What can we learn from reading Levinas alongside postcolonial theories of difference? With that question in view, Drabinski undertakes readings of Gayatri Spivak, Homi Bhabha, Edouard Glissant, and Subcommandante Marcos in order to rethink ideas of difference, language, subjectivity, ethics, and politics. Through these philosophical readings, he gives a new perspective on the work of these important postcolonial theorists and helps make Levinas relevant to other disciplines concerned with postcolonialism and ethics.

In dialogue with key theorists of catastrophe and trauma--including Aimé Césaire, Frantz Fanon, George Lamming, Gilles Deleuze, Félix Guattari, Derek Walcott, as well as key figures in Holocaust studies--Glissant and the Middle Passage hones a sharp sense of the specifically Caribbean varieties of loss, developing them into a transformative philosophical idea. Using the Plantation as a critical concept, John E. Drabinski creolizes notions of rhizome and nomad, examining what kinds of aesthetics grow from these roots and offering reconsiderations (...) of what constitutes intellectual work and cultural production.Glissant and the Middle Passage establishes Glissant's proper place as a key theorist of ruin, catastrophe, abyss, and memory. Identifying his insistence on memories and histories tied to place as the crucial geography at the heart of his work, this book imparts an innovative new response to the specific historical experiences of the Middle Passage. - from the publisher. (shrink)

What does Édouard Glissant have to contribute to theorizing decolonization and a philosophy of difference? And how is this contribution tied to rethinking place (from Caribbean to Caribbeanness) and world (comprised of creolized culture and identity)? This essay takes up Glissant’s work in the context of questions of history and memory, with particular focus on how historical experience grounds philosophical work on place and world through articulations of identity, language, cultural production, and thinking after catastrophe. Drawing from a contrast with (...) Martin Heidegger and Walter Benjamin, this essay shows how Glissant’s critical concept “creolization” works as an expression of what I call “the afropostmodern,” and also as an important contribution to decolonial theories of world, culture, memory, language, and subjectivity after the Middle Passage. (shrink)

_Investigates the philosophical relationship between Levinas and Heidegger in a nonpolemical context, engaging some of philosophy’s most pressing issues._.

This essay tracks the movement in Édouard Glissant’s work from thinking relationality as creolisation to Relation as such, to a globalised sense of cultural contact and transformation he ca...

This essay examines James Baldwin's conception of what he calls “black English” and its link to historical and cultural identity. I link Baldwin's defense of black English to his reflections on the sorrow songs and sound, which draws on long-standing accounts of musicality as the foundation of the African-American tradition. In order to demonstrate this relation to the tradition, the essay puts Baldwin's remarks in relation to Frederick Douglass's and W. E. B. Du Bois's description of the sorrow songs. I (...) also underscore how that relation to the African-American tradition marks an important set of tensions with mid-twentieth century black Atlantic theory, tensions which make sense of the Americanness of Baldwin's work. Across the essay, I claim that Baldwin's account of language has epistemological and ontological significance, which gives an interesting and important twist to Martin Heidegger's famous phrase that “language is the house of Being.”. (shrink)

This edited collection gathers together leading commentators on the work of Édouard Glissant in order to theorize the philosophical significance of his work.

Establishes the importance of Husserl's phenomenology for Levinas's ethics.

An examination of the question of influence in Senghor's work, with particular attention to the concept of assimilation - which I argue allows Senghor to responsibly adopt notions from French vitalist and life-philosophy traditions, despite their close ties to colonial and imperial histories.

This essay explores a philosophical encounter between Frantz Fanon and James Baldwin framed by the problem of the affect of shame. In particular, this essay asks how the affect of shame functions simultaneously as the accomplishment of regimes of anti-black racism and the site of transformative, revolutionary consciousness. Shame threatens the formation of subjectivity, as well as, and as an extension of, senses of home and belonging. How are we to imagine another subjectivity, another relation to home, and so another (...) kind of social and political order? For both Fanon and Baldwin, imagining the future requires an engagement with memory and history that purges black subjects of shame. The two thinkers part ways at that moment, however, with Fanon advocating a forgetting of abject history and Baldwin arguing for a retrieval of meaning and place won through pain and suffering. At the heart of this parting of ways, then, lies a conflict over the meaning of history across the black diaspora and its relation to cultural production, which, in turn, reflects important, differing conceptions of home. (shrink)

Édouard Glissant passed away on 4 February 2011 at the age of 82. A few words of memory. As a person and thinker, Glissant lived through, then reflected with meditative patience and profundity upon some of the most critical years in the black Atlantic: the aesthetics and politics of anti-colonial struggle, the civil rights movement in the United States, postcolonial cultural anxiety and explosion, the vicissitudes of an emerging cultural globalism, and all of the accompanying intellectual movements from surrealism to (...) negritude to existentialism to those varieties of high modernism and postmodernism for which Glissant himself is such a generative, founding resource. His life bears witness to those years, events, and movements with a poet’s word and a philosopher’s eye. And so Glissant, like all important thinkers, leaves for us an enormous gift – in his case, a new, enigmatic vocabulary of and for the Americas. . (shrink)

An extended discussion of Donna V. Jones, The Racial Discourses of Life Philosophy: Négritude, Vitalism, and Modernity (New York: Columbia University Press, 2010), 217 pp.

"Jean-Luc Godard is nothing if not an enigma. His image has a life of its own, especially in its younger form: cigarette, sunglasses, smirk, rambling revolutionary slogans, and important books. It wasn’t just an image, we all know, for it reflected perfectly in iconic image the more substantial revolutionary recklessness with the camera we see from Breathless forward. Filmmaking is never the same after Godard. Images and their sequencing – Godard cloaked them in sunglasses and made them smirk. He made (...) them revolutionary. That’s his thing. And even the older Godard makes for an iconic photograph: rough facial hair, the artist’s glasses, smirk, and important books. His films continue to be unpredictable, compelling, and revolutionary...". (shrink)

Crime scene investigation is a form of Distributed Cognition. The principal concept we explore in this paper is that of `resource for action'. It is proposed that crime scene investigation employs four primary resources-for-action: the environment, or scene itself, which affords particular forms of search and object retrieval; the retrieved objects, which afford translation into evidence; the procedures that guide investigation, which both constrain the search activity and also provide opportunity for additional activity; the narratives that different agents within the (...) system produce to develop explanatory models and formal accounts of the crime. For each aspect of distributed cognition, we consider developments in technology that could support activity. (shrink)

Examines Arthur Schopenhauer's (1788-1860) conception of human agency and responsibility, his unique ethics of the morally virtuous character, and his assessment of life as fundamentally suffering. This title focuses on his contention that the human will and the human body cannot have a cause and effect relationship with each other.

A mutual relation between God and the world provides a crucial distinction between panentheism and both classical theism and pantheism. Several proposals responding to Analytical Theology's challenge to distinguish panentheism from other forms of theism are considered and found inadequate. After defining mutual relation, conceptual evidence and the frequency of descriptions of panentheism that affirm a mutual relation between God and the world provide evidence that a mutual relation is crucial to distinguishing panentheism. Finally, benefits of recognizing a mutual relation (...) between God and the world as crucial to panentheism are described. (shrink)

Les scolastiques indiennes: Genèses, développements, interactions. Edited by Émilie Aussant and Gérard Colas. Études thématiques, vol. 32. Paris: École française d’Extrême-orient, 2020. Pp. 322. €40.

The authors present a materialist analysis of the effects of neoliberalism in education. Specifically, they contend that neoliberalism is a form of cultural invasion that begets necrophilia. Neoliberalism is necrophilous in promoting a cultural desire to fix fluid systems and processes. Such desire manufactures both individuals known and culturally felt experiences of alienation which are, it is argued, symptomatic of an imperialist nostalgia that permeates educational policy and practice. The authors point to ‘unschooling in schools’ as a mechanism for resisting (...) the necrophilous tendencies of contemporary formations of education. (shrink)