Socrates believes that living well is primarily an intellectual undertaking: we live well if we think correctly. To intellectualists, one might think, the body and activities related to it are of little interest. Yet Socrates has much to say about food, eating, and cookery. This paper examines Socrates’ criticism of ‘feeding on opson’ (opsophagia) in Xenophon’s Memorabilia and of opson cookery (opsopoiia) in Plato’s Gorgias. I argue that if we consider the specific cultural meaning of eating opson, we can see (...) that Socrates takes a nuanced stance on food and cookery: he recommends careful consumption and skillful production, not austerity or abstinence. This nuance in Socrates’ discussion of food changes our interpretation of Socrates’ criticism of rhetoric in the Gorgias: in comparing rhetoricians to opson chefs—not to pastry chefs, as many have assumed—Socrates evokes the dangers of indulging in speeches while acknowledging their necessity for Athenian public life. (shrink)

Born and raised in French Algeria, Assia Djebar and Hélène Cixous represent in their literary works signs of conflict and enmity, drawing on discordant histories so as to reappraise the political on the very basis of dissensus. In a rare comparison of these authors' writings, _Algerian Imprints_ shows how Cixous and Djebar consistently reclaim for ethical and political purposes the demarcations and dislocations emphasized in their fictions. Their works affirm the chance for thinking afforded by marginalization and exclusion and delineate (...) political ways of preserving a space for difference informed by expropriation and nonbelonging. Cixous's inquiry is steeped in her formative encounter with the grudging integration of the Jews in French Algeria, while Djebar's narratives concern the colonial separation of "French" and "Arab," self and other. Yet both authors elaborate strategies to address inequality and injustice without resorting to tropes of victimization, challenging and transforming the understanding of the history and legacy of colonized space. (shrink)

Cet article porte sur les femmes algériennes qui, migrant à travers la méditerranée après 1947, migrent également à travers la citoyenneté : en une vie, elles ont été “indigènes”, Françaises musulmanes, Françaises à part entière (c’est-à-dire aussi dotées du droit de vote) durant quatre années (1958-1962), puis Algériennes et donc étrangères, toujours immigrées. Il examine ces parcours de femmes passées du statut de sujet colonial à celui d’autres statuts (citoyennes, étrangères, binationales). Pour cela, il repose sur une enquête orale menée (...) dans la région lyonnaise et sur des archives préfectorales (dossiers de naturalisation notamment). Dans le flou des discours, il analyse comment les Algériennes contribuent à faire naître, empiriquement, une définition de la citoyenneté, laquelle les signale en retour comme d’éternelles immigrées. (shrink)

In this paper, the pragmatic functions served by ḥāshāk and its variants in colloquial Algerian Arabic (CAA) are unravelled. Literally, ḥāshāk means “You’re exalted/exempt from X/I distance you from X,” where X is a bad thing or socially/religiously unacceptable act. Its variants include ḥāsha, ḥāshākem, ḥāshāh/ḥāshāha/ḥāshāhem, maḥashākesh, and the verb ḥāsha/ḥāshi. As far as the author is aware, this is the first study on the pragmatics of ḥāshāk and its variants in colloquial (Algerian) Arabic. Two complementary data sets (...) were collected and analyzed: an online survey administered to native speakers (N= 263) and a corpus of naturally occurring examples gained using an ethnographic method (N= 172). The findings indicated that the core semantic import (exaltative/excepting/exempting meaning) is retained in CAA and further extended to perform other pragmatic functions: apologetic, appreciative, requestive, concessive, critical, defensive, and sarcastic. These intertwined functions are expected in an array of highly conventionalized contexts. These findings were discussed from an eclectic perspective (e.g., pragmatic reversal, pragmatic markers, politeness theory, and rapport management). (shrink)

In these original readings of Albert Camus' novels, short stories, and political essays, David Carroll concentrates on Camus' conflicted relationship with his Algerian background and finds important critical insights into questions of justice, the effects of colonial oppression, and the deadly cycle of terrorism and counterterrorism that characterized the Algerian War and continues to surface in the devastation of postcolonial wars today. During France's "dirty war" in Algeria, Camus called for an end to the violence perpetrated against civilians (...) by both France and the Algerian National Liberation Front and supported the creation of a postcolonial, multicultural, and democratic Algeria. His position was rejected by most of his contemporaries on the Left and has, ironically, earned him the title of colonialist sympathizer as well as the scorn of important postcolonial critics. Carroll rescues Camus' work from such criticism by emphasizing the Algerian dimensions of his literary and philosophical texts and by highlighting in his novels and short stories his understanding of both the injustice of colonialism and the tragic nature of Algeria's struggle for independence. By refusing to accept that the sacrifice of innocent human lives can ever be justified, even in the pursuit of noble political goals, and by rejecting simple, ideological binaries, Camus' work offers an alternative to the stark choices that characterized his troubled times and continue to define our own. "What they didn't like, was the Algerian, in him," Camus wrote of his fictional double in _The First Man_. Not only should "the Algerian" in Camus be "liked," Carroll argues, but the Algerian dimensions of his literary and political texts constitute a crucial part of their continuing interest. Carroll's reading also shows why Camus' critical perspective has much to contribute to contemporary debates stemming from the global "war on terror.". (shrink)

In these original readings of Albert Camus' novels, short stories, and political essays, David Carroll concentrates on Camus' conflicted relationship with his Algerian background and finds important critical insights into questions of justice, the effects of colonial oppression, and the deadly cycle of terrorism and counterterrorism that characterized the Algerian War and continues to surface in the devastation of postcolonial wars today. During France's "dirty war" in Algeria, Camus called for an end to the violence perpetrated against civilians (...) by both France and the Algerian National Liberation Front and supported the creation of a postcolonial, multicultural, and democratic Algeria. His position was rejected by most of his contemporaries on the Left and has, ironically, earned him the title of colonialist sympathizer as well as the scorn of important postcolonial critics. Carroll rescues Camus' work from such criticism by emphasizing the Algerian dimensions of his literary and philosophical texts and by highlighting in his novels and short stories his understanding of both the injustice of colonialism and the tragic nature of Algeria's struggle for independence. By refusing to accept that the sacrifice of innocent human lives can ever be justified, even in the pursuit of noble political goals, and by rejecting simple, ideological binaries, Camus' work offers an alternative to the stark choices that characterized his troubled times and continue to define our own. "What they didn't like, was the Algerian, in him," Camus wrote of his fictional double in _The First Man_. Not only should "the Algerian" in Camus be "liked," Carroll argues, but the Algerian dimensions of his literary and political texts constitute a crucial part of their continuing interest. Carroll's reading also shows why Camus' critical perspective has much to contribute to contemporary debates stemming from the global "war on terror.". (shrink)

“Veiled Resistance” explores the relationship between discourse and power through the figure of the veiled woman. Ingram argues that while veiled women historically have been produced as Other in Orientalist discourse, they also have subverted these dominant representations by manipulating the significations of the veil. Using the example of veiling practices employed by Algerian womenduring the Algerian Revolution , as well as the recent actions of Muslim women in Europe who are choosing to defy the law by veiling (...) and, in some cases, re-veiling themselves after a long period without doing so, Ingram examines the veil as a counter-discursive object. While religious, patriarchal, and colonial ideologies attempt to exploit, albeit in different ways, the women’sactions vis-à-vis the veil, these women can be seen to renegotiate the limits of representation through a conscious manipulation of the discourse that has attempted to discipline them and create new possibilities of embodiment. (shrink)

This article discusses the trajectory of Simone de Beauvoir’s concern with the issue of torture. It argues that Beauvoir’s interest in torture extends back at least to World War II and that her activities and writings against torture during the French-Algerian War of 1954–1962 were pivotal in prompting her to reject ethical philosophical language and to embrace, in its place, a new concept of politics based on need. It further suggests that exploring the development of Beauvoir’s ideas about torture (...) helps elucidate her belated turn to feminism and that in Beauvoir’s disarray and disillusionment regarding the use of torture by the French during the French-Algerian War and her compatriots’ complaisance with regard to this, there are lessons of sorts, though not necessarily entirely comforting ones, for Americans and others facing similar situations. (shrink)

I argue that David Oelhoffen's 2014 film Far From Men, while departing from the letter of Camus' 1957 story, “The Guest/Host”, does remarkable cinematic justice to its spirit. Oelhoffen's Daru and the Arab character Mohamed, it is suggested, represent embodiments of Camus’ idealised Algerian “first men”, in the vision Camus was developing in Le Premier Homme at the time of his death in January 1960. Part 1 frames the film in light of Camus’ “The Guest/Host”, and Part 2 frames (...) Camus’ story in light of Camus’ agnonised struggle to come to terms with the Algerian situation. Part 3 makes the case that Oelhoffen's departures from Camus’ original story present in cinematic form Camus’ ideal of a post-colonial, post-ethnic solidarity between people, predicated on the overcoming of all arche-ideological fantasies of untained prelapsarian community. (shrink)

Algerian universities rely on total quality management. TQM is one of the most successful strategic options for improving the quality of higher education. In addition, achieving academic accreditation and progress in international rankings. The study aims to address relevant contemporary issues by examining the impact of total quality management on the quality of higher education. The data were analyzed using a mixed-method approach; the study was done as a survey, with data collected via questionnaires issued to 610 students. The (...) questionnaire included Likert scale items that were quantitatively evaluated and modeled using structural equation modeling using Amos to accomplish the path analysis of the research model. Furthermore, qualitative data were acquired through interviews with 24 professors who are members of the Quality Cells, and qualitative data were evaluated using content analysis with NVivo. The study findings revealed that TQM has a direct and significant impact on the quality of graduates, scientific research, and community service in Algerian universities. The main results have been presented, and recommendations for future research are made. (shrink)

In the Algerian War of Independence, women famously used both traditional and modern clothing as part of their revolutionary efforts against French colonialism. This paper uncovers some of the principal lessons of this historical episode through a phenomenological exploration of agency, religion, and political transformation. Part I draws primarily on the philosophical insights of Martin Heidegger and Maurice Merleau-Ponty alongside the memoirs of Zohra Drif, a young woman member of the Algerian Front de Libération Nationale, in order to (...) explore the worldly and habitual nature of human agency in contrast to the Enlightenment stress on individual rationality and autonomy. Part II turns to John Russon’s phenomenological interpretation of religion in order to argue for the ineluctable significance of religion on human existence, in contrast to the modern tendency to oppose religious tradition and secular modernity. Part III analyzes the dynamics of intercultural communication, and argues for the political power of phenomenology as a critical enterprise that enables more just and emancipatory visions of collective human life and political transformation to come to the fore. (shrink)

This is the first book to offer a systematic comparison of the philosophies of Albert Camus and Frantz Fanon. It shows how the ethical, political, and psychological outlooks of these two influential thinkers can further our understandings of how to bring about justice in the face of deep power imbalances. The author foregrounds the bloody Algerian War of Independence in his analysis of the philosophies of Camus and Fanon. Although neither supported French colonial occupation of Algeria, they held radically (...) different views of the conflict. Fanon supported emancipation through violence, which the author argues has been uncritically romanticized. Camus, on the other hand, supported an ethics of moderation that shunned indiscriminate violence. The author argues that Camus has been unfairly accused of being an apologist for colonialism. Finally, the author draws out the common endorsement of humanist values that drive both Camus' and Fanon's thought. Camus and Fanon on the Algerian Question will appeal to scholars and advanced students interested in twentieth-century Continental philosophy, postcolonialism, existentialism, and African philosophy. (shrink)

This paper demonstrates that L'Étranger , Camus's famous novel about an outsider, had by as early as 1946 become just as much of an 'insider' in terms of its affiliation to the Parisian literary tradition. More than an insider simply by virtue of its contemporary place in the French canon, then, the novel is also intertextually bound to a tradition of oxymoronic poetics dating back to Charles Baudelaire's Paris Spleen ( Les Petits poèmes en prose ). I shall examine the (...) way in which L'Étranger performs its prose poetics, thereby establishing it as exemplary of a Parisian model of modernity. Additionally, the famous scene on the beach will be considered as a liminal space and as a literary translation of Paris into the desert, which, once a joke for Paris's relationship to provincial France, became after the Second World War a new allegory for the capital's self-alterity. (shrink)

The current study deals with the responsum of R. Shimon ben Zemah Duran, a Jewish halakhic adjudicator, on the trade in monkeys practiced by Algerian Jews in the middle ages. The basis of the discussion concerning the monkey trade is an ancient prohibition of the Mishna's sages against trading in non-kosher animals. The current study clarifies the halakhic, historical and zoological circumstances underlying the missive sent to Rashbatz. In fact, R. Shimon ben Zemah Duran permitted trading in monkeys. He (...) bases his ruling on ancient sources in rabbinical literature and states that this is not a new issue in the economic life of Algerian Jews and that his family also dealt in the monkey trade. (shrink)

This book engages with recent philosophical interventions into democracy, equality, and human rights to demonstrate their relevance to the field of Francophone Postcolonial Studies. The book explores the relationship between aesthetics and politics in the postcolonial Algerian novel.

The aim of this article is to analyze the issue of trauma and literature in the context of the Algerian war, as presented in two novels by Algerian writers who use French in a multicultural way: Un regard blessé [Shattered vision] by Rabah Belamri and La Malédiction by Rachid Mimouni [the Malediction]. It will answer the following question:is it possible to see in the francophone Literature a tendency to de-structure the text in order to make it possible for (...) a new plurality to emerge? Literature re-members culture as it points out the dark side of the Algerian history, it makes the readers understand the current situation and the heritage of the past. (shrink)

Kitchen, cooking, nutrition, and eating have become omnipresent cultural topics. They stand at the center of design, gastronomy, nutrition science, and agriculture. Artists have appropriated cooking as an aesthetic practice - in turn, cooks are adapting the staging practices that go with an artistic self-image. This development is accompanied by a philosophy of cooking as a speculative cultural technique. This volume investigates the dimensions of a new #on#culinary turn#off#, combining for the very first time contributions from the theory and practice (...) of cooking. The volume is bilingual, all contributions are presented in English and in German. (shrink)

This chapter contains sections titled: The Confrontation with Sartre and the French Intellectual Left The Confrontation and the Theory‐Practice Problem Camus's Politics, The Cold War, and the Algerian War notes further reading.

New translations tracing decades of Beauvoir's leftist political engagement during the turbulent era of decolonization, from articles exposing conditions in fascist Spain and Portugal in 1945 and hard hitting attacks on right-wing intellectuals in the 1950s, to a 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article calling for the 'two state solution' in Israel. The texts range from a surprising 1952 defense of the misogynistic 18th c. pornographer, the Marquis de Sade, to the transcription (...) of a co-written 1974 documentary film on the aged in France. (shrink)

The Algerian writer Malika Mokeddem embeds her novels in the geography of a desert that belongs ever more to the past of the nomadic immediate ancestors of her main characters. Object of nostalgic yearning, this desert past and the nomads peopling it also necessitate flight, especially for women, trapped there in a patriarchal culture and society whose violence has been perpetuated into that of contemporary Algeria - also often aimed against women. Besides a few strong older women able to (...) take advantage of their age and status to help their juniors, these novels principally set on stage young women or girls whose accidental or perilously self-willed access to education and - above all, writing - frees them from binding traditions even while, for most, such writing is akin to the nomadic traveling of their ancestors (as `writing' on the desert's very body). Even so, because it is a revolt against such traditions, their writing is the site and actuality of fraught struggle and pushes them into the `nomadism' of literal exile, across seas themselves often envisaged as wider deserts. (shrink)

In Algerian Kabyle families, the intersection of tradition and modernity creates a dilemma for family-based eldercare. As daughters-in-law choose to live independently from their in-laws’ home, some unmarried daughters may be left to fill the care gap. Given the shift from traditional to modern caregiving arrangements, how can elders and the members of their family survive and thrive? Choosing an empirical case study that is analyzed using key concepts from care ethics and gender justice, we develop a notion of (...) “caring with the heart” for aging family members in need of long-term care. We offer seven possible solutions and policy options for the modern Kabyle context. (shrink)