La question des relations entre expertise scientifique, société et politique est fondamentalement communicationnelle. Souvent présenté comme univoque et incontestable, l’avis des experts ne fait pas taire les controverses. Il est élaboré dans le cadre de relations toujours incertaines, mobilisant les multiples parties prenantes de l’objet de l’expertise dans une situation sociale. Les connaissances qui en résultent constituent, quelque part, des récits qui relèvent de multiples interprétations et recadrages traduisant des logiques d’action hétérogènes, des intérêts économiques et politiques contradictoires, des tensions (...) et des conflits. Ce mouvement s’opère en lien étroit avec les médias et réseaux, au travers desquels les résultats de l’expertise sont diffusés, et de plus en plus souvent discutés.The question of relationships between scientific expertise, society and politics fundamentally revolves around communication. Though often presented as unequivocal and indisputable, expert scientific opinions do not put an end to controversy. They are developed in the context of relationships that are always uncertain, involve many different stakeholders with an interest in the object of the controversy and exist in a social situation. The resulting knowledge shapes narratives that can be interpreted and framed in many different ways, each reflecting different reasons for action, conflicting economic and political interests, tensions or disputes. This process takes place in close conjunction with the activities of the media and networks, through which expert conclusions are broadcast and increasingly debated. (shrink)

This article aims to explore the philosophical approach to faith after deconstruction as manifested in the work of Jean-Luc Marion and Jean-Luc Nancy. By taking the saturated phenomenon as its focus, the analysis seeks to demonstrate that whilst Marion’s thinking proves to be an innovative re-imagining of the possibilities of phenomenology, its problematic recourse to a supplementary hermeneutic means that saturation can never be adequately applied to faith without simultaneously compromising the excessive intuition upon which it relies. The (...) article then explores whether Nancy’s suggestion that saturation be re-framed as faith can offer a viable alternative approach. Whilst the post-phenomenological modality within which Nancy operates means it may be problematic to retain the term ‘saturation’ in the exact sense Marion gives it, it is argued that Nancy’s version of saturated faith allows us to approach the binary divide between philosophy and theology from a different direction, resulting in a vision of faith that cuts across theism and atheism, destabilising them from within. Although Nancy’s thought in this area certainly does nothing to respond to persistent questions surrounding the place of institutionalized religion within secular modernity, it nevertheless serves as a powerful tool for thinking the possibilities of faith in the twenty-first century. (shrink)

Dignity, according to some recent arguments, is a useless concept, giving vague expression to moral intuitions that are better captured by other, better defined concepts. In this paper, I defend the concept of dignity against such skeptical arguments. I begin with a description of the defining features of the Kantian conception of dignity. I then examine one of the strongest arguments against that conception, advanced by Arthur Schopenhauer in On the Basis of Morality. After considering some standard accounts of dignity, (...) showing how they fail adequately to address Schopenhauer’s concern, I propose and defend a new account of dignity, drawing on the ontology of Jean-Luc Nancy. (shrink)

This is a book review of Jean-Luc Marion's Givenness and Revelation.

In this paper, we turn to the philosophy of Jean-Luc Nancy. In his work La Création du Monde ou la Mondialisation of 2002 the French philosopher analyses the process of globalisation. Rather than denoting a new homogeneity, the term refers to a world horizon characterized in its interpalpable multiplicity of cultural, socio-economical, ideological and politico-moral content. According to Nancy, globalisation refers to ag-glome-ration: the decay of what once was a globe and now nothing more than a glome. On the (...) one hand, Nancy indicates that the world has changed by an unknown increase of techno-science, the worsening of inequalities between growing populations and by the changing and disappearing of given certainties, views and identities of the world and of man. On a large scale, this deformation is due to the relation between the capitalist evolution and the capitalising of worldviews. On the other hand, due to the inter-palpability of the multiplicity, this means that on our planet there is only space for one world. The world gradually becomes the only world. In this paper we will investigate what Nancy means with the becoming-world of the world and how this relates to our being in the world. For Nancy globalisation reveals two possible destinies of our relation with the world. In La Création du Monde ou la Mondialisation he discerns globalisation from mondialisation to analyze these two possibilities. We will investigate this distinction of Nancy and its consequences for everyday life. (shrink)

Absent within Jean-Luc Marion’s theory of selfhood is an account of psychosis that displaces standard phenomenological and psychoanalytic models. Working primarily with Book V of Being Given, my paper sketches the formal possibilities exhibited in a self who cannot manage the superabundance of the given and, swept away by an uncontrollable flood of givenness, thereby falls into a hysteria of self-experience and loses its ipseity. Then, contrasting psychosis with positive figures of the self, I explore the dynamic relationship between (...) givenness and the gifted highlighted by the phenomenological diremption and effacement of selfhood displayed in both. (shrink)

Se presentan las concepciones sobre el argumento ontológico en Paul Tillich y en Jean-Luc Marion. Paul Tillich no ha creado una propia escuela de pensamiento, pero ha influido sobre muchos pensadores. Abre el camino a posteriores reflexiones, desde diversos puntos metodológicos, sobre el problema ontológico, sobre la realidad de Dios y sobre la relación del Ser con la cultura. Se puede decir que, a partir de él, se abren caminos para pensar el papel de la mística en el conocimiento (...) del Being itself (el ser mismo), la relación dinámica en la vida del hombre, el darse del Ser como ágape, la correlación entre mística y cultura. Y Jean-Luc Marion lleva a su plenitud las ideas de Anselmo y Tillich: Dios no se piensa sino que se da. (shrink)

Jean-Luc Nancy is a contemporary continental philosopher who argues that the hope of fully unifying a community through work is problematic. This is because people cannot be reduced to their function as workers. Thus, community is, at best, inoperative. This article takes Nancy’s ideas of community and applies them to the notion of teamwork in business. It shows how in some literature on business teamwork, there is a desire to build a team through shared work experiences. It then explains (...) Nancy’s view as to why this cannot work, and it enters into Nancy’s positive account of how a community should be seen as a web of people communicating and sharing with each other in a variety of ways. The practical conclusion the study draws is that team members need to be careful about allowing goal orientation to obfuscate the richness of the relationships that occur among team members. People need to explore all of the ways in which people share with each other rather than just those ways that advance a narrow set of goals. If the richness of those relationships is recognized, many new directions for business and for general human development may appear. (shrink)

This article aims to be a confrontation with Nancy's 'deconstruction of Christianity.' Its arguments are instructed by Derrida's thesis in his On Touching—Jean-Luc Nancy , in which he speaks of the 'destructive effects' of Nancy's own thinking. One such effect is, according to Derrida, Nancy's complicity with some form of metaphysical thinking. The conclusion of this article therefore aims to expound on just what sort of metaphysics returns in Nancy's work and proposes a more viable—and phenomenological—option with regard to (...) the question of what is to be done with the relics of the Christian tradition through forging an opening towards Levinas' and Merleau-Ponty's philosophies. (shrink)

This article reads Jean-Luc Godard’s film essay Histoire du cinéma as a contemporary artistic endeavour to resist the synchronising, standardising time of global capital, the pervasive uniformity of the global super-present, brought about by today’s televisual and digital communications, which threatens to trivialise the different processes of memory and history, as well as art and culture in general. Taking its point of departure in Bernard Stiegler’s observation that the final stage of capitalism is the control and synchronisation of “available (...) brain time,” the article argues that Godard’s work opposes this control and synchronisation of our minds through an aesthetics of contemporaneity. The argument is based on the development of a theoretical framework that combines recent theories of contemporaneity with reflections on the politics of images. Focusing on the ways in which the Holocaust is remembered in Histoire du cinéma, the article deals with Godard’s image-political creation of temporal contemporaneity through a montage of clips of old films and newsreels, photographs, stills, images of paintings, new footage, advertisements, music, sound and voice recordings, textual citation, narration and commentary. (shrink)

L’articolo ragiona intorno al film-saggio Histoire(s) du cinéma (1988-1998) di Jean-Luc Godard e si sofferma in particolare su un controverso montaggio in cui il regista francese accosta estratti da un film pornografico, Freaks di Tod Browning e riprese dai campi di concentramento. In questa sequenza Godard sottopone a una verifica estrema la sua teoria del montaggio, l’idea della riconciliazione, destinata a produrre scintille di pensiero, tra realtà contrapposte. Questa forzatura delle immagini richiama un’analoga forzatura del testimone mostrata in una (...) scena del documentario Shoah di Claude Lanzmann. Interpretando lo shock prodotto dal montaggio delle Histoire(s), l’articolo approfondisce il tema della degradazione dello statuto indessicale della pellicola, dei limiti della rappresentazione, dell’etica dello sguardo. (shrink)

La interpretación heideggeriana de la “muerte de Dios” que comprende no sólo a Nietzsche, sino el conjunto de la filosofía moderna, entraña la esencial significación de un movimiento según el cual la metafísica llega a ser superada. En palabras de Heidegger, después de Nietzsche “a la filosofía sólo le queda pervertirse y desnaturalizarse, de modo que ya no se divisan otras posibilidades para ella”. Esta superación apunta a la consumación de la onto-teología en cuanto marca fundamental de la metafísica, de (...) la cual Hegel habría ofrecido su exposición más radical al imponerle a lo absoluto la medida del concepto. La “muerte de Dios” evidenciaría según ello lo que Jean-Luc Marion ha sabido denominar la “idolatría del concepto”. El texto examina la “muerte de Dios” a la luz del postulado de la onto-teología en cuanto esencia de la metafísica, y en la línea de una superación de la idolatría, a fin de intentar una reasunción de lo divino para el pensamiento contemporáneo. (shrink)

This volume offers a comprehensive guide to the extensive corpus of Jean-Luc Marion’s ideas, including a discussion of contemporary French phenomenology and critical appraisal of Marion’s ideas by leading scholars in the field. The contributors apply Marion’s thought to various fields of study, including theology, art, literature and psychology.

Absent within Jean-Luc Marion’s theory of selfhood is an account of psychosis that displaces standard phenomenological and psychoanalytic models. Working primarily with Book V of Being Given, my paper sketches the formal possibilities exhibited in a self who cannot manage the superabundance of the given and, swept away by an uncontrollable flood of givenness, thereby falls into a hysteria of self-experience and loses its ipseity. Then, contrasting psychosis with positive figures of the self, I explore the dynamic relationship between (...) givenness and the gifted highlighted by the phenomenological diremption and effacement of selfhood displayed in both. (shrink)

Using the philosophy of Jean-Luc Nancy as an anchoring point, Jacques Derrida in this book conducts a profound review of the philosophy of the sense of touch, from Plato and Aristotle to Jean-Luc Nancy, whose ground-breaking book Corpus he discusses in detail. Emmanuel Levinas, Maurice Merleau-Ponty, Edmund Husserl, Didier Franck, Martin Heidegger, Francoise Dastur, and Jean-Louis Chre;tien are discussed, as are Rene; Descartes, Diderot, Maine de Biran, Fe;lix Ravaisson, Immanuel Kant, Sigmund Freud, and others. The scope of Derrida’s (...) deliberations makes this book a virtual encyclopedia of the philosophy of touch (and the body). Derrida gives special consideration to the thinking of touch in Christianity and, in discussing Jean-Luc Nancy’s essay “Deconstruction of Christianity,” devotes a section of the book to the sense of touch in the Gospels. Another section concentrates on “the flesh,” as treated by Merleau-Ponty and others in his wake. Derrida’s critique of intuitionism, notably in the phenomenological tradition, is one of the guiding threads of the book. On Touching includes a wealth of notes that provide an extremely useful bibliographical resource. Personal and detached all at once, this book, one of the first published in English translation after Jacques Derrida’s death, serves as a useful and poignant retrospective on the work of the philosopher. A tribute by Jean-Luc Nancy, written a day after Jacques Derrida’s death, is an added feature. (shrink)

Taking his critique of totalitarianizing conceptions of community as a starting point, this text examines Jean-Luc Nancy's work of an ‘ontology of plural singular being’ for its political implications. It argues that while at first this ontology seems to advocate a negative or an anti-politics only, it can also be read as a ‘theory of communicative praxis’ that suggests a certain ethos – in the form of a certain use of symbols that would render the ontological plurality of singulars (...) perceptible and practically effective. Finally, some recent texts by Nancy even sidestep the ontology of being-with and face the question of what politics, faced with demands of justice, could be and what a democratic politics could provide. Both of these aspects in Nancy's work, however, still remain to be spelled out more politically. (shrink)

This introduction to the philosophy of Jean-Luc Nancy gives an overview of his philosophical thought to date and situates it within the broader context of contemporary French and European thinking. The book examines Nancy’s philosophy in relation to five specific areas: his account of subjectivity; his understanding of space and spatiality; his thinking about the body and embodiment; his political thought; and his contribution to contemporary aesthetics. In each case it shows the way in which Nancy develops or moves (...) beyond some of the key concerns associated with phenomenology, post-structuralism, and what could broadly be termed the “post-modern.”. (shrink)

The work of the contemporary French philosopher Jean-Luc Nancy has impacted across a range of disciplines. His writings on psychoanalysis, theology, art, culture and, of course, philosophy are now widely translated and much discussed. His L'Experience de la Liberte is considered to be one of the landmarks of contemporary continental philosophy. Jean-Luc Nancy and the Future of Philosophy is the first genuine introduction to Nancy's ideas and a clear and succinct appraisal of a burgeoning reputation. The book summarises (...) topically the primary conceptual areas of Nancy's thought and explores its relevance for contemporary issues like nationalism, racism and media rights. Nancy's indebtedness to Nietzsche, Heidegger, and Bataille is examined as well as how his ideas compare to those of his contemporary continental thinkers. Three major areas of Nancy's work are emphasised: freedom and morality; community and politics; and arts and the media. The reader is guided through a chosen theme without being lost in a welter of allusive language, jargon is avoided where possible and when unavoidable it is clearly explained. The book concludes with a new interview with Nancy, which discusses the future of philosophy. The book will be an important addition to the readings lists for courses on contemporary continental thought and political philosophy. (shrink)

The kind of phenomenology that can be useful to theology will be a hermeneutical phenomenology, one that takes us beyond the Cartesian/Husserlian ideal of presuppositionless intuition. It will also be a phenomenology of inverse intentionality, one in which the constituting subject is constituted by the look and the voice of another. In light of these suggestions, the phenomenology of Jean-Luc Marion is defended against three critiques, namely that it compromises the boundary between phenomenology and theology, that the theology it (...) serves is a bad one to boot, and that it has an inadequate account of the subject. At the heart of this defense is Marion's clear distinction between phenomenology as a description of possible experience, and theology as the claim that a certain kind of experience, namely revelation or epiphany, is not merely actual but veridical. Phenomenology says, If revelation occurs it will be in the form of a saturated phenomenon. Theology says, for example, the burning bush was an epiphany, or Jesus Christ is a revelation. The attentive reader should have no trouble distinguishing Marion's phenomenological analyses, which should be persuasive to believer and unbeliever alike, from his theological claims. Marion's account of the subject falls under the heading of inverse intentionality, and there are hints that vision is aufgehoben in the voice. The seer is first of all the one seen, but above all the one addressed, called forth into response-able being. (shrink)

The work of French philosopher and theologian Jean-Luc Marion has been recognized as among the most suggestive and productive in the philosophy of religion today. In Reading Marion, Christina M. Gschwandtner provides the first comprehensive introduction to Marion's large and conceptually dense corpus. Gschwandtner gives particular attention to Marion's early work on Descartes and follows thematic threads through to his most recent publications on charity and eroticism. She explores in detail three prominent topics in Marion's thought: the desire to (...) overcome metaphysics, his reflections on the divine, and his reconsideration of the relation of the self to the other in love. Gschwandtner reveals Marion's thought as a unified whole and provides context for his theological and phenomenological writings. Readers at all levels will find insight into the work of one of the world's most provocative thinkers. (shrink)

In Briefings on Existence, Alain Badiou calls for a radical atheism that would refuse the Heideggerian pathos of a “last god” and deny the affliction of finitude. I will argue that Jean-Luc Nancy’s deconstruction of monotheism, as well as his thinking of the world, remains resolutely atheistic, or better atheological, precisely because of Nancy’s insistence on finitude and his appeal to the Heideggerian motif of the last god. At the same time, I want to underline the danger of Nancy’s (...) maintenance of the word “god” to name the infinite opening of the world right at [à même] the world, by considering it as a Derridean paleonymy. (shrink)

Setting out from the work of Jean-Luc Nancy, this article engages with post-Heideggerian thought on community, seeking to bring out and to enhance its political thrust for contemporary democracies. It shows how Jean-Luc Nancy, Roberto Esposito and Giorgio Agamben, ‘common the political’, that is, how they reconsider politics in light of a fundamental sense of co-existence which clears the ground for social openness, solidarity, plurality and autonomy. It then responds to a series of pertinent objections by further politicizing (...) the post-Heideggerian vision of the common. I set out to translate the ontologies of the common into more concrete political logics by relating them to actual political practices and by joining them to the political theory of hegemony and antagonism set out by Ernesto Laclau and Chantal Mouffe. Their conjunction of the ‘common’ with the antagonistic politics of hegemony is tension-ridden, as they draw from conflicting understandings of ‘the political’, pitting plurality and horizontal relations against division and uneven power. To mitigate that conflict, these two approaches should be situated at different sites of political action, and the hegemonic framework should be recast so as to bring it more into line with horizontalist ‘common’ politics. (shrink)

It is commonly recognized that Jean-Luc Nancy’s efforts to elaborate a conception of ‘the political’ are based upon Heidegger’s thinking of die Tecknik , even as they seek to overcome the difficulties that beset Heidegger’s own politics. But few have noted that Nancy also seeks to critically engage Carl Schmitt’s conception of das Politische , according to which there is a metaphysical and practical need for a sovereign decision on friends and enemies if effective political community and law are (...) to be possible. This article argues that recognizing that Nancy seeks to overcome Schmitt’s conception of the political throws into high relief his failure to address the actual subject matter of politics. In the end, Nancy remains too metaphysical to engage with the political. (shrink)

Jean-Luc Nancy is one of the leading contemporary thinkers in France today. Through an inventive reappropriation of the major figures in the continental tradition, Nancy has developed an original ontology that impacts the way we think about religion, politics, community, embodiment, and art. Drawing from a wide range of his writing, Marie-Eve Morin provides the first comprehensive and systematic account of Nancy’s thinking, all the way up to his most recent work on the deconstruction of Christianity. Without losing sight (...) of the heterogeneity of Nancy’s work, Morin presents a concise articulation of the organizing concepts, which structure Nancy’s body of work. The guiding thread is that of an essential rift at the heart of any “self” by which this self is exposed and relates to itself and other selves. Nancy’s ontology undercuts dichotomies between individual and community, interior and exterior, matter and spirit, thing and thought, not in the name of mere deconstruction, but in seeking to open a thinking of the “limit” or the “edge” as the locus of sense. While Nancy’s work has often been presented in relation to Heidegger or Derrida, Morin demonstrates the originality of Nancy’s work and argues that, despite the variety of its preoccupations and topics, it possesses its own rigorous internal logic. This book will be of interest to students and scholars of philosophy and related fields who seek a systematic and critical understanding of one of the most original contemporary thinkers. (shrink)

In this article, using the recent work by Charles Taylor in A Secular Age as my point of departure, I will argue that Jean-Luc Nancy enables us to think past the competing binary of atheistic and religious experience and allows us to surpass the present narratives of secularism. In A Secular Age, Taylor himself seeks a middle ground between atheism and religion, arguing that it is possible to open ourselves to the cross-pressures of modern existence that find us caught (...) between scientific atheism and a need for spiritual and religious guidance. Here, Taylor finds a way of picturing ourselves within a secular age, remaining faithful to scientific rationalism, but still open to religion and a sense of a higher good. However, as I shall demonstrate, in his thesis Taylor misrepresents the Continental philosophical tradition (particularly Nietzsche and post-structuralism) that has itself sought to understand these cross-pressures of existence. Taking this misrepresentation, and specifically his reductive and colloquial analysis of Nietzsche, Camus, and Derrida, as my point of departure, I provide an alternative manner of thinking through the work of these writers, one that leads to a detailed analysis of Jean-Luc Nancy and his project the deconstruction of Christianity. In this analysis I argue that Nancy provides a manner of thinking that remains open and allows an experience of freedom, without seeking to close that sense of openness with explanation, nor maintaining that sense of openness with a conception of the divine. (shrink)

A phenomenon is that which appears. In his phenomenology, Jean-Luc Marion shows how a phenomenon that appears in and out of itself evades the metaphysical demand of grounding. Classical philosophy has acknowledged phenomena only in so far as they can be sanctioned by the concepts of the intellect. This holds good also of Husserl’s constitutive ego. Now, Marion distinguishes between such intuitively “poor phenomena” and the “saturated phenomena” that exceed the intentional consciousness; they are given not by the consciousness (...) but to the consciousness in an excess of intuition. This “gift of appearance” is Marion’s main concern, in the visible in general, and in painting in particular. But whereas idols only reflect our own desire to see and to be seen, icons surprise us by the gaze the saint directs on us. A picture is the scene of a possible revelation; and the revelation is nothing but the phenomenon taken in its fullest meaning: intuitive saturation at its maximum. A crucial question, nonetheless, remains: What is the relation between revelation as a phenomenological possibility, and Revelation as a theological dogma of the utmost importance? (shrink)

While theological discourse on love traditionally bifurcates between love as a body‐bound passion and its superior and disembodied spiritual counterpart, a growing number of accounts have recently challenged the traditional division arguing for the fundamental unity of the phenomenon of love. Could such a dichotomy be overcome if one reversed the conventional hierarchy between bodily erotic and intellectual agapeic love and made erotic love between man and woman the fundamental paradigm of all kinds of loves? Could the reversal recuperate the (...) affective aspect that has traditionally been downplayed? An answer to these questions is explored through an imaginary dialogue between Jean‐Luc Marion's phenomenology of one‐way erotic love and John Paul II's theology of embodied love. (shrink)

After reviewing the status of the concept of the phenomenon in Husserl’s phenomenology and the aim of successive attempts to reform, de-formalize, and to widen it, we show the difficulties of a method that, following the example of Jean-Luc Marion’s phenomenology, intends to connect the phenomenon directly to the revelation of an exteriority. We argue that, on the contrary, Marc Richir’s phenomenology, which strives to grasp the phenomenon as nothing-but-phenomenon, is more likely to capture the “meaning” of the phenomenological (...) , and hence to help us orient in the field of problems that phenomenology encounters without always knowing how to tackle them. Yet, this extension of the phenomenon’s domain does not thereby encompass everything: there may well be certain issues that require a phenomenology without phenomenon ; but the meaning of this cannot be determined before the complete reenvisioning of transcendental phenomenology. (shrink)

In his recent article, ‘A Gift to Theology? Jean-Luc Marion's ‘Saturated Phenomena’ in Christological Perspective’, Brian Robinette has critiqued Marion's phenomenology for confining theology to a one-sided approach to Christology, one that stresses only the passive, mystical reception of Christ. To correct this imbalance, Robinette brings Marion into dialogue with those more active Christologies or ‘prophetical-ethical’ liberation theologies of Gustavo Gutierrez, Johann Baptist Metz and others that stress a life-praxis focused on confronting evil and suffering. In this essay I (...) am arguing that Robinette has not fully developed the ‘logic’ of Marion's phenomenology of the ‘call and the gifted’, in which both a passive and an active element are operative. I explore more fully that very dynamic phenomenological process of the call-and-the-gifted as developed in Marion's work Being Given: Toward a Phenomenology of Givenness. Once viewed in Christological perspective, and especially in light of Christ's death and resurrection, Marion's phenomenology entails an ethical trope consistent with the mission of Christ as rendered in Scriptural revelation, and thus the gap between Marion's work and the prophetical-ethical theologies of Gutierrez and Baptist Metz becomes narrowed. (shrink)

This is the first book to consider the increasing importance of Jean-Luc Nancy's work, which has influenced key thinkers such as Jacques Derrida. All his major works have been translated into English, yet until now little has been made available on his place in contemporary philosophy. By showing how he situates his work in a contemporary context - the collapse of communism, the Gulf War, and the former Yugoslavia - this outstanding collection reveals how Nancy's engagement with Hegel, Marx, (...) Nietzsche, Heidegger and Derrida makes him one of the key contemporary continental philosophers. Providing new perspectives on the issues of sense, art and community, these essays make it impossible to approach philosophy without reference to the work Jean-Luc Nancy. (shrink)

In this article, I will investigate Jean-Luc Marion’s influential critique of metaphysical and natural theological approaches to the divine which he regards as “idolatrous”, and his own proposal of an “iconic” account of God’s revelation which he calls the “third way”. Marion’s idol-icon distinction, I maintain, developed in his early work “God without Being”, is the guiding thread of Marion’s philosophical project, and the key for an adequate understanding of his own account. While Marion’s account is compelling and has (...) provided new perspectives and insights to the contemporary discussion in philosophy of religion, its uncompromising excessiveness and the outright rejection of all hermeneutics leaves it deeply problematic and makes it hard to see how to follow his “third way”. (shrink)

_ Source: _Volume 47, Issue 1, pp 108 - 123 The following paper addresses itself to the question of ontology in the work of Jean-Luc Nancy. In so doing it attempts to read Nancy’s ontological project as a project of the deconstruction of structural forms of political violence. To this end, Nancy’s notion of “inoperative community” is brought into dialogue with Benjamin in order to show how, in Nancy’s work, ontology operates not as the refusal of critique, but as (...) its very condition. (shrink)

Body and image are crucial to the elaboration of both Jean-Luc Nancy’s philosophy andClaire Denis’s work in cinema. Nancy’s short book about the body, Corpus ,though it may initially have appeared as a minor work in his œuvre, has since been shown,and notably since the intervention of Jacques Derrida, as the cornerstone of much ofNancy’s late thought. As Derrida demonstrates, Nancy’s interest in the body turnsaround the crucial trope of touch which comes to stand, in his philosophy, as the (...) marker ofthe most fundamental limits that shape our understanding of and interaction with theworld: between inside and outside, subject and object, matter and meaning. As such, theconcept of touch frequently recurs in the discussion of art works, where the inscription of amaterial trace coincides with, or touches upon an evanescent sense. Nancy’s discussions ofartistic meaning have frequently centred around images – both painterly and filmic – asthe phenomena whereby the real, in manifesting its presence, is granted a certain sense.1Claire Denis, in common with the vast majority of live-action filmmakers, necessarily dealsin images and bodies – images of bodies – but her frequent refusal to provide thetraditional cinematic signifiers of psychological depth often means that the spectator isbrought up short before the strangeness of these bodies as bodies, which in turn opens upan interrogation as to the sense of her images. The mutual fascination that exists betweenNancy and Denis is well established, demonstrated by Nancy’s detailed, published engagements with Denis’s films – Beau travail , Trouble Every Day , L’Intrus – as well as by Denis’s short film portrait of the philosopher – Vers Nancy –and her cryptic appropriation of his text L’Intrus . But their engagement witheach other’s work appears in the image of Nancy’s somewhat abstract conception of touch:an approaching and withdrawing, a momentary proximity to the other that serves as muchto consolidate the stable identity of the one as it does to share in the identity of the other.Mirroring this intermittent relationship, this article will seek not to over-state theinterpenetration of the two œuvres, but merely to sketch some points of contact betweenthem, turning notably around the fascinating, but perhaps ultimately untouchable figureof the wound. (shrink)

In this article I explore how a philosophical conception of love may be used to draw debate on the death of God beyond the binary opposition between theology and philosophy through a comparative study of the work of Jean-Luc Marion and Jean-Luc Nancy. Although Marion’s reading of love—in both its theological and phenomenological guises—proposes an innovative phrasing of a non-metaphysical notion of divinity, I argue that it is ultimately unable to maintain its coherence in nominal discourse due to (...) Marion’s insistence on keeping love and being separate. In contrast, through his unique thinking on ontology, Nancy’s philosophy allows us to reposition love at the heart of being, from whence it may serve as a means of disrupting the very principle governing the atheist and theist world-views. Far from dismantling Marion’s core proposition, I conclude that the two thinkers may in fact be more closely aligned than previous scholarship has acknowledged, coming together in the need to affirm an experience of the impossible that takes place in the present rather than in any eschatological fulfillment to come. At this intersection between two nominally very different thinkers, love forms an ontological limit-point for thought that poses a challenge to both theology and philosophy alike as they continue to grapple with the question of religion in the twenty-first century. (shrink)

An important influence on Jean-Luc Marion’s phenomenology is the work of Swiss Catholic theologian Hans Urs von Balthasar. Marion is particularly interested in Balthasar’s ‘phenomenological’ approach to the content of Christian revelation, centered on the metaphor of the work of art. Balthasar suggests in his Theo-Logic that the early Marion ‘concede[s] too much to the critique of Heidegger,’ moving too far away from the ‘transcendental’ metaphysics of Aquinas and the classical tradition. Yet Balthasar’s criticism is premature. Rather, Marion’s work, (...) particularly his emphasis on the ‘saturated phenomenon,’ paves the way for a postmetaphysical theological aesthetics that might renew Balthasar’s project in a cultural situation ‘after’ the death of God, while simultaneously opening a space for Christian revelation apart from a certain hegemonic tradition of onto-theology. (shrink)

Danny Roussel | : Dans cet article, je montre, dans un premier temps, le rôle joué par la passivité et la paresse dans la philosophie du droit de Hegel. Cela permet, dans un deuxième temps, de mieux comprendre la « philosophie première » de Jean-Luc Nancy, celle qui s’intéresse à l’être singulier pluriel et qui s’est élaborée, à ses débuts, dans un rapport à la passivité chez Hegel. Enfin, parce que paresse et activité sont toujours intrinsèquement liées, je termine (...) ce parcours par un retour critique sur ce que Nancy propose comme action dans une analyse d’un de ses plus récents ouvrages intitulé Que faire? | : In this article, I first show the role played by passivity and laziness in Hegel’s philosophy of right. This allows us to better understand Jean-Luc Nancy’s first philosophy which is concerned with the singular plural being, and which was first elaborated in relation with Hegel’s conception of passivity. Finally, since laziness and activity are always intrinsically linked, I end this article with a criticism of what Nancy proposes as an action by analyzing one of his most recent works entitled Que faire? (shrink)

This article attempts to sort out the misunderstandings between Jacques Derrida and Jean-Luc Nancy surrounding the question of the animal as they come to the fore in the conversations published in For Strasbourg. While Derrida finds the lack of animals in Nancy’s world puzzling, Nancy criticises Derrida’s blurring of the border between the human and the animal for inadvertently reinstating a scale or a difference, if not between humans and animals, at least between the living and the non-living. Though (...) this criticism appears misguided at first, I argue that Nancy’s recasting of finitude in terms of the limit as the place of exposure undoes the phenomenological, or more precisely Heideggerian, understanding of sense and world, which Derrida still attributes to Nancy. Ultimately, what we have in both thinkers is a radically different account of plurality. Whereas Derrida emphasises the abyss between singularities and places faith, engagement, and responsibility at the origin of the world, for Nancy the edges between singularities always already hold any inside in contact with an outside, any one in contact with the other. (shrink)

Jean-Luc Marion’s phenomenology of giveness constitutes one of the most outstanding attempts to set up a universal theory of the phenomenologically given as a whole within the framework of contemporary philosophical thought. The aim of the present study is to apply the main categories of this phenomenological theory concerning gift to the singular type of phenomenon represented by the pure indeterminate and anonymous being to which Emmanuel Levinas refers by the name of il y a in his early writings. (...) Therefore, this concerns examining the multiple specific modes of giveness proper to the impersonal “there is” and also its paradoxical relationship both with the donor and with the receiver of such gift in order to show the possibility of a “third way” of phenomenological investigation. This is a way equally distant from the western traditional concept of Being as “stable presence” and from Levinas’ proposal geared to substitute ontology for ethics as “first philosophy”. (shrink)

The kind of phenomenology that can be useful to theology will be a hermeneutical phenomenology, one that takes us beyond the Cartesian/Husserlian ideal of presuppositionless intuition. It will also be a phenomenology of inverse intentionality, one in which the constituting subject is constituted by the look and the voice of another. In light of these suggestions, the phenomenology of Jean-Luc Marion is defended against three critiques, namely that it compromises the boundary between phenomenology and theology, that the theology it (...) serves is a bad one to boot, and that it has an inadequate account of the subject. At the heart of this defense is Marion's clear distinction between phenomenology as a description of possible experience, and theology as the claim that a certain kind of experience, namely revelation or epiphany, is not merely actual but veridical. Phenomenology says, If revelation occurs it will be in the form of a saturated phenomenon. Theology says, for example, the burning bush was an epiphany, or Jesus Christ is a revelation. The attentive reader should have no trouble distinguishing Marion's phenomenological analyses, which should be persuasive to believer and unbeliever alike, from his theological claims. Marion's account of the subject falls under the heading of inverse intentionality, and there are hints that vision is aufgehoben in the voice. The seer is first of all the one seen, but above all the one addressed, called forth into response-able being. (shrink)

This article questions Jean-Luc Marion’s move away from intuition and shows how it risks the promise of his account of religion by returning to metaphysics and speculation. My aim is not to ask whether Marion’s phenomenology can adequately account for religious phenomena, but to ask whether Marion’s account of revelation meets his own phenomenological principle — that one must rely on the phenomenon to establish the limits of phenomenology — which he establishes to guard against metaphysics and speculation. To (...) this end, I demonstrate how Marion drifts from his phenomenological principle when he claims that revelation is a phenomenon given without intuition. This drift leads to criticisms that he is leading phenomenology toward speculative philosophy and sneaking revelation in through the back door. I then show the detrimental consequences for both his phenomenological and theological projects and how he could better achieve the goals of both projects by maintaining the role of intuition. (shrink)

This article carries out a systematic exposition of the concept of the body in Jean-Luc Nancy, with all the risks of reduction that such an exposition entails. First it is necessary to return to Western philosophy’s founding text on living corporality, that is, Aristotle’s treatise on the soul. The oppositions that can be established between the Greek thinker’s psyche (soul) and Nancy’s dead Psyche are not so radical as may at first be thought: In both it is a question (...) of thinking the soul as the difference, the retreat or departure in which the exposition of bodies consists. The article continues with an analysis of touch and the self and concludes with an elaboration of the idea of the body within the general program of the deconstruction of Christianity. (shrink)

Jean-Luc Nancy identifies Rousseau as the first to conceive community as a lost state of immediacy and transparency. Rousseau’s conception has allegedly shaped the western ideal of an immanent community. Nancy deconstructs that ideal, arguing that immanence would suppress community; its oneness would block the being-with which enables our ontological being-in-common. This article argues that Rousseau never posits a lost community but actually explores, like Nancy, the political closure of immanence. Man’s distinguishing trait of perfectibility, which renders him finite, (...) always open to change for better or worse, rejects the self-enclosure of immanence as does the constant willing of the general will which defines a community’s political life. If citizens could form an immanent whole, they would have nothing left to will, reaching an inhuman situation without liberty, reflection and responsibility. A community’s vitality, as Rousseau’s discussion of Poland suggests, does not come from closure to th.. (shrink)

De los filósofos acusados de “giro teológico”, Jean-Luc Marion es posiblemente el que mejor ha seguido la iniciativa heideggeriana de una fenomenología radical: una fenomenología de lo inaparente. Lo ha hecho al introducir en la fenomenalidad los llamados “fenómenos saturados”, lo que lo ha puesto en el centro del debate. Contra sus críticos, este ensayo muestra que esta ampliación de la fenomenalidad no proviene prioritariamente de una voluntad teológica, sino de una necesidad de liberar la fenomenalidad del paradigma de (...) la visión, en favor del paradigma del decir. Con este presupuesto, se intenta reconciliar la filosofía analítica con la fenomenología. (shrink)

This paper examines the presuppositions of Jean-Luc Marion's reading of Heidegger in his book Dieu sans l'être / God without Being: it concludes that for Heidegger even if God is 'without' (other than) being, there is no God without being because all thought of God is historical, human, thought, taking place within the dimension of being.

This essay proposes to read Jean-Luc Nancy’s references to creation ex nihilo as both an intervention in the French debate concerning eventness, and as a transformative rethinking of the status of phenomenality. Nancy’s position is roughly triangulated relative to key remarks from other thinkers and, above all, its distinctive components (temporality, negativity, spatiality) are elucidated through historical glosses. Articulating the overall architecture of this theory serves to illustrate the Heideggerian access to the event debate. It also deepens aspects only (...) elliptically alluded to in Nancy’s own writing. (shrink)