Persia’s Imperial Power in Late Antiquity: The Great Wall of Gorgān and Frontier Landscapes of Sasanian Iran. By Eberhard W. Sauer; Hamid Omrani Rekavandi; Tony J. Wilkinson; and Jebrael Nokandeh. British Institute of Persian Studies Archaeological Monographs. Oxford: Oxbow Books, 2013. Pp. xvi + 711, illus. $150. [Distributed by the David Brown Book Co., Oakville, CT.].

The leitmotif of the German contribution to the 12th Architecture Biennial in Venice, “desire“, is at the same time the topic of a survey among architects ; answers are given through drawings. What are you longing for? The response drawings are highly individual, diversity becomes programme: both in picture language and in the presentation in terms of content, reactions are quite different. But there is one thing they all have in common: the burning desire of something concrete. Sometimes it spreads (...) lightning-like on the observer, sometimes time is required for a contemplative involvement with form and content. The architectural sketch, as it may seem, degenerated into a side product of architectural work within the last years, is back! (shrink)

Gottfried Wilhelm von Leibniz (1646-1716) has a prominent worldwide place in the history of scientific thought, from mathematics, logic, and physics to astronomy and engineering. In 2016, both his birth and death have been commemorated. Given the influence by Leibniz on Western sciences and philosophies and his polyhedric scientific activities, this special book chooses to focus on Leibniz's scientific works. In particular, we explore Leibniz's intellectual matrix and heritage within interdisciplinary fields, and present contributions from leading experts on the subject. (...) The book offers much-needed insights into the subject from scientific, historical, philosophical and nature of science perspectives. It also provides authoritative introductions to scholarly contributions, which are often dispersed in journals and books not easily accessible to every reader. Therefore, this volume also contains excellent chapters on topics which, generally speaking, have their place in any rounded science, history or philosophy topic. It provides an absorbing and significant read for historians, philosophers and scientists alike. Editors Raffaele Pisano is full professor at the Lille University, France. Michel Fichant is Emeritus professor at the Sorbonne University, France. Paolo Bussotti is senior lecturer-researcher at the Udine University, Italy. Agamenon R. E. Oliveira is full professor at the Federal University of Rio de Janeiro, Brazil. Foreword Eberhard Knobloch is Emeritus professor at the Berlin University of Technology, Germany. (shrink)

Einführung : Was ist Leben?. -- 1. T., Grundlagen der Lebensethik. Theologische Lebensethik und säkulare Bioethik ; Grundlagen der Lebensethik aus philosophischer Sicht ; Grundlagen der Lebensethik aus theologischer Sicht ; Ethische Prinzipien der Lebensethik -- 2. T., Konkrete Problemfelder. Die Verantwortung für das eigene Leben : Gesundheit und Krankheit ; Ethische Probleme im Zusammenhang mit der Ausweitung diagnostischer Verfahren ; Ethische Probleme im Zusammenhang mit der Ausweitung therapeutischer Verfahren ; Ethische Probleme der biomedizinischen Forschung ; Die Verantwortung für das (...) fremde Leben : Abtreibung und Euthanasie ; Die menschliche Verantwortung für das tierische Leben -- Schlussbetrachtung : Christliche Grundhaltungen der Lebensethik. (shrink)

Since the beginning of the 20th Century to the present day, it has rarely been doubted that whenever formal aesthetic methods meet their iconological counterparts, the two approaches appear to be mutually exclusive. In reality, though, an ahistorical concept is challenging a historical analysis of art. It is especially Susanne K. Langer´s long-overlooked system of analogies between perceptions of the world and of artistic creations that are dependent on feelings which today allows a rapprochement of these positions. Krois’s insistence on (...) a similar point supports this analysis. - I - Unbestritten bis heute gilt, formwissenschaftliche und ikonologische Methoden scheinen sich grundsätzlich auszuschließen, da die ersteren auf ahistorischen und die letzteren auf historischen Grundlagen aufbauen. Dem entgegen soll mit diesem Beitrag gezeigt werden, wie insbesondere die Forschungen Susanne K. Langers und ergänzend diejenigen von John M. Krois eine Annäherung beider Positionen ermöglichen. (shrink)