucid style enhances this compact account of the variety of interesting, inspiring, and gripping details of Edith's life. Oben recounts her own tour of the significant places in Edith's life: Breslau, Gottingen, Bergzabern, Speyer, Miinster, Cologne, Echt, Auschwitz. The narrative is supplemented with eight pages of Stein family photographs in the middle of the book. Throughout her life, Edith Stein maintained a strong love for her family and her own Jewish people. Integrated with this is the develop· ment and growth of her intellectual life: from an ambivalence toward school to her being among the first women to enter a university to her becoming a university professor, all the while struggling from being at first unable to pray to later working among scholars who were deep· ly spiritual. Several of these scholars were converts from Judaism to Christianity and even to Catholicism. Oben shows how Edith followed this same route, relating her scholarly insights in psychology and philosophy to her spiritual ones and finally turning to Catholicism after a casual encounter with a biography of St. Teresa of Avila. Oben shows how, once a Catholic, Edith used her intellectual ability to study the link between woman's nature and religious education. By 1932 Edith was recognized as the intellectual leader of Catholic feminism in Europe. Oben tells of Edith's entrance into the Carmelite Convent in Cologne in 1933, her life there as Sister Teresa Benedicta of the Cross, and her decision, foreseeing the Holocaust, to hear the Cross for the Jewish people. In a brief but captivating account, Oben tells of Edith's hasty transfer from Cologne to... (shrink)

Julia Kristeva refracts the impulse to hate (and our attempts to subvert, sublimate, and otherwise process it) through psychoanalysis and text, exploring worlds, women, religion, portraits, and the act of writing. Her inquiry spans themes, topics, and figures central to her writing, and her paths of discovery advance the theoretical innovations that are so characteristic of her thought. Kristeva rearticulates and extends her analysis of language, abjection, idealization, female sexuality, love, and forgiveness. She examines the "maladies of the soul," utilizing (...) examples from her practice and the ailments of her patients, such as fatigue, irritability, and general malaise. She sources the Bible and texts by Marguerite Duras, St. Teresa of Avila, Roland Barthes, Simone de Beauvoir, and Georgia O'Keefe. Balancing political calamity and individual pathology, she addresses internal and external catastrophes and global and personal injuries, confronting the nature of depression, obliviousness, fear, and the agony of being and nothingness. Throughout Kristeva develops the notion that psychoanalysis is the key to serenity, with its processes of turning back, looking back, investigating the self, and refashioning psychical damage into something useful and beautiful. Constant questioning, Kristeva contends, is essential to achieving the coming to terms we all seek at the core of forgiveness. (shrink)

Teresa of Avila's desire for suffering cannot be interpreted as the mere passive assumption of a feminine sacrificial role. On the contrary, Teresa was able to transform her suffering into the incarnated performance of her relationship with God: By desiring suffering and by understanding it and her ability to confront it as proof of divine love, she was able to reinforce her self‐confidence and strength. This article discusses Teresa of Avila's experience and interpretation of suffering (...) in the context of the female ascetic‐mystic Christian tradition. It criticizes Teresa's positive conceptualization of suffering but examines in depth the potential of her ability to actively manage and control it. Although Teresa was able to affirm her personality through ascetic practices such as self‐humiliation and mortification, the general applicability of such practices to the management of suffering is fraught since they leave the suffering individual in a vulnerable position. Although Teresa of Avila finds fulfillment and, paradoxically, self‐actualization through self‐denial and the surrender of her will, such practices entail the substantial risk of total self‐annihilation. (shrink)

The author is convinced that autobiography is revelatory of great cultural movements, and that the Christian faith is historically multi-dimensioned. Tsanoff has a marvelous facility to bring together diverse materials into a conceptual whole. He is capable of making St. Augustine representative of the patristic period and Newman of the Anglo-Catholic wing of the Church of England. In addition to these two Christian thinkers, Tsanoff portrays St. Teresa of Avila, George Fox, John Bunyan, John Wesley, Ernest Renan, count (...) Tolstoy, Albert Schweitzer, and Pope John XXIII. Each represents what Tsanoff calls an "alternative in Christian experience." And each describes in his own person a significant development in the ongoing life of the Christian community. Tsanoff's Autobiographies can be a very useful book, especially for courses dealing with the history of Christian thought. The author is faithful to the scholarly texts, quoting when necessary, providing anecdotes about the life of a theologian when illuminating. A good, substantial, interesting and helpful volume.--W. A. J. (shrink)

That "The Classics of Western Spirituality" should regard the man Dante hailed as "beyond the human in contemplation," and St. Bonaventure believed to be the medieval rival of the greatest patristic contemplative worthy of a special volume is not surprising. Richard of St. Victor’s masterful analysis of the ascent of the mind to God in contemplative prayer and meditation, emphasizing the individual’s relationship to other individuals as the paradigm of how the Three Divine Persons are related in their inner life (...) of love, is at the same time of psychological interest for anyone attempting to identify and classify the various mystical states medieval philosophers felt were necessary to characterize their spiritual growth. Since the bulk of the present translation is devoted to Richard’s two major attempts to systematize the discipline needed to attain contemplation, known more generally as Benjamin Minor and Benjamin Major, one might wonder why the work is being reviewed in the present journal. But while the major interest of this volume will undoubtedly be for those interested in ascetic theology, for the influence of Richard on subsequent writers from St. Bonaventure to St. Teresa of Avila is profound, nevertheless the relatively short third portion of the work is of sufficient philosophical importance to merit at least a brief note, namely bk. 3 of The Trinity. One would hardly expect a work of this sort to come from the pen of a mystic, for what Richard sets out to do is nothing short of a purely rational or metaphysical analysis of the "Athanasian Creed," which was recited almost daily by the Canons of the Abbey of St. Victor during the twelfth century. Because the inner nature and life of the Trinity, unlike creation or the salvation history of God’s intervention in the affairs of man, is a necessary consequence of what medieval thinkers believed God to be, rather than what he chose to do, Richard was convinced that with sufficient ingenuity one could theorize fruitfully as to why God must possess the various attributes we believe him to have and which are set forth in the aforesaid "creed," which stresses both the unity of God, the divine nature and all the divine attributes, while continually reminding its confessor of the trinity of "persons." In the Anselmian tradition of "faith seeking understanding" Richard seeks "necessary reasons" why God should not only be one but three. Most medieval thinkers have considered the trinitarian character of the divine nature to be the most profound of all the mysteries of the Christian faith. While reason may at best refute objections to a trinity of persons in one divine nature, it can hardly be expected to provide positive support for the doctrine. Richard, on the contrary, believed that St. Anselm had found the key to the "divine processions" in the fact that God is perfect love, with all that this implies. It is obvious the experience of "love" as an interpersonal sharing of the deepest kind, something St. Paul enjoined upon the Christians of the "Church of Corinth," is a far cry from what Sartre seemed to have reached in writing L'etre et néant or what that term connotes to our age, but it is not unknown to contemporary psychologists. Duns Scotus described the "perfect lover" in a Richardian sense as "Perfecte diligens vult dilectum condiligi!" It is especially in bk. 3 of The Trinity that Richard argues that a personal nature that is "summum bonum" must contain more than one person, and need contain no more than three. For the philosopher of religion interested in Richard’s metaphysical analysis of the Godhead, it would be profitable to preface the reading of Zinn’s fine translation of bk. 3 with the selections from bk. 1.—A.B.W. (shrink)

The Judeo-Christian mystical tradition is replete with accounts of visions. But the perceptual experiences reputedly involved in these visions are often problematic. The prophet Isaiah is reputed to have seen God in a mystic vision; St Francis to have seen Christ and received the stigmata; Julian of Norwich to have seen Christ's passion; St Teresa of Avila to have seen Christ, the devil, seraphim, and various Saints. Yet at least two fundamental questions immediately arise concerning the perceptual awareness (...) involved in such visionary experiences. First, how could Jewish or Christian mystics have any reasonable certitude of correctly identifying such extraordinary entities as God, angels, and deceased Saints, as figures in their visions? And second, while Catholics, for example, see the Virgin Mary during their visions, Muslims see Muslim saints and Hindus see Hindu deities: why then do mystics tend during their visions to perceive entities which accord with their expectations, entities which are usually regarded as possessing special religious significance exclusively within each mystic's own religious tradition? (shrink)

Teresa of Avila, writing in the 16th century when ideas of holiness often excluded women and lay people, developed a radically inclusive understanding of holiness as friendship with Christ. Her idea also allowed for degrees of holiness, from those who completed only the necessary church requirements of confession and absolution all the way up to those who had a friendship that was modelled upon the relationship in the Song of Songs. It was a definition of holiness applicable to (...) men and women, clergy, members of religious orders, and lay people. In addition, her understanding of holiness did not distinguish the holiness of ordinary lay people from that of the great saints of previous generations, for friendship with Christ was open to all. (shrink)

Sports occupy an interesting ethical space from a pedagogic point of view, being included in physical education curricula in most Western countries. The approach of physical education to sports as vehicle for ethical education is too limited when it is restricted to their minimal functional, constitutive and regulatory goals. This essay’s aim is to argue the extent to which the ethical potential of physical education can embrace more than functional purposes, or whether that will be neglected in terms of limited (...) educational aspirations. We present data from nineteen exploratory interviews with experienced philosophy, sports and physical education researchers and teachers, from six different nations, concerning the ethical potentiality of physical education. We highlight five ethical themes: (i) the regulatory and normative structure of sports; (ii) the spirit of sports and its internal values; (iii) the right playing/doing of sports; (iv) the overcoming in sports; and (v) sports as an opportunity for a supererogatory ethics as fertile ground for future operationalization of the potential of physical education for ethical education through sports.El deporte ocupa un interesante espacio ético desde un punto de vista pedagógico, integrándose en los curricula de educación física en la mayoría de países occidentales. El planteamiento de la educación física como vehículo de la educación ética es limitado cuando restringido a sus objetivos mínimos funcionales, constitutivos y regulatorios. El objetivo de este estudio es discutir si el potencial ético de la educación física puede ir más allá de los propósitos funcionales, que considerados aisladamente constituyen un desperdicio de la experiencia pedagógica del deporte. Para conseguirlo, presentamos datos de diecinueve entrevistas exploratorias con experimentados investigadores y profesores de filosofía, deporte y educación física relacionadas con las potencialidades éticas de la educación física. La muestra incluye individuos de seis diferentes nacionalidades, cuyo trabajo demuestra preocupaciones con el tema. La argumentación resulta de cinco temáticas principales: (i) Estructura normativa y regulativa del deporte; (ii) El espírito del deporte y sus valores internos; (iii) El bien hacer deportivo; (iv) La superación deportiva; (v) El deporte como oportunidad de una ética supererogatoria como contexto fértil para la concretización del potencial ético de una educación deportiva. (shrink)

A book of readings in Western intellectual history focusing on the role of reason in human action. Contents:^ Plato: Myth of the Cave; Plato: ^IThe Four Virtues; Aristotle: Knowledge of Causes; Aristotle: The Types of Governments; Epicurus: Epicureanism; Epictetus: Stoicism; St. Augustine: The Platonist; St. Augustine: The Nature of Sources of Evil; St. Thomas Aquinas: The Four Laws; St. Thomas Aquinas: The Nature of the Soul; Pico: The Oration on the Dignity of Man; John Calvin: Reason, Sin and Illumination; St. (...) Teresa of Avila: Interior Castle; Rene Descartes: Pens,s ; Thomas Hobbes: The State of Nature; John Locke: The State of Nature; Alexander Pope: Essay on Man; David Hume: Impressions and Ideas; Voltaire: Candide; Immanuel Kant: Space and Time; Immanuel Kant: The Good Will; Edmund Burke: Revolution in France; James Madison: The Federal Government; Soren Kierkegaard: Subjective Truth; Fyodor Dostoevsky: The Grand Inquisitor; Karl Marx and Friedrich Engels: Communist Manifesto; Friedrich Nietzsche: The Will to Power; William James: Pragmatism; William James: Philosophical Temperaments; Sigmund Freud: The Ego and the Id; Ludwig Wittgenstein: Later Theory; Jean-Paul Sartre: Existentialism; Carol Gilligan: Women's Place in Man's World; Appendix: Programmed Text on Epistemology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:THE DOMINICAN SCHOOL OF SALAMANCA AND THE SPANISH CONQUEST OF AMERICA: SOME BIBLIOGRAPHICAL NOTES THOMAS F. O'MEARA. O.P. University of Notre Dame Notre Dame, Indiana SALAMANCA, northwest of Madrid and Avila and not far from Spain's border with Portugal, preserves the atmosphere of a medieval, Renaissance, and Baroque university even as it develops the schools and clinics of a contemporary center of studies. There are associations with (...) class='Hi'>Teresa of Avila, who spent the night there just after her reform was approved by Rome, with the young Cervantes, with Luis de Leon and Ignatius Loyola, and with John of the Cross, who was a student there. A bridge from the time of Trajan spans the river Tormes, and the Romanesque cathedral still reserves a chapel for the Mozarabic rite. The University of Salamanca The city brings to mind sixteenth century Dominicans like Francisco de Vitoria, often called the founder of international law, and Domingo Bafiez, confessor to Teresa of Avila. The Order of Friars Preachers, however, came to Salamanca in 1222 at the same time that Dominic's missions were taking root in·Paris and Bologna; the friars founded a priory and soon a school under the patronage of St. Stephen (San Esteban). The " Dominican School of Salamanca " means formally the line of great theologians reaching from Diego de Deza at the end of the fifteenth century to Tomas de Lemos, a main protagonist in Rome in 1607 in the controversy over grace entitled De Auxiliis. Today, after seven and a half centuries of existence, the Salamancan SSS 556 THOMAS F. o'MEARA, O.P. Dominicans remain a vital community, active m teaching, research and publishing. My attention was directed to the Dominicans at Salamanca by two volumes of essays reporting on congresses concerning the "Dominicans and the Discovery of the New World." My interest was not church history but the history of theologies of how grace might exist outside of explicit faith and sacramental baptism. The following report is a bibliographical survey of recent research on a theological era and school. Focusing on the thought of the theologians stimulated by the experiences of the missionaries in the Indies, it treats the Dominicans during the first decades after the voyages of Columbus. In the 1480s, as it entered its golden age, the University of Salamanca had a hundred professors and almost 7000 students. University records begin late, but they show that in 1546/47, one hundred thirty-four Dominicans were studying at the university, and in 1598/99, eighty. J. L. Espinel has written. a historical guide to the Dominican buildings and institutions.1 The great period of the Dominican school at the University began with Diego de Deza ( 1480-1486), professor and archbishop of Seville, and Matias de Paz (1518-1519), a professor of Scripture. Francisco de Vitoria (1526-1546) and Domingo de Soto (15321549 ) were its most gifted thinkers, but the school's achievements continued with Melchior Cano (1546-1552), Juan de la Pefia (1561-1565) and Domingo Banez (1581-1604). These t San Esteban de Salamanca, Historia y Gufa, Siglos, XIII-XX (Salamanca: Editorial San Esteban, 1978); see also R. Hernandez, "Convento y estudio de San Esteban," La Universidad de Salamanca (Salamanca: Universidad, 1989), pp. 369ff.; A. Martin Melquiades, "La Escuela de teologia de Salamanca," Atti del Congresso internazionale, Tommaso d'Aquino nel suo settimo centenario, Tommaso d'Aquino nella storia del pensiero, 1 :2 (Naples: Edizione Domenicane Italiane, 1975), pp. 242ff. A Salamancan Dominican of the 1930s, Vicente Beltran de Heredia, pioneered research in the history of the university and in the writings of the Dominican speculative masters. His writings can be found in past issues of Ciencia Tomista (CT), and some of his books and several recent collections of his most important essays are available from Editorial San Esteban. Similarly initial research in the United States can be found in the writings of Lewis Hanke. SALAMANCA AND THE SPANISH CONQUEST 557 are joined by lesser figures like Pedro de Sotomayor (15601564 ), Mancia de Corpus Christi (1564-1576), and Bartolome de Medina (1576-1581). The occupants of the chair in theology of the liturgical hour of prime from Vitoria in 1526 to Bafiez's... (shrink)

This article analyses the use of signs (in a semiotic sense) in the analysis of Teresa of Avila's book, The Interior Castle. It takes one through the various levels of the castle, which stands as a sign for contemplation. Exploring Avila's creative use of imagery and language, it focus on what these signs (as pertaining to American semiotics and Charles S. Peirce) come to signify within Teresa's mental construction of the castle as a road to pure (...) contemplation, in the Catholic tradition. (shrink)

What follows is but the attempt to draw the lessons from the mystical and visionary text of Teresa of?vila in order to consider today issues that concern us, questions that are asked of Aesthetics, and not only as theoretical discipline that theorises on the arts and considers the beautiful, but as a reflection on a?sthesis, of sensitivity, of the sensitive edge exposed by a constituent relationship which installs the human in a world. Consideration, then, of the happening, of entering (...) the world, creative experience. This essay seeks to consider the relationship between the image and the body via the visionary discourse of the mystics, because their writings question and lend shape to a large number of formulae of thought that can help us better understand the questions facing us today. Let us imagine that the mystics made of their body a frontier or a support where what by definition has no place could take place. Place: part of space occupied by a body, the boundary of a containing object. This then is what is addressed here, a question of boundaries. nema. (shrink)

Even though there is a general presence of aesthetics in school curricula in most of western countries, both at the level of terminology and at the level of choice and definition of contents, objectives and skills to be developed, the approach to sports and physical education potential for the development of aesthetic education of students still does not seem to be a reality in the agenda of this subject. Moreover, it is not transversal in terms of its different didactic contents. (...) In order to explore its relevance, the aim of this work was to deepen how aesthetics is internal and central to sports experience, and which elements of sports and physical education lived experiences can be relevant in the promotion and development of the aesthetic sensibility of students. We propose the deepening of the subject through an hermeneutical qualitative research approach, confronting the content collected in 19 semi-structured interviews that enabled the thematic analysis of its content, and through it, the discussion of viewpoints of representative subjects among those that are the main players in the consideration of an aesthetic education through sport, namely physical education teachers and researchers in the context of aesthetics and sports sciences. With the information gathered and after its processing, we could conclude that there are aesthetic elements of sport's experience that should be taken into account in an aesthetic educational point of view of physical education, namely: complexity, diversity, playability, tension between drama and accuracy, overcoming experience, risk and vulnerability, unpredictable storylines and uncertainty, technique and effectiveness. (shrink)

Born in 1515, Teresa of Avila survived the Spanish Inquisition and was a key reformer of the Carmelite Order. Her experience of ecstasy, which she intimately described in her writings, released her from her body and led to a complete realization of her consciousness, a state Julia Kristeva explores as it was expressed in Teresa's writing. Incorporating notes from her own psychoanalytic practice, as well as literary and philosophical references, Kristeva builds a fascinating dual diagnosis of contemporary (...) society and the individual psyche while sharing unprecedented insights into her own character. Through her dazzlingly varied formats Kristeva tests the borderlines of atheism and the need for faith, feminism and the need for a benign patriarchy. (shrink)

Mixing fiction, history, psychoanalysis, and personal fantasy, Teresa, My Love turns a past world into a modern marvel, following Sylvia Leclercq, a French psychoanalyst, academic, and incurable insomniac, as she falls for the sixteenth-century Saint Teresa of Avila and becomes consumed with charting her life. Traveling to Spain, Leclercq, Julia Kristeva's probing alter ego, visits the sites and embodiments of the famous mystic and awakens to her own desire for faith, connection, and rebellion. One of Kristeva's most (...) passionate and transporting works, _Teresa, My Love_ interchanges biography, autobiography, analysis, dramatic dialogue, musical scores, and images of paintings and sculpture to engage the reader in Leclercq's--and Kristeva's--journey. Born in 1515, Teresa of Avila outwitted the Spanish Inquisition and was a key reformer of the Carmelite Order. Her experience of ecstasy, which she intimately described in her writings, released her from her body and led to a complete realization of her consciousness, a state Kristeva explores in relation to present-day political failures, religious fundamentalism, and cultural malaise. Incorporating notes from her own psychoanalytic practice, as well as literary and philosophical references, Kristeva builds a fascinating dual diagnosis of contemporary society and the individual psyche while sharing unprecedented insights into her own character. (shrink)

Mixing fiction, history, psychoanalysis, and personal fantasy, Teresa, My Love turns a past world into a modern marvel, following Sylvia Leclercq, a French psychoanalyst, academic, and incurable insomniac, as she falls for the sixteenth-century Saint Teresa of Avila and becomes consumed with charting her life. Traveling to Spain, Leclercq, Julia Kristeva's probing alter ego, visits the sites and embodiments of the famous mystic and awakens to her own desire for faith, connection, and rebellion. One of Kristeva's most (...) passionate and transporting works, _Teresa, My Love_ interchanges biography, autobiography, analysis, dramatic dialogue, musical scores, and images of paintings and sculpture to engage the reader in Leclercq's--and Kristeva's--journey. Born in 1515, Teresa of Avila outwitted the Spanish Inquisition and was a key reformer of the Carmelite Order. Her experience of ecstasy, which she intimately described in her writings, released her from her body and led to a complete realization of her consciousness, a state Kristeva explores in relation to present-day political failures, religious fundamentalism, and cultural malaise. Incorporating notes from her own psychoanalytic practice, as well as literary and philosophical references, Kristeva builds a fascinating dual diagnosis of contemporary society and the individual psyche while sharing unprecedented insights into her own character. (shrink)