This paper argues, first, that one can render Protagoras’s view on the teach ability of political virtue coherent by distinguishing between the affect required for achieving it and the capacity for developing these affect into fully fledged virtues. Second, the paper argues that by focusing on Books II - III of the Republic one might see an affinity between between Protagoras’s suggestion that virtuous citizens might give advice, without ruling it, in the affairs of the city and Plato’s conservative practical (...) political theory. (shrink)

There are three major themes in the dialogue thought to be Plato’s Statesman: the nature of statesmanship, the difference between perfect and less than perfect regimes and the method of division. In this paper I focus on the first two themes. I argue, first, that the dialogue makes a plausible case for what it takes to be a wise statesman. In doing so, I play down the importance of the second theme: the difference between regimes. In fact, I consider this (...) discussion to be deeply flawed and even irrelevant to the argument of the first. My main purpose is to provide a critical analysis of the political theory articulated in the dialogue. My analysis is made plausible by abandoning the traditional view that the Statesman was written Plato in its entirety as a unified whole. In my view, a close reading of the text supports the hypothesis that it is, at best, semi-authentic; namely, that it is most likely a collage of fragments written at different times by Plato and other members of the Academy. (shrink)

This paper has two aims: to show the affinities between Schopenhauer’s and Spinoza’s ethics and ontology, and to show that Spinoza’s position, where it is in conflict with it, is superior to Schopenhauer’s. The main focus is on Schopenhauer’s attacks on the affirmation of the will-to-live. It is argued that these attacks are not even convincing in terms of what he says about “better knowledge”, namely, that they are valid only against vulgar forms of affirmations of the Will. Also, it (...) is argued that Schopenhauer’s attacks on Spinoza do not carry much weight. For, they are either the result of misunderstandings or, when they are not, they are based on assumptions rejected by Spinoza himself. In conclusion, it is claimed that Schopenhauer’s synthesis of Plato’s, Kant’s and Hindu philosophy into a “single thought” is neither as original nor as convincing as he took it to be. (shrink)

New readings and perspectives on Nietzsche's work are brought together in this collection of essays by prominent scholars from North America and Europe. They question whether Nietzsche's work and the conventional interpretation of it is rhetorical and nih.

Deleuze and Philosophy provides an exploration of the continuing philosophical relevance of Gilles Deleuze. This collection of essays uses Deleuze to move between thinkers such as Plato, Aristotle, Husserl, Hume, Locke, Kant, Foucault, Badiou and Agamben. As such the reader is left with a comprehensive understanding not just of the philosophy of Deleuze but how he can be situated within a much broader philosophical trajectory. Constantin Boundas has gathered together recent scholarship on Deleuze's philosophy by an acclaimed line-up of international (...) contributors, all of whom seek to provide new and previously unexplored theoretical terrains that will be of interest to both the Deleuze specialist and student alike. Three of the essays are by key French Deleuzians whose work is not widely available in translation. This enticing collection is essential reading for anyone interested not just in Deleuze but in the history of philosophical ideas. Contributors include: Zsuzsa Baross, Veronique Bergen, Ronald Bogue, Bruce Baugh, Rosi Braidotti, Claire Colebrook, Bela Egyed, Philippe Mengue, Dorothea Olkowski, Davide Panagia, Daniel W. Smith, Jeremie Valentin, Arnaud Villani. (shrink)

This book paints a portrait of Ludwig Wittgenstein that is very different from conventional portraits that narrowly depict him as a philosopher's philosopher silent about social, ethical and cultural questions.

I argue that Wittgenstein was no lifelong musical formalist. I further contend that the attribution of musical formalism obscures, while the break with it I propose explains, the role that music played in the development of his philosophy of language. What is more, I sketch a perspective on the later Wittgenstein’s remarks on the music and musical understanding that supports my claims. Throughout my discussion, rather than assimilating Hanslick’s and Wittgenstein’s views on music, I point to similarities and differences between (...) them, suggesting that taking snapshots and putting them side by side sheds more light on how they are related to each other. (shrink)

What is a hypocrite? What role does hypocrisy play in our lives? Why is it thought to be such an ugly vice? Is it ever acceptable? What do we lose in our indifference to it? Hypocrisy: Ethical Investigations seeks to illuminate the concept of hypocrisy by exploring its multiple roles in our moral and political lives and struggles. The authors provide a critical examination of a wide range of perspectives on the nature, varieties, and significance of hypocrisy, arguing that it (...) is a key concept in the investigation of the field of morality in general, including its moralizing excesses. (shrink)

What is it to be a hypocrite? Gilbert Ryle's answer is the by now commonly held one: to be hypocritical is to “try to appear activated by a motive other than one's real motive”; again, it is “deliberately to refrain from saying what comes to one's lips, while pretending to say frankly things one does not mean.” Can this be the right answer? My aim is to show that it cannot. In doing this I hope to gesture towards a richer (...) understanding of our notion of hypocrisy. (shrink)

This book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein’s life and work. Wittgenstein’s remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the concepts of representation and expression, on melody, irony and aspect-perception, and, on the great composers belonging to the Austrian-German tradition. Biography and philosophy, this work suggests that Wittgenstein was a composer of philosophy who used the musical form (...) as a blueprint for his own writing and thought. For Wittgenstein music is not alone, but connects and resonates with our cultural forms of life. His relation to composers, especially to Richard Wagner and Gustav Mahler, enables Wittgenstein to address the question of how to do philosophy and compose music in the breakdown of tradition. Unlike his conservative musical sensibility, Wittgenstein’s philosophy is open to musical experiments. Reflecting on his remarks on music makes it possible to compare the therapeutic aim of his philosophical activity with that of music, and thus notice affinities between Wittgenstein and John Cage. Béla Szabados has a Ph.D. in philosophy from the University of Calgary and is professor of philosophy at the University of Regina. His publications include Wittgenstein Reads Weininger (2004), Wittgenstein at the Movies (2011) and Wittgenstein on Race, Gender, and Cultural Identity: Philosophy as a Personal Endeavour (2010). (shrink)

RésuméCet article examine diverses façons d'exploiter l'éthique aristotélicienne pour rendre compte philosophiquement de l'hypocrisie. Aristote lui-même n'apas dit grand chose d'explicite à ce sujet, mais nous nous employons à identifier et à scruter les passages qui sont les plus pertinents pour un traitement distinctif de l'hypocrisie, élucidant en cours de route un certain nombre de confusions à propos d'Aristote. Nous envisageons divers domaines d'émotion et d'action qui pourraient fournir un lieu propre au vice de l'hypocrisie, ceux en particulier de l'engagement (...) personnel, du souci à l'égard des opinions d'autrui, et de la sincérité. Nous concluons de cet examen que la doctrine du juste milieu ne fournit pas une explication satisfaisante de l'hypocrisie. Nous proposons alors que si un système moral comme celui d' Aristote doit rendre compte de la moralité dans son entièreté, il lui faut trouver place pour des phénomènes qui excèdent les limites de la doctrine du juste milieu. L'hypocrisie, selon nous, appartient précisément à cette famille de phénomènes. Finalement, nous esquissons une approche de l'hypocrisie qui fait usage d'éléments aristotéliciens, mais sans pour autant s'y confiner. (shrink)

People do, quite naturally and not uncommonly, speak of other people as deceiving themselves, as being their own dupes. A man's child is ill and growing constantly worse. The father keeps talking optimistically about the future, keeps explaining away the evidence, and keeps pointing to what he insists are signs of improvement. We can easily imagine ourselves deciding that he has deceived himself about his son's condition. Nor is it the case that talk of self-deception is appropriate only in connection (...) with other people. We can easily imagine the father admitting, say, after the son's death, that he has deceived himself about the child's condition. Thus the notion of self-deception obviously has application. Furthermore, ordinarily talk of self-deception is not thought to be puzzling. (shrink)

Words can mean different things to different people. This can be problematic, mainly for those working together in a bureaucratic institution, such as the secret service. Shared, certified, explicit and codified definitions offer a counter to subjective, solitary and/or culturally dominant definitions. It’s true that codified secrecy terms for secret services can be seen to involve a number of political, cultural, subcultural “languages”, but if words come from unclassified or declassified files, memorandums and/or records, one needs a deep understanding of (...) the secret services. A remarkable feature of this bureaucratic language is the evolving nature of, certain “keywords” as important signifiers of historical transformation. Thus, the changes in the language of the secret services depends at least as much on the internal changes of the secret services as on the transformation in the external political-social environment. In spite of the confusion of Hungarian secret services in the revolutions of 1918–1919 and the disintegration of the Austrian-Hungarian Monarchy, in the early 1920’s became a stable system. Between the two World Wars, the Hungarian State Police directed by the Ministry of Internal Affairs, the Military Intelligence and Counter-Espionage directed by the Ministry of Defence, and the Hungarian Royal Gendarmerie directed by both of the Ministries had their own operational service. This structure existed unchanged until 1945. Simultaneously with the forward advance of the soviet troops, government began to re-establish the former system of the secret services in the eastern part of the country. After WWII, in 1946, the “State-protection Department” as political police became independent from the police. However, from the beginning, they remained under the control of the Communist Party. After 1950, the State Security Authority provided special services for the MIA and the Military Political Directorate of the MoD. After quashing the revolution in 1956, in the spring of 1957, the MIA Political Investigation Department was established which—with slight modifications—kept the structure created during the “state protection era”. The MIA III. The State-Protection General Directorate was established in 1962. The reorganization was finalized in the middle of the 1960’s, which resulted in the new system, which—with the structure of Directorates—became the ultimate structure of the state secret police until the abolishment of the MIA General Directorate III in January 1990. These organizational transformations were largely the result of exogenous historical-political changes. Moreover, each new period had a major impact on the organizational communication, language use and vocabulary of the secret services. This study seeks to interpret these historical transformations. (shrink)

The author’s perspective in this text comes from the field of the political phenomenology. In his view, tolerance has preserved its actuality, both from a moral point of view and from a political one. After a preliminary discussion of Locke’s basic texts concern- ing tolerance, the author takes into consideration the recent thoughts of the contemporary Italian philoso- pher Norberto Bobbio, who understands the idea of tolerance as the basic principle of free and peaceful life. In addition, the author makes (...) applied commentaries at the Romanian context, pleading for the necessity of a responsible approach of the issue. (shrink)

Emotions are in as a philosophical topic. Yet the recent literature is bent on grand theorizing rather than attempting to explore particular emotions and their roles in our lives. In this paper, I aim to remedy this situation a little by exploring the emotion of embarrassment. First, I critically examine R.C. Solomon’s conceptual sketch and try to distinguish “embarrassment” from “shame”, “humiliation” and “being amused”. Secondly, I argue that “private embarrassment” is a coherent and useful idea and social scientists and (...) philosophers who dismiss it as unintelligible are mistaken. Thirdly, I discuss the question why is embarrassment (unlike other emotions) catching. Fourth, I make the heretical suggestion that doing philosophy is essentially embarrassing for Socratic interlocutors. Throughout the paper there is a discussion of possible links between embarrassment and loss of self-esteem. (shrink)

Is self-deception always immoral? That it is always immoral to deceive oneself seems to have been the ‘received’ view amongst philosophers. Such a view was vigorously supported by Bishop Butler in the eighteenth century. Recently, Herbert Fingarette has argued for a similar position. In this paper I wish to examine Butler's and Fingarette's arguments and contend that no morally sensitive and reasonable person can possibly accept them without thereby ceasing to be morally sensitive and reasonable.

While Wittgenstein commentators dismiss his remarks on women and femininity as trivial and unworthy of attention, I focus exactly on what they consider parenthetical and of no philosophical value. First, I document Wittgenstein’s attitudes toward women and femininity, and subject his remarks to critical analysis. Secondly, I retrieve and explore some aspects of Otto Weininger’s influence on Wittgenstein. Thirdly, by introducing considerations of chronology and circumstance, I argue that while the early Wittgenstein of the Tractatus endorsed Weininger’s views on women (...) and sex, the mature Wittgenstein of the Investigations repudiated them without ceasing to adrnire his work or its spirit. Finally, I sketch crucial, unnoticed differences between Weininger and the mature Wittgenstein concerning femininity and philosophical method. The author’s intention is to contribute to the project of challenging the supposed divide between the understanding of philosophical thought, on the one hand, and socio-cultural contexts and biography on the other. (shrink)

I put down my cup and examine my own mind. It is for it to discover the truth. But how? What an abyss of uncertainty whenever the mind feels that some part of it has strayed beyond its own borders; when it, the seeker, is at once the dark region through which it must go seeking, where all its equipment will avail it nothing. Seek? More than that: create. It is face to face with something which does not so far (...) exist, to which it alone can give reality and substance, which it alone can bring into the light of day. (shrink)

Wittgenstein at the Movies is centered on in-depth explorations of two intriguing experimental films on Wittgenstein: Derek Jarman's Wittgenstein and Péter Forgács' Wittgenstein Tractatus. The featured essays look at cinematic interpretations of Wittgenstein's life and philosophy in a manner bound to provoke the lively interest of Wittgenstein scholars, film theorists, students of film aesthetics and artistic modernism, and those concerned with the world of Cambridge in the first half of the twentieth century.

Not so long ago it was fashionable to claim that it is not the moral philosopher's business to say what things are good or what actions we should perform. This view is succinctly stated by A. J. Ayer:There is a distinction, which is not always sufficiently marked, between the activity of a moralist, who sets out to elaborate a moral code, or to encourage its observance, and that of a moral philosopher, whose concern is not primarily to make moral judgments (...) but to analyse their nature.On the other hand, in direct opposition to this, recently many philosophers actively moralize, in the sense that they argue for substantive normative ethical positions. In doing this they tend to assume but not to explore seriously two views: that the notion of moral expertise is unproblematic, and that moral philosophers in particular are moral experts. My aim in this paper is to promote the exploration of these questions. is logically prior to. Nevertheless I begin with discussing ; for puzzles about expertise in morals naturally emerge when one examines the credentials of candidates for the job. (shrink)

While Wittgenstein commentators dismiss his remarks on women and femininity as trivial and unworthy of attention, I focus exactly on what they consider parenthetical and of no philosophical value. First, I document Wittgenstein’s attitudes toward women and femininity, and subject his remarks to critical analysis. Secondly, I retrieve and explore some aspects of Otto Weininger’s influence on Wittgenstein. Thirdly, by introducing considerations of chronology and circumstance, I argue that while the early Wittgenstein of the Tractatus endorsed Weininger’s views on women (...) and sex, the mature Wittgenstein of the Investigations repudiated them without ceasing to adrnire his work or its spirit. Finally, I sketch crucial, unnoticed differences between Weininger and the mature Wittgenstein concerning femininity and philosophical method. The author’s intention is to contribute to the project of challenging the supposed divide between the understanding of philosophical thought, on the one hand, and socio-cultural contexts and biography on the other. (shrink)

L’objectif de cet article est de mettre en lumière quelques éléments tirés des écrits politiques de John Milton et de John Locke, en fonction de leur attitude à l’égard des différents médias. Dans son argumentation contre la censure, John Milton doit démontrer que toutes les anciennes instances de censure, citées souvent à son époque, peuvent être interprétées comme des exemples d’un autre phénomène. Cependant, John Milton reconnaît, en analysant les lieux communs dans la République de Platon ainsi que dans certains (...) textes bibliques, la portée et la signification des formes nonconceptuelles, nonimprimées, nonverbales de communication ; il les décrit comme des signes d’un comportement enfantin, féminin ou inculte, comme des phénomènes sans importance d’un point de vue de liberté politique incarnée dans la liberté de la presse. La position de John Locke est la même. Je montrerai l’enchaînement des idées, similiaire à celui de Milton, dans ses ouvrages Deux traités du gouvernement et Lettre sur la tolérance, en focalisant mon analyse sur le concept d’adiaphora. (shrink)

U opsežnoj literaturi o globalizaciji postalo je uobičajeno tvrditi da su se koncepti ‘prostor’, ‘vrijeme’ i ‘sebstvo’ drastično promijenili posljednjih desetljeća tijekom procesa globalizacije. Moj tekst nudi analizu nekoliko tema za raspravu, koristeći navedene riječi metaforički. Analiza se prvo usmjerava na slavne termine Manuela Castellsa ‘prostor protoka’ i ‘bezvremeno vrijeme’ te na više klasičan termin Hannah Arendt ‘gubitak sebe’. Kroz analizu njihova korištenja u radovima spomenutih autora i njihovih sljedbenika, nastojat ću prikazati: navedeni termini su previše nejasni da bi se (...) koristili kao ogledni koncepti te su prihvatljivi samo u pukom metaforičkom smislu; ti su termini utemeljeni u dobro poznatom diskursu literature klasičnog moderniteta i time nisu specifični termini globalizacije. Posljednji autor kojeg analiziram u tekstu je škotski profesor iz 19. stoljeća Andrew Ure. On je, vokabularom koji koristi za opisivanje svoga svijeta, a koji je sličan ranije spomenutim terminima M. Castellsa i H. Arendt, dio diskursa klasičnog moderniteta sa radikalno drugačijom evaluacijom. (shrink)

Introduction One of popular science’s primary functions is to make what would otherwise be inaccessible, specialist knowledge accessible to the lay reader. But popular science puts its imagined reader in something of a dilemma, for one does not have to look very far to find bitter argument among science writers; argument that takes place beyond the limits of the scientific community: witness the ill-tempered exchanges between Mary Midgley and Richard Dawkins in the journal Philosophy in the l...