This paper argues that spacetime visualisability is not a necessary condition for the intelligibility of theories in physics. Visualisation can be an important tool for rendering a theory intelligible, but it is by no means a sine qua non. The paper examines the historical transition from classical to quantum physics, and analyses the role of visualisability and its relation to intelligibility. On the basis of this historical analysis, an alternative conception of the intelligibility of scientific theories is proposed, based on (...) Heisenberg 's reinterpretation of the notion of Anschaulichkeit. (shrink)

Since ancient times comparisons between embryonic forms of humans, animals, and plants are known. In deciphering a plant embryo and its development, one applied a specific zoomorphic terminology. Until the 17th century naturalists who studied plants were inspired by the concepts of ancient natural philosophy. Since then plant embryos are visualized by drawings and diagrammatic sketches. In the 18th century the embryo became an important issue in debates concerning theories of generation and the analogy between animal egg and vegetable seed (...) was emphasized. Due to the cell theory and refined microscopic techniques around 1850 botanists described the 'plant embryo' as an aggregate of cells. The 20th century profited of further technical improvements, e.g. microphotography, SEM, and plant tissue culture. The spell of the word embryo integrated morphological and morphogenetic data in botany and served as a code to decipher botanic forms. The paper presents a short history of the concept of 'plant embryo' and focuses on its distinct meanings over centuries, supported by different images. (shrink)

History of science's spatial turn has focused on the horizontal dimension, leaving the role of the vertical mostly unexplored as both a condition and object of scientific knowledge production. This special issue seeks to contribute to a burgeoning discussion on the role of verticality in modern sciences, building upon a wider interdisciplinary debate about the importance of the vertical and the volumetric in the making of modern lifeworlds. In this essay and in the contributions that follow, verticality appears as (...) a condition of knowledge production—a set of movements and mobilities, technical challenges, political negotiations, and bodily hardships—and an object of scientific inquiry, requiring new techniques of mapping and visualisation and generative of new insights into physical processes and temporal change. By foregrounding the vertical, historians of science can gain new insights and tell new stories about how science is done in the field, the observatory, and the laboratory, and about how those sciences have helped build a modern, three-dimensional world. (shrink)

In order to solve problems, humans are able to synthesize apparently unrelated concepts, take advantage of serendipitous opportunities, hypothesize, invent, and engage in other similarly abstract and creative activities, primarily through the use of their visual systems. In _Scenario Visualization_, Robert Arp offers an evolutionary account of the unique human ability to solve nonroutine vision-related problems. He argues that by the close of the Pleistocene epoch, humans evolved a conscious creative problem-solving capacity, which he terms scenario visualization, that enabled (...) them to outlive other hominid species and populate the planet. Arp shows that the evidence for scenario visualization -- by which images are selected, integrated, and then transformed and projected into visual scenarios -- can be found in the kinds of complex tools our hominid ancestors invented in order to survive in the ever-changing environments of the Pleistocene world. Arp also argues that this conscious capacity shares an analogous affinity with neurobiological processes of selectivity and integration in the visual system, and that similar processes can be found in the activities of organisms in general. The evolution of these processes, he writes, helps account for the modern-day conscious ability of humans to use visual information to solve nonroutine problems creatively in their environments. Arp's account of scenario visualization and its emergence in evolutionary history suggests an answer to two basic questions asked by philosophers and biologists concerning human nature: why we are unique; and how we got that way. Robert Arp is Postdoctoral Research Fellow at the National Center for Biomedical Ontology. His areas of specialization include philosophy of biology and philosophy of mind. He is the author of numerous articles and the forthcoming An Integrated Approach to the Philosophy of Mind. (shrink)

In the doxography on Anaximander it is reported that he has made a celestial globe or another kind of model, map or sketch of his astronomical conceptions. Several scholars have tried to reconstruct this model, but without success. In fact the history of the reconstruction of Anaximander's model of the heavens is a concatenation of mistakes and misunderstandings. The various and sometimes ingenious attempts will be discussed hereafter. Mostly the efforts fail through the difficulty of putting oneself into the (...) position of a more primitive astronomy which considers the earth as a flat disk and as the centre of the universe. Yet it is possible to draw a model which is both in agreement with the doxographical tradition on Anaximander's astronomy, without making special assumptions, and explains the movements of the celestial bodies as seen from a flat earth, as will be shown in the present article. (shrink)

This article examines three films made during the 1950s by Elwyn James Anthony at the psychotic clinic for children at the Maudsley Hospital that marked an important transition in the purpose and practice of visual documentation in a clinical setting: film as a research tool was transitioning from the recording of external signs as indicators of internal subjective states, to the capture of the visual flow of communication between subjects. It is a shift that had a particular impact on the (...) emergent classification of autism, a modality not yet properly separated from the broader term of psychosis, as a non-relational condition whose visual capture demonstrated a void of inter-human communicational exchange. Film was significant not only as a recording apparatus, but as a method of cutting and crafting sequences of movements into brief repetitive motifs. The filmed behaviour of children remained opaque to interpretation, a ‘finding’ that facilitated the modelling of an emergent autism as subjects who were isolated, alienated and automaton-like, inhabiting a separate temporality. The article situates this ‘second’, affectless autism, within a broader context of post-war research into gestures as a language of the body, developed largely through an intellectual network of German émigré psychoanalysts who had fled to the US and UK in the 1930s. (shrink)

First ever philosophy treatise on photography, analytic in approach but sensitive to photo-history, not confined to aesthetics or art (illus.), Walker Evans photo on cover. Papercover printing, Dec. 2000.

If the cliché about garbage – ‘Out of sight, out of mind’ – is true, its inverse, unfortunately, is not. Heaps and masses of garbage brought into direct view still somehow manage to escape acute recognition, let alone social responsibility or global political activism. This article investigates this trend as a growing problem between the human world and representation. Focusing on historical and contemporary landscape photography, the article questions whether data visualization trends, particularly those that attempt to visualize the (...) post-industrial consumer landscape, help or hinder our capacity to understand our environment, and possibly even ecological endeavors. The article charts the history of photography’s landscape genre, mapping the contours of a shift from the classical ‘nature’ aesthetic, to an industrial, post-industrial, and eventually a mathematical aesthetic contingent on emergent techniques and data visualization in the attempt to depict ever amassing magnitudes of environmental despoliation. (shrink)

The author has collaborated in research teams to visualize supercomputer simulations and real-time data. She describes these collaborative projects that employ advanced-technology graphics and novel digital displays that include large-format IMAX film, high-definition television productions, and a museum digital dome at the American Museum of Natural History. The popularity of these images and the function that they provide in popular culture are discussed. She also describes two key technologies that she was part of designing: IntelliBadge(tm), a real-time visualization (...) and ‘smart’ tracking system; and Virtual Director(tm), a virtual camera choreography and remote collaboration system. The process of data-visualization involves the mapping of data from numerical form into an iconic representational form in the attempt to provide humans with insight and understanding of a phenomenon. This is discussed in the context of metaphor, cognition, and postcolonial theory. Because data-visualizations carry the ‘weight of scientific accuracy and advanced technology’, most general audiences confuse these visualizations as ‘real’; however, it is argued that data-visualizations are models and metaphors, not reality. In metaphor theory, the mapping of attributes from one domain of information into another is how humans understand, create, and engender new meaning. Data mapping is correlated with this theory. The author explores how the use of mapping information is culturally contingent. In the spirit of scientific inquiry, she deconstructs the very professional activity for which she is most famous. (shrink)

This paper responds to Patricia Hayes’s insightful readings of Santu Mofokeng’s photographic work in South Africa. The paper operates from the premise that photography is a technology of visualization that both draws on and establishes a visual economy through which events and issues are materialized in particular ways. This allows the paper to pose questions and develop understandings about Mofokeng’s work in terms of the way certain factors coalesced to enable a particular representation of black South Africans in the (...) global image economy. Central to this is the role of assumptions about exposure and visibility in relation to violence, assumptions that Mofokeng’s work, as a critique of conventional documentary work, explicitly contests. In exploring the invisibility of everyday life, Mofokeng expands notions of documentary photography and photojournalism. This paper demonstrates this point by connecting Mofokeng’s work to a contemporary controversy in European photojournalism to highlight how a more complex understanding of documentary photography is necessary. (shrink)

With the advent of big data, the performance of traditional recommendation algorithms is no longer enough to meet the demand. Most people do not leave too many comments and other data when using the application. In this case, the user data are too scattered and discrete, with obvious data sparsity problems. First, this paper describes the main ideas and methods used in current recommendation systems and summarizes the areas that need attention and consideration. Based on these algorithms and based on (...) the user history data information and music data information that can be found now, the paper aims to build a personalized music recommendation system based on directed tags, which can provide basic music services to users and push them personalized music recommendation lists. Then, the collaborative filtering algorithm based on tags is introduced. Usually this method uses discrete tags, and the user tags and music tags are juxtaposed and leveled with each other, which does not reflect the importance and ranking order relationship of each tag and does not reflect the cognitive sequence of users when they listen to and annotate music. In order to improve this problem and increase the accuracy of recommendations, the user-tag and music-tag data are correlated through the tag sequence of tag and music-tag data are correlated and modeled analytically, and feature directed graphs are constructed. (shrink)

The use of computational tools in the humanities for science 2.0 practices is steadily increasing. This paper examines current research practices of a group of philosophers studying the history of philosophical concepts. We explain the methodology and workflow of these philosophers and provide an overview of tools they currently use in their research. The case study highlights a number of fundamental challenges facing these researchers, including: (i) accessing known relevant research content or resources; (ii) discovering new research content or (...) data; (iii) working collaboratively rather than individually. We propose a mash-up of search, visualization, and awareness tools addressing these challenges and discuss the design of the mash-up, its implementation, and evaluation with the target users. Through our case study, we demonstrate the benefits of a user-centered design approach, as well as the benefits of the concrete mash-up for historians of philosophy, and, importantly, the limitations of these tools for conducting historical and philosophical research. (shrink)

In this paper, we suggest the broader concept of proof-event, introduced by Joseph Goguen, as a fundamental methodological tool for studying proofs in history of mathematics. In this framework, proof is understood not as a purely syntactic object, but as a social process that involves at least two agents; this highlights the communicational aspect of proving. We claim that historians of mathematics essentially study proof-events in their research, since the mathematical proofs they face in the extant sources involve many (...) informal components, often not completely formalizable, and convey some kind of semantic content calling for understanding and verification. We illustrate the application of this methodological approach in some outstanding historical cases, paying particular attention to the process of proof interpretation that makes a proof-event alive. Finally, we suggest a classification of proof-events, according to the conditions imposed upon problem-solving. This enables us to speak about broad classes of proof-events in history of mathematics that share a common characteristic. (shrink)

Stephen Few provides a nice overview of the reasons why we should design data visualizations to be effective, and why it’s important to understand human perception when doing so. In fact, he’s done this so well that I can’t add much to his arguments. But I can, however, push the basic message a bit further, out into the times before and after those he discusses. Out into areas that are not as well known, or not really developed, where new opportunities (...) and new dangers may lie…. (shrink)

A sand table is an intentional structure that is an early, indeed ancient, interactive platform for visualization and simulation. An intellectual furnishing that is also a tangible instance of speculative infrastructure, the sand table offers a tactile space for the rehearsal of tactics, staccato words whose roots lie in haptics and arrangement. While common in military settings, sand tables have also been used to teach the blind, train wilderness firefighters, conduct therapy for trauma victims, illustrate stories to children, and (...) play imaginative games. Today there is a direct line from this seemingly modest technology—an implementation of what has been called elemental media—to augmented reality and other tangible interfaces. Part media history, part media archaeology, this article argues that sand tables belong to the lineage of platforms for speculative thinking and world-building that culminated in the rise of the digital computer amid a Cold War complex of scenario-driven futurology (whose centerpiece was the so-called situation room). It also suggests that sand, in its literal granularity—the physical affordances of the minute particulars of its particulate matter—offers an alternative to the binary regimen of ones and zeros that is the extractive product of the refined silica out of which semiconductors are still made. (shrink)

In 1911 the Wilson cloud chamber opened new possibilities for physics pedagogy. The instrument, which visualized particles’ tracks as trails of condensed vapour, was adopted by physicists to pursue frontier research on the Compton effect, the positron and the transmutation of atomic nuclei. But as the present paper will show, Wilson's instrument did not just open up new research opportunities, but the possibility of developing a different kind of teaching. Equipped with a powerful visualization tool, some physicists–teachers employed Wilson's (...) instrument to introduce their students to a wide range of phenomena and concepts, ranging from the behaviour of clouds to Einstein's photon, the wave–particle duality and the understanding of the nucleus. This paper uses the notes, books and prototypes of these pioneering physicists–teachers to compose a pedagogical history of the Wilson cloud chamber, documenting an episode of immense ingenuity, creativity and scientific imagination. (shrink)

The project of this Précis de philosophie de la logique et des mathématiques (vol. 1 under the direction of F. Poggiolesi and P. Wagner, vol. 2 under the direction of A. Arana and M. Panza) aims to offer a rich, systematic and clear introduction to the main contemporary debates in the philosophy of mathematics and logic. The two volumes bring together the contributions of thirty researchers (twelve for the philosophy of logic and eighteen for the philosophy of mathematics), specialists in (...) the history or philosophy of logic or mathematics. Each volume consists of ten chapters; each chapter is about forty pages, is independent from the others and deals with a particular philosophical question about logic or mathematics. The objective is to offer to the French-speaking reader a reference book. On many of the issues addressed, this Précis offers the first clear and thorough synthesis that is available in French. -/- This book is intended for third year / master's students, but also for teachers of philosophy in secondary or higher education, for logicians and mathematicians willing to take a philosophical look at the fundamental concepts of their discipline, and for any reader interested in the basic issues discussed in the philosophy of logic and mathematics. Each chapter is self-contained, although some basic training in logic (or in mathematics, as the case may be) is required. The book should be looked at as a comprehensive framework for contemporary discussions in the philosophy of logic and mathematics, while also giving some guidance on the disciplinary content required by these discussions. -/- The first three chapters of the present volume (on the philosophy of mathematics) are devoted to the history of the philosophy of mathematics: from antiquity to the modern era, and from this period to the foundational crisis of the nineteenth century, to the twentieth century. Next, four chapters deal with the crucial questions for the philosophy of mathematics of the twentieth century: the opposition and/or comparison of set theory and category theory as foundational frameworks for mathematics; mathematical constructivism; the analysis of calculability; and Benaceraff's problem. The two following chapters are focused on the philosophy of mathematical practice, by treating the notion of ideals of proof, in particular explanation and purity, and the notion of informal proof and the use of visual artifacts in mathematical argumentation. Finally the last chapter deals with the applicability of mathematics, including the role of probability. -/- In Chapter 1, Sébastien Maronne and David Rabouin present the history of the philosophy of mathematics from antiquity to the modern era. The goal is to show that the philosophy of mathematics has a history as ancient as mathematics and philosophy itself, a history largely continuous with the latter, often by staying out of sync with respect to the former. In Chapter 2, Sébastien Gandon discusses the question of the foundations of mathematics from Kant to the end of the nineteenth century. By tying this question to Kant, he is able to show that the discussion of the foundations of mathematics that occupied a large part of these two centuries has much older roots. Accent is placed on the differences between the framework proposed by Kant for making sense of classical mathematics and the use made by Frege and then Russell of logical tools for giving a different reading of arithmetic and real analysis. The link between between these different conceptions and the evolution of mathematics itself is also underlined. -/- Chapter 3, written by Hourya Benis-Sinaceur and Mirna Džamonja, deals with the evolution of mathematics in the twentieth century, notably the structuralist turn of Dedekind, E. Noether, and Bourbaki, and certain more recent developments. They devote themselves, among other things, to explaining how these developments can be understood as responses to and extensions of questions posed during the foundational debate of the immediately preceding era. -/- In Chapter 4, Jean-Pierre Marquis and Jean-Jacques Szczeciniarz discuss the different foundational options coming from set theory and category theory. They discuss, among other things, Lawvere's program to replace ZF with an axiomatization of the category of sets, the latter judged better adapted to the needs of contemporary mathematics. Different reactions, as much philosophical as technical, raised by this program are also taken into account. -/- Constructive mathematics are the object of Chapter 5, in which Gerhard Heinzmann and Mark van Atten examine in a critical and comparative manner a variety of constructivisms, including intuitionism, constructive type theory, predicativism, and finitism. -/- In Chapter 6, Guido Gherardi and Maël Pegny present computability theory, stressing its philosophical consequences. They discuss the basic concepts of this theory, for the computability of both the natural numbers and the real numbers. They then tackle the theory of computational complexity. -/- In Chapter 7, Andrea Sereni and Fabrice Pataut present Benacerraf's problem, opposing every possible account of mathematical knowledge to the availability of a theory of truth founded on an abstract ontology of mathematical objects. They give an overview of the original problem and its reformulation by Hartry Field, and reconstruct the debate that this problem has raised, by meeting at once the major opposing positions today of the analytic affiliation of the philosophy of mathematics, as much those on the platonist side as on that of nominalism. -/- In Chapter 8, Valeria Giardino and Yacin Hamami treat certain crucial aspects of the philosophy of mathematical practice. They deal in particular with the notion of an informal proof and on the role of artifacts in mathematical reasoning. They consider how such proofs, making use of these means, can contribute to the understanding of theorems and mathematical theories, thanks also to the role of visualisation and the aid of computer tools. -/- Why do mathematics often give several proofs of the same theorem? This is the question that Andrew Arana raises in Chapter 9, introducing the notion of an epistemic ideal and discuss two such ideals, the explanatoriness and purity of proof. -/- Chapter 10 is devoted to the applicability of mathematics in the study of empirical phenomena. After summarizing the history of this question, going back to Plato and Aristotle and passing by Mill and Kant, Daniele Molinini and Marco Panza reconstruct the contemporary debate, in relation, among other things, to questions raised in the philosophy of science. -/- Two appendices complete the volume. In the first Frédéric Patras treats the French tradition in philosophy of mathematics of the 20th century. In the second, Maria Carla Galavotti discusses the notion of probability and its use in science. (shrink)

This paper discusses the prospect of the "new social history" guided by the recent work of Charles Tilly on the methodology of social and historical explanation. Tilly advocates explanation by mechanisms as the alternative to the covering law explanation. Tilly's proposals are considered to be the attempt to reshape the practices of social and historical explanation following the example set by the explanatory practices of molecular biology, neurobiology, and other recent "success stories" in the life sciences. Recent work in (...) the philosophy of science on these practices by Peter Machamer, Lindley Darden, Carl Craver and others is used as the foil to disclose the difficulties of Tilly's project. Most important among them is the dilemma of specification: if diagrams (standard forms of the representation of mechanisms) are intended as representations of robust causal processes, they cannot be specific enough to provide complete mechanism schemata, and are bound to remain mechanism sketches. If mechanism sketches are elaborated in detail by tracing particular causal processes, they provide representations of fragile causal processes, which cannot be considered as mechanisms comparable to those in advanced life and other special sciences. Tilly's work on the explanation of mechanisms can be considered as symptomatic for the recent trend to visualize the forms of historical representation. As far as diagrams seem to be able to communicate stories in a direct way (without narrative discourse), this trend is a challenge for the theory of historical representation. The new theories of scientific explanation focusing on the explanatory practices of the life sciences can provide examples and be the source of inspiration for the work on the theory of historical and social explanation, going beyond the confines of the received framework of the covering law model of explanation. (shrink)

The meaning and function of the image has been evolving over all time. This has been separated from mimesis and given greater openness and an emergent meaning to be adapted to the fluxes that characterize our contemporary society. Throughout this process Art has lost the primacy and exclusivity of the image to share it with science and its visualization procedures and with a social function, now disseminated trough social networks. This article points out the decisive moments – and illustrates (...) them with examples – through the evolution from the image in Postmodernity to the open and co-participated meaning of the Postmedia age image, and the new relation with the real world that characterizes the image of the Postdigital situation. Finally, we propose that the Postdigital Condition, related to new advances such as augmented reality (AR), geopositioning devices and ubiquitous informatics, is making the appearance of a new image type possible, here called Tracking-Image. This Tracking-Image is self-generated with data, from the flux of inputs generated in physical space and registered by networked users and sensors, becoming the protagonist of a new encounter with the physical fluid reality that characterizes the Postdigital situation. (shrink)

Looking out of the window of a speeding car, receiving photographs of Earth from outer space, watching the flickering images of the TV screen, scrolling through a text, zooming in on a location in Google Earth, or sending images via mobile ...

This paper presents GlamMap, a visualization tool for large, multi-variate georeferenced humanities data sets. Our approach visualizes the data as glyphs on a zoomable geographic map, and performs clustering and data aggregation at each zoom level to avoid clutter and to prevent overlap of symbols. GlamMap was developed for the Galleries, Libraries, Archives, and Museums (GLAM) domain in cooperation with researchers in philosophy. We demonstrate the usefulness of our approach by a case study on history of logic, which (...) involves navigation and exploration of 7100 bibliographic records, and scalability on a data set of sixty million book records. (shrink)

Until recently, experimental philosophy has been associated with the questionnaire-based study of intuitions; however, experimental philosophers now adapt a wide range of empirical methods for new philosophical purposes. New methods include paradigms for behavioural experiments from across the social sciences as well as computational methods from the digital humanities that can process large bodies of text and evidence. This book offers an accessible overview of these exciting innovations. The volume brings together established and emerging research leaders from several areas of (...) experimental philosophy to explore how new empirical methods can contribute to philosophical debates. Each chapter presents one or several methods new to experimental philosophy, demonstrating their application in a key area of philosophy and discussing their strengths and limitations. Methods covered include eye tracking, virtual reality technology, neuroimaging, statistical learning, and experimental economics as well as corpus linguistics, visualisation techniques and data and text mining. The volume explores their use in moral philosophy and moral psychology, epistemology, philosophy of science, metaphysics, philosophy of language, philosophy of mind and the history of ideas. Methodological Advances in Experimental Philosophy is essential reading for undergraduates, graduate students and researchers working in experimental philosophy. (shrink)

Logic, the discipline that explores valid reasoning, does not need to be limited to a specific form of representation but should include any form as long as it allows us to draw sound conclusions from given information. The use of diagrams has a long but unequal history in logic: The golden age of diagrammatic logic of the 19th century thanks to Euler and Venn diagrams was followed by the early 20th century's symbolization of modern logic by Frege and Russell. (...) Recently, we have been witnessing a revival of interest in diagrams from various disciplines - mathematics, logic, philosophy, cognitive science, and computer science. This book aims to provide a space for this newly debated topic - the logical status of diagrams - in order to advance the goal of universal logic by exploring common and/or unique features of visual reasoning. (shrink)

This paper presents the current state of development of GlamMap, a visualisation tool that displays library metadata on an interactive, computer-generated geographic map. The focus in the paper is on the most crucial improvement achieved in the development of the tool: GlamMapping Trove. The visualisation of Trove’s sixtymillion book records is possible thanks to an improved database structure, more efficient data retrieval, and more scalable visualisation algorithms. The paper analyses problems encountered in visualising massive datasets, describes remaining challenges for the (...) tool, and presents a use case demonstrating GlamMap’s ability to serve researchers in the history of ideas. (shrink)

The concept of proof can be studied from many different perspectives. Many types of proofs have been developed throughout history such as apodictic, dialectical, formal, constructive and non-constructive proofs, proofs by visualisation, assumption-based proofs, computer-generated proofs, etc. In this paper, we develop Goguen’s general concept of proof-events and the methodology of algebraic semiotics, in order to define the concept of mathematical style, which characterizes the proofs produced by different cultures, schools or scholars. In our view, style can be defined (...) as a semiotic meta-code that depends on the underlying mode of signification (semiosis), the selected code and the underlying semiotic space and determines the individual mode of integration (selection, combination, blending) into a narrative structure (proof). Finally, we examine certain historical types of styles of mathematical proofs, to elucidate our viewpoint. (shrink)

What is the meaning of historical changes to the visualisation of knowledge? This article examines the long history of the Latin grammar from antiquity until early modernity and traces shifts in graphics through hundreds of manuscripts and printed books. It shows how the table—today the most common means for representation of grammatical paradigms—only became a common feature of grammar books in the Renaissance. To account for this visual change requires teasing apart the effects of intellectual from material factors on (...) one of the most basic branches of knowledge and learning. It brings to the fore educational practices which are often unnoticed by scholars and shows how humanism, paper and print interacted in forming a new learning experience. Following the evolution of one schoolbook genre throughout a millennium and a half, the articles challenges some of our notions regarding transmission of ideas and entails some important methodological lessons about dealing with visualisations in scientific texts more generally. Above all, it underscores the importance of cognitive considerations in shaping epistemic genres and whole fields of knowledge. (shrink)

Pour comprendre ce qui se joue avec la numérisation des productions scientifiques, leur mise en circulation et leur accès, le présent article opère un bref détour par l’histoire des pratiques des chercheurs en termes d’échange de données et de publications. Il se penche ensuite sur les pratiques contemporaines d’acquisition et d’actualisation des connaissances, lesquelles passent aujourd’hui par des réseaux d’ordinateurs, ainsi que par une vaste gamme d’outils de calcul et de visualisation, de réseaux de capteurs, de bases de données, de (...) logiciels d’aide à l’édition, d’outils d’aide au travail coopératif, etc. Ces pratiques de communication évoluent au cours du temps et varient selon les disciplines. Le présent article s’efforce de caractériser ce qu’il en est aujourd’hui, y compris en termes d’accès libre.In delving into the issues that arise from the digitisation of scientific output, circulation and access, this article first makes a brief detour into the history of practices in the exchange of research data and applications. It then explores contemporary practice in acquiring and updating knowledge, which is now dependent on computer networks and a vast range of calculation and visualisation tools, data capture networks, databases, computer assisted publication software, computer supported collaborative work, and so on. Communication practices have evolved over time and vary among disciplines. This article attempts to characterise the situation today, including in the open access field. (shrink)

Three movements that trace a certain understanding of law, from textual to spatial/material to spectacularised. The passages between the three movements are performed with the help of a visualisation that keeps on evolving, following the narrative of the legal understanding. This is accompanied by a thick description of instances from various iterations of an art performance/participatory game I have been performing in the past few years at various art and law institutions called _escaping the lawscape_. These hermeneutic tools help me (...) situation the law from a critique of Habermasian rationality to a critique of Luhmannian functionality, only to arrive to a full aestheticisation of contemporary law as a spectacle that needs to prove its validity through social media and other techniques of packaging. (shrink)

Dans les débats classiques des xvie et xviie siècles, la représentation est considérée avant tout comme une question rhétorique et psychologique, mais à la fin du xviie siècle, elle devient une question épistémologique. Cet ouvrage explore le contexte de cette transformation et ses sources.

Sounds are heard, sometimes even felt, but in most cases they remain unseen. This ephemeral and invisible nature of sound was already considered a problem when the science of acoustics took form in the seventeenth century. The fact that sound could not be seen was described as a significant hindrance to its understanding. But it was precisely during this time that a wide variety of sounds attracted broad scientific attention across Europe. Scholars, natural philosophers, and mathematicians investigated and experimented with (...) sound and musical instruments and developed theories of hearing. This article looks at the role of images, diagrams, and visualization techniques in late seventeenth-century acoustics, bringing together the history of sound and the history of scientific images. Focusing on water and light as the dominant analogies for sound, the article demonstrates that visualization was an important tool for thinking about sound and allowed for the circulation of theories and experiments. At the same time, the epistemic status of these images remained contested, as there was no single model that could explain the different ways sound behaves as it moves through space and that could be visualized. (shrink)

Visualization in 19th-century German geography: Robert Schlagintweit and Hans Meyer as examples. – Visual representations of nature formed an essential part of 19th-century earth sciences. In particular, colonial photography – as a visual source, and as an instrument of the construction of national identities – serves essential research interests of current history and social sciences. The present paper is a case study on the role and function of photography in German geography of the 19th and early 20th centuries. (...) It focuses on the work of the Munich geographer Robert Schlagintweit and the Leipzig colonial geographer Hans Meyer ; the early history of photography in India and the function of images in the geographical exploration of overseas territories are discussed. Although there is nearly half a century between the work of R. Schlagintweit and H. Meyer, their photography shows remarkable parallels. The ideas of both on the practice of visualization are rooted in pedagogic and didactic concepts as well as in popular science. For both geographers photography was essentially a technical help, which often needed graphic revisions. And they both preferred photography to depict people and buildings . Concerning the more comprehensive question of how far their photography transmitted a specific German ‘image of abroad’, it is indicated that such a specific image should have its essential roots in a peculiar visual culture of German earth sciences in the first half of the 19th century. Thus the paper offers a starting point for further studies discussing the change from a ‘Biedermeier image’ of foreign cultures to a more ‘colonial’ one in 19th-century German geography. (shrink)

_Humanesis_ critically examines central strains of posthumanism, searching out biases in the ways that human–technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto’s investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: (...) Ollivier Dyens, Katherine Hayles, and Mark Hansen. To materially ground the problematic of posthumanism, _Humanesis_ interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human–technological coupling. _Humanesis_ advances the posthumanist conversation in several important ways. It proposes the term “technological posthumanism” to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques. (shrink)

This essay introduces the notion of a digital concordance as a reading and research tool to explore intertextual passages online, and illustrates how a digital concordance of highly allusive texts can change how we read and research such texts. I take as example the digital concordance on Intertextual Dante, a project on Digital Dante developed in collaboration with the Center for Digital Research and Scholarship at Columbia University, which in the first phase highlights the Ovidian intertextuality in Dante’s Divina Commedia. (...) The essay traces the history of the scholarship on Dante’s Ovid, identifying its strengths and limitations, especially of the concordances in print. Since the intertextual passages in the Commedia require a reading not restricted to the obviously corresponding verses, but attentive to the broader textual contexts, I show how the digital concordance on Intertextual Dante greatly facilitates such a contextualized reading. The visualization of the corresponding passages and the search options help the study of intertextuality in the Commedia, as illustrated with examples from the site. (shrink)

This essay pushes the history of a scientific discipline, morphology, toward a broader philosophically informed and cross-disciplinarily engaged history of knowledge. It shows that by looking at how knowledge and practices circulated between scientific disciplines (such as biology) and technoscientific ones (like architecture and design) we can better understand how (morphological) knowledge was produced. By doing so, the analysis contributes to the study of the mechanisms of knowledge exchange between the organic and the technical worlds and, more broadly, (...) to the study of the dynamics of knowledge circulation. First, the essay analyzes the engineering studies of organic form conducted by the Austro-Hungarian botanist Raoul Heinrich Francé (1874–1943) and the Scottish polymath D’Arcy Wentworth Thompson (1860–1948). Subsequently, the essay moves to twenty-first-century morphogenesis. It examines the transfer of the notion of morphospace, a paleontological practice of data visualization, into biology-inspired architectural design. The conclusion deals with the broader features of knowledge transfer and circulation. Twentieth- and twenty-first-century morphologists successfully translate and transfer morphogenetic processes from nature into technical artifacts to achieve technical solutions to given problems. In the translation of organic morphogenesis into a technical process, evolution’s intrinsic historical contingency was deliberately left behind. (shrink)

In anticipation of the journal’s centenary in 2027 this paper provides a citation network analysis of all available citation and publication data of the Australasian Journal of Philosophy (1923–2017). A total of 2,353 academic articles containing 21,772 references were collated and analyzed. This includes 175 articles that contained author-submitted keywords, 415 publisher-tagged keywords and 519 articles that had abstracts. Results initially focused on finding the most published authors, most cited articles and most cited authors within the journal, followed by most (...) discussed topics and emerging patterns using keywords and abstracts. The analysis then proceeded to apply social network analysis using Kumu© – a visualization platform for mapping systems and relationships using large datasets. Analysis reveals topic clusters both unique to the journal, and inclusive of the journal’s history. Results from this analysis reaffirm the journal’s continuing focus on topics in traditional analytic philosophy such as morality, epistemology and knowledge, whilst also featuring topics associated with logic and paradox. This paper presents a new approach to analysing and understanding the historic and emerging topics of interest to the journal, and its readership. This has never previously been done for single philosophy journal. This is historically important given the journal’s forthcoming centenary. (shrink)

-/- For all that digital methods—including network visualization, text analysis, and others—have begun to show extensive promise in philosophical contexts, a tension remains between two uses of those tools that have often been taken to be incompatible, or at least to engage in a kind of trade-off: the discovery of new hypotheses and the testing of already-formulated positions. This paper presents this basic distinction, then explores ways to resolve this tension with the help of two interdisciplinary case studies, taken (...) from preregistration in contemporary science and the debate over whig history in the history of science. These case studies, the paper argues, refocus our attention from a mutually exclusive testing/discovery binary to the relationship between our background data or philosophical views and the empirical generalizations that we might draw from the data. Finally, it develops a set of three challenges for philosophers and corresponding avenues for future work that will, it is hoped, allow us to better justify our use of these methods. (shrink)

This paper examines the process of modelling a complex empirical phenomenon in modern astrophysics: extended extragalactic radio sources. I show that modelling is done piecemeal, addressing selected striking or puzzling features of that phenomenon separately and individually. The result is various independent and separate sub-models concerned only with limited aspects of the same phenomenon. Because the sub-models represent features of the same physical phenomenon, they need to be reasonably consistent with each other - a criterion not always fully adhered to (...) - and there needs to be a way to conceptually `re-unite' the sub-models to form an overall-model. Visualisation, that is, supplying a concrete interpretation of abstract, theoretical sub-models, aids this modelling process. My case study further endorses the view that modelling is `work in progress', i.e. a form of developing knowledge whereby models represent, not replicate, a phenomenon. (shrink)

Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work. -/- Emmanuel Alloa retraces the history of Western (...) attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory—Aristotle’s concept of the diaphanous milieu of vision—and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices. (shrink)

Modern embryology increasingly relies on descriptive and functional three dimensional (3D) and four dimensional (4D) analysis of physically, optically, or virtually sectioned specimens. To cope with the technical requirements, new methods for high detailed in vivo imaging, as well as the generation of high resolution digital volume data sets for the accurate visualisation of transgene activity and gene product presence, in the context of embryo morphology, were recently developed and are under construction. These methods profoundly change the scientific applicability, appearance (...) and style of modern embryo representations. In this paper, we present an overview of the emerging techniques to create, visualise and administrate embryo representations (databases, digital data sets, 3-4D embryo reconstructions, models, etc.), and discuss the implications of these new methods on the work of modern embryologists, including, research, teaching, the selection of specific model organisms, and potential collaborators. (shrink)

Peerages and baronetages were successful commercial directories sold by a number of prominent London booksellers from the beginning of the 18th century. They provided an account of most titled families (peers as well as baronets). As serial publications, they were intended for a larger public in need of identification tools in a context of expanding urban sociability and of major recomposition within the elites. In these pocket books, there were no longer the elaborate tree diagrams that had ornamented most of (...) the visitation books of the College of Arms, and which still could be found among ancient family papers. This transition was required for technical, commercial, and also ideological reasons. The selling point for publishers was to provide an up-to-date account of the ‘modern’ families, which could be better achieved through alphabetical listings, biographical discourses, or tabular charts. However, this formal reconfiguration led to many criticisms. These family directories were accused of compromising the dignity of titled families. The idea of a lost Golden Age when ancient lineages had been exhibited on stone, wooden panels, or vellum regained some appeal among social commentators. After 1760, with the renewal of radicalism and the onset of the age of revolutions, tree thinking came to be rehabilitated, but was also reinvented to better defend and naturalise social hierarchies. In this context, trees were increasingly used as powerful national emblems and less as dynastic emblems. The changing fortunes of family trees in 18th-century British prints enable us to reflect on the ideological aspects of the visualisation of kinship. (shrink)

This study presents a history of the image: as central to truth and to the possibility of knowledge; in its relationship to the object; as representational mode of knowing; its inadequacy as medium; and as both revealing and concealing. Boulnois proceeds by means of multiple perspectives, linked historically in an archeology: an attempt to bring to light the sources and development of Western reflection upon the role of images. Less interested in providing answers than in re-framing contemporary reflection upon (...) the role of visual images and art in human cognition, the author bases his study upon a compendium of texts and authors not often seen together in the same volume: philosophers, theologians, and artists. Together, they uncover the continuity and discontinuity of development around the central role of visualization for human rationality. The volume concludes with an exhaustive bibliography and extensive indexes.Part I, "Fondations Anthropologiques," lays the groundwork for the study: from Augustine and Platonic theories of the image and its role, both in knowledge and in the link between the human and divine . Tensions within both philosophical and theological. (shrink)

The neurosciences seem to thrive on the constantly postponed promise to herald a definitive understanding of the human mind. What are the dynamics of this promise and its postponement? The long and fascinating history of the neurosciences offers ample material for looking into the articulation of neuroscientific research and contemporary culture. New tools and research methods, often announced as breakthroughs, brought along new representations of brain activity. In addition, they shaped the way of conceptualizing the brain’s mode of operation (...) even where they failed to meet the high expectations initially kindled. Rather than arriving at a definitive and final understanding of human nature by solving the riddle of the human brain, the neurosciences appear to operate as active interfaces mobilizing human societies to ever new research endeavors. (shrink)

Introduction -/- 1 Précis -/- 2 Methodology: Introducing digital humanities to the history of philosophy 2.1 Introduction 2.2 Core constructs 2.3 Operationalizing the constructs 2.4 Querying the Nietzsche Source 2.5 Cleaning the data 2.6 Visualizations and preliminary analysis 2.6.1 Visualization of the whole corpus 2.6.2 Book visualizations 2.7 Summary -/- Nietzsche’s Socio-Moral Framework -/- 3 From instincts and drives to types 3.1 Introduction 3.2 The state of the art on drives, instincts, and types 3.2.1 Drives 3.2.2 Instincts 3.2.3 (...) Types 3.3 The semantic neighborhood of drive, instinct, and type 3.4 A theory of (the relations among) instincts, drives, and types 3.4.1 Drives are act-directed rather than outcome-directed dispositions 3.4.2 The reflexive turn in Nietzsche’s drive psychology 3.4.3 Triggers of drive-displacement 3.4.4 Instincts are innate drives 3.4.5 Types are constellations of instincts and other drives 3.4.6 To what extent are types, instincts, and drives fixed? 3.5 Summary -/- 4 From types to virtues 4.1 Introduction 4.2 The state of the art on virtues and values 4.2.1 Virtues 4.2.2 Values 4.3 The semantic neighborhood of virtue and value 4.4 On (the relations among) instincts, drives, types, values, virtues, and values 4.4.1 Virtues are well-calibrated drives 4.4.2 Nietzsche’s type-relative unity of virtue thesis 4.4.3 The type of the criminal 4.4.4 Nietzschean exemplarism and his ad hominem attacks 4.5 Summary -/- 5 Socializing Nietzschean virtues 5.1 Introduction 5.2 Higher-order types 5.2.1 Social character construction 5.2.2 Reflexive character construction 5.3 Eponymous trait terms and Nietzschean summoning 5.3.1 Eponymous trait terms 5.3.2 Nietzschean summoning 5.4 Summary -/- Nietzschean virtues -/- 6 Curiosity 6.1 Introduction 6.2 Curiosity in virtue epistemology 6.3 Curiosity and its affiliated emotions 6.4 Curiosity, perspectivism, and inquiry 6.5 Curiosity as a virtue 6.5.1 A preliminary characterization 6.5.2 Curiosity in the middle through late works 6.6 Summary -/- 7 Courage 7.1 Introduction 7.2 Intellectual courage in contemporary virtue epistemology 7.3 Courage as a virtue 7.3.1 A preliminary characterization 7.3.2 Courage in the middle through late works 7.4 Summary -/- 8 Pathos of distance 8.1 Introduction 8.2 Contempt and disgust in contemporary moral psychology 8.3 The semantic neighborhood of contempt, disgust, and the pathos of distance 8.4 Nietzsche on contempt 8.4.1 Spernere mundum 8.4.2 Spernere neminem 8.4.3 Spernere se ipsum 8.4.4 Spernere se sperni 8.4.5 Nietzsche aims to induce what he considers fitting contempt in receptive readers 8.5 Nietzsche on disgust 8.5.1 The use of disgust: detaching from an ideal 8.5.2 The danger of disgust 8.6 The pathos of distance 8.7 Prospects for a Nietzschean democratic ethos 8.8 Summary -/- 9 Sense of humor 9.1 Introduction 9.2 The semantic neighborhood of laughter, humor, and comedy 9.3 The Nietzschean sense of humor and its functions 9.3.1 From episodic laughter to the sense of humor 9.3.2 Affirmation and inquiry 9.3.3 Negation and inquiry 9.3.4 Affiliation with like-minded inquirers 9.4 Summary -/- 10 Solitude 10.1 Introduction 10.2 Solitude in virtue theory and Nietzsche scholarship 10.3 The semantic neighborhood of solitude 10.4 An account of Nietzschean solitude 10.5 Summary -/- Conclusion -/- 11 Conscience & integrity 11.1 Introduction 11.2 Conscience and integrity in contemporary moral psychology and Nietzsche scholarship 11.2.1 Conscience and integrity in contemporary moral psychology 11.2.2 Conscience and integrity in Nietzsche commentary 11.3 The semantic neighborhood of conscience and integrity 11.4 Distinguishing conscience, good conscience, bad conscience, and intellectual conscience 11.4.1 Conscience 11.4.2 Good conscience 11.4.3 Bad conscience 11.4.4 Intellectual conscience and integrity 11.5 Summary -/- 12 Prospectus 12.1 Future directions in moral psychology 12.2 Future directions in Nietzsche scholarship 12.3 Future directions in digital humanities and the history of philosophy . (shrink)

In the history of art drawing has played various roles, was something essentially ministerial and subordinate in relation to painting, architecture and sculpture. It was only at the root of modern painting in Renaissance that drawing was attributed quite a different function. Disegno gave Renaissance painters the chance to experiment with visualization, gave them a preview of the image, even before the final finish, and above all offered the possibility of creative searching, probing how imaginative categories may be (...) transposed to the graphics code. Thus Quattrocento very much combines disegno with meditation, and meditation was primarily related to the sphere of the intellect, and therefore disegno itself was treated as a visual notation of a thought. (shrink)

ABSTRACT An overview of some of the main modes of making images of natural objects and processes, as they have appeared in the history of science, leads to two main conclusions. First, the dichotomies that have traditionally distinguished, for example, art from science, museums from laboratories, and geometrical from algebraic methods have produced a poverty of understanding of visualization. It is at the intersections of these dichotomies where much of the creative work of science occurs, and it is (...) into those intersections that this Focus section leads us. Second, the section suggests that we need to understand images as arguments. Generalizing, we need to develop a “materialized epistemology” that reunites sensual with ideational knowing. Recent work in the history of science is already pointing the way and producing a dramatically new historiography. (shrink)

ABSTRACT An overview of some of the main modes of making images of natural objects and processes, as they have appeared in the history of science, leads to two main conclusions. First, the dichotomies that have traditionally distinguished, for example, art from science, museums from laboratories, and geometrical from algebraic methods have produced a poverty of understanding of visualization. It is at the intersections of these dichotomies where much of the creative work of science occurs, and it is (...) into those intersections that this Focus section leads us. Second, the section suggests that we need to understand images as arguments. Generalizing, we need to develop a “materialized epistemology” that reunites sensual with ideational knowing. Recent work in the history of science is already pointing the way and producing a dramatically new historiography. (shrink)