Results for 'Art and science Philosophy'

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  1. Philosophy and Science in the Middle Ages.Guttorm Fløstad, Raymond Klibansky & International Institute of Philosophy - 1990
  2.  12
    Letter to a Friend on Creative Thinking and Intuiiton (Art, Writing, Philosophy, Science).Ulrich de Balbian - manuscript
    -/- Letter to a friend : Creative Thinking and Intuition Letter to a friend about creative thinking and intuition (art, writing, philosophy, science, etc ) .
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  3. Roald Hoffmann on the Philosophy, Art, and Science of Chemistry.Roald Hoffmann - 2012 - Oxford University Press.
    Machine generated contents note: -- Preface -- Acknowledgments -- Introduction, by Michael Weisberg and Jeffrey Kovac. -- 1 Trying to Understand, Making Bonds, by Roald Hoffmann -- Part 1: Chemical Reasoning and Explanation -- 2. Why Buy That Theory?, by Roald Hoffmann. -- 3. What Might Philosophy of Science Look Like If Chemists Built It?, by Roald Hoffmann -- 4. Unstable, by Roald Hoffmann -- 5. Nearly Circular Reasoning, by Roald Hoffmann -- 6. Ockham's Razor and Chemistry, by (...)
     
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  4.  3
    Meta-Philosophy META-PHILOSOPHY 3 on Philosophy, Cognitive Science, Art, Religion.Ulrich de Balbian - forthcoming - Academic Publishers.
    META-PHILOSOPHY 3 on philosophy, cognitive science, art, religion (spirituality, mysticism, Plotinus).
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  5.  23
    The Art of Being Human: A Project for General Philosophy of Science[REVIEW]Steve Fuller - 2012 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 43 (1):113-123.
    Throughout the medieval and modern periods, in various sacred and secular guises, the unification of all forms of knowledge under the rubric of ‘science’ has been taken as the prerogative of humanity as a species. However, as our sense of species privilege has been called increasingly into question, so too has the very salience of ‘humanity’ and ‘science’ as general categories, let alone ones that might bear some essential relationship to each other. After showing how the ascendant Stanford (...)
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  6. Jaina Philosophy, Art & Science in Indian Culture.Hīrālāla Jaina, Dharmacandra Jaina & R. K. Sharma (eds.) - 2002 - Sharada Pub. House.
  7.  10
    The Art of Science: Quine and the Speculative Reach of Philosophy in Natural Science.Chalmers C. Clark - 1998 - Dialectica 52 (4):275–290.
    In this essay it is shown that the imaginative art of scientific theorizing – at its technical best – animates Quine's philosophy as importantly as the more Spartan norms honored in his present pantheon of virtues. By drawing a contrast between the standing of theories in philosophy and theories in science, it will be shown that the speculative reaches of philosophy, along with developments in semantic theory, now oblige an internal revision of Quine's stance against meaning (...)
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  8. Thinking About Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together.Bueno Otávio, Darby George, French Steven & Rickles Dean (eds.) - 2017 - Routledge.
    _Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science togethe_r is the first book to systematically examine the relationship between the philosophy of science and aesthetics. With contributions from leading figures from both fields this edited collection engages with such questions as: Does representation function in the same way in science and in art? What important characteristic do scientific models share with literary fictions? What is the difference between interpretation in the (...)
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  9. The Art of Science: Quine and the Speculative Reach of Philosophy in Natural Science.C. Clark Chalmers - 1998 - Dialectica 52 (4):275-290.
    In this essay it is shown that the imaginative art of scientific theorizing – at its technical best – animates Quine's philosophy as importantly as the more Spartan norms honored in his present pantheon of virtues. By drawing a contrast between the standing of theories in philosophy and theories in science, it will be shown that the speculative reaches of philosophy, along with developments in semantic theory, now oblige an internal revision of Quine's stance against meaning (...)
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  10. Roald Hoffmann on the Philosophy, Art, and Science of Chemistry.Jeffrey Kovac & Michael Weisberg (eds.) - 2014 - Oxford University Press USA.
    Nobel laureate Roald Hoffmann's contributions to chemistry are well known. Less well known, however, is that over a career that spans nearly fifty years, Hoffmann has thought and written extensively about a wide variety of other topics, such as chemistry's relationship to philosophy, literature, and the arts, including the nature of chemical reasoning, the role of symbolism and writing in science, and the relationship between art and craft and science. In Roald Hoffmann on the Philosophy, Art, (...)
     
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  11. Reflections on Science, Philosophy and Art.Prabas Jivan Chaudhury - 1966 - Calcutta, Progressive Publishers.
     
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  12. Psychoanalysis: Science, Literature or Art? In Style, Politics and the Future of Philosophy.A. Janik - 1989 - Boston Studies in the Philosophy of Science 114:190-196.
  13. Empowering Philosophy and Science with the Art of Love: Lonergan and Deleuze in the Light of Buddhist-Christian Ethics.John Raymaker - 2006 - Upa.
    Philosophy and Science are subject to conflicting interpretations, such as the rules of positivism and analytic thought. Bernard Lonergan and Gilles Deleuze have both assessed such issues in complementary fashion. This book examines their arguments through the application of mathematical theories and Buddhist-Christian ethics in an attempt to bridge the religious-secularist divide exacerbated by postmodernism.
     
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  14. On the Essential Difference Between Science, Art and Philosophy, or Philosophy as the Literature of Necessity in Cognition and Literature.Karel Boullart - 1989 - Communication and Cognition. Monographies 22 (3-4):285-301.
     
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  15.  20
    The Ninth International Congress of Philosophy and the Second International Congress of Esthetics and of the Science of Art.George Boas - 1937 - Journal of Philosophy 34 (21):561-574.
  16.  28
    Nietzsche's Philosophy of Science: Reflecting Science on the Ground of Art and Life.Babette E. Babich - 1994 - State University of New York Press.
  17. Foundations of African Thought: A Worldview Grounded in the African Heritage of Religion, Philosophy, Science, and Art.Chukwunyere Kamalu - 1990 - Karnak House.
  18.  5
    Physics as an Art: The German Tradition and the Symbolic Turn in Philosophy, History of Art and Natural Science in the 1920s.Catherine Chevalley - 1996 - In Alfred I. Tauber (ed.), The Elusive Synthesis: Aesthetics and Science. Kluwer Academic Publishers. pp. 227--249.
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  19. Babette E. Babich, Nietzsche's Philosophy of Science: Reflecting Science on the Ground of Art and Life Reviewed By.Robert Burch - 1995 - Philosophy in Review 15 (5):304-306.
     
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  20. Toward Science in Aesthetics; Selected Essays.Art Education, Its Philosophy and Psychology; Selected Essays.Traite d'Esthetique. [REVIEW]Van Meter Ames, Thomas Munro & R. Bayer - 1957 - Journal of Philosophy 54 (11):362.
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  21. In the Shadow of Chaos: Deleuze and Guattari on Philosophy, Science, and Art.Stephen Arnott - 1999 - Philosophy Today 43 (1):49-56.
  22. Psychology as Philosophy, Science, and Art.Logan J. Fox - 1972 - Pacific Palisades, Calif., Goodyear Pub. Co..
  23.  36
    Between the Science of the Sensible and the Philosophy of Art.Robert S. Lehman - 2010 - Angelaki 15 (2):171-185.
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  24.  11
    Between the Science of the Sensible and the Philosophy of Art: Finitude in Alain Badiou's Inaesthetics.Robert S. Lehman - 2010 - Angelaki 15 (2):171-185.
  25.  12
    Kiedy filozofia nauki staje się filozofią [recenzja] Babette E. Babich, Nietzsche's Philosophy of Science. Reflecting Science on the Ground of Art and Life, 1994.Tadeusz Sierotowicz - 1999 - Zagadnienia Filozoficzne W Nauce 24.
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  26.  6
    Babette E. Babich: Nietzsche's Philosophy of Science. Reflecting Science on the Ground of Art and Life.Hans Gerald Hödl - 1997 - Nietzsche-Studien 26 (1):583-588.
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  27.  6
    Art and Science: Which Relationship? Some Reflections About Nelson Goodman's Philosophy.Ilaria Boeddu - 2007 - Epistemologia 30 (1):101-121.
  28.  1
    Rawlins Ian. Natural Philosophy and the Fine Arts. Aesthetics and the Gestalt, a Collection of Essays and Other Writings by Ian Rawlins, Nelson, Edinburgh 1953, Pp. 51–67. , Pp. 63–76).Rawlins Ian. The Philosophy of Science and Art. Aesthetics and the Gestalt, a Collection of Essays and Other Writings by Ian Rawlins, Nelson, Edinburgh 1953, Pp. 78–84. , Pp. 382–387.)Rawlins Ian. The Functional “a Priori.” Aesthetics and the Gestalt, a Collection of Essays and Other Writings by Ian Rawlins, Nelson, Edinburgh 1953, Pp. 117–122. A Reprint of XII 64.Rawlins Ian. Definition in Philosophy. Aesthetics and the Gestalt, a Collection of Essays and Other Writings by Ian Rawlins, Nelson, Edinburgh 1953, Pp. 135–137. A Reprint of XVII 223. [REVIEW]Alonzo Church - 1962 - Journal of Symbolic Logic 27 (1):126-127.
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  29.  1
    Cerebral Drawings Between Art and Science: On Gilles Deleuzes Philosophy of Concepts.H. Schmidgen - 2015 - Theory, Culture and Society 32 (7-8):123-149.
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  30. Nietzsche's Philosophy of Science: Reflecting Science on the Ground of Art and Life.Babette E. BABICH - 1995 - Journal of Nietzsche Studies 9:174-178.
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  31. Philosophy, Science and Art in the Systematic Theology of Paul Tillich.Maria Grazia Gangale - 2004 - Filosofia 55 (2-3):53-80.
     
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  32. Art and Natural-Science in the Renaissance, Ancient Philosophy in France, Festivals and Philosophy in the Renaissance.E. Garin - 1988 - Rivista di Storia Della Filosofia 43 (1):121-129.
     
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  33. Reincarnation: The Phoenix Fire Mystery: An East-West Dialogue on Death and Rebirth From the Worlds of Religion, Science, Psychology, Philosophy, Art, and Literature, and From Great Thinkers of the Past and Present.Joseph Head & S. L. Cranston (eds.) - 1977 - Theosophical University Press.
     
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  34. B. Babich, Nietzsche's Philosophy of Science. Reflecting Science on the Ground of Art and Life.G. Hoedl - 1997 - Nietzsche-Studien 26:583-587.
     
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  35. Empowering Philosophy and Science with the Art of Love.John Anthony Raymaker - 2006 - University Press of America.
    After examining conflicting philosophical interpretations such as that of Buddhism, positivism and analytic thought, the book compares the approaches of Bernard Lonergan and Gilles Deleuze. It goes into the application of mathematical theories and Christian ethics while seeking to bridge the divides between religion and secularism as exacerbated by postmodernism.
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  36. The Element of Fire: Science, Art, and the Human World.Anthony O'Hear - 1988 - Routledge.
    First published in 1988, the aim of this book can be stated in Nietzsche’s words: ‘To look at science from the perspective of the artist, but at art from that of life’. The title contests the notions that science alone can provide us with the most objective truth about the world, and that artistic endeavour can produce nothing more valuable than entertainment. O’Hear argues that art and the study of art are not indispensable aspects of human life, and (...)
     
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  37. Consciousness, Experience, and Ways of Knowing: Perspectives From Science, Philosophy & the Arts.Sangeetha Menon (ed.) - 2006 - National Institute of Advances Studies.
     
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  38. Mirrors of the Soul and Mirrors of the Brain? The Expression of Emotions as the Subject of Art and Science.Machiel Keestra - 2014 - In Gary Schwartz (ed.), Emotions. Pain and pleasure in Dutch painting of the Golden Age. nai010 publishers. pp. 81-92.
    Is it not surprising that we look with so much pleasure and emotion at works of art that were made thousands of years ago? Works depicting people we do not know, people whose backgrounds are usually a mystery to us, who lived in a very different society and time and who, moreover, have been ‘frozen’ by the artist in a very deliberate pose. It was the Classical Greek philosopher Aristotle who observed in his Poetics that people could apparently be moved (...)
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  39.  4
    Things That Talk: Object Lessons From Art and Science.Lorraine J. Daston (ed.) - 2004 - Zone Books.
    Imagine a world without things. There would be nothing to describe, nothing to explain, remark, interpret, or complain about. Without things, we would stop speaking; we would become as mute as things are alleged to be. In nine original essays, internationally renowned historians of art and of science seek to understand how objects become charged with significance without losing their gritty materiality. True to the particularity of things, each of the essays singles out one object for close attention: a (...)
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  40. Reconstructing Scientific Revolutions: Thomas S. Kuhn's Philosophy of Science.Paul Hoyningen-Huene - 1993 - University of Chicago Press.
    Few philosophers of science have influenced as many readers as Thomas S. Kuhn. Yet no comprehensive study of his ideas has existed--until now. In this volume, Paul Hoyningen-Huene examines Kuhn's work over four decades, from the days before The Structure of Scientific Revolutions to the present, and puts Kuhn's philosophical development in a historical framework. Scholars from disciplines as diverse as political science and art history have offered widely differing interpretations of Kuhn's ideas, appropriating his notions of paradigm (...)
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  41. A New Science of Representation: Towards an Integrated Theory of Representation in Science, Politics, and Art.Harry Redner - 1994 - Westview Press.
     
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  42. Art and Science, Volume Vi: Proceedings of a Special Focus Symposium on Art and Science Held as Part of the 20th Anniversary International Conference on Systems Research, Informatics and Cybernetics, July 24-30, 2008, Baden-Baden, Germany. [REVIEW]Karel Boullart, G. E. Lasker & Hiltrud Schinzel (eds.) - 2008 - International Institute for Advanced Studies in Systems Research and Cybernetics.
     
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  43. Au Risque de L'Existence: Le Mythe, la Science Et L'Art: Hommage à Maryvonne Perrot.Jean-Claude Gens, Pierre Guenancia & Maryvonne Perrot (eds.) - 2009 - Editions Universitaires de Dijon.
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  44.  18
    Philosophy and Conceptual Art Edited by Goldie, Peter, and Elisabeth Schellekens. [REVIEW]William P. Seeley - 2008 - Journal of Aesthetics and Art Criticism 66 (2):203–205.
  45.  15
    Philosophy of Science Today.Peter Clark & Katherine Hawley (eds.) - 2003 - Oxford University Press.
    Philosophy of Science Today offers a state-of-the-art guide to this fast-developing area. An eminent international team of authors covers a wide range of topics at the intersection of philosophy and the sciences, including causation, realism, methodology, epistemology, and the philosophical foundations of physics, biology, and psychology.
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  46.  9
    Tickle Your Catastrophe!: Imagining Catastrophe in Art, Architecture and Philosophy.Frederik le Roy (ed.) - 2011 - Academia Press.
    A collection of essays that takes stock of the current impact of the image and imagination of the catastrophe in art, science and philosophy.
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  47.  14
    Recent Developments in the Philosophy of Science.Uskali Mäki, Stéphanie Ruphy, Gerhard Schurz & Ioannis Votsis (eds.) - 2015 - Springer.
    This volume showcases the best of recent research in the philosophy of science. A compilation of papers presented at the EPSA 13, it explores a broad distribution of topics such as causation, truthlikeness, scientific representation, gender-specific medicine, laws of nature, science funding and the wisdom of crowds. Papers are organised into headings which form the structure of the book. Readers will find that it covers several major fields within the philosophy of science, from general (...) of science to the more specific philosophy of physics, philosophy of chemistry, philosophy of the life sciences, philosophy of psychology, and philosophy of the social sciences and humanities, amongst others. This volume provides an excellent overview of the state of the art in the philosophy of science, as practiced in different European countries and beyond. ​It will appeal to researchers with an interest in the philosophical underpinnings of their own discipline, and to philosophers who wish to explore the latest work on the themes explored. (shrink)
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  48.  30
    Symbolic Worlds: Art, Science, Language, Ritual.Israel Scheffler - 1996 - Cambridge University Press.
    Symbolism is a primary characteristic of the mind, deployed and displayed in every aspect of our thought and culture. In this important and broad-ranging book, Israel Scheffler explores the various ways in which the mind functions symbolically. This involves considering not only the world of science and the arts, but also such activities as religious ritual and child's play. The book offers an integrated treatment of ambiguity and metaphor, analyses of play and ritual, and an extended discussion of the (...)
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  49.  8
    Symposium “Analytical Philosophy and Philosophy of Science Today”, 23.–24. Juli 1995 in Peking, VR China.Lutz Geldsetzer - 1998 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 29 (1):123 - 127.
    Report on a symposium “Analytical Philosophy of Science today”, July 23–24, 1995, in Beijing. The symposium demonstrates the actual interest and familiarity of Chinese researchers with Western philosophy of science and especially with analytical philosophizing. Main topics were diagnoses of the actual state of the art, discussion and critique of some classics and classical analytical conceptions, application of analytical thinking on hermeneutical problems, and its possible social function.
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  50. Planted Knowledge: Art, Science, and Preservation in the Sixteenth-Century Herbarium From the Hurtado de Mendoza Collection in El Escorial.M. Carrión María - 2017 - Journal of Early Modern Studies 6 (1):47-67.
    The interactive correspondence of art, science, and preservation supports the composition of a four-volume anonymous herbarium originally belonging first to the Venetian library of Ambassador Hurtado de Mendoza, and later endowed to the Royal Library of the Monastery-Palace of El Escorial. This planted knowledge consist­ed of artistic and scientific practices to preserve not only the plants dried and glued to recycled paper, but the association of those plants, with names, stories, and contexts in ways that attest to the development (...)
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