“When Species Meet is a breathtaking meditation on the intersection between humankind and dog, philosophy and science, and macro and micro cultures.” —Cameron Woo, Publisher of Bark magazine In 2006, about 69 million U.S. households had pets, giving homes to around 73.9 million dogs, 90.5 million cats, and 16.6 million birds, and spending over $38 billion dollars on companion animals. As never before in history, our pets are truly members of the family. But the notion of “companion species”—knotted from human (...) beings, animals and other organisms, landscapes, and technologies—includes much more than “companion animals.” In When Species Meet, Donna J. Haraway digs into this larger phenomenon to contemplate the interactions of humans with many kinds of critters, especially with those called domestic. At the heart of the book are her experiences in agility training with her dogs Cayenne and Roland, but Haraway’s vision here also encompasses wolves, chickens, cats, baboons, sheep, microorganisms, and whales wearing video cameras. From designer pets to lab animals to trained therapy dogs, she deftly explores philosophical, cultural, and biological aspects of animal-human encounters. In this deeply personal yet intellectually groundbreaking work, Haraway develops the idea of companion species, those who meet and break bread together but not without some indigestion. “A great deal is at stake in such meetings,” she writes, “and outcomes are not guaranteed. There is no assured happy or unhappy ending—socially, ecologically, or scientifically. There is only the chance for getting on together with some grace.” Ultimately, she finds that respect, curiosity, and knowledge spring from animal-human associations and work powerfully against ideas about human exceptionalism. One of the founders of the posthumanities, Donna J. Haraway is professor in the History of Consciousness Department at the University of California, Santa Cruz. Author of many books and widely read essays, including The Companion Species Manifesto: Dogs, People, and Significant Otherness and the now-classic essay “The Cyborg Manifesto,” she received the J. D. Bernal Prize in 2000, a lifetime achievement award from the Society for Social Studies in Science. (shrink)

Donna Haraway's work has transformed the fields of cyberculture, feminist studies, and the history of science and technology. Her subjects range from animal dioramas in the American Museum of Natural History to research in transgenic mice, from gender in the laboratory to the nature of the cyborg. Trained as an historian of science, she has produced a series of books and essays that have become essential reading in cultural studies, gender studies, and the history of science. The (...) class='Hi'>Haraway Reader brings together a generous selection of Donna Haraway's work. Included is her "Manifesto for Cyborgs," in which she famously wrote that she "would rather be a cyborg than a goddess." Other selections are taken from her three major works, Primate Visions, Modest Witness , and Simians, Cyborgs and Women , as well as some of her more recent writing on animals. For readers in cultural studies, feminist theory, science studies, and cyberculture, Donna Haraway is one of our keenest observers of nature, science, and the social world. This volume is the best introduction to her thought. (shrink)

Modest_Witness@Second_Millennium. FemaleMan_Meets_OncoMouse explores the roles of stories, figures, dreams, theories, facts, delusions, advertising, institutions, economic arrangements, publishing practices, scientific advances, and politics in twentieth- century technoscience. The book's title is an e-mail address. With it, Haraway locates herself and her readers in a sprawling net of associations more far-flung than the Internet. The address is not a cozy home. There is no innocent place to stand in the world where the book's author figure, FemaleMan, encounters DuPont's controversial laboratory rodent, (...) OncoMouse. Haraway sees the world of contemporary technoscience as a drama. Information sciences and life sciences are at the center of the dramatic action. Scenes are set in landscapes where maps of human genetic differences are stored in databases, racialized bodies are reconfigured by morphing for photographs in popular magazines, and transgenic mice important to breast cancer research are patented intellectual property. The actors are many, and not all are human. Beginning with the Modest Witness, the key figure in the Science Revolution, Haraway shows us the trouble lurking in race and gender- marked practices for attesting to matters of fact. In later scenes, Haraway explores the kinship relations among the many cyborg creatures produced in the late twentieth-century--in nuclear research, genetic engineering, reproductive technologies, computer-mediated representational practices, and mutations in biological approaches to "race.". (shrink)

Electrifying, provocative, and controversial when first published thirty years ago, Donna Haraway's "Cyborg Manifesto" is even more relevant today, when the divisions that she so eloquently challenges--of human and machine but also of gender, class, race, ethnicity, sexuality, and location--are increasingly complex. The subsequent "Companion Species Manifesto," which further questions the human-nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.Manifestly Haraway brings together these momentous manifestos to expose the continuity and (...) ramifying force of Haraway's thought, whose significance emerges with engaging immediacy in a sustained conversation between the author and her long-term friend and colleague Cary Wolfe. Reading cyborgs and companion species through and with each other, Haraway and Wolfe join in a wide-ranging exchange on the history and meaning of the manifestos in the context of biopolitics, feminism, Marxism, human-nonhuman relationships, making kin, literary tropes, material semiotics, the negative way of knowing, secular Catholicism, and more.The conversation ends by revealing the early stages of Haraway's "Chthulucene Manifesto," in tension with the teleologies of the doleful Anthropocene and the exterminationist Capitalocene. Deeply dedicated to a diverse and robust earthly flourishing, Manifestly Haraway promises to reignite needed discussion in and out of the academy about biologies, technologies, histories, and still possible futures. (shrink)

Acclaimed theorist and social scientist Donna Jeanne Haraway uses the work of pioneering developmental biologists Ross G. Harrison, Joseph Needham, and Paul Weiss as a springboard for a discussion about a shift in developmental biology from a vitalism-mechanism framework to organicism. The book deftly interweaves Thomas Kuhn's concept of paradigm change into this wide-ranging analysis, emphasizing the role of model, analogy, and metaphor in the paradigm and arguing that any truly useful theoretical system in biology must have a (...) central metaphor. (shrink)

"I experience language as an intensely physical process," writes Donna Haraway. "I cannot not think through metaphor... Biochemistry and language just don't feel that different to me." Since the appearance of her monumental Primate Visions and the now classic essay "A Manifesto for Cyborgs," feminist historian of science Donna Haraway has created a way of thinking about culture, science, and the production of knowledge that has made her one of the most highly regarded theorists in America. (...) She is admired for her passion and rigor, her wicked ironies, and her deep commitment to issues of gender and race, as well as species. The author of four seminal works on science and culture, Donna Haraway here speaks for the first time in a direct and non-academic voice. Thyrza Nichols Goodeve leads her subject through conversation about Haraway's intellectual development, theories and influences, the role of Catholicism in her thinking, and how her ethical stands have mirrored issues in her personal life. For readers who have admired and struggled with the rich and complex performances of her earlier works, How Like a Leaf will be a welcome inside view of the author's thought. At the same time, this work makes Haraway's contribution to modern thought available to a much wider audience who cares about the issues she addresses. This is a highly personal introduction to a major thinker's body of work. (shrink)

This long-overdue volume explores her influence on feminist theory and philosophy, paying particular attention to her more recent work on companion species, rather than her "Manifesto for Cyborgs.

:This preface offers a playful and insightful introduction to the thought of Vinciane Despret from her colleague and collaborator. Despret's philosophical approach builds from the virtue of politeness, which allows animals – concrete, individual animals – to be interesting. Part appraisal, part speculative narrative, this preface looks at the curious practices of Despret as she works with, and thinks from, animals.

Beginning by reading a 1992 feminist appropriation of Michelangelo's Creation of Adam – in a cartoon in which the finger of a nude Adamic woman touches a computer keyboard, while the god-like VDT screen shows a disembodied fetus – ‘Virtual Speculum’ argues for a broader conception of ‘new reproductive technologies’ in order to foreground justice and freedom projects for differently situated women in the New World Order. Broadly conceptualized reproductive practices must be central to social theory in general, and to (...) technoscience studies in particular. Tying together the politics of self help and women's health movements in the United States in the 1970s with positions on reproductive freedom articulated within the Legal Defense and Educational Fund of the NAACP in the 1990s, the paper examines recent work in feminist science studies in several disciplinary and activist locations. Statistical analysis and ethnography emerge as critical feminist technologies for producing convincing representations of the reproduction of inequality. Untangling the semiotic and political–economic dialectics of invisibility and hypervisibility, ‘Virtual Speculum’ concludes by linking the well-surveyed amniotic fluid of on-screen fetuses and the off-frame diarrhea of uncounted and underfed infants in regimes of flexible accumulation and structural adjustment. (shrink)

When I first held a copy of Isabelle Stengers’s passionate book, a big tome that tangles with a truly speculative philosopher, one we were both in love with, I misread the actual title, Penser avec Whitehead, as Pensez avec Whitehead! My French is better than that, but I fear my character is not. I saw an imperative rather than a situated practice of thinking-with. Horrified but laughing, in a characteristic act of friendship, with earth-rooted and precise abstractions, Stengers lured me (...) to think with her beyond the catastrophes of my always-ready-to-hand self-certainties and ideologies. She has taught me—taught us—to recognize the killing trap of believing that we have nothing but infernal choices, each of which... (shrink)

Book reviewed in this article: The Triumph of Evolution: American Scientists and the Heredity‐Environment Controversy, 1900–1941. By Hamilton Cravens.

Abstract:In this forum, Marilyn Strathern and Jade S. Sasser review Adele Clarke and Donna Haraway's edited volume Making Kin, Not Population: Reconceiving Generations (Prickly Paradigm Press, 2018). Responses from multiple authors featured in the book follow.

Abstract Gender and Ethics Committees: Where’s the Different Voice? -/- Prominent international and national ethics commissions such as the UNESCO Bioethics Commission rarely achieve anything remotely resembling gender equality, although local research and clinical ethics committees are somewhat more egalitarian. Under-representation of women is particularly troubling when the subject matter of modern bioethics so disproportionately concerns women’s bodies, and when such committees claim to derive ‘universal’ standards. Are women missing from many ethics committees because of relatively straightforward, if discriminatory, demographic (...) factors? Or are the methods of analysis and styles of ethics to which these bodies are committed somehow ‘anti-female’? It has been argued, for example, that there is a ‘different voice’ in ethical reasoning, not confined to women but more representative of female experience. Similarly, some feminist writers, such as Evelyn Fox Keller and Donna Haraway, have asked difficult epistemological questions about the dominant ‘masculine paradigm’ in science. Perhaps the dominant paradigm in ethics committee deliberation is similarly gendered? This article provides a preliminary survey of women’s representation on ethics committees in Eastern and Western Europe, a critical analysis of the supposed ‘masculinism’ of the principlist approach, and a case example in which a ‘different voice’ did indeed make a difference. (shrink)

In this article, I argue that Donna Haraway's figure of the cyborg needs to be reassessed and extricated from the many misunderstandings that surround it. First, I suggest that we consider her cyborg as an ethical concept. I propose that her cyborg can be productively placed within the ethical framework developed by Luce Irigaray, especially in relationship to her concept of the “interval between.” Second, I consider how Haraway's “cyborg writing” can be understood as embodied ethical writing, (...) that is, as a contemporary écriture feminine. I believe that this cyborgian “writing the body” offers us a way of both creating and understanding texts that think through ethics, bodies, aesthetics, and politics together as part of a vital and relevant contemporary feminist ethics of embodiment. I employ the term “poethics” as a useful way to describe such a practice. (shrink)

This commentary argues that Donna Haraway’s still remarkable ‘Manifesto for Cyborgs’ provided one of the first windows on the invention of a different kind of world, one in which environments figure and bodily registers expand. In her attention to bioscience she was clearly one of the first to remark on these developments. But, or so I argue, she may have underestimated their generality and their grip, not least because of the comparatively light imprint of the economy and space (...) to be found in her work. (shrink)

Laurence Allard, Delphine Gardey et Nathalie Magnan proposent au public français la traduction de six textes incontournables de Donna Haraway écrits entre 1985 et 1997. Outre le célèbre Cyborg Manifesto, écrit en 1985 et traduit pour la première fois en français en 1992 dans la revue Futur Antérieur, l’anthologie parue aux éditions EXILS en 2007 présente cinq essais qui permettent de mieux comprendre la critique féministe de Haraway, celle des normes de genre et de la domination. Tout (...) d’abord... (shrink)

In Primate Visions, the American philosopher of culture Donna Haraway, states that ‘primatology is a genre of feminist theory’. The reason she gives is that the politics of being female are intimately linked with the way we view animals and nature. Haraway’s main strategy aimed at opening up discourses and categories in order to produce a new kind of fiction and a new type of myth. In the coyote myth, Haraway develops an exemplary protean trickster figure (...) that is consequential since it might just offer the tools for survival in and improvement of the techno scientific world. Her coyote embodiments enable us to think bodies as active, ingenious, and generative agents, for whom metamorphosis and transfiguration are modes of becoming, and which have the potential to outwit the human intellect. If humans want to interact and get along with the world as coyote, they need to learn to interpret its signs correctly and to optimize anticipation of its contriving, scheming moves which are often curious, ironical, or unexpected. Humans can only successfully do this by making sustained efforts to understand the plotting world sufficiently from its perspective. This makes it possible to establish partial connections and alliances with it and keep the human anthropomorphizing tendencies at bay. (shrink)

This article is a close reading of two essays by Donna Haraway on feminist philosophy, the biophysical sciences, and critical social theory. Haraway's strong social constructionist approach to science is criticized by colleague Sandra Harding, resulting in an epistemological reconceptualization of objectivity by Haraway. Haraway's notion of “situated knowledges” provides a workable epistemology for all social and biophysical sciences, while inviting the reintegration of religions as critical conversation partners in an emancipatory hermeneutics of nature, culture, (...) and technology. (shrink)

The purpose of this paper is to highlight some of the main philosophical roots of Donna Haraway’s thinking, an issue she rarely discusses and which is frequently ignored in the literature, but which will allow us to not only better understand her thinking, but also locate it within the philosophical tradition. In particular, it suggests that Haraway’s thinking emanates from a Cartesian and Heideggerian heritage whereby it, implicitly, emanates from Heidegger’s destruction of metaphysical anthropocentrism to critique the (...) divisions between human, animal, and machine that Descartes insists upon in his Discourse on Method. While suggesting that Haraway is, implicitly, influenced by Heidegger’s critique of the binary logic constitutive of Descartes’ anthropocentrism, I first argue that her support for Jacques Derrida’s, Bruno Latour’s, and Giorgio Agamben’s critical readings of Heidegger lead her to jettison Heidegger’s suggestion that overcoming this logic requires a re-questioning of the meaning of being to, instead, develop an immersed, entwined ontology that aims to call into question the fundamental divisions underpinning Cartesian-inspired anthropocentrism, before, second, concluding by offering a Heideggerian critique of Haraway’s thinking. (shrink)

Inspired by Ursula Le Guin's ‘The Carrier Bag Theory of Fiction’, contemporary feminist writing in the social sciences and the humanities has been characterised by a strong renewal of interest in storytelling, as is evidenced by the works of Anna Tsing and Donna Haraway among others. How can storytelling grow with and beyond its literary origin to become a political and heuristic tool? And how does the Anthropocene – our specific geologic epoch – require the renewal of the (...) means of expression of such an old tool as storytelling, so that it becomes a human and nonhuman process? To answer those questions, Deleuze's and Haraway's takes on ‘fabulation’ are intermingled along three lines: the part played by storytelling in the construction of earthly knowledges, the imbrication of speculation and politics, and the nonhuman dimension of fabulation that allows for the liberation of forces of life repressed by an anthropocentric approach. (shrink)

This article explores the queer qualities of feminist scientist Donna Haraway's ‘A Cyborg Manifesto’. In the first part, the article investigates the similarities between ‘A Cyborg Manifesto’ and the ideas circulating in queer theory, including the hybridity of identity, and the disruption of totalizing social categories such as ‘Gay man’ and ‘Woman’. In the second part, it is argued that ‘A Cyborg Manifesto’ evinced a decolonial feminist form of queerness. The article references the African-American, Chicana and Asian-American feminist (...) sociology, theory, literature and history that ‘A Cyborg Manifesto’ takes up. The article does not wish to position Haraway's white-authored text as an authoritative voice on decolonial feminist queerness, instead arguing for the role of ‘A Cyborg Manifesto’ as a bibliographical work that readers may reference in their exploration of decolonial feminist beginnings of queer theory. (shrink)

Haraway's 'Cyborg Manifesto' is a key postmodern text and is widely taught in many disciplines as one of the first texts to embrace technology from a leftist and feminist perspective using the metaphor of the cyborg to champion a socialist, postmodern, and anti-identitarian politics. Until Haraway's work, few feminists had turned to theorising science and technology and thus her work quite literally changed the terms of the debate. This article continues to be seen as hugely influential in the (...) field of feminism, particularly postmodern, materialist, and scientific strands. It is also a precursor to cyberfeminism and posthumanism and perhaps anticipates the development of digital humanities. (shrink)