Gerald Vann, author of this wise book, maintains that only the wisdom of St. Thomas can heal the spiritual agony and barrenness of our broken age. In chapters that include a brief biography of Aquinas and explanations of the main aspects of his thought, Vann shows that Aquinas's thought and example can reconcile the broken shards of modern life: rationalism and spirituality, action and mysticism. With the guidance of The Aquinas Prescription, you'll be able more richly than (...) ever to give glory to the Light that Aquinas so ably and lovingly illuminated. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and (...) made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

"The following pages were written in the hope of interesting, not primarily the Catholic student of St. Thomas, but the non-Catholic reader who finds himself attracted by the breadth and depth of his wisdom, yet repelled by what he conceives as a too exclusively rational approach to reality, an approach which, as he sees it, diminishes the immensity of truth. I feel that this conception of Thomism is understandable indeed, but tragically false; and I have therefore tried to show both (...) how it may arise and--by setting it against what seems to me a truer and more complete view--why it is false." -- Preface. (shrink)

New Blackfriars, Volume 102, Issue 1101, Page 728-744, September 2021.

This is the second of three volumes of posthumously collected writings of G. A. Cohen, who was one of the leading, and most progressive, figures in contemporary political philosophy. This volume brings together some of Cohen's most personal philosophical and nonphilosophical essays, many of them previously unpublished. Rich in first-person narration, insight, and humor, these pieces vividly demonstrate why Thomas Nagel described Cohen as a "wonderful raconteur." The nonphilosophical highlight of the book is Cohen's remarkable account of his first trip (...) to India, which includes unforgettable vignettes of encounters with strangers and reflections on poverty and begging. Other biographical pieces include his valedictory lecture at Oxford, in which he describes his philosophical development and offers his impressions of other philosophers, and "Isaiah's Marx, and Mine," a tribute to his mentor Isaiah Berlin. Other essays address such topics as the truth in "small-c conservatism," who can and can't condemn terrorists, and the essence of bullshit. A recurring theme is finding completion in relation to the world of other human beings. Engaging, perceptive, and empathetic, these writings reveal a more personal side of one of the most influential philosophers of our time. (shrink)

In virtue of its form [‘I am here’] must be true on any occasion on which [it is] asserted, and yet the proposition it expresses on each occasion [is] contingent. Intuitively, [‘I am here now’] is deeply, and in some sense universally, true. One need only understand the meaning of [it] to know that it cannot be uttered falsely. The sentence ‘I am here’ has the peculiar property that whenever I utter it, it is bound to be true. Even if (...) I am lost and do not know where I am, I can bravely say ‘I am here’, and know that I am expressing a truth. (shrink)

Over many centuries, the homing pigeon has been selectively bred for returning home from a distant location. As a result of this strong selective pressure, homing pigeons have developed an excellent spatial navigation system. This system passes through the hippocampal formation, which shares many striking similarities to the mammalian hippocampus; there are a host of shared neuropeptides, interconnections, and its role in the storage and manipulation of spatial maps. There are some notable differences as well: there are unique connectivity patterns (...) and spatial encoding strategies. This review summarizes the comparisons between the avian and mammalian hippocampal systems, and the responses of single neurons in several general categories: location and place cells responding in specific areas, path and goal cells responding between goal locations, context-dependent cells that respond before or during a task, and pattern, grid, and boundary cells that increase firing at stable intervals. Head-direction cells, responding to a specific compass direction, are found in mammals and other birds but not to date in pigeons. By studying an animal that evolved under significant adaptive pressure to quickly develop a complex and efficient spatial memory system, we may better understand the comparative neurology of neurospatial systems, and plot new and potentially fruitful avenues of comparative research in the future. (shrink)

I INTRODUCTION - THE TOPIC EXPLAINED 1 GENERAL DIFFERENCES From its inception to the present, philosophy may be viewed as a series of struggles between ...

The evidence of blindsight is occasionally used to argue that we can see things, and thus have perceptual belief, without the distinctive visual awareness accompanying normal sight; thereby displacing phenomenality as a component of the concept of vision. I maintain that arguments to this end typically rely on misconceptions about blindsight and almost always ignore associated visual (or visuomotor) pathologies relevant to the lessons of such cases. More specifically, I conclude, first, that the phenomena very likely do not result from (...) dissociations within a single system, but from the interaction of evolutionarily distinct, if interacting, systems; second, that a closer study of spared motor abilities indicates that verbal responses of patients result not from degraded vision but from proprioception; and, finally, above chance verbal responses, being forced guesses, are not tentative beliefs and cannot become beliefs just by training patients to have more confidence in their responses. (shrink)

This book is about aesthetic processes and play from the perspectives of psychologists, philosophers, and semiologists. They explore the underlying processes from many viewpoints, including the prehistoric roots of language and art; the historical evolution of artistic, literary, and musical styles; the structure of artworks from both gestalt and semiotic perspectives; the biological and psychological processes underlying production and appreciation; the appeal of sentimental art; emotional responses to art and other aesthetic forms; personality in relation to artistic style; the testing (...) and measurement of art-related skills; the relations between social life and literary understanding; literature in relation to media; as well as neurobiological, developmental and individual growth perspectives on play activity. (shrink)

This paper describes a new approach to natural language processing which results in a very robust and efficient system. The approach taken is to integrate the parser with the rest of the system. This enables the parser to benefit from predictions that the rest of the system makes in the course of its processing. These predictions can be invaluable as guides to the parser in such difficult problem areas as resolving referents and selecting meanings of ambiguous words. A program, called (...) FRUMP for Fast Reading Understanding and Memory Program, employs this approach to parsing. FRUMP skims articles rather than reading them for detail. The program works on the relatively unconstrained domain of news articles. It routinely understands stories it has never before seen. The program's success is largely due to its radically different approach to parsing. (shrink)

Shareholder-owned corporations were the central pillars of the US economy in the twentieth century. Due to the success of the shareholder value movement and the widespread “Nikefication” of production, however, public corporations have become less concentrated, less integrated, less interconnected at the top, shorter-lived, and less prevalent since the turn of the twenty-first century, and there is reason to expect that their significance will continue to dwindle. We are left with both pathologies and new technologies suitable for being repurposed in (...) more democratic forms. Local solutions for producing, distributing, and sharing can provide functional alternatives to corporations for both production and employment; what is needed is the social organization to match the tools that we already have, or will have shortly. The time for democratic local economic forms prophesied by generations of activists may finally be at hand. (shrink)

In specifying the sensory evidence for perceptual belief, thinkers have either chosen a common perceptual idiom or have invented one of their own as a starting-point for their enquiries. It is becoming clearer that the choice harbours crucial, often disputable, assumptions. I compare two sorts of constructions, a variety of propositional ones and an objectual one, and I argue that the objectual idiom is indispensable in order to explain how a perceptual belief can arise out of what is not already (...) a belief. This has implications not only for the question of how belief is generated from perceptual evidence, but also for various other controversies. I discuss two of these implications: the character of inferences from evidence, and basic belief. (shrink)

Parmenides didn't mention reference as such, but if he had he would have undoubtedly agreed with the philosophers who nowadays hold what is called "the axiom of existence": that one can only refer to what exists. The sources of possible support for this view are examined and rejected. Primary support for the axiom is given by two sorts of argument; one concerning quantification, the other summarizing a standard Parmenidean puzzle. Weaknesses in both are exposed. Finally, the relations between the axiom (...) and connected claims about predication and truth are probed, and an attempt is made to determine the limits of the mutual support these claims give one another. (shrink)

Parmenides didn't mention reference as such, but if he had he would have undoubtedly agreed with the philosophers who nowadays hold what is called "the axiom of existence": that one can only refer to what exists. The sources of possible support for this view are examined and rejected. Primary support for the axiom is given by two sorts of argument; one concerning quantification, the other summarizing a standard Parmenidean puzzle. Weaknesses in both are exposed. Finally, the relations between the axiom (...) and connected claims about predication and truth are probed, and an attempt is made to determine the limits of the mutual support these claims give one another. (shrink)

Under the title of ‘the axiom of existence’, hereafter, John R. Searle has reduced to compact dictum a view to which many philosophers subscribe: ‘Whatever is referred to must exist’. In this paper I shall offer two major arguments against adopting, at least on certain assumptions. There have been a number of defenses of, among them those arguing that it is fundamental to any systematic philosophy of language or logic. With the exception of discussing some of Searle's remarks in part (...) Ill of this paper I shall not comment on any of these defenses. (shrink)

These reflections are an attempt to get to the heart of the "reason is the slave of the passions" debate. The whole point of deliberation is to arrive at a choice. What factors persons find to be choice-relevant is a purely empirical matter. This has significant consequences for the views of Hume, Williams, Nagel, Parfit and Korsgaard regarding practical reason.

The increased interest in exorcisms and demonology should be moderated by a proper understanding of the relationship between psychology and spirituality. There is an important link between psychological aberrations and possession, but too often and too quickly, a person’s mental health is dismissed or overlooked in favor of a diagnosis of demonic possession. The Church’s ritual of exorcism can be properly used only after psychological discernment, episcopal approval, and personal assent. Most priests are not prepared for the role of exorcist (...) and should spend their time more effectively addressing pastoral needs. The belief in demons is part of biblical witness and Catholic history. At the same time, we must avoid any tendency toward redemption by exorcism. (shrink)

The argument that follows has a certain air of prestidigitation about it. I attempt to show that, given a couple of innocent-seeming suppositions, it is possible to derive a positive and complete theory of normative ethics from the Humean maxim "You can't get ought from is." This seems, of course, absurd. If the reasoning isn't completely unhinged, you may be sure, the trick has to lie in those "innocent-seeming" props. And, in fact, you are right. But every argument has to (...) begin somewhere, and, however questionable, those suppositions just don't seem to harbor serious normative import. (shrink)

A broad, though not unanimous, consensus among commentators is that the later Wittgenstein subscribes to a redundancy conception of truth. I reject that interpretation. No doubt much depends on what is meant by a redundancy theory. But once even mildly plausible versions of that view are isolated a review of the relevant texts shows that the evidence for that interpretation collapses. Moreover, the redundancy interpretation is at odds with guiding prescriptions in the post‐1932 corpus. Wittgenstein doesn’t hold that truth can (...) be defined or characterized thinly, as redundancy theorists propose, but that it isn’t susceptible to any such generic treatment. (shrink)

This article is a response to criticisms of my book on Karl Marx’s Theory of History which were made by four authors in last December’s number of Analyse & Kritik. After clarifying (section 2) an ambiguity in an argument for historical materialism which is presented in the book, I contend (3-5), against objections raised by Philippe Van Parijs, that historical materialism is consistent only if it explains production relations functionally, by reference to their propensity to develop the productive forces. Next (...) (6-8) I address and rebut the views of Wal Suchting and Milton Fisk, who both think that the role of class struggle in historical materialism is larger than the one I assign to it. Finally (9-12) I try to vindicate the doctrine of base and superstructure proposed in my book against the skepticism of Steven Lukes. (shrink)

Varzi has recently joined a thread of arguments originating in an attempt by Sorensen (1985) to demonstrate that the predicate ‘vague’ is itself vague. Sorensen's conclusion is significant in that it has provided the basis for a subsequent effort by Hyde (1994) to defend the legitimacy of supposing higher-order vagueness. Varzi's contribution to this debate is twofold. First, contra earlier criticism by Deas (1989), he claims that Sorensen's result is sound so far as it goes. Second, he argues that despite (...) this it cannot be used as Hyde wishes on pain of circularity. I am not interested in the latter argument—it is examined in Hyde (2003)—but rather wish to defend and elaborate Deas's criticism of Sorensen against Varzi's repudiation. (shrink)

This chapter contains sections titled: Notes.

If narrating—the feeling of stories, fictional or otherwise—is an inherent possibility of motion pictures , then Kracauer's distinction between the realist and formative tendencies must be questioned and, in effect, the two must be synthesized. Wasn't the practical problem for the earliest films how to construct a formative sequence of events within an absolutely real-looking visual context? Wasn't the paradox of film narrative the combination of an obviously unreal sequence of events with an obviously real visual and social setting? And (...) isn't that paradox the most intriguing and complex problem of narrative film today, when the visual and social setting have become increasingly real-seeming? And doesn't this paradox have something to do with the fact that narrative film today seems richer and more important than it did a decade ago, at a time when various admirers of both cinéma vérité and cinéma pur had announced the death of fictional filmed narrative? Kracauer's realist aesthetic, concentrating exclusively on the photographic surfaces of things in the material world , overlooks this paradox altogether. It overlooks the fact—extremely relevant to the cinema—that the term "realist" means one thing in its common application to a painting or photograph and quite another thing in its equally common application to a novel or play. A realistic visual image is one that is said to "look like," "resemble," "reproduce," "iconically represent" the surfaces of the visual world. We see—or think we see—in a painting what we see—or think we see—in the real world.1 But a realistic story is one that is said to chronicle "credibly," "probably," and "believably" the way we think people feel, think, or act, the way things happen, and the reasons they happen, all of which are consistent with the reader-audience-society's beliefs about psychology, motivation, and probability. The standard of one sense of realism is primarily visual while the standard of the other is primarily psychological. One might see the early films groping, then, toward a synthesis of the visual realism of late-nineteenth-century painting/photography with the psychological realism of late-nineteenth-century novel/drama. · 1. This equivocation deliberately avoids the question of whether there is anything actually real about what one sees in a painting or photograph. The fact is that a very large number of viewers operate in this assumption because they think there is something real about what they see, despite the theoretical imprecision of their holding such a belief. Gerald Mast is the author of, among other works, A Short History of the Movies, The Comic Mind: Comedy and the Movies, and Film/Cinema/Movie: A Theory of Experience. His previous contribution to Critical Inquiry, "What Isn't Cinema?," appeared in the Winter 1974 issue. (shrink)

One of the common and commonsensical ways to distinguish cinema from every other art and semiotic system, and to define the property of its uniqueness, is to claim that cinema is the only art/”language” that links images. This “linking” can imply three different yet complementary operations. First, cinema links individual still photographs into an apparently continuous sequence of movement by pushing the individual frames or photographs through a camera or projector at sixteen or twenty-four or however many frames per second. (...) Second, cinema links images by editing , by splicing together individual shots, which are continuous chains of linked frames. Finally, cinema links images with sounds, synchronously or otherwise. The only problem with such an apparently unrestrictive and unprescriptive definition of cinema and the “cinematic” is that it obscures an essentially cinematic operation that precedes the linking of cinema images: the image must first be framed before it can be linked with another.But is framing unique to cinema? Don’t paintings have frames? Aren’t photographs frames? Isn’t the theater’s proscenium arch a frame? A consequence of such perfectly sensible questions is a consistent undervaluing of the cinema frame as an essentially and uniquely cinematic tool, unlike that of any other art, producing serious errors in the writing of film theory and serious misunderstandings of the processes of film history. The goal of this article is to diagnose some of these errors so they might someday be cured. Gerald Mast is professor of English and general in the humanities at the University of Chicago. Among his many books are A Short History of the Movies, The Comic Mind: Comedy and the Movies, Film/Cinema/Movie, The Movies in Our Midst, and Howard Hawks, Storyteller. His previous contributions to Critical Inquiry are “What Isn’t Cinema?” and “Kracauer’s Two Tendencies and the Early History of Film Narrative”. (shrink)

When Andre Bazin's most important essays on film were collected together in a single volume and titled What is Cinema? they raised a question that Bazin did not answer. Nor did he intend to. Nor has it been answered by any of the other theorists who have written what now seem to be the major works on film theory and who now seem the most influential spokesmen for the art. Rudolf Arnheim, Andre Bazin, Stanley Cavell, S. M. Einstein, Siegfried Kracauer, (...) Christian Metz, Hugo Munsterberg, Erwin Panofsky, and Gene Youngblood have failed to define what cinema essentially is.1 Unlike Ionesco's comically methodical Logician, they have been less than careful about posing the problem correctly. As a result they have been less than successful and less than precise with a deceptively difficult and complicated issue. They have defined some kinds of cinema, they have defined some of the qualities unique to those kinds of cinema, they have defined the characteristics and devices they find most valuable in some of those kinds of cinema, they simply have not defined cinema. · 1. Relevant sections of all these theorists can be found in Gerald Mast and Marshall Cohen, eds., Film Theory and Criticism: Introductory Readings . Gerald Mast, associate professor of humanities at Richmond College of the City University of New York, has written A Short History of the Movies, The Comic Mind: Comedy and the Movies, Filmguide to the Rules of the Game, and Film Theory and Criticism: Introductory Readings . This article is part of a forthcoming book, What Isn't Cinema? He has also contributed "Kracauer's Two Tendencies and the Early History of Film Narrative" to Critical Inquiry. (shrink)

Gerald A. Press - Platon: Penseur du visuel - Journal of the History of Philosophy 45:3 Journal of the History of Philosophy 45.3 487-488 Muse Search Journals This Journal Contents Reviewed by Gerald A. Press Hunter College and the City University of New York Graduate Center Michail Maiatsky. Platon: Penseur du visuel. Commentaires philosophiques. Paris: l'Harmattan, 2005. Pp. 299. €25.50. Recent philosophers and cultural critics have written a new chapter in the long history of anti-Platonism, making Plato the (...) evil genius of a visual prejudice allegedly infecting the heart of Western metaphysics. Some find it contradictory that Plato expresses anti-visual thoughts but seems nevertheless deeply pro-visual; thus, his frequent use of visual language confuses his project. Others (the present reviewer.. (shrink)

Gerald A. Press - Plato's Symposium: Issues in Interpretation and Reception - Journal of the History of Philosophy 46:1 Journal of the History of Philosophy 46.1 167-168 Muse Search Journals This Journal Contents Reviewed by Gerald A. Press Hunter College and City University of New York Graduate Center James Lesher, Debra Nails, and Frisbee Sheffield, editors. Plato's Symposium: Issues in Interpretation and Reception. Washington, D.C.: Center for Hellenic Studies, 2006. Pp. xi + 446. Paper, $29.95. Plato's Symposium has (...) been a fertile source of philosophical, literary, and artistic inspiration for more than two thousand years. It continues to inspire debates amid the changing fashions in contemporary Plato interpretation. This volume of papers, which grew out of a conference at the Center for Hellenic Studies in 2005, is divided into four parts. Most of the papers are richly rewarding, but there is space here to do little more than hint at their main points. Part I, "The Symposium and.. (shrink)

The multidimensional environments providing the stimuli for normal and abnormal human behavior have been characterized by a variety of environmental tensors, the time rates of change of which yield quantitative measures of various aspects of environmental dynamics. A general response tensor is introduced to describe the behavior of living organisms to any desired degree of complexity. Tensor measures of such psychiatric concepts as reactivity, adaptability, responsiveness, instinctiveness and suggestibility are mathematically defined in terms of the response and environment tensors. Based (...) on clinical and experimental observations, postulates are then made regarding the dynamic relationships between the external responses and the internal drives of the self-system at different levels of consciousness. Lemmas and theorems are deduced pertaining to behavioral and environmental interactions in a psychomedical context, and a nonlinear mechanism for stochastically learned behavior patterns is proposed. (shrink)