La question des relations entre expertise scientifique, société et politique est fondamentalement communicationnelle. Souvent présenté comme univoque et incontestable, l’avis des experts ne fait pas taire les controverses. Il est élaboré dans le cadre de relations toujours incertaines, mobilisant les multiples parties prenantes de l’objet de l’expertise dans une situation sociale. Les connaissances qui en résultent constituent, quelque part, des récits qui relèvent de multiples interprétations et recadrages traduisant des logiques d’action hétérogènes, des intérêts économiques et politiques contradictoires, des tensions (...) et des conflits. Ce mouvement s’opère en lien étroit avec les médias et réseaux, au travers desquels les résultats de l’expertise sont diffusés, et de plus en plus souvent discutés.The question of relationships between scientific expertise, society and politics fundamentally revolves around communication. Though often presented as unequivocal and indisputable, expert scientific opinions do not put an end to controversy. They are developed in the context of relationships that are always uncertain, involve many different stakeholders with an interest in the object of the controversy and exist in a social situation. The resulting knowledge shapes narratives that can be interpreted and framed in many different ways, each reflecting different reasons for action, conflicting economic and political interests, tensions or disputes. This process takes place in close conjunction with the activities of the media and networks, through which expert conclusions are broadcast and increasingly debated. (shrink)

This article aims to explore the philosophical approach to faith after deconstruction as manifested in the work of Jean-Luc Marion and Jean-Luc Nancy. By taking the saturated phenomenon as its focus, the analysis seeks to demonstrate that whilst Marion’s thinking proves to be an innovative re-imagining of the possibilities of phenomenology, its problematic recourse to a supplementary hermeneutic means that saturation can never be adequately applied to faith without simultaneously compromising the excessive intuition upon which it relies. The (...) article then explores whether Nancy’s suggestion that saturation be re-framed as faith can offer a viable alternative approach. Whilst the post-phenomenological modality within which Nancy operates means it may be problematic to retain the term ‘saturation’ in the exact sense Marion gives it, it is argued that Nancy’s version of saturated faith allows us to approach the binary divide between philosophy and theology from a different direction, resulting in a vision of faith that cuts across theism and atheism, destabilising them from within. Although Nancy’s thought in this area certainly does nothing to respond to persistent questions surrounding the place of institutionalized religion within secular modernity, it nevertheless serves as a powerful tool for thinking the possibilities of faith in the twenty-first century. (shrink)

In this paper, we turn to the philosophy of Jean-Luc Nancy. In his work La Création du Monde ou la Mondialisation of 2002 the French philosopher analyses the process of globalisation. Rather than denoting a new homogeneity, the term refers to a world horizon characterized in its interpalpable multiplicity of cultural, socio-economical, ideological and politico-moral content. According to Nancy, globalisation refers to ag-glome-ration: the decay of what once was a globe and now nothing more than a glome. On the (...) one hand, Nancy indicates that the world has changed by an unknown increase of techno-science, the worsening of inequalities between growing populations and by the changing and disappearing of given certainties, views and identities of the world and of man. On a large scale, this deformation is due to the relation between the capitalist evolution and the capitalising of worldviews. On the other hand, due to the inter-palpability of the multiplicity, this means that on our planet there is only space for one world. The world gradually becomes the only world. In this paper we will investigate what Nancy means with the becoming-world of the world and how this relates to our being in the world. For Nancy globalisation reveals two possible destinies of our relation with the world. In La Création du Monde ou la Mondialisation he discerns globalisation from mondialisation to analyze these two possibilities. We will investigate this distinction of Nancy and its consequences for everyday life. (shrink)

Absent within Jean-Luc Marion’s theory of selfhood is an account of psychosis that displaces standard phenomenological and psychoanalytic models. Working primarily with Book V of Being Given, my paper sketches the formal possibilities exhibited in a self who cannot manage the superabundance of the given and, swept away by an uncontrollable flood of givenness, thereby falls into a hysteria of self-experience and loses its ipseity. Then, contrasting psychosis with positive figures of the self, I explore the dynamic relationship between (...) givenness and the gifted highlighted by the phenomenological diremption and effacement of selfhood displayed in both. (shrink)

This article aims to be a confrontation with Nancy's 'deconstruction of Christianity.' Its arguments are instructed by Derrida's thesis in his On Touching—Jean-Luc Nancy , in which he speaks of the 'destructive effects' of Nancy's own thinking. One such effect is, according to Derrida, Nancy's complicity with some form of metaphysical thinking. The conclusion of this article therefore aims to expound on just what sort of metaphysics returns in Nancy's work and proposes a more viable—and phenomenological—option with regard to (...) the question of what is to be done with the relics of the Christian tradition through forging an opening towards Levinas' and Merleau-Ponty's philosophies. (shrink)

This article reads Jean-Luc Godard’s film essay Histoire du cinéma as a contemporary artistic endeavour to resist the synchronising, standardising time of global capital, the pervasive uniformity of the global super-present, brought about by today’s televisual and digital communications, which threatens to trivialise the different processes of memory and history, as well as art and culture in general. Taking its point of departure in Bernard Stiegler’s observation that the final stage of capitalism is the control and synchronisation of “available (...) brain time,” the article argues that Godard’s work opposes this control and synchronisation of our minds through an aesthetics of contemporaneity. The argument is based on the development of a theoretical framework that combines recent theories of contemporaneity with reflections on the politics of images. Focusing on the ways in which the Holocaust is remembered in Histoire du cinéma, the article deals with Godard’s image-political creation of temporal contemporaneity through a montage of clips of old films and newsreels, photographs, stills, images of paintings, new footage, advertisements, music, sound and voice recordings, textual citation, narration and commentary. (shrink)

Se presentan las concepciones sobre el argumento ontológico en Paul Tillich y en Jean-Luc Marion. Paul Tillich no ha creado una propia escuela de pensamiento, pero ha influido sobre muchos pensadores. Abre el camino a posteriores reflexiones, desde diversos puntos metodológicos, sobre el problema ontológico, sobre la realidad de Dios y sobre la relación del Ser con la cultura. Se puede decir que, a partir de él, se abren caminos para pensar el papel de la mística en el conocimiento (...) del Being itself (el ser mismo), la relación dinámica en la vida del hombre, el darse del Ser como ágape, la correlación entre mística y cultura. Y Jean-Luc Marion lleva a su plenitud las ideas de Anselmo y Tillich: Dios no se piensa sino que se da. (shrink)

L’articolo ragiona intorno al film-saggio Histoire(s) du cinéma (1988-1998) di Jean-Luc Godard e si sofferma in particolare su un controverso montaggio in cui il regista francese accosta estratti da un film pornografico, Freaks di Tod Browning e riprese dai campi di concentramento. In questa sequenza Godard sottopone a una verifica estrema la sua teoria del montaggio, l’idea della riconciliazione, destinata a produrre scintille di pensiero, tra realtà contrapposte. Questa forzatura delle immagini richiama un’analoga forzatura del testimone mostrata in una (...) scena del documentario Shoah di Claude Lanzmann. Interpretando lo shock prodotto dal montaggio delle Histoire(s), l’articolo approfondisce il tema della degradazione dello statuto indessicale della pellicola, dei limiti della rappresentazione, dell’etica dello sguardo. (shrink)

Jean-Luc Nancy is a contemporary continental philosopher who argues that the hope of fully unifying a community through work is problematic. This is because people cannot be reduced to their function as workers. Thus, community is, at best, inoperative. This article takes Nancy’s ideas of community and applies them to the notion of teamwork in business. It shows how in some literature on business teamwork, there is a desire to build a team through shared work experiences. It then explains (...) Nancy’s view as to why this cannot work, and it enters into Nancy’s positive account of how a community should be seen as a web of people communicating and sharing with each other in a variety of ways. The practical conclusion the study draws is that team members need to be careful about allowing goal orientation to obfuscate the richness of the relationships that occur among team members. People need to explore all of the ways in which people share with each other rather than just those ways that advance a narrow set of goals. If the richness of those relationships is recognized, many new directions for business and for general human development may appear. (shrink)

La interpretación heideggeriana de la “muerte de Dios” que comprende no sólo a Nietzsche, sino el conjunto de la filosofía moderna, entraña la esencial significación de un movimiento según el cual la metafísica llega a ser superada. En palabras de Heidegger, después de Nietzsche “a la filosofía sólo le queda pervertirse y desnaturalizarse, de modo que ya no se divisan otras posibilidades para ella”. Esta superación apunta a la consumación de la onto-teología en cuanto marca fundamental de la metafísica, de (...) la cual Hegel habría ofrecido su exposición más radical al imponerle a lo absoluto la medida del concepto. La “muerte de Dios” evidenciaría según ello lo que Jean-Luc Marion ha sabido denominar la “idolatría del concepto”. El texto examina la “muerte de Dios” a la luz del postulado de la onto-teología en cuanto esencia de la metafísica, y en la línea de una superación de la idolatría, a fin de intentar una reasunción de lo divino para el pensamiento contemporáneo. (shrink)

Dignity, according to some recent arguments, is a useless concept, giving vague expression to moral intuitions that are better captured by other, better defined concepts. In this paper, I defend the concept of dignity against such skeptical arguments. I begin with a description of the defining features of the Kantian conception of dignity. I then examine one of the strongest arguments against that conception, advanced by Arthur Schopenhauer in On the Basis of Morality. After considering some standard accounts of dignity, (...) showing how they fail adequately to address Schopenhauer’s concern, I propose and defend a new account of dignity, drawing on the ontology of Jean-Luc Nancy. (shrink)

Using the philosophy of Jean-Luc Nancy as an anchoring point, Jacques Derrida in this book conducts a profound review of the philosophy of the sense of touch, from Plato and Aristotle to Jean-Luc Nancy, whose ground-breaking book Corpus he discusses in detail. Emmanuel Levinas, Maurice Merleau-Ponty, Edmund Husserl, Didier Franck, Martin Heidegger, Francoise Dastur, and Jean-Louis Chre;tien are discussed, as are Rene; Descartes, Diderot, Maine de Biran, Fe;lix Ravaisson, Immanuel Kant, Sigmund Freud, and others. The scope of Derrida’s (...) deliberations makes this book a virtual encyclopedia of the philosophy of touch (and the body). Derrida gives special consideration to the thinking of touch in Christianity and, in discussing Jean-Luc Nancy’s essay “Deconstruction of Christianity,” devotes a section of the book to the sense of touch in the Gospels. Another section concentrates on “the flesh,” as treated by Merleau-Ponty and others in his wake. Derrida’s critique of intuitionism, notably in the phenomenological tradition, is one of the guiding threads of the book. On Touching includes a wealth of notes that provide an extremely useful bibliographical resource. Personal and detached all at once, this book, one of the first published in English translation after Jacques Derrida’s death, serves as a useful and poignant retrospective on the work of the philosopher. A tribute by Jean-Luc Nancy, written a day after Jacques Derrida’s death, is an added feature. (shrink)

Taking his critique of totalitarianizing conceptions of community as a starting point, this text examines Jean-Luc Nancy's work of an ‘ontology of plural singular being’ for its political implications. It argues that while at first this ontology seems to advocate a negative or an anti-politics only, it can also be read as a ‘theory of communicative praxis’ that suggests a certain ethos – in the form of a certain use of symbols that would render the ontological plurality of singulars (...) perceptible and practically effective. Finally, some recent texts by Nancy even sidestep the ontology of being-with and face the question of what politics, faced with demands of justice, could be and what a democratic politics could provide. Both of these aspects in Nancy's work, however, still remain to be spelled out more politically. (shrink)

This introduction to the philosophy of Jean-Luc Nancy gives an overview of his philosophical thought to date and situates it within the broader context of contemporary French and European thinking. The book examines Nancy’s philosophy in relation to five specific areas: his account of subjectivity; his understanding of space and spatiality; his thinking about the body and embodiment; his political thought; and his contribution to contemporary aesthetics. In each case it shows the way in which Nancy develops or moves (...) beyond some of the key concerns associated with phenomenology, post-structuralism, and what could broadly be termed the “post-modern.”. (shrink)

The work of the contemporary French philosopher Jean-Luc Nancy has impacted across a range of disciplines. His writings on psychoanalysis, theology, art, culture and, of course, philosophy are now widely translated and much discussed. His L'Experience de la Liberte is considered to be one of the landmarks of contemporary continental philosophy. Jean-Luc Nancy and the Future of Philosophy is the first genuine introduction to Nancy's ideas and a clear and succinct appraisal of a burgeoning reputation. The book summarises (...) topically the primary conceptual areas of Nancy's thought and explores its relevance for contemporary issues like nationalism, racism and media rights. Nancy's indebtedness to Nietzsche, Heidegger, and Bataille is examined as well as how his ideas compare to those of his contemporary continental thinkers. Three major areas of Nancy's work are emphasised: freedom and morality; community and politics; and arts and the media. The reader is guided through a chosen theme without being lost in a welter of allusive language, jargon is avoided where possible and when unavoidable it is clearly explained. The book concludes with a new interview with Nancy, which discusses the future of philosophy. The book will be an important addition to the readings lists for courses on contemporary continental thought and political philosophy. (shrink)

The work of French philosopher and theologian Jean-Luc Marion has been recognized as among the most suggestive and productive in the philosophy of religion today. In Reading Marion, Christina M. Gschwandtner provides the first comprehensive introduction to Marion's large and conceptually dense corpus. Gschwandtner gives particular attention to Marion's early work on Descartes and follows thematic threads through to his most recent publications on charity and eroticism. She explores in detail three prominent topics in Marion's thought: the desire to (...) overcome metaphysics, his reflections on the divine, and his reconsideration of the relation of the self to the other in love. Gschwandtner reveals Marion's thought as a unified whole and provides context for his theological and phenomenological writings. Readers at all levels will find insight into the work of one of the world's most provocative thinkers. (shrink)

The kind of phenomenology that can be useful to theology will be a hermeneutical phenomenology, one that takes us beyond the Cartesian/Husserlian ideal of presuppositionless intuition. It will also be a phenomenology of inverse intentionality, one in which the constituting subject is constituted by the look and the voice of another. In light of these suggestions, the phenomenology of Jean-Luc Marion is defended against three critiques, namely that it compromises the boundary between phenomenology and theology, that the theology it (...) serves is a bad one to boot, and that it has an inadequate account of the subject. At the heart of this defense is Marion's clear distinction between phenomenology as a description of possible experience, and theology as the claim that a certain kind of experience, namely revelation or epiphany, is not merely actual but veridical. Phenomenology says, If revelation occurs it will be in the form of a saturated phenomenon. Theology says, for example, the burning bush was an epiphany, or Jesus Christ is a revelation. The attentive reader should have no trouble distinguishing Marion's phenomenological analyses, which should be persuasive to believer and unbeliever alike, from his theological claims. Marion's account of the subject falls under the heading of inverse intentionality, and there are hints that vision is aufgehoben in the voice. The seer is first of all the one seen, but above all the one addressed, called forth into response-able being. (shrink)

It is commonly recognized that Jean-Luc Nancy’s efforts to elaborate a conception of ‘the political’ are based upon Heidegger’s thinking of die Tecknik , even as they seek to overcome the difficulties that beset Heidegger’s own politics. But few have noted that Nancy also seeks to critically engage Carl Schmitt’s conception of das Politische , according to which there is a metaphysical and practical need for a sovereign decision on friends and enemies if effective political community and law are (...) to be possible. This article argues that recognizing that Nancy seeks to overcome Schmitt’s conception of the political throws into high relief his failure to address the actual subject matter of politics. In the end, Nancy remains too metaphysical to engage with the political. (shrink)

In this article, using the recent work by Charles Taylor in A Secular Age as my point of departure, I will argue that Jean-Luc Nancy enables us to think past the competing binary of atheistic and religious experience and allows us to surpass the present narratives of secularism. In A Secular Age, Taylor himself seeks a middle ground between atheism and religion, arguing that it is possible to open ourselves to the cross-pressures of modern existence that find us caught (...) between scientific atheism and a need for spiritual and religious guidance. Here, Taylor finds a way of picturing ourselves within a secular age, remaining faithful to scientific rationalism, but still open to religion and a sense of a higher good. However, as I shall demonstrate, in his thesis Taylor misrepresents the Continental philosophical tradition (particularly Nietzsche and post-structuralism) that has itself sought to understand these cross-pressures of existence. Taking this misrepresentation, and specifically his reductive and colloquial analysis of Nietzsche, Camus, and Derrida, as my point of departure, I provide an alternative manner of thinking through the work of these writers, one that leads to a detailed analysis of Jean-Luc Nancy and his project the deconstruction of Christianity. In this analysis I argue that Nancy provides a manner of thinking that remains open and allows an experience of freedom, without seeking to close that sense of openness with explanation, nor maintaining that sense of openness with a conception of the divine. (shrink)

While theological discourse on love traditionally bifurcates between love as a body‐bound passion and its superior and disembodied spiritual counterpart, a growing number of accounts have recently challenged the traditional division arguing for the fundamental unity of the phenomenon of love. Could such a dichotomy be overcome if one reversed the conventional hierarchy between bodily erotic and intellectual agapeic love and made erotic love between man and woman the fundamental paradigm of all kinds of loves? Could the reversal recuperate the (...) affective aspect that has traditionally been downplayed? An answer to these questions is explored through an imaginary dialogue between Jean‐Luc Marion's phenomenology of one‐way erotic love and John Paul II's theology of embodied love. (shrink)

After reviewing the status of the concept of the phenomenon in Husserl’s phenomenology and the aim of successive attempts to reform, de-formalize, and to widen it, we show the difficulties of a method that, following the example of Jean-Luc Marion’s phenomenology, intends to connect the phenomenon directly to the revelation of an exteriority. We argue that, on the contrary, Marc Richir’s phenomenology, which strives to grasp the phenomenon as nothing-but-phenomenon, is more likely to capture the “meaning” of the phenomenological (...) , and hence to help us orient in the field of problems that phenomenology encounters without always knowing how to tackle them. Yet, this extension of the phenomenon’s domain does not thereby encompass everything: there may well be certain issues that require a phenomenology without phenomenon ; but the meaning of this cannot be determined before the complete reenvisioning of transcendental phenomenology. (shrink)

This article attempts to sort out the misunderstandings between Jacques Derrida and Jean-Luc Nancy surrounding the question of the animal as they come to the fore in the conversations published in For Strasbourg. While Derrida finds the lack of animals in Nancy’s world puzzling, Nancy criticises Derrida’s blurring of the border between the human and the animal for inadvertently reinstating a scale or a difference, if not between humans and animals, at least between the living and the non-living. Though (...) this criticism appears misguided at first, I argue that Nancy’s recasting of finitude in terms of the limit as the place of exposure undoes the phenomenological, or more precisely Heideggerian, understanding of sense and world, which Derrida still attributes to Nancy. Ultimately, what we have in both thinkers is a radically different account of plurality. Whereas Derrida emphasises the abyss between singularities and places faith, engagement, and responsibility at the origin of the world, for Nancy the edges between singularities always already hold any inside in contact with an outside, any one in contact with the other. (shrink)

_ Source: _Volume 47, Issue 1, pp 108 - 123 The following paper addresses itself to the question of ontology in the work of Jean-Luc Nancy. In so doing it attempts to read Nancy’s ontological project as a project of the deconstruction of structural forms of political violence. To this end, Nancy’s notion of “inoperative community” is brought into dialogue with Benjamin in order to show how, in Nancy’s work, ontology operates not as the refusal of critique, but as (...) its very condition. (shrink)

In this article I explore how a philosophical conception of love may be used to draw debate on the death of God beyond the binary opposition between theology and philosophy through a comparative study of the work of Jean-Luc Marion and Jean-Luc Nancy. Although Marion’s reading of love—in both its theological and phenomenological guises—proposes an innovative phrasing of a non-metaphysical notion of divinity, I argue that it is ultimately unable to maintain its coherence in nominal discourse due to (...) Marion’s insistence on keeping love and being separate. In contrast, through his unique thinking on ontology, Nancy’s philosophy allows us to reposition love at the heart of being, from whence it may serve as a means of disrupting the very principle governing the atheist and theist world-views. Far from dismantling Marion’s core proposition, I conclude that the two thinkers may in fact be more closely aligned than previous scholarship has acknowledged, coming together in the need to affirm an experience of the impossible that takes place in the present rather than in any eschatological fulfillment to come. At this intersection between two nominally very different thinkers, love forms an ontological limit-point for thought that poses a challenge to both theology and philosophy alike as they continue to grapple with the question of religion in the twenty-first century. (shrink)

As many struggle to find meaning at the end of philosophy, Jean-Luc Nancy's writing has enlightened many philosophical debates around the questions of community, the political, and freedom. Situatuing his work in an explicitly contemporary context--the collapse of communism, the Gulf War, the former Yugoslavia--Nancy has forced us to rethink nothing less than what "doing" philosophy entails. On Jean-Juc Nancy provides fascinating insights into one of the most contemporary philosophers writing today. The full range of Nancy's work as a (...) philosopher of the contemporary is considered, allowing us to see his engagement with Hegel, Marx, Nietzsche, Heidegger, Bataille and Derrida. Issues of violence and power, finitude, east and west, the meaning of "Europe", and the crisis of the global community are all approached through Nancy's work. (shrink)

In Briefings on Existence, Alain Badiou calls for a radical atheism that would refuse the Heideggerian pathos of a “last god” and deny the affliction of finitude. I will argue that Jean-Luc Nancy’s deconstruction of monotheism, as well as his thinking of the world, remains resolutely atheistic, or better a-theological, precisely because of Nancy’s insistence on finitude and his appeal to the Heideggerian motif of the last god. At the same time, I want to underline, by considering it as (...) a Derridean paleonymy, the danger of Nancy’s maintenance of the word “god” to name the infinite opening of the world right at (à meme) the world. (shrink)

A phenomenon is that which appears. In his phenomenology, Jean-Luc Marion shows how a phenomenon that appears in and out of itself evades the metaphysical demand of grounding. Classical philosophy has acknowledged phenomena only in so far as they can be sanctioned by the concepts of the intellect. This holds good also of Husserl’s constitutive ego. Now, Marion distinguishes between such intuitively “poor phenomena” and the “saturated phenomena” that exceed the intentional consciousness; they are given not by the consciousness (...) but to the consciousness in an excess of intuition. This “gift of appearance” is Marion’s main concern, in the visible in general, and in painting in particular. But whereas idols only reflect our own desire to see and to be seen, icons surprise us by the gaze the saint directs on us. A picture is the scene of a possible revelation; and the revelation is nothing but the phenomenon taken in its fullest meaning: intuitive saturation at its maximum. A crucial question, nonetheless, remains: What is the relation between revelation as a phenomenological possibility, and Revelation as a theological dogma of the utmost importance? (shrink)

Jean-Luc Nancy identifies Rousseau as the first to conceive community as a lost state of immediacy and transparency. Rousseau’s conception has allegedly shaped the western ideal of an immanent community. Nancy deconstructs that ideal, arguing that immanence would suppress community; its oneness would block the being-with which enables our ontological being-in-common. This article argues that Rousseau never posits a lost community but actually explores, like Nancy, the political closure of immanence. Man’s distinguishing trait of perfectibility, which renders him finite, (...) always open to change for better or worse, rejects the self-enclosure of immanence as does the constant willing of the general will which defines a community’s political life. If citizens could form an immanent whole, they would have nothing left to will, reaching an inhuman situation without liberty, reflection and responsibility. A community’s vitality, as Rousseau’s discussion of Poland suggests, does not come from closure to th.. (shrink)

In this article, I will investigate Jean-Luc Marion’s influential critique of metaphysical and natural theological approaches to the divine which he regards as “idolatrous”, and his own proposal of an “iconic” account of God’s revelation which he calls the “third way”. Marion’s idol-icon distinction, I maintain, developed in his early work “God without Being”, is the guiding thread of Marion’s philosophical project, and the key for an adequate understanding of his own account. While Marion’s account is compelling and has (...) provided new perspectives and insights to the contemporary discussion in philosophy of religion, its uncompromising excessiveness and the outright rejection of all hermeneutics leaves it deeply problematic and makes it hard to see how to follow his “third way”. (shrink)

This article questions Jean-Luc Marion’s move away from intuition and shows how it risks the promise of his account of religion by returning to metaphysics and speculation. My aim is not to ask whether Marion’s phenomenology can adequately account for religious phenomena, but to ask whether Marion’s account of revelation meets his own phenomenological principle — that one must rely on the phenomenon to establish the limits of phenomenology — which he establishes to guard against metaphysics and speculation. To (...) this end, I demonstrate how Marion drifts from his phenomenological principle when he claims that revelation is a phenomenon given without intuition. This drift leads to criticisms that he is leading phenomenology toward speculative philosophy and sneaking revelation in through the back door. I then show the detrimental consequences for both his phenomenological and theological projects and how he could better achieve the goals of both projects by maintaining the role of intuition. (shrink)

This article carries out a systematic exposition of the concept of the body in Jean-Luc Nancy, with all the risks of reduction that such an exposition entails. First it is necessary to return to Western philosophy’s founding text on living corporality, that is, Aristotle’s treatise on the soul. The oppositions that can be established between the Greek thinker’s psyche (soul) and Nancy’s dead Psyche are not so radical as may at first be thought: In both it is a question (...) of thinking the soul as the difference, the retreat or departure in which the exposition of bodies consists. The article continues with an analysis of touch and the self and concludes with an elaboration of the idea of the body within the general program of the deconstruction of Christianity. (shrink)

ABSTRACTMetaphysics has long been regarded as providing meaning to the world. Subsequent progressive replacement attempts of this narrative by a scientific approach have generally led to a view of life as being void of meaning. However, this has not affected the quest for meaning or for an understanding of this meaning, despite an increasing societal neglect of the importance of its pursuit. This article aims to contribute to a philosophical understanding of the sense of life in the world, drawing on (...) Jean-Luc Nancy's understanding of sense as developed in his Sense of the World. To talk of “sense” rather than of “meaning” is an unconventional choice in the field, yet both differ from one another in that sense refers to an opening as the very possibility of meaningfulness generally. This means that, to understand meaning, we must understand sense. Key to Nancy's conception of sense is the transitivity of the verb being; being traverses itself from being as non-being “to” being as existence. Nancy is concer... (shrink)

De los filósofos acusados de “giro teológico”, Jean-Luc Marion es posiblemente el que mejor ha seguido la iniciativa heideggeriana de una fenomenología radical: una fenomenología de lo inaparente. Lo ha hecho al introducir en la fenomenalidad los llamados “fenómenos saturados”, lo que lo ha puesto en el centro del debate. Contra sus críticos, este ensayo muestra que esta ampliación de la fenomenalidad no proviene prioritariamente de una voluntad teológica, sino de una necesidad de liberar la fenomenalidad del paradigma de (...) la visión, en favor del paradigma del decir. Con este presupuesto, se intenta reconciliar la filosofía analítica con la fenomenología. (shrink)

Being and God: A Systematic Approach in Confrontation with Martin Heidegger, Emmanuel Levinas, and Jean-Luc Marion , by Lorenz B. Puntel Content Type Journal Article Pages 164-165 Authors Christina M. Gschwandtner, University of Scranton Journal Comparative and Continental Philosophy Online ISSN 1757-0646 Print ISSN 1757-0638 Journal Volume Volume 4 Journal Issue Volume 4, Number 1 / 2012.

The phenomenological project of Jean-Luc Marion’s Being Given (namely, to free phenomenological possibility to the unconditional self-giving of all phenomena) should be distinguished from the theological project of his God without Being (to think God unconditionally and absolutely). In freeing phenomenological possibility to the self-giving of all phenomena (on the model of the saturated phenomenon), and in proposing a new figure of the subject who receives phenomena (the gifted), Marion’s phenomenology provides the conceptual means for a philosophy of religion (...) that admits the phenomenonality of unconditional revelation. And yet, thereremain striking parallels between the unconditional, self-giving phenomenon as it is described in the phenomenology of Being Given and the unconditional, self-giving God of the theological God without Being. This essay concludes by offering a framework for interpreting these parallels without claiming that the saturated phenomenon transforms phenomenology into theology and without claiming that phenomenological givenness limits revelation to its philosophical possibility. (shrink)

This essay discusses Jean-Luc Nancy’s Dis-Enclosure: Deconstruction of Christianity . Nancy’s engagement with Christianity in this work contrasts with the so-called theological turn in phenomenology. This raises probing questions regarding the name of God and the sense of the “divine” in a demythified world, as well as the question of the exhaustion of Christianity and its self-deconstruction. I address Nancy’s exploration of the overcoming of nihilism and the possibility, and “look,” of a faith that is not tied to a (...) god or a master signifier, thereby moving beyond certain ‘orthodox’ oppositions between atheism and Christianity. I use Gérard Granel’s deformalization of phenomenology and the Gospel of James’s “Epistle of straw” to adumbrate a minimalist faith in the world, and I alsoinvestigate Jean Pouillon’s study of the senses of “croire” and Émile Benveniste’s archeology of credere in light of Nancy’s approach to faith. I close with reflections on Nietzsche’s psychology of “the redeemer.”. (shrink)

This essay proposes to read Jean-Luc Nancy’s references to creation ex nihilo as both an intervention in the French debate concerning eventness, and as a transformative rethinking of the status of phenomenality. Nancy’s position is roughly triangulated relative to key remarks from other thinkers and, above all, its distinctive components (temporality, negativity, spatiality) are elucidated through historical glosses. Articulating the overall architecture of this theory serves to illustrate the Heideggerian access to the event debate. It also deepens aspects only (...) elliptically alluded to in Nancy’s own writing. (shrink)

Stéphane Vinolo | : Jean-Luc Marion a sans aucun doute révolutionné les études cartésiennes, mais nous trouvons aussi dans ses textes de nombreuses références à Spinoza. Malgré le rejet du Spinoza métaphysicien, la phénoménologie de la donation se construit dans un certain rapport à Spinoza, double rapport que nous essayons de mettre au jour. D’un côté, la conception du don que propose Marion nous permet de mieux interpréter Spinoza ; de l’autre, Marion trouve dans le système immanent de Spinoza, (...) de nombreuses lignes de fuite hors de la métaphysique. Ainsi, non seulement pouvons-nous utiliser la pensée de Marion comme principe herméneutique des textes de Spinoza, mais en plus nous permet-elle de questionner la place de Spinoza dans l’Histoire de la métaphysique. | : Jean‐Luc Marion has undoubtedly revolutionized Cartesian studies. But we also find, in his texts, numerous references to Spinoza. Despite his rejection of the metaphysical temptation of Spinoza, the phenomenology of givenness is built with a certain reference to Spinoza, a double reference that we will attempt to reveal. On the one hand, we are able to better interpret Spinoza through the conception of the gift as proposed by Marion ; on the other hand, Marion finds various lines of escape beyond metaphysics in Spinoza’s immanent system. Thus, not only can we use the thought of Marion as a hermeneutic principle for Spinoza’s texts, but it also allows us to determine the place of Spinoza in the history of metaphysics. (shrink)

This article seeks to defend the possibility of a metaphysical approach to philosophical theology. Challenging the claim that there can be nothing in commonbetween God (with whom theology or even a form of phenomenology such as Jean-Luc Marion’s deals) and being (as expounded for example in the metaphysical approach of Thomas Aquinas), the article develops a critique of Marion’s views with close reference to his interpretations of Aquinas.

Body and image are crucial to the elaboration of both Jean-Luc Nancy’s philosophy andClaire Denis’s work in cinema. Nancy’s short book about the body, Corpus ,though it may initially have appeared as a minor work in his œuvre, has since been shown,and notably since the intervention of Jacques Derrida, as the cornerstone of much ofNancy’s late thought. As Derrida demonstrates, Nancy’s interest in the body turnsaround the crucial trope of touch which comes to stand, in his philosophy, as the (...) marker ofthe most fundamental limits that shape our understanding of and interaction with theworld: between inside and outside, subject and object, matter and meaning. As such, theconcept of touch frequently recurs in the discussion of art works, where the inscription of amaterial trace coincides with, or touches upon an evanescent sense. Nancy’s discussions ofartistic meaning have frequently centred around images – both painterly and filmic – asthe phenomena whereby the real, in manifesting its presence, is granted a certain sense.1Claire Denis, in common with the vast majority of live-action filmmakers, necessarily dealsin images and bodies – images of bodies – but her frequent refusal to provide thetraditional cinematic signifiers of psychological depth often means that the spectator isbrought up short before the strangeness of these bodies as bodies, which in turn opens upan interrogation as to the sense of her images. The mutual fascination that exists betweenNancy and Denis is well established, demonstrated by Nancy’s detailed, published engagements with Denis’s films – Beau travail , Trouble Every Day , L’Intrus – as well as by Denis’s short film portrait of the philosopher – Vers Nancy –and her cryptic appropriation of his text L’Intrus . But their engagement witheach other’s work appears in the image of Nancy’s somewhat abstract conception of touch:an approaching and withdrawing, a momentary proximity to the other that serves as muchto consolidate the stable identity of the one as it does to share in the identity of the other.Mirroring this intermittent relationship, this article will seek not to over-state theinterpenetration of the two œuvres, but merely to sketch some points of contact betweenthem, turning notably around the fascinating, but perhaps ultimately untouchable figureof the wound. (shrink)

In Briefings on Existence, Alain Badiou calls for a radical atheism that would refuse the Heideggerian pathos of a “last god” and deny the affliction of finitude. I will argue that Jean-Luc Nancy’s deconstruction of monotheism, as well as his thinking of the world, remains resolutely atheistic, or better atheological, precisely because of Nancy’s insistence on finitude and his appeal to the Heideggerian motif of the last god. At the same time, I want to underline the danger of Nancy’s (...) maintenance of the word “god” to name the infinite opening of the world right at [à même] the world, by considering it as a Derridean paleonymy. (shrink)

D'un philosophe comme de l'autre, on peut dire qu'ils sont tous deux, dans l'horizon contemporain, des penseurs de l'amour. Tous deux s'inscrivent en faux contre la réduction de ce dernier à la sexualité, mais, tout autant, contre sa réduction inverse, plus ancienne, à une forme de mystique éthérée de type platonico-chrétien qui a pu se formuler sous le terme d'agapè. Nous nous proposons dans cette contribution d'étudier la pensée de J.-L. Marion en adoptant l'hypothèse d'une « unité théo-phénoménologique » de (...) son questionnement. Nous faisons usage du terme « théo-phénoménologie » en référence à l'approche de l'œuvre du philosophe et théologien grec Christos Yannaras, et souhaitons ce faisant rendre justice à l'avancée de J.-L. Marion en situant son geste philosophique singulier à la lumière de la théologie orthodoxe du Christianisme grec oriental telle qu'elle est elle-même renouvelée philosophiquement par C. Yannaras. Jean-Luc Marion and Christos Yannaras are both well-known as contemporary love-thinkers. Both refuse the reduction of love to sexuality as much as its older opposite reduction to a form of platonic christian mystics sometimes named agapè. In the following contribution I wish to examine Jean-Luc Marion's approach while making the hypothesis of its « theo-phenomenological » unity. Since the expression « theo-phenomenology » is used in reference to the work of the contemporary Greek philosopher and theologian Christos Yannaras, I aim at doing justice to Marion's philosophical thrust by putting his conception of love in the light of the Orthodox theology of the Eastern Church as it is nowadays philosophically renewed by Yannaras. (shrink)

Jean-Luc Godard’s Eye and MindIn his commentary concerning Jean-Luc Godard’s film, Deux ou trois choses que je sais d’elle, the film critic, Alain Bergala, writes that certain sequences of this film are “at the same time cinema and philosophy of cinema, a philosophy not very far from that of Merleau-Ponty in Eye and Mind, but a joyful and actually cinematic philosophy.” Here I propose a reading of Godard’s certain works found in different periods (Deux ou trois choses que (...) je sais d’elle, Ici et ailleurs, Passion et JLG – Autoportrait de décembre), according to this precise axis, namely, as a cinematic response to Merleau-Ponty’s Eye and Mind. To do that presupposes that we open up the stakes of this famous text, which is at the limit of the philosophical and political, and that we grasp the work of the filmmaker as a movement of thought which continues and deepens Merleau-Ponty’s questions concerning the political dimensions of flesh.L’occhio e lo spirito di Jean-Luc GodardNelle sue osservazioni sul film di Jean-Luc Godard, Deux ou trois choses que je sais d’elle, il critico cinematografico Alain Bergala scrive che alcune sequenze del film sono “allo stesso tempo cinema e filosofia del cinema, una filosofia non troppo lontana da quella elaborata da Merleau-Ponty in L’occhio e lo spirito, una filosofia gioiosa e davvero cinematografica.” Propongo qui una lettura di alcune opere godardiane di periodi differenti (Deux ou trois choses que je sais d’elle, Ici et ailleurs, Passion e JLG – Autoportrait de décembre), muovendomi lungo questa stessa linea, dunque intendendo quelle opere come una risposta “cinematografica” a L’occhio e lo spirito. Fare questo significa, d’altra parte, rianimare la posta in gioco di questo celebre testo, situata al limite tra il filosofico e il politico, e assumere l’opera del regista come un movimento di pensiero che prolunga e approfondisce l’interrogazione merleau-pontyana sulle dimensioni politiche della carne. (shrink)

Ever since the publication of Dieu sans l’être in 1982, Jean-Luc Marion’s various (and varying) pronouncements on the status and meaning of esse in Aquinas have excited a good deal of interest and controversy among Thomists. Marion’s evolving understanding of Thomistic metaphysics in general, and of Thomistic analogy in particular, has been commended for its openness to correction even as it has been criticized for what many still regard as its residual deficiencies. All such criticisms, however, neglect to take (...) account of the phenomenological provenance of Marion’s concerns, and to this extent they risk misunderstanding them. Ironically, Marion’s phenomenological approach to Aquinas intends to safeguard precisely what his Thomist critics think he has jettisoned: namely, our ability to speak about God in a way that says something meaningful—or perhaps better, reveals something meaningful—about God to us. The apophatic language Marionuses to make this point should be taken as a reminder to his fellow Christians (and especially to those who happen to be Thomists) who rightfully desire to speak of God about the danger that is involved in doing so. If we interpret Aquinas’s use of the divine names according to the phenomenological horizon of distance and thus think the various names of God “according to truly theological determinations,” Marion suggests, we can avoid the danger of lapsing into a conceptual idolatry of univocal predication that occludes their phenomenological disclosiveness. (shrink)

Merleau-Ponty decía que nuestra relación con el mundo se sitúa en el orden del «misterio insoluble». Es la invisibilidad de los dioses lo que garantiza la visibilidad del mundo. Este verso invisible –«le Dieu caché», «Dieu insondable», «Être muet», «arrière-silence», «membrure cachée», en términos merleau-pontianos– es la textura misma del recto visible. En el cine extremo o visionario este lenguaje aparentemente antitético no está menos presente para expresar eso que excede a toda visibilidad. Voyance (Merleau-Ponty) que emerge de los légamos (...) de lo invisible pero que no es lo contrario de la vista: «vision [est] ek-stase...», una visión en la que el mudo Ser revela su propio sentido. Así pues, lo invisible no es lo opuesto absoluto de lo visible sino más bien, como dice Merleau-Ponty, su «contrapartida secreta» sin la cual no podría existir la visibilidad. Asimismo, según Derrida, la imagen cinematográfica tiene una estructura fantasmática, está suspendida entre la presencia y la ausencia, pues la invisibilidad determina la lógica de las imágenes. El cine es un ojo, pero sólo ve bien cuando también se relaciona con ese ojo interior que es el de la «visión» de los visionarios. Igualmente, para Jean-Luc Godard, uno de los cineastas más relevantes del cine contemporáneo, la imagen real es la que no vemos. Lo que se ve en el filme tiene menos importancia que lo invisible. Violencia del mirar, desvelamiento de otra luz, que restituye la imagen de lo sagrado. (shrink)

This text begins by considering the phrase ‘digital haptology’ as suggested by the closing pages of Derrida's Le Toucher. It suggests that this moment in telecommunications presents a model of ‘tele-haptology’. The text goes on to consider Jean-Luc Nancy's ‘Noli me tangere’ as a response to Le Toucher. In particular it is concerned with Nancy's hypothesis on Modern literature and art as having an essential link to the gospel parables. Through a reading of Nancy's text and the gospels, this (...) hypothesis is placed in doubt. Notably, the argument is made that once again Nancy's discourse on touching leads him to make a too hasty fore-closure of otherness within his intended deconstruction of reading and his account of Mary Magdalene. In response to Nancy's formulation of literature as parable, an alternative consideration of literature as tele-haptology is proposed. (shrink)