What is the relationship between contemporary intellectual culture and the European Enlightenment it claims to reject? In Consequences of Enlightenment, Anthony Cascardi revisits the arguments advanced in Horkheimer and Adorno's seminal work Dialectic of Enlightenment. Cascardi argues against the view that postmodern culture has rejected Enlightenment beliefs and explores instead the continuities contemporary theory shares with Kant's failed ambition to bring the project of Enlightenment to completion. He explores the link between aesthetics and politics in thinkers as (...) diverse as Habermas, Derrida, Arendt, Nietzsche, Hegel, and Wittgenstein in order to reverse the tendency to see works of art simply in terms of the worldly practices among which they are situated. (shrink)

The question of modernity has provoked a vigorous debate in the work of thinkers from Hegel to Habermas. Our own self-styled postmodern age has seen no end to this debate, which now receives a major and wide-ranging intervention from the theorist and critic Anthony J. Cascardi. Offering an historical account of the origins and transformations of the rational subject or self as it is represented in Descartes, Cervantes, Pascal, Hobbes and the Don Juan myth, he carries his argument (...) across the fields of epistemology, literature, political science, religion and psychology. The modern subject proves to be positioned within conflicting discourses, in a culture characterised by its 'detotalised totality'. Max Weber's concept of 'world disenchantment' enables Cascardi to make a searching critique of modernity's sense of its absoluteness, divorced from an archaic, 'enchanted' world. He advocates in its place a more fruitful relationship between historical analysis and theoretical speculation, offering constructive new alternatives to current orthodoxy regarding subjectivity and modernity. (shrink)

This essay argues that Cervantes engages and responds to the Platonic critique of mimesis through a tradition that is rooted in Aristotle's _Nicomachean Ethics. Especially in _Don Quixote, the standard by which mimesis is judged in Platonic terms is replaced by notions of the fitting, the just, and the appropriate, which draw on Aristotelian notions of practical reasoning. These had been promulgated by Renaissance rhetoricians and in proverbial discourse. Cervantes finds these traditions particularly well-suited to discourse in the novel, which (...) attempts to render the unevenness of ordinary experience. In recognizing the irreducible heterogeneity of experience and the priority of translation over analysis, the novel accomplishes important political work. (shrink)

Literature and philosophy have long shared an interest in questions of truth, value, and form. And yet, from ancient times to the present, they have often sharply diverged, both in their approach to these questions and in their relationship to one another. Moreover, the vast differences among individual writers, historical periods, and languages pose challenges for anyone wishing to understand the relationship between them. This Introduction provides a synthetic and original guide to this vast terrain. It uncovers the deep interests (...) that literature and philosophy share while offering a lucid account of their differences. It sheds new light on many standing debates and offers students and scholars of literary criticism, literary theory, and philosophy a chance to think freshly about questions that have preoccupied the Western tradition from its very beginnings up until the present. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Notes and Fragments THE GENEALOGY OF PRAGMATISM by Anthony J. Cascardi At SEVERAL POINTS in Philosophy and the Minor ofNature (1979) and in.the essays collected as Consequences of Pragmatism (1982), Richard Rorty mentions John Dewey as one of a group of "edifying" philosophers whose tutelary presence and audiority are invoked in the project which he elsewhere describes as die "circumvention" of Western metaphysics.1 Dewey joins the ranks (...) of his fellow American pragmatiste James and Peirce as well as those of two odier rather disparate groups: on die one hand, those philosophers like Davidson, Sellars, and Quine, who demonstrate from within diat analytical philosophy eventually transcends and cancels itself; and on the other, those "continental" philosophers like Foucault, Gadamer, and Derrida, who comfortably accept the image of philosophy as a subgenre of "literature" or "writing," a discourse with no privileged insights into the nature of rationality or claims to truth. Rorty's own project is a blend of all diree. Widi James he claims that truth is simply "what is good in die way of belief," not the proper or even fruitful object of theoretical speculation ("truth is not the sort of thing one should expect to have a philosophically interesting dieory about.... Pragmatiste think that the history of attempts to isolate the True or the Good, or to define die word 'true' or 'good,' supports their suspicion that there is no interesting work to be done in this area.... The history of attempts to do so, and of criticisms of such attempts, is roughly coextensive wim the history of that literary genre we call 'philosophy' — a genre founded by Plato," Consequences ofPragmatism, pp. xiii-xiv). Yet he shares widi Davidson, Sellars, and Quine the will to demonstrate the limits of analytical phdosophy while framing his own propositions in the language ofanalysis. 295 296Philosophy and Literature Foucault and Derrida in their turn complete the image of life in a "postphilosophical " culture, where the designation of "post" indicates a final refusal to regard pragmatism as yet another metanarrative ofthe history of philosophy. In this case, die historicist part of the Hegelian teaching, which is dieir common inheritance, the assimilation of logic to history, is accepted, while the assimilation of history to logic, which completes the Hegelian syndiesis, is rejected on account of its totalizing designs and its reliance on die notion of Absolute Spirit. So seen, the genealogy of pragmatism is of considerably broader scope than die initial intentions of Philosophy and the Mirror of Nature would suggest. In diat book, Rorty claimed to be marshalling the various forces named above not so much in response to Platonism as in reply to a single episode in the history of philosophy — viz., that which begins in Descartes and receives its fullest expression in Kant, and considers truth as a matter of the accurate correspondence of ideas held inforo intemo to objects in the external world, and accordingly regards die world as a representation of the mind. Heidegger articulated a similar complaint when he spoke of the Cartesian age as that in which die world was first determined as a "picture" ("Die Zeit des Weltbildes") and noted diat from this time forward epistemology was determined as "first philosophy": "a dieory ofknowledge had to be erected before a theory of the world."2 Pragmatism is on mis more limited view primarily a response to the conditions of a technological age and to the conception ofreason as mathematical representation which sustains modern science. Thus Rorty should well be surprised at Dewey's claim to have applied a scientific and empirical method in die study of metaphysics, whose proper objects consist, in Dewey's description, of"die large and constant features of human sufferings, enjoyments, trials, failures, and successes together with the institutions of art, science, technology, politics, and religion,"3 for to have done so would have been to have countered the Cartesian division between science on the one hand and qualities and values ("experience") on die other. Instead, Rorty imputes a different claim to Experience and Nature and sees it as a way-station on the pam toward that hypothetical book called Nature and Culture, in which die idea of an empirical method... (shrink)

Contemporary aesthetic theory is embedded in a culture dominated by images, and so would seem to require a reversal of Plato's critique of image-making. In adopting this stance, aesthetic theory follows in the footsteps of Nietzsche, whose own project was conceived as a reversal of Platonism. But the critique of Plato that underpins these views is based on a tradition that has misconstrued some of Plato's fundamental ideas. For this reason, the standard critique of Platonism is ineffective as a critical (...) response to the culture of images. Aesthetic theory needs instead to produce a critique of the contemporary image-world based on the view that it emerges from a transformation in the paradigm of production. Images are no longer merely a part of the world that is produced, but themselves have a crucial role in the process of production. (shrink)

This essay traces a pattern in which Enlightenment culture is seen as a contradictory or "detotalized" whole and in which the problem of ethics is defined in terms of a series of conflicting internal demands, such that the various frameworks in terms of which obligations are established cannot be reconciled.

Considering the philosophic intelligence that has set out to discredit it, intentionalism in critical interpretation has shown an uncanny resilience. Beginning perhaps most explicitly with the New Criticism, continuing through the analytic tradition in philosophy, and culminating most recently in deconstructionism, philosophers and literary theorists have kept under sustained attack the notion that authorial intention can provide a guide to interpretation, a criterion of textual meaning, or a standard for the validation of criticism. Yet intentionalist criticism still has avid theoretical (...) defenders and plenty of informal practitioners. The essay that follows, while an exercise in neither such defense nor practice, nevertheless attempts to demonstrate why intentional questions can be expected to be of permanent concern to criticism. (shrink)

Excerpt in lieu of an Abstract: The work of José Ortega y Gasset (1883-1955) is vast, varied, and now largely forgotten. The thinker who was identified by E. R. Curtius as one of "the dozen peers of the European intellect," who was invited to help launch the Aspen Institute in 1949, and who was once nominated for a Nobel prize, has been mainly overlooked by contemporary philosophers and theorists, who have nonetheless followed lines surprisingly close to those sketched out by (...) Ortega. Ortega's fall from fortune is not difficult to explain. Since his major works read more like essays on heterogeneous subjects than works of philosophy, he has been shunned by mainstream philosophers, especially those of the analytical persuasion. When treated historically, Ortega's thought has often been regarded as offering nothing more than an alternative (Spanish) version of Dilthey's historicism or Heidegger's existentialism. John Graham's work offers new reasons to attend to Ortega as a philosopher. First, Graham meticulously distinguishes the similarities and differences between various moments in Ortega's thought ("radicalism," "perspectivism," "vital reason," and "historical reason") and a series of tendencies dominant elsewhere in the early twentieth century, including phenomenology, existentialism, and historicism. Second, and potentially more important, Graham identifies the decisive influence of William James's pragmatism on Ortega. The claim that Ortega was fundamentally a pragmatist (albeit one who went significantly beyond James) is nuanced by a series of distinctions drawn between pragmatism and positivism, empiricism, and biologism. If there is unity in Ortega's vast and diverse work, it lies in what Graham identifies in his final chapter as Ortega's "general theory of life." This is a philosophy that embraces both the historicism of "historical reason" and the existentialism of la raz diverse. There are details in this study that will surprise the specialist and the nonspecialist alike. How many today recognize the importance of the philological historicism that Ortega learned from Julio Cejador, or remember that Ortega planned a final project oriented around the philosophy of language, parts of which are indicated in the chapter headings of the posthumously published Man and People ("What People Say"; "Language: Toward a New Linguistics"; "'Public Opinion,' 'Social Observances,' 'Public Power'")? At the same time, Graham devotes many pages to some of Ortega's least convincing ideas, such as the notion of the biographical ages of man (which attributes a special, but unexplained, significance to the twenty-sixth and fifty-first years of life). Methodologically, Graham fails to justify his historical approach to Ortega's thought by advancing the claim that it is called for by Ortega's own biographical method. Indeed, one wonders whether the generally positivist orientation of this book is what Ortega had in mind when stressing the relationship between biography and thought. Graham views his task in studying Ortega as both historical and analytical. But the author of this work is a historian whose philosophical instincts often lie submerged. His principal energies in the first half of this book are devoted to establishing the relationship between James and Ortega as one of influence and dependence rather than mere coincidence. Only much later does he attempt to show how Ortega might have gone beyond James in exploring the consequences of pragmatism. Since Graham's principal concern is with the various rubrics under which philosophy in the first half of this century was practiced, rather than with the philosophical issues themselves, numerous questions are left unanswered by this work: what is the relationship between Ortega's pragmatism and social and political theory (a dimension of Ortega's thought stressed by thinkers like Luciano Pellicani)? What is the relationship between pragmatism, the "general philosophy of life," and the theory of action? Throughout this study Graham gives evidence of vast reading in the primary and secondary sources in both history and philosophy. The ample bibliography and footnotes will provide future scholars with a valuable reference tool. But it will be up to others to... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Genres in Dialogue: Plato and the Construct of PhilosophyAnthony J. CascardiGenres in Dialogue: Plato and the Construct of Philosophy, by Andrea Wilson Nightingale; xiv & 222 pp. Cambridge: Cambridge University Press, 1996, $49.95 paper.That what we call “philosophy” may be a construct, contingent upon its social and historical circumstances and dependent upon its discursive elaboration in texts that have come to be accepted as authoritative, is a possibility (...) that seems increasingly plausible at the end of the twentieth century. To judge from recent debates over the “end of philosophy” there are few outside the discipline proper who would accept the procedures by which philosophy came to legitimize itself as an autonomous discourse. Philosophy as we know it now seems to be one discourse among many others equal to it, and its associated values (e.g., truth, authenticity, virtue) seem hard pressed to maintain their preeminence when faced with claims that there is no scale according to which all values can be ranked. In the tradition of Plato, Descartes, and Kant, however, philosophical values were bound up with the identity of philosophy as an autonomous discourse. Here, the disciplinary identity of philosophy was dependent upon the “purification” of its discourse: the separation of what is “philosophical” from what is not allowed philosophy to conduct its pursuit of wisdom above the flux of contingent events.How should we understand and evaluate twentieth-century claims about the contingency of philosophical discourse? The question may be approached in divergent ways. One, articulated from inside the discipline of philosophy, seeks to press on with the project of Plato, Descartes, and Kant in order to isolate and refine the language that is most transparent to the truth. According to this view, the claim that philosophy is constructed would be mistaken or confused, and in any case not a philosophical claim at all. Another approach, articulated from outside the discipline of philosophy proper, would be to map the discursive construction of philosophy in terms of the “ideological” interests at work in the very process of that construction, keeping in mind that what is “ideological” is always fashioned in some discursive way. While each of these approaches has something to recommend it, each is insufficient. Typically, the project of “purification” fails to reflect sufficiently upon the contingency of the discourse it aims to refine, while the project of ideology-critique typically fails to recognize its own implicit appeal to some notion of truth or authenticity—or, at the very least, of truths pursued in earnest and communicated intelligibly.Andrea Nightingale’s fine book on Plato and the “construct” of philosophy is everywhere responsive to the contingency of philosophical discourse. Nightingale deals with this contingency by inspecting Plato’s strategies through a lens that is at once social, historical, and discursive. Genres in Dialogue is likewise aware of the claims that Plato makes on behalf of the values of “truth” and “authenticity.” But Nightingale’s strategy is to deflect (philosophical?) questions about truth and authenticity in favor of an analysis that focuses on Plato’s [End Page 527] role in the inaugural configuration of what we have come to recognize and accept as philosophical discourse. Rather than concentrate on the later, ideological appropriation of philosophy in the West, Nightingale sets her sights on philosophy’s inaugural moment, when debates about truth and authenticity were first configured in relation to the question of different modes of speech, some of which attempted to assert their primacy over all others. On Nightingale’s very provocative account, philosophy is not something that became contingent with the passage of time; it was from the very start a discursive construct.Nightingale argues that procedures of this construction, evidenced principally in Plato’s dialogues, were unique. While recognizing that the Platonic dialogues were the staging ground for the rivalries between philosophy on the one hand and rhetoric and poetry on the other, her more important claim is that Plato incorporated a panoply of discursive genres into his texts, always in order to parody, subvert, or otherwise challenge their authority, the better to establish the primacy of philosophy as a discursive practice. What philosophy itself is goes largely unanswered by Plato. Instead... (shrink)

Theodor Adorno's Aesthetic Theory offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century. It is coupled with ambitious claims about what aesthetic theory ought to be. But the cultural horizon of Adorno's Aesthetic Theory was the world of high modernism, and much has (...) happened since then both in theory and in practice. Adorno's powerful vision of aesthetics calls for reconsideration in this light. Must his work be defended, updated, resisted, or simply left behind? This volume gathers new essays by leading philosophers, critics, and theorists writing in the wake of Adorno in order to address these questions. They hold in common a deep respect for the power of Adorno's aesthetic critique and a concern for the future of aesthetic theory in response to recent developments in aesthetics and its contexts. (shrink)

This chapter addresses Immanuel Kant and the potential impasse of any philosophical account of religious experience. Various attempts within phenomenology are explored to broaden the notion of givenness and evidence beyond the parameters of object-givenness. Then, the chapter deals with a phenomenology of religious experience as an irreducible sphere of human experience, and its unique style of evidence and modalisations. For Kant, experience is limited to one mode of givenness in which objects of knowledge are actively constituted with the direct (...) implication that one cannot meaningfully speak of a religious experience. The recognition of the different quality of givenness in religious experience implicated the significant matter of religious evidence. (shrink)

Anthony Parel affords a novel perspective on the philosophy of Mahatma Gandhi. He explores how Gandhi connected the spiritual with the temporal. As Parel points out 'being more things than one' is a good description of Gandhi and, with these words in mind, he shows how Gandhi, drawing on the Indian time-honoured theory of the purusharthas or 'the aims of life', fitted his ethical, political, aesthetic and religious ideas together. In this way Gandhi challenged the notion which prevailed in (...) Indian society that a rift existed between the secular and the spiritual, the political and the contemplative life. Parel's revealing and insightful book shows how far-reaching were the effects of Gandhi's practical philosophy on Indian thought generally and how these have survived into the present. (shrink)

The significance of consciousness in modern science is discussed by leading authorities from a variety of disciplines. Presenting a wide-ranging survey of current thinking on this important topic, the contributors address such issues as the status of different aspects of consciousness; the criteria for using the concept of consciousness and identifying instances of it; the basis of consciousness in functional brain organization; the relationship between different levels of theoretical discourse; and the functions of consciousness.

Anthony Everett gives a philosophical defence of the common-sense view that there are no such things as fictional people, places, and things. He argues that our talk and thought about such fictional objects takes place within the scope of a pretense, and that we gain little but lose much by accepting fictional realism.

Aquinas needs no introduction as one of the greatest minds of the middle ages. Highly influential on the development of Christian doctrine, his ideas are still of fundamental philosophical importance. This new critique of his natural law theory discusses the theory's background in Aristotle and advances new interpretations of contemporary legal issues which hark back to Aquinas.

Both critique and an appropriation of a large and diverse body of work, Home and Beyond is a major contribution to contemporary Husserl scholarship.

Moral Emotions builds upon the philosophical theory of persons begun in _Phenomenology and Mysticism _and marks a new stage of phenomenology. Author Anthony J. Steinbock finds personhood analyzing key emotions, called moral emotions. _Moral Emotions _offers a systematic account of the moral emotions, described here as pride, shame, and guilt as emotions of self-givenness; repentance, hope, and despair as emotions of possibility; and trusting, loving, and humility as emotions of otherness. The author argues these reveal basic structures of interpersonal (...) experience. By exhibiting their own kind of cognition and evidence, the moral emotions not only help to clarify the meaning of person, they reveal novel concepts of freedom, critique, and normativity. As such, they are able to engage our contemporary social imaginaries at the impasse of modernity and postmodernity. (shrink)

Anthony J. Lisska presents a new analysis of Thomas Aquinas's theory of perception. While much work has been undertaken on Aquinas's texts, little has been devoted principally to his theory of perception and less still on a discussion of inner sense. The thesis of intentionality serves as the philosophical backdrop of this analysis while incorporating insights from Brentano and from recent scholarship. The principal thrust is on the importance of inner sense, a much-overlooked area of Aquinas's philosophy of mind, (...) with special reference to the vis cogitativa. Approaching the texts of Aquinas from contemporary analytic philosophy, Lisska suggests a modest 'innate' or 'structured' interpretation for the role of this inner sense faculty. He argues that were it not for the vis cogitativa, Aquinas would be unable to account for an awareness of the principal ontological category in his metaphysics. (shrink)

Max Weber’s sociological theories of secularization have vastly influenced the study of Protestant belief. _Protestant Modernity_ offers a multifaceted understanding of secularization within the broader context of nineteenth-century liberal Protestantism. Anthony J. Carroll reconstructs Weber’s original writings to highlight Protestant motifs, reviews current secularization theories, and settles debates about contested meanings of secularization in this volume that will be essential reading for students and scholars of theology and the sociology of religion.

Exploring the first-person narratives of three figures from the Christian, Jewish, and Islamic mystical traditions—St. Teresa of Avila, Rabbi Dov Baer, and Rzbihn Baql—Anthony J. Steinbock provides a complete phenomenology of mysticism based in the Abrahamic religious traditions. He relates a broad range of religious experiences, or verticality, to philosophical problems of evidence, selfhood, and otherness. From this philosophical description of vertical experience, Steinbock develops a social and cultural critique in terms of idolatry—as pride, secularism, and fundamentalism—and suggests that (...) contemporary understandings of human experience must come from a fuller, more open view of religious experience. (shrink)