This essay delves into the utilization of a negative hermeneutical approach, focusing on gaps, tensions, and the absence of elements, to enrich our comprehension of reconciliation efforts. It posits that this method aids in discerning more and less appropriate approaches to reconciliation processes. Negative hermeneutics serves as both a technique and an ongoing journey of exploration, self‐assessment, and understanding our connection with otherness. By critically engaging with perspectives, it prompts deeper questions and fosters a heightened awareness of the limitations inherent (...) in one's viewpoint. Drawing from examples within the ongoing “Reconciliation and Beyond” initiative of the diocese of British Columbia, specifically Bishop Logan's “Sacred Journey,” the essay illustrates how this approach holds potential. It demonstrates how a focus on negative aspects—those initially resistant to conventional academic scrutiny, like silence and materiality—offers valuable insights into critical practices and academic implications. Furthermore, the essay analyses how a hermeneutical process involving receiving, deconstructing, and recreating can introduce innovative perspectives for understanding reconciliation efforts. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:How Can Satan Cast Out Satan? Violence and the Birth of the Sacred in Christopher Nolan’s The Dark Knight1Nicholas Bott (bio)Last Summer, Christopher Nolan’s final installment of the Batman trilogy hit theaters. The Dark Knight Rises promised to be the epic conclusion of a hero’s journey, a journey of a man’s transformation into a legend. Little was revealed in the official trailers, except that evil was rising in (...) Gotham City, and so too must The Batman. But in this essay I’d like to suggest that we didn’t need to view The Dark Knight Rises before seeing either evil, or Batman rise; by the end of the second film, evil and Batman have already risen—and together—in the sacred form of The Dark Knight.This essay first elucidates how Bruce Wayne’s strategy to inspire good among the citizens of Gotham, first articulated in Batman Begins, encompasses the hallmarks of Girard’s mimetic theory, including: mimesis, rivalry, scandal, and, finally, the outworking of the mimetic mechanism of the surrogate victim—the scapegoat. Next, this essay takes a closer look at the goodness, or lack thereof, of Batman’s climactic self-sacrifice with its attendant resolution. Finally, this essay demonstrates that interpretations [End Page 239] of Batman’s self-sacrifice in the movie have mirrored the disparate interpretations of Christ’s self-sacrifice, in relation to the climax and resolution of the Passion accounts.Mimetic Structure in Bruce Wayne’s StrategyBeginning With the EndThe final visual the audience is given in The Dark Knight is of Batman escaping on his Batpod. The screenplay’s description of this final scene reads: “The batpod streaks through Gotham’s underground streets, the Batman’s cape fluttering behind. A wraith...”; (TDK, 140).2 Commissioner Gordon’s voice is overheard saying, “... He’s not our hero. He’s a silent guardian, a watchful protector, a dark knight” (TDK, 140). Bruce Wayne has sacrificed himself for the sake of Gotham. But what kind of sacrifice has he made?3 In the words of Alfred, “The sacrifice he’s making [is]—to not be a hero. To be something more” (TDK, 73). And Batman has become something more. No longer a hero, the language Commissioner Gordon uses to describe Batman on behalf of Gotham is mythical and sacred. Girard understands this sacralization to be the completion of the surrogate victim mechanism, the satanic process whereby the sacrifice of an innocent scapegoat reconciles a community in the midst of crisis and violent upheaval.4 This sacred vision of Batman represents the final stage of the surrogate victim mechanism, providing evidence that the satanic has been at work. But if this is the case, something has gone terribly awry in Bruce Wayne’s strategy to inspire good. With this conclusion in mind, the flaws in Wayne’s strategy as it develops throughout Batman Begins and The Dark Knight become apparent, and correspond with each step in the mimetic process.Mimesis as PlotMimesis, or imitation, stands at the heart of The Dark Knight’s plot because it stands at the heart of Bruce Wayne’s strategy to inspire good. We encounter this strategy in Nolan’s first film, Batman Begins, as Wayne explains to Alfred his reasons for returning to Gotham City:Alfred:Are you coming back to Gotham for long, sir? [End Page 240]Bruce:As long as it takes. I want to show the people their city doesn’t belong to the criminals and the corrupt.Alfred:In the depression, your father nearly bankrupted Wayne Enterprises combating poverty. He believed his example could inspire the wealthy of Gotham to save their city.Bruce:Did it?Alfred:In a way. Their murder shocked the wealthy and the powerful into action.Bruce:People need dramatic examples to shake them out of apathy. I can’t do that as Bruce Wayne. As a man... I’m flesh and blood, I can be ignored, destroyed. But as a symbol... As a symbol, I can be incorruptible. I can be everlasting.Alfred:What symbol?Bruce:Something elemental, something terrifying.(Batman Begins)5By invoking the symbolic, Bruce Wayne believes Batman will be... (shrink)

This book revisits, and sheds fresh light on, some key texts and debates in ancient philosophy. Its twin targets are 'Old Chestnuts' – well-known passages in the works of ancient philosophers about which one might have thought everything there is to say has already been said – and 'Sacred Cows' – views about what ancient philosophers thought, on issues of philosophical importance, that have attained the status of near-unquestioned orthodoxy. Thirteen leading scholars respond to these challenges by offering new (...) perspectives on familiar material and challenging some prevailing orthodoxies. On authors ranging from the Presocratics to Plotinus, the book represents a snapshot of contemporary scholarship in ancient philosophy, and a vigorous and illuminating affirmation of its continuing interest and power. The volume is dedicated to Professor M. M. McCabe, an inspiring scholar and teacher, colleague and friend to both the editors and the contributors. (shrink)

The Kalama-sutta is frequently cited as proof of the rational and empirical spirit of early Buddhist epistemology, ‘The Buddha’s charter of free enquiry’, according to Soma Thera. A close reading, however, calls that interpretation into question. The Kalamas do not ask what is the truth, and the Buddha does not tell them how to find it. Rather the Kalamas ask ‘Who is telling the truth?’ in what may have been the pursuit of sacred or quasi magical power through the (...) person of a teacher. The Buddha, in turn, encourages them to adopt a set of attitudes and actions, which includes choosing a teacher. The method of evaluation that the Buddha gives, which includes the famous ‘know for yourselves’ is found to be as least as much ethical as it is epistemological and to invoke the opinion of authority and the public. The Buddha here seems to call for a decision that is partly based on faith, and the Kalamas respond not with independent research, but with an act of faith in committing themselves to the Buddha. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Dante’s Poetics Of The Sacred WordSteven BotterillI hope to make a case that, until recently, would probably have seemed self-evident, or at least uncontroversial: namely, that a positive valuation of the power of human language to express and to represent informs the textual practice of Dante’s Commedia—or, to put it more bluntly, that Dante believes in words.1The language of poetry was, for Dante, the supremely demanding and supremely (...) rewarding form of human eloquence. This much is made clear in his significantly titled treatise De vulgari eloquentia (On Eloquence in the Vernacular), which, having set out—and failed—to identify a truly noble form of the Italian vernacular, takes it as axiomatic that if (or rather when) such a language is brought into being, it will primarily be used by poets in the composition of their poetry. Despite the many subsequent developments in his thought, and despite, above all, the drastic and often underestimated effects of his shift after 1300 from lyric to narrative-dramatic forms and techniques, nothing in Dante’s later works gives us any reason to think that he ever modified this view.Within the narrative of the Commedia, the overriding importance of eloquence is amply demonstrated by the fact that, without it, Dante-character’s journey would never have taken place. It is to poetic eloquence that Dante owes both his visionary experience and his eventual salvation. Confirmation of this initially startling proposition occurs in canto II of Inferno, where Virgil describes his commission from Beatrice to come to the aid of her errant admirer, and explains that he is charged to do so through the use of his “parola ornata” (“ornamented [End Page 154] word”: Inf., II. 67)—not merely a word plucked from the dictionary, however potently charged with salvific meaning, but a word (or, by synecdoche, a language) that is perceptibly embellished with the technical and rhetorical devices recognized by its hearers as constituting eloquence. Virgil, then, is not just to speak the saving word but to pay attention, as both his historical identity and his creator’s agenda require, to the aesthetic and intellectual implications of its usage; and the efficacy of his speech is manifestly dependent on the elegance and persuasiveness of its formulation.Dante-character’s initial recognition of his mysterious interlocutor in Inferno I as “quella fonte / che spandi di parlar sì largo fiume” (“that spring / that pours forth so rich a stream of speech”: Inf., I. 79–80) is thus retrospectively justified: this is the immediately relevant aspect of Virgil’s historical personality, the one that best equips him to become Dante-character’s guide and mentor in Hell and (most of) Purgatory. Likewise, it is under the auspices of another renowned possessor of eloquence, Bernard of Clairvaux, that Dante’s journey reaches its appointed end. The narrative movement through the Commedia is, among much else, a movement from one “parola ornata” to another, from Virgil’s eloquence to Bernard’s, from the pagan word that offers worldly renown to the Christian word that both transfigures the believer in this life and promises bliss in the life to come. The former, however, grounds the process that leads to the latter; and at both ends of the journey the functional significance of the word and its usage remains paramount.We need, however, to be careful at this point, lest we begin too quickly to entertain the notion that the centrality of eloquence in Dante’s thought immediately justifies the conclusion that he accepted the intrinsic validity of poetic language, or, more controversial still, its supremacy over other forms of eloquent discourse. Firstly, Virgil’s is not the only word in the poem distinguished as “ornata.” The epithet recurs in the bolgia of the seducers, as part of the tale of Jason, who “con segni e con parole ornate” (“with signs and with ornamented words”: Inf., XVIII. 91) led Hypsipyle astray and earned himself damnation. Clearly, Jason’s “parole ornate” are morally quite different from Virgil’s: instead of saving they betray, instead of embodying the truth they act as a vehicle of deceit. Their ornamental quality is specious, employed to conceal their... (shrink)

Western practices and theories of the sacred have been ritually performed and culturally elaborated mostly by male theorists who ignored the historical exclusion of women from sacral arenas. Shaped by male morphologies, their practices and descriptions quickly became prescriptions for theological rectitude and/or healthy social functioning. Women's exclusion appears to have been essential rather than epiphenomenal to the political and ecclesiastical structures established. Through the lens of Sigmund Freud, in this article I will attempt to analyse why the question (...) as to how the Western sacred has been achieved, defined, and elaborated is inherently antithetical to the future of the earth and of women. I will argue that Freud's focus on repression rather than nurture enables the Western sacred to forge gender dichotomies and legitimize those forms of religious and political mentalities that now carry lethal capacities. For that reason, we need to de-construct its most dangerous capacities, challenge the toxic stories, develop spiritual and disciplinary practices that nurture human creativity, foster independent thinking, and radically address the acute gendered imbalance that currently pervades the religious and political social imaginary. I argue that a feminist call for mere equality within existing theological or political frameworks fails to do justice to the issues at stake. I will then point briefly to some alternative approaches to the sacred mentioned above in the work of philosopher and psychoanalyst, Luce Irigaray; anthropologist, Peggy Reeves Sanday; Jungian analyst, Marion Woodman, and artist, psychoanalyst and theorist, Bracha Lichtenberg Ettinger. (shrink)

This essay is an appreciative engagement with Karl Peters's Dancing with the Sacred (2002). Peters achieves a naturalistic theology of great power. Two themes are covered here. The first is how Peters gives ontological footing for a naturalistic conception of God conceived as the process of creativity in nature. Peters achieves this by conceiving creativity in terms of Darwinian random variation and natural selection combined with the notion of nonequilibrium thermodynamics. He gives ontological reference for a conception of God (...) similar to Henry Nelson Wieman's idea of creative transformation. The second theme is how Peters succeeds in translating this nonpersonal conception of God into a powerful view of naturalistic religion that can shape a religious form of life. The key is that Peters's God can be understood as present in experience. Peters provides naturalistic interpretations of grace and the cruciform structure of creativity; the latter addresses the problem of evil in a nuanced fashion. I conclude with three critical comments about Peters's environmental ethics, his use of the notion of mystery, and his failure to have a robust conception of human fault or sin. (shrink)

Secularization of life in general is widely seen as a direct consequence of European enlightenment and the process of modernization. The paper contests this thesis of societal secularization through a historical analysis of ideas in the Anglo-Saxon Christian parts of Europe and North America. It contends that the sense of the sacred has either been pushed to the private lives of individuals or marginalized into myriad forms of counter-movements. This paper then contests secularization of organizations and sees it as (...) a thin veil of misperception. Success of Japanese organizations and studies thereof, have brought back the inevitable relevance of societal cultures for organizational management. A sense of the sacred is an essential aspect of culture—societal or organizational—which must be taken into account to build truly humane and optimally effective organizations. The theory and practice of organization development must advance itself accordingly to remain true to its spirit. (shrink)

This article offers a brief historical analysis of power-in-use by both secular and sacred institutions. With examples the author shows that while both sacred religion and secular science have tried to correct each other's shortcomings, the virus of separative egoism has afflicted them both. While the sacred implies reduction of egoism as an indispensable precondition, yet this is frequently forgotten. So abuse of power often accompanies the sacred as well. This unfortunate tendency is a problem that (...) needs attention. (shrink)

The present contribution engages with two representative examples of middle-Byzantine ekphraseis, Photios’ description of the Virgin of the Pharos and Leo VI’s account of the church founded by Stylianos Zautzes. It aims at showing how these texts suggest modes of viewing the sacred space and decoration that pose, more than settle, questions about images and pictures, their intended function, significance and impact within their specific cultural frames of reference. Far from being neutral and disengaged, these verbal representations have a (...) specific agenda, which inflects the audience’s perception and interpretation of the decorated church space. Comparisons with coeval monumental evidence are also offered, in order to analyze textual and visual developments in parallel. (shrink)

The body of almost every Roman or Byzantine emperor has been lost. This piece draws attention to two skeletons, recovered from a Muslim türbe at Trabzon during World War I by the Russian excavator Feodor Uspensky. Using local oral tradition, Uspensky identified the two bodies he recovered as the Byzantine emperor of Trebizond Alexios IV (1417-1429) and a local Turkish hero Hoşoğlan. Since Uspensky, his identifications have not been challenged nor scientifically examined. This paper argues that Uspensky did not recover (...) just one but two imperial skeletons. It first dissects his identifications, showing how competition for sacred space between Greeks and Turks in the Ottoman period led each community to identify the tomb’s occupants with foundational figures in their communities. After dissecting Uspensky’s identifications, this paper then makes the case that both occupants of this tomb were unidentified members of the Grand Komnenoi family, urging for scientific examination of what may be the only bones of a Byzantine emperor. (shrink)

This paper explores Emmanuel Levinas' Jewish writings, and in particular, his Talmudic commentaries and essays on Judaism. The aim is to elicit some salient features of his methodological approach to the Jewish sacred texts. In general, Levinas' specific reflections on method (in terms of reading the Jewish Scriptures) are confined to sporadic, fragmentary comments interspersed throughout his writings. In extracting these reflections, a specifically Levinasian approach emerges. In particular, his approach shows how one may ethically encounter the Other(s) in (...) these sacred texts. (shrink)

This chapter contains section titled: I In What Sense is Dworkin's Liberalism Neutral? II Two Parameters III Liberal Neutrality and the Sacred Acknowledgement.

This article argues a case against the theory of the sacred put forward by the French anthropologist René Girard. In particular, Girard seems to have obliterated one of the tenets of Christian theology, namely, the doctrine of Christ's ascension, in accord with his critical reading of Paul's letter to the Hebrews, which contains a rare emphasis on Christ's departure from the world. This article adopts a 'neo-Hobbesian' perspective in understanding the return of the sacred and fosters a 'political (...) theology of the empty tomb', where the doctrine of Christ's ascension is called upon to again play a major theological role as a workable antidote to the contemporary resurgence of the sacred. (shrink)

Farrell, Marie T Review(s) of: The first thing to do is live: Essays sacred and secular, by Adrian Lyons SJ (Melbourne: David Lovell Publishing, 2013), pp. 136, pb $27.95.

This article examines the role of stories in ecological activism. It first situates stories inside object ecologies, encompassing relationships of reliance, care, and maintenance of things. It suggests that ecologies of this sort work as an extended mind where our cognition takes place and meaning is apprehended, so that what we can think of is always a function of what we have “at hand.” The article then considers how these ecologies are impacted by discourses on climate change and peak oil, (...) which stress the impossibility to keep ordering our lives through the same entanglements that have supported them so far. A dissonance arises between the sort of demands and dependencies we are still subject to on a daily basis and the anticipation that those demands and dependencies shall not be able to endure. Stories of transition, which tread a middle ground between denial and collapse hysteria, dissipate this tension. In so doing, they contribute to the growing of alternative sacred forms, working as attractors that constitute groups as moral collectives. These forms are woven through alternative entanglements of objects, bodies, and other stories, providing determinate implication for action, from the indeterminacy of the unknowns of climate change and peak oil. (shrink)

The eminent political scientist Manfred Halpern viewed politics as belonging to each of us, as part of the nature of being human. In _A Comprehensive Philosophy of Transformation_, his magnum opus, Halpern elucidates the interconnected “four faces of our being”: the political, personal, historical, and sacred. This momentous volume identifies several modes of political activity, warns against the dangers of leaving politics to professional politicians, and urges us to build networks of compassion that include everyone in a just society. (...) Overall, Halpern calls for a transformative politics achieved through enhanced participation and understanding. (shrink)

Embryology is an intensely visual field, and it has provided the public with images of human embryos and fetuses. The responses to these images can be extremely powerful and personal, and the images (as well as our reactions to them) are conditioned by social and political agendas. The image of the 'autonomous fetus' abstracts the fetus from the mother, the womb, and from all social contexts, thereby emphasizing 'individuality'. The image of 'sacred DNA' emphasizes DNA as the unmoved mover, (...) the eidos, the soul of the human being. Since fertilization involves the forming of a new constellation of DNA in the zygote, the act of fertilization is being perceived as the secular and technical equivalent of ensoulment. This privileges fertilization above the other possible scientifically valued times when 'human life' begins. (shrink)

Catherine Clement, Julia Kristeva, Femeia si Sacrul Editura Albatros, Bucureoti, 2001., 244 pg.

In Greek inscriptions on cult foundations and regulations from the Hellenistic period onwards it is possible to see the development of an especial religious discourse that includes ancient and new hymnic elements, in addition to new topoi that do not belong to the Hymn tradition. This new religious discourse develops incorporating new features of Greco-Roman religion, strongly influenced by oriental cults, and at the same time well aware of the new philosophical trends that very much pervaded religion at this time. (...) Some sacred inscriptions from the third century BC onwards show precedents of elements well attested in the sacred literary prose of the second century AD. In this paper, the main topoi that constitute this new religious discourse will be analyzed looking specifically at the topoi concerning the founder of the sacred institution or norms, the god or gods worshipped and the worshippers, and also the topoi concerning the content of the foundation norms and the resources used to force the observance of the norms. (shrink)

Both Islamic and Jewish thought display a sensitivity to the treatment of texts, particularly sacred texts. This article investigates Muslim debates on how to dispose of worn-out sacred texts. It argues that these debates were rooted in the precedent formed by the reported destruction of noncanonical copies of the Qurʾān by the third caliph ʿUthmān, and they featured various preferred and rejected methods of text disposal, including burning, washing, shredding, and burying. By the thirteenth century CE, these debates (...) had yielded a robust theorization of worn-out texts as analogous to human corpses and thus deserving of respectful burial. (shrink)

How and why could some stories be construed as sacred in organizations, and what functions does the sacred have in organizational values work? Research has shown how values can be made formative of a range of organizational purposes and forms but has underscored their performative, situated, and agentic nature. We address that void by studying the sacred as a potentially salient yet under-researched realm of values work. Drawing on an ethnographic case study of a faith-based health care (...) organization and the ethical philosophy of Paul Ricoeur, we describe how the sacred is figured in two sets of tales that were lived and told with surprising intensity and consistency: the parable of the Good Samaritan and the tale of the legacy bestowed by the organization’s founder. We theorize how this figuring of the sacred in story and in action recasts values work from a centralized and unitary process to a two-way learning dialectic between the ongoing creative imitation of action and narrative. Values in the shape of stories of the sacred do not achieve their meaning as unchangeable cores or sanctioned beliefs. Rather, they come to life in a process of ongoing moral inquiry that co-evolves with moral agencies. In the latter regard, the sacred primarily becomes manifest in everyday work in the form of questioning and creative acts of care. People become moral agents when they feel and respond to the sacred in the call of the other. (shrink)

The article deals with the development of sacred art in Galicia at the turn of the 19th and 20th centuries. Masters of Ukrainian icon painting K. Ustinovich, Y. Pankevich, M. Sosenko, P. Kholodny and others. continued the creative process through which the Ukrainian icon for a long historical period of development did not lose its viable direction, did not degenerate into the picture. They have not crossed that limit, when the departure from the fundamental theological foundations of iconoclasm threatens (...) to transform it into a painting of dry religious content. (shrink)

Aurel Codoban, Sacru si ontofanie. Pentru o nouã filosofie a religiilor (The Sacred and Ontophany. For a New Philosophy of Religions) Ed. Polirom, Iasi, 1998.

The ancient Thracian megalithic and stone-hewn sacred places are full of symbols closely connected with the Thracian mythology and ancient cult practices which were typical for this area. Among them the most numerous are the huge stone-hewn human footprints, which in Bulgarian folklore were regarded as the footprints of the hero Krali Marko, who was thought of as the guardian of the people in Bulgaria. In the contemporary science studying Thrace he is believed to have been the folklore successor (...) of the Thracian Dionysus.Marking the sacred place with a stone-hewn footstep altar of the hero was authentic evidence for the believers in ancient times that the god had been there in primordial mythological times. In this way, through the contact with the divine, the monumental rock turns into sacred and the place turns into a sanctuary. The raw becomes boiled, Nature becomes culture. With the establishment of Christianity as the sole religion in the Roman Empire since the 4th century, some of the Thracian megalithic sanctuaries have been abandoned. Others have been Christianized. Later, others in the Middle Ages were converted into Islamic sacred places. In this way they became permanently sacred places on the Balkans. Part of the signs-symbols in them have a new meaning in the spirit of the new religions.Key words: anthropology; history of culture; religion; mythology; archaeology. (shrink)

Studies of mythology and the philosophy of religions ascribe violence an important role in understanding traditional societies. Whether perceived as sacred and capable of renewing the world, or as oppressive and destructive, violence acquires a twofold valence, whose constituents are interpreted in a complementary relation of interdependence and entail a world outlook with profound implications. Retrieving this ambiguous dimension of religious violence, Kenzaburō Ōe’s novel imagines, against the historical background of post-war Japanese society, a game that enacts the eternal (...) rivalry between two brothers. Lest the history of this seemingly lost present should fall prey to political abuse, the Japanese writer proposes a return to myth, without, however, idealising it; instead, myth is revalorised and tradition is re-conceived from the vantage point of rationalism, with full and alert awareness of the dangers inherent in an ideology that is imposed by force and aggression. Kenzaburō Ōe’s novel is a lucid meditation on Japan’s modern and contemporary history. (shrink)

This paper offers a reinterpretation of the divine as embodied by the Semitic goddess Lilith, she who has been represented and misrepresented in a variety of sacred texts. Working with Lilith as both symbol and archetype, I will analyze texts in which she appears, tracing her historical development and metamorphosis from goddess to demon to symbol of independence and open sexuality. As part of this analysis, I will discuss how Lilith's demonization was designed to keep women alienated from their (...) own 'original sources' of power and spiritual authority. The essay concludes with an appreciation of feminist texts, including the first midrash or reinterpretation of the Alphabet of Ben Sira, and more recent work. I also bring in feminist scholars' reclamation of the Sacred Feminine through poetic/liturgical responses to damaging canonical texts. My paper argues that this literature, too, should be regarded as 'sacred text,' since these women-centered writings have become texts of empowerment for contemporary women as well as part of their spiritual practice. (shrink)

The essay offers a Jewish account of education in nonviolence by examining the first of Emmanuel Levinas' Talmudic readings ‘Toward the Other.’ I begin by exploring Levinas' unique philosophy of religious education, which nurtures responsibility for the other, as part of an alternative to enlightenment-orientated modern Jewish thought pioneered by the likes of Gershom Scholem, Martin Buber, and Franz Rosenzweig. I then consider a question raised by Yusef Waghid and Zehavit Gross at the 2012 meeting of the Philosophy of Education (...) Society of Great Britain in Oxford concerning whether one must forget in order to forgive great wrong doing such as South African Apartheid or the Holocaust of European Jewry. Through an examination of Levinas' treatment of several Talmudic passages, I argue that the Jewish tradition takes a paradoxical approach to this question. We should forget in order to remember wrong doing. The spiritual process that both perpetrators and victims must undergo in order to embrace this paradox, I contend, is a genuine education in nonviolence. (shrink)

As an imaginative vision of life as a whole is a central part of our mental equipment for any serious study, we must be careful what vision we espouse. If science is not furnished with a sensible one, it cannot fail to gather a wild one.

From the earliest days of social science, in the writings of David Hume and Adam Smith, it has been difficult to make secular sense of the notion of sacredness in terms that believers in that notion can recognize as what they mean by it-social scientists instead tend almost universally to treat it as the consequence of an illusion of some kind. This paper explores the sources of that difficulty, arguing that it is built into the assumptions that make social science (...) a science at all. It also argues that treating a category so central to the moral thinking of millions of people as resulting from an illusion breeds attitudes of condescension that are morally problematic. Using themes to be found especially in Kant, the paper proposes a way for social scientists to treat the category of sacredness with respect for moral purposes even while maintaining the presuppositions, for the purposes of their scientific work, that lead them to try to explain it away. (shrink)

The article deals with the analysis of the religious component in the manifestations of ritual plastic arts of the Trypillia ethno-cultural community. The author brings into consideration one of the “visiting cards” of the Trypillia civilization—“binocular” (biconical) ceramic plastic arts, which became one of the most characteristic visual markers of the culture.

In 2008, the Musée des Beaux-Arts de Lyon acquired a painting called The Flight into Egypt which was attributed to the French artist Nicolas Poussin. Thought to have been painted in 1657, the painting had gone missing for more than three centuries. Several versions were rediscovered in the 1980s and one was passed from hand to hand, from a family who had no idea of its value to gallery owners and eventually to the museum. A painting that had been sold (...) as a decorative object in 1986 for around 12,000 euros was acquired two decades later by the Musée des Beaux-Arts de Lyon for 17 million euros. What does this remarkable story tell us about the nature of art and the way that it is valued? How is it that what seemed to be just an ordinary canvas could be transformed into a masterpiece, that a decorative object could become a national treasure? This is a story permeated by social magic the social alchemy that transforms lead into gold, the ordinary into the extraordinary, the profane into the sacred. Focusing on this extraordinary case, Bernard Lahire lays bare the beliefs and social processes that underpin the creation of a masterpiece. Like a detective piecing together the clues in an unsolved mystery he carefully reconstructs the steps that led from the same material object being treated as a copy of insignificant value to being endowed with the status of a highly-prized painting commanding a record-breaking price. He thereby shows that a painting is never just a painting, and is always more than a piece of stretched canvass to which brush strokes of paint have been applied: this object, and the value we attach to it, is also the product of a complex array of social processes – with its distinctive institutions and experts – that lies behind it. And through the history of this painting, Lahire uncovers some of the fundamental structures of our social world. For the social magic that can transform a painting from a simple copy into a masterpiece is similar to the social magic that is present throughout our societies, in economics and politics as much as art and religion, a magic that results from the spell cast by power on those who tacitly recognize its authority. By following the trail of a single work of art, Lahire interrogates the foundations on which our perceptions of value and our belief in institutions rest and exposes the forms of domination which lie hidden behind our admiration of works of art. (shrink)

Lamb, Judith Australian Catholic women religious have played a significant role in the spread of the Gospel and in the provision of services, especially in education and health care, from the middle of the nineteenth century. One such group is the Congregation of the Daughters of Our Lady of the Sacred Heart. From their base in Sydney in 1885, missionaries were sent to remote communities in Australia, Papua New Guinea and beyond. In 2011, as part of the celebration of (...) the centenary of the promulgation of the Australian Province, the Provincial Council invited sisters to tell their stories in a series of interviews. These interviews have been used to provide personal perspectives on the challenges and rewards of missionary life. (shrink)

우리의 역사상 실재하였거나 그 건립이 주창되었지만 한 번도 같은 공간에 공존(共存)한 적이 없었던 민족고유의 종교적 신성공간(神聖空間)이 3개 있다. 그것은 신라시대의 신궁(神宮), 고려의 팔성당(八聖堂), 조선조의 무묘(武廟)이다. 본고는 이 셋을 같은 공간에 복원한 뒤에 이 공간에서 신라 진흥왕 이래로 고려에 이르기까지 간헐적으로 행하여졌던 무교(巫敎)적 삼신천제(三神天帝)로서의 팔관회(八關會)를 부활시켜서 개최하는 것의 중요성과 그 역사·철학적 의미를 탐색하였다. 이렇게 하면, 이곳은 단순한 전통의 복원을 넘어선 ‘전통의 창조적 계승의 장’이 될 수 있을 것이다. 여기서 앞의 세 신성공간에 숫자 3을 부여하고 뒤의 팔관회에 숫자 1을 부과하여, 이 3+1을 (...) 우리 고유성의 하드웨어로 보고자 하였다. 그리고 이 3+1의 장을 삼한시대의 종교적 신성공간이었던 소도(蘇塗)를 본 따서 ‘(가칭)소도지역’으로 명명하고자 하였다. 이처럼 소도지역 안에 공존할 3+1은 그 하나하나가 우리의 고유성[정체성]을 드러내고 있다. 그러므로 하나씩 그 함의를 고찰해 봤다. 이처럼 소도지역이라는 하드웨어가 설정되면 이제 이러한 하드웨어를 뒷받침 하는 소프트웨어가 무엇인지 궁금해진다. 이 소프트웨어에 대해서는 지면관계상 후속논문에서 탐구할 것이다. 아울러 후속논문에서는 이러한 고유성의 소프트웨어와 하드웨어를 갖춘 소도지역을 어떻게 활용할 것인지, 나아가 그 건립의 최적지가 어디인지? 왜 그렇게 보는지에 대해서도 검토하려고 한다. 따라서 본고는 후속논문을 위한 선행논문으로서의 의미도 동시에 갖는다고 할 것이다. (shrink)

The Goddess People of Avalon, a young and flourishing religious community in Glastonbury (South-England), have been defining themselvesprincipally as a revitalization of the prehistoric worship of the Great Goddess. Based on fieldwork data of the author, the article offers an introduction into the religious tradition and ritual praxis of the contemporary Goddess People. Specifically, the analysis focuses on the ritual genre of Sacred Drama with its interpretationof the general and local history of religions. The variety of recursivity (as a (...) reference to the past), which this ritual genre expresses, is examined within an analytical frame that has been developed for different forms of ritual dynamics. Particularly, the analytical concepts ritual transfer, adaptation, invention and ritual design are discussed. Within the lastyears, a change in the self-image and legitimizing strategies of the Goddess People has occurred: Whereas in their nascent years, they understood themselves as a reactualization of primordial spirituality, they tend to see themselvescurrently more as a newreligious tradition, inventing their rituals creatively and confidently. The article argues for the use of the analytical concept ritual design to describe this aspect of ritual dynamics. Thus, instead of evaluating the degree of originality of rituals from an academic point of view, the legitimizing strategiesof religious agents come to the fore. (shrink)

Schelling’s “Bruno” provides a provocative illustration of his conviction that early modern science has adopted a radically flawed and impoverished concept of matter, and therefore of nature. The “Bruno” has been read as a settling of scores with Fichte, with whom Schelling had recently quarreled, and as a critique of Kant’s idealism. I propose to look at how the dialogue reveals Schelling’s developing understanding of pantheism, as reflected in the arguments he borrows from Giordano Bruno and then transforms. “Bruno” is (...) a dialogue with four interlocutors, and ranges widely. I will discuss two central sections, in which the two main roles are played by Bruno (Schelling) and Lucian (Fichte). Lucian begins by restating their agreement in an earlier section of the dialogue that when it is considered in the light of the supreme idea, the distinction of knowledge and being is untrue, a tantalizing claim. He then goes on to pose the question of how it can be possible to understand the departure of the finite from the eternal. (shrink)