Irigaray offers the clearest available introduction to her own work. Focusing on power, women, gender and patriarchal mythologies, she lays out what for her has become the central problem for women in the modern world.

Le Japon est le premier producteur mondial de jeux vidéo « à l’eau de rose ». Ces jeux de simulation amoureuse présentent une caractéristique curieuse : théoriquement, ils assignent la femme à la tache unique de séduire un personnage masculin, mais, dans les faits, ils favorisent la mise en place d’un réseau d’amitié entre femmes. C’est de ce réseau – tissé à la fois dans le jeu et dans la vraie vie – que dépend le succès en amour. M’appuyant sur (...) l’analyse de cette double dynamique, contradictoire en apparence, j’aimerais proposer l’hypothèse suivante : que les jeux permettent de « déjouer » les mécaniques sociales de l’injonction. Ces jeux nommés otome games s’inscrivent en effet, de façon significative, dans le contexte d’une panique nationale liée au déclin de la fécondité : ils visent le marché très porteur des nouvelles générations de femmes qui – vivant seules ou chez leur parents – sont tenues pour responsables de la faillite à venir du système. Elles ne fondent pas de foyer. Elles n’ont pas d’enfant. Comment parviennent-elles à conjurer l’exclusion? L’étude portera sur les stratégies collectivement mises au point pour faire des otome games un outil de construction identitaire, favorisant l’amitié entre joueuses comme moyen d’entrer en résistance. (shrink)

Le Japon est le premier producteur mondial de jeux vidéo « à l’eau de rose ». Ces jeux de simulation amoureuse présentent une caractéristique curieuse : théoriquement, ils assignent la femme à la tache unique de séduire un personnage masculin, mais, dans les faits, ils favorisent la mise en place d’un réseau d’amitié entre femmes. C’est de ce réseau – tissé à la fois dans le jeu et dans la vraie vie – que dépend le succès en amour. M’appuyant sur (...) l’analyse de cette double dynamique, contradictoire en apparence, j’aimerais proposer l’hypothèse suivante : que les jeux permettent de « déjouer » les mécaniques sociales de l’injonction. Ces jeux nommés otome games s’inscrivent en effet, de façon significative, dans le contexte d’une panique nationale liée au déclin de la fécondité : ils visent le marché très porteur des nouvelles générations de femmes qui – vivant seules ou chez leur parents – sont tenues pour responsables de la faillite à venir du système. Elles ne fondent pas de foyer. Elles n’ont pas d’enfant. Comment parviennent-elles à conjurer l’exclusion? L’étude portera sur les stratégies collectivement mises au point pour faire des otome games un outil de construction identitaire, favorisant l’amitié entre joueuses comme moyen d’entrer en résistance. (shrink)

Luce Irigaray is widely recognised as one of the leading figures in the study of women, language and culture. She is arguably the most original and provocative feminist theorist in contemporary French thought. Over recent years her ideas have become massively influential, not least in feminist literary theory, where they have opened up possibilities for reading women's writing and theorizing language. In _Je, Tu, Nous_ Luce Irigaray offers the clearest introduction available to her own work. In a series (...) of brief and direct pieces on gender, language, power and patriarchal mythologies, she lays out what for her is the central problem for women in the modern world. The essays span Irigaray's thought on the importance of difference in culture, in a style that is remarkably informal, open and engaging. This is a remarkable book which will introduce Irigaray's philosophy, with her vision of necessary cultural change, to the widest audience so far. (shrink)

In eleven acute and widely ranging essays, Irigaray reconsiders the question of female sexuality in a variety of contexts that are relevant to current discussion of feminist theory and practice.

A radically subversive critique brings to the fore the masculine ideology implicit in psychoanalytic theory and in Western discourse in general: woman is defined as a disadvantaged man, a male construct with no status of her own.

French theorist Luce Irigaray has become one of the twentieth century's most influential feminist thinkers. Among her many writings are three books (with a projected fourth) in which she challenges the Western tradition's construals of human beings' relations to the four elements--earth, air, fire, and water--and to nature. In answer to Heidegger's undoing of Western metaphysics as a "forgetting of Being," Irigaray seeks in this work to begin to think out the Being of sexedness and the sexedness of Being. (...) This volume is the first English translation of L'oubli de l'air chez Martin Heidegger (1983). In this complex, lyrical, meditative engagement with the later work of the eminent German philosopher, Irigaray critiques Heidegger's emphasis on the element of earth as the ground of life and speech and his "oblivion" or forgetting of air. With the other volumes (Elemental Passions and Marine Lover of Friedrich Nietzsche) in Irigaray's "elemental" series, The Forgetting of Air offers a fundamental rereading of basic tenets in Western metaphysics. And with its emphasis on dwelling and human habitation, it will be important reading not only in the humanities but also in architecture and the environmental sciences. (shrink)

This collection consists of lectures given at Erasmus University in Rotterdam. They were delivered under the provisions of the Jan Tin- bergen Chair, ...

A passionate celebrator of "sexual difference," Luce Irigaray was never simply after the social equality that her generation so publicly demanded. She was seeking more fundamentally a society that celebrated the differences between the genders and their coming together in a union without hierarchy. As she formulates it in this compellingly readable introduction to her own thought, Irigaray is writing about how "I" and "You" become "We." Exploring along the way women’s experiences of motherhood, abortion, the AIDS crisis and (...) the beauty industry, this book presents one of the most important thinkers of our day in her own words. (shrink)

One aspect of the utility of gambling may evidence itself in failures of idempotence, i.e., when all chance outcomes give rise to the same consequence the `gamble' may not be indifferent to its common consequence. Under the assumption of segregation, such gambles can be expressed as the joint receipt of the common consequence and what we call `an element of chance', namely, the same gamble with the common consequence replaced by the status quo. Generalizing, any gamble is indifferent to the (...) joint receipt of its element of chance and a certain consequence, which is called the `kernel equivalent' of the gamble. Under idempotence, the kernel equivalent equals the certainty equivalent. Conditions are reported (Theorem 4) that are sufficient for the kernel equivalents to have the kind of utility representation first discussed by Luce and Fishburn (1991), including being idempotent. This utility representation of the kernel equivalents together with the derived form of utility over joint receipts yields a utility representation of the original structure. Possible forms for the utility of an element of chance are developed. (shrink)

A passionate celebrator of "sexual difference," Luce Irigaray was never simply after the social equality that her generation so publicly demanded. She was seeking more fundamentally a society that celebrated the differences between the genders and their coming together in a union without hierarchy. As she formulates it in this compellingly readable introduction to her own thought, Irigaray is writing about how "I" and "You" become "We." Exploring along the way women’s experiences of motherhood, abortion, the AIDS crisis and (...) the beauty industry, this book presents one of the most important thinkers of our day in her own words. (shrink)

In the tradition of Simone de Beauvoir and Julia Kristeva, Luce Irigaray is one of France's most versatile feminist critics. _Sexes and Genealogies, _a collection of lectures delivered throughout Canada and Europe, introduces her writing to a wider American audience. Irigaray's most famous work, _Speculum of the Other Woman, _prompted her expulsion from the Lacanin Ecole Freudienne because of its searing depiction of Platonic and Freudian representations of women. Now _Sexes and Genealogies _analyzes sexual difference according to what she (...) terms the double dimension of gender and ideology. Irigaray covers major issues in religion, the law, psychoanalysis, and literature, such as: the continued neglect by psychoanalysts of the sexual and gender dimensions of therapy, the urgency of female divinity for contemporary feminist movements, and a reconsideration of women's relation to the market economy. _Sexes and Genealogies _also includes Irigaray's dazzling reading of the _Oresteia, "Body Against Body: In Relation to the Mother," _now acknowleged as a feminist classic. (shrink)

"The best book available for non-mathematicians." — Contemporary Psychology. Superb nontechnical introduction to game theory and related disciplines, primarily as applied to the social sciences. Clear, comprehensive coverage of utility theory, 2-person zero-sum games, 2-person non-zero-sum games, n-person games, individual and group decision-making, much more. Appendixes. Bibliography. Graphs and figures.

This collection of key writings, selected by Luce Irigaray herself, presents a complete picture of her work to date across the fields of Philosophy, Linguistics ...

Published in France in 1980, Marine Lover is the first in a trilogy in which Luce Irigaray links the interrogation of the feminine in post-Hegelian philosophy with a pre-Socratic investigation of the elements.

In I Love to You , Luce Irigaray moves from the critique of patriarchy to an exploration of the ground for a possible inter-subjectivity between the two sexes. Continuing her rejection of demands for equality, Irigaray poses the question: how can we move to a new era of sexual difference in which women and men establish lasting relations with one another without reducing the other to the status of object? Drawing upon Hegel, Irigaray proposes a dialectic appropriate to each (...) sex as well as a dialectic of their relation. She argues for what she calls "sexed rights" and a right of persons based on the right to life, not the right to property. Using the results of her research into the sexing of language, Irigaray analyzes how women seek communication in discourse with the other--an other, pre-occupied with his abstract or concrete object, who does not respond. She proposes another syntax for communication, one that does not incorporate the other as the object of the subject but allows for an indirect relation. Thus "I love to you" replaces "I love you." In Irigaray's vision of the happiness possible in sexual difference, the love between a man and a woman finds its "reason" not in property or children, but in its own place within the couple. Arguing passionately for a new language of personal relations, I Love to You looks toward a future where nihilism can be overcome by "love in sexual difference.". (shrink)

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

In Democracy Begins Between Two, Luce Irigaray calls for a form of specific civil rights guaranteeing women a separate civil identity of their own equivalent to-though not simply the same as-that enjoyed by men.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

A RELATIVIZAÇÃO DA IMPENHORABILIDADE NOS PROCESSOS DE EXECUÇÃO: A IMPRESCINDIBILIDADE DA HERMENÊUTICA CONSTITUCIONAL NA ANÁLISE DO CASO CONCRETO.

Le Japon est le premier producteur de jeux vidéo à l’eau de rose. Appelés « jeux pour jeunes filles » (otome gēmu), ils proposent des gammes de « beaux gosses » formatés sur le modèle du prédateur, entraînant l’héroïne dans une histoire d’amour proche du rapt. Les scénarios reposent sur la mise en scène d’une perte de pouvoir, où la joueuse renonce à son libre arbitre. Les personnages les plus agressifs sont « irrésistibles », expliquent les fans qui désirent être (...) « prises au piège ». En étudiant ces jeux et les tensions qu’ils révèlent, j’espère éclairer les dynamiques sociales dont ils reproduisent, et déconstruisent, les logiques. Ils sont indissociables du contexte qui les a vu naître : celui d’une baisse record du nombre de mariages et de naissances, pour lesquelles les autorités désignent comme coupables les « personnes qui vivent seules » (o‑hitori‑sama). Pourquoi préfèrent-elles des partenaires fictifs aux hommes de chair et d’os? J’y vois l’expression d’une ambivalence à l’égard du mariage, désiré mais redouté. (shrink)

Japan is the world’s largest producer of love simulation games, revealing a curious feature: these games, in theory, assign female players to the unique task of seducing a male character, but, in reality, they promote the establishment of a network of friendship between women. Love cannot be achieved if this network is not carefully woven both in play and in real life. Based on the analysis of this double dynamics, outwardly contradictory, I would like to advance the following hypothesis: that (...) such games enable their users to ‘outsmart’ gender expectations. These games, called otome games, became popular in the context of a national panic related to the declining birthrate: they target the market of women who – living alone or with their parents – are held responsible for the future shortfall of the system. These new generations of women don’t start a family. They have no children. How do they manage to ward off exclusion and stigma? The study will focus on the strategies collectively devised to turn otome games into an identity-building tool, promoting friendship between players as a means of resistance against social norms. (shrink)

The concept of attractors is considered critical in the study of dynamical systems as they represent the set of states that a system gravitates toward. However, it is generally difficult to analyze attractors in complex systems due to multiple reasons including chaos, high-dimensionality, and stochasticity. This paper explores a novel approach to analyzing attractors in complex systems by utilizing networks to represent phase spaces. We accomplish this by discretizing phase space and defining node associations with attractors by finding sink strongly (...) connected components within these networks. Moreover, the network representation of phase space facilitates the use of well-established techniques of network analysis to study the phase space of a complex system. We show the latter by introducing a new node-based metric called attractivity which can be used in conjunction with the SSCC as they are highly correlated. We demonstrate the proposed method by applying it to several chaotic dynamical systems and a large-scale agent-based social simulation model. (shrink)

'a good introduction to Irigaray's oeuvre' The Year's Work in Critical and Cultural TheoryDiscusses how language, religion, law, art, science and technology have failed women and how concrete changes can be made to ensure that 'our' culture belongs to both men and women.

A passionate celebrator of "sexual difference," Luce Irigaray was never simply after the social equality that her generation so publicly demanded. She was seeking more fundamentally a society that celebrated the differences between the genders and their coming together in a union without hierarchy. As she formulates it in this compellingly readable introduction to her own thought, Irigaray is writing about how "I" and "You" become "We." Exploring along the way women's experiences of motherhood, abortion, the AIDS crisis and (...) the beauty industry, this book presents one of the most important thinkers of our day in her own words."--Jacket. (shrink)

This article is based on ethnographic research conducted between 1998 and 2000 in British Columbia, Canada. In this article Luce brings together the narratives of queer women she interviewed about their experiences of trying to become parents with her own stories about doing the research. Both sets of stories explore the ways in which relationships between people are reproduced and represented through images of sexuality, reproduction, queerness, parents, and families. Shifting between telling about the tensions she experienced while doing (...) ethnographic fieldwork and retelling women's stories about how their relationships to partners, fetuses, babies, and donors were perceived, the article draws attention to both political and methodological questions. (shrink)

This article reviews three recent books that enhance our understanding of the work of French feminist Luce Irigaray: Marine Lover of Friedrich Nietzsche and The Irigaray Reader, and Philosophy in the Feminine, a commentary on Irigaray's work by Margaret Whitford. The author emphasizes a dynamic reading of Irigaray's philosophy and integrates theoretical concepts with poetic/utopian passages from the works.

Can the Transsexual speak? I investigate this question through the case of Ella Nik Bayan who self-immolated in Berlin (Germany) on September 14, 2021. I first argue that this self-immolation is unreadable within the current frameworks of Western democracies. The case, however, paradigmatically demonstrates that emancipation within the confines of neoliberal capitalism can only be read under the pretense of a toxic protection. I then move on to claim that Ella Nik Bayan’s self-immolation calls for a completely different political order (...) from the one we currently inhabit, which, with Namita Goswami, I call “ heterogeneous.” I argue that heterogeneous politics is a politics of radical hospitality that opposes institutions of private property in particular. Unlearning private property means to pre-enact a world without the kind of racist, transmisogynist, and antisemitic violence that killed Ella Nik Bayan. Anti-capitalist hospitality sets out to create the social and cultural resources that enable a world beyond (such) violence. (shrink)