When the character Socrates introduces his allegory of the cave at the beginning of book seven of Plato's Republic, he says that it is a story about “our nature in its education and want of education.”1 If we lack education, we grasp the passing shadows as real; if we are dragged out of the cave by force “along the rough, steep, upward way” toward the sun—that is, if we are educated—we come to recognize things as they are, and therefore the (...) error of our previous perceptions. Many readers of this allegory—from early Christian Neoplatonists to influential twentieth-century interpreters of…. (shrink)

In this masterful work, both an illumination of Kant's thought and an important contribution to contemporary legal and political theory, Arthur Ripstein gives a comprehensive yet accessible account of Kant's political philosophy. In addition to providing a clear and coherent statement of the most misunderstood of Kant's ideas, Ripstein also shows that Kant's views remain conceptually powerful and morally appealing today.

In this new edition, Arthur Fine looks at Einstein's philosophy of science and develops his own views on realism. A new Afterword discusses the reaction to Fine's own theory. "What really led Einstein . . . to renounce the new quantum order? For those interested in this question, this book is compulsory reading."--Harvey R. Brown, American Journal of Physics "Fine has successfully combined a historical account of Einstein's philosophical views on quantum mechanics and a discussion of some of the (...) philosophical problems associated with the interpretation of quantum theory with a discussion of some of the contemporary questions concerning realism and antirealism. . . . Clear, thoughtful, [and] well-written."--Allan Franklin, Annals of Science "Attempts, from Einstein's published works and unpublished correspondence, to piece together a coherent picture of 'Einstein realism.' Especially illuminating are the letters between Einstein and fellow realist Schrodinger, as the latter was composing his famous 'Schrodinger-Cat' paper."--Nick Herbert, New Scientist "Beautifully clear. . . . Fine's analysis is penetrating, his own results original and important. . . . The book is a splendid combination of new ways to think about quantum mechanics, about realism, and about Einstein's views of both."--Nancy Cartwright, Isis. (shrink)

How do we appreciate a work of art? Awarded a Guggenheim Fellowship to explore connections between art, mind, and brain, Arthur Shimamura takes findings from psychological and brain sciences to address ways of understanding our aesthetic responses.

PREFACE: - BY his theory of relativity Albert Einstein has provoked a revolution of thought in physical science. The achievement consists essentially in this Einstein has succeeded in separating far more completely than hitherto the share of the observer and the share of external nature in the things we see happen. The perception of an object by an observer depends on his own situation and circumstances for example, distance will make it appear smaller and dimmer. We make allowance for this (...) almost unconsciously in interpreting what we see. But it now appears that the allowance made for the motion of the observer has hitherto been too crude a fact overlooked because in practice all observers share nearly the same motion, that of the earth. Physical space and time are found to be closely bound up with this motion of the observer and only an amorphous combination of the two is left inherent in the external world. When space and time are relegated to their proper source the observer the world of nature which remains appears strangely unfamiliar but it is in reality simplified, and the underlying unity of the principal phenomena is now clearly revealed. The deductions from this new outlook have, with one doubtful exception, been confirmed when tested by experiment. It is my aim to give an account of this work without intro ducing anything very technical in the way of mathematics, physics, or philosophy. The new view of space and time, so opposed to our habits of thought, must in any case demand unusual mental exercise. The results appear strange and the incongruity is not without a humorous side. For the first nine chapters the task is one of interpreting a clear-cut theory, accepted in all its essentials by a large and growing school of physicists although perhaps not everyone would accept the authors views of its meaning. Chapters x and xi deal with very recent advances, with regard to which opinion is more fluid. As for the last chapter, containing the authors specula tions on the meaning of nature, since it touches on the rudiments of a philosophical system, it is perhaps too sanguine to hope that it can ever be other than controversial. A non-mathematical presentation has necessary limitations and the reader who wishes to learn how certain exact result follow from Einsteins, or even Newtons, law of gravitation m bound to seek the reasons in a mathematical treatise. But thj limitation of range is perhaps less serious than the limitation of intrinsic truth. There is a relativity of truth, as there is a relativity of space. For is and IS-NOT though with Rule and Line And UP-AND-DOWK without, I could define, Alas It is not so simple. We abstract from the phenomena that which is peculiar to the position and motion of the observer but can we abstract that which is peculiar to the limited imagina tion of the human brain We think we can, but only in the symbolism of mathematics. As the language of a poet rings with a truth that eludes the clumsy explanations of his commentators, so the geometry of relativity in its perfect harmony expresses a truth of form and type in nature, which my bowdlerised version misses. But the mind is not content to leave scientific Truth in a dry husk of mathematical symbols, and demands that it shall be alloyed with familiar images. The mathematician, who handles x so lightly, may fairly be asked to state, not indeed the in scrutable meaning of a in nature, but the meaning which x conveys to him. Although primarily designed for readers without technical knowledge of the subject, it is hoped that the book may also appeal to those who have gone into the subject more deeply. A few notes have been added in the Appendix mainly to bridge the gap between this and more mathematical treatises, and to indicate the points of contact between the argument in the text and the parallel analytical investigation. It is impossible adequately to express my debt to con temporary literature and discussion... (shrink)

The relationship between metacognition and executive control is explored. According to an analysis by Fernandez-Duque, Baird, and Posner (this issue), metacognitive regulation involves attention, conflict resolution, error correction, inhibitory control, and emotional regulation. These aspects of metacognition are presumed to be mediated by a neural circuit involving midfrontal brain regions. An evaluation of the proposal by Fernandez-Duque et al. is made, and it is suggested that there is considerable convergence of issues associated with metacognition, executive control, working memory, and frontal (...) lobe function. By integrating these domains and issues, significant progress could be made toward a cognitive neuroscience of metacognition. (shrink)

In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement (...) of Art_ continues to be of interest to anyone who thinks seriously about art, as well as to philosophers, aestheticians, and art historians. (shrink)

Using an idea developed in joint work with Shelah, we show how to redefine Laver's notion of forcing making a supercompact cardinal $\kappa$ indestructible under $\kappa$-directed closed forcing to give a new proof of the Kimchi-Magidor Theorem in which every compact cardinal in the universe satisfies certain indestructibility properties. Specifically, we show that if K is the class of supercompact cardinals in the ground model, then it is possible to force and construct a generic extension in which the only strongly (...) compact cardinals are the elements of K or their measurable limit points, every $\kappa \in K$ is a supercompact cardinal indestructible under $\kappa$-directed closed forcing, and every $\kappa$ a measurable limit point of K is a strongly compact cardinal indestructible under $\kappa$-directed closed forcing not changing $\wp$. We then derive as a corollary a model for the existence of a strongly compact cardinal $\kappa$ which is not $\kappa^+$ supercompact but which is indestructible under $\kappa$-directed closed forcing not changing $\wp and remains non-$\kappa^+$ supercompact after such a forcing has been done. (shrink)

"Still relevant, this 1960's book of essays of ideas is a must read for those who enjoy new ideas." -- Amazon.com viewed May 10, 2021.

In The Abuse of Beauty, art critic and philosopher Arthur Danto explains how the notion of beauty as anathema to art arose and flourished and offers a new way of looking at art and beauty. He draws on the thought of artists, critics, and philosophers such as Rimbaud, Fry, Matisse, and Greenberg, to reposition beauty as one of many modes -- along with sexuality, sublimity, disgust, and horror -- through which the human sensibility expresses itself. 20 black-and-white illustrations are (...) included. (shrink)

A long tradition of research including classical rhetoric, esthetics and poetics theory, formalism and structuralism, as well as current perspectives in (neuro)cognitive poetics has investigated structural and functional aspects of literature reception. Despite a wealth of literature published in specialized journals like Poetics, however, still little is known about how the brain processes and creates literary and poetic texts. Still, such stimulus material might be suited better than other genres for demonstrating the complexities with which our brain constructs the world (...) in and around us, because it unifies thought and language, music and imagery in a clear, manageable way, most often with play, pleasure, and emotion (Schrott and Jacobs, 2011 ). In this paper, I discuss methods and models for investigating the neuronal and cognitive-affective bases of literary reading together with pertinent results from studies on poetics, text processing, emotion, or neuroaesthetics, and outline current challenges and future perspectives. (shrink)

What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, _What Art Is _challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the (...) viewer: interpretation. Danto crafts his argument in an accessible manner that engages with both philosophy and art across genres and eras, beginning with Plato’s definition of art in _The Republic_, and continuing through the progress of art as a series of discoveries, including such innovations as perspective, chiaroscuro, and physiognomy. Danto concludes with a fascinating discussion of Andy Warhol’s famous shipping cartons, which are visually indistinguishable from the everyday objects they represent. Throughout, Danto considers the contributions of philosophers including Descartes, Kant, and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol, in this far-reaching examination of the interconnectivity and universality of aesthetic production. (shrink)

Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and (...) humanist discipline incapable of being reduced to scientific descriptions. Lydia Goehr's new introduction illustrates Danto's main arguments by questioning her very role, first, as an introducer of a book that has not yet been read by readers and, second, as an interpreter of a book written forty years ago. Frank Ankersmit's conclusion revisits the initial impact of the publication of _Narration and Knowledge_ and considers its enduring legacy. (shrink)

Judge Arthur has been a Senior District Court Judge since 1961, and was a District Court Judge. He is past President of the National Council of Juvenile and Family Court Judges, past Director of the National Center for State Courts, and was a Consultant for the White House Council on Children.

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to (...) a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol's Brillo Box and the product found in the grocery store. Here we are engaged in a series of insightful and entertaining conversations on the most relevant aesthetic and philosophical issues of art, conducted by an especially acute observer of the art scene today.Originally delivered as the prestigious Mellon Lectures on the Fine Arts, these writings cover art history, pop art, "people's art," the future role of museums, and the critical contributions of Clement Greenberg--who helped make sense of modernism for viewers over two generations ago through an aesthetics-based criticism. Tracing art history from a mimetic tradition through the modern era of manifestos, Danto shows that it wasn't until the invention of Pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways of producing art, hinged on a narrative.Traditional notions of aesthetics can no longer apply to contemporary art, argues Danto. Instead he focuses on a philosophy of art criticism that can deal with perhaps the most perplexing feature of contemporary art: that everything is possible. (shrink)

Reading is not only “cold” information processing, but involves affective and aesthetic processes that go far beyond what current models of word recognition, sentence processing, or text comprehension can explain. To investigate such “hot” reading processes, standardized instruments that quantify both psycholinguistic and emotional variables at the sublexical, lexical, inter-, and supralexical levels (e.g., phonological iconicity, word valence, arousal-span, or passage suspense) are necessary. One such instrument, the Berlin Affective Word List (BAWL) has been used in over 50 published studies (...) demonstrating effects of lexical emotional variables on all relevant processing levels (experiential, behavioral, neuronal). In this paper, we first present new data from several BAWL studies. Together, these studies examine various views on affective effects in reading arising from dimensional (e.g., valence ) and discrete emotion features (e.g., happiness ), or embodied cognition features like smelling. Second, we extend our investigation of the complex issue of affective word processing to words characterized by a mixture of affects. These words entail positive and negative valence, and/or features making them beautiful or ugly. Finally, we discuss tentative neurocognitive models of affective word processing in the light of the present results, raising new issues for future studies. (shrink)

We expound an alternative to the Copenhagen interpretation of the formalism of nonrelativistic quantum mechanics. The basic difference is that the new interpretation is formulated in the language of epistemological realism. It involves a change in some basic physical concepts. The ψ function is no longer interpreted as a probability amplitude of the observed behaviour of elementary particles but as an objective physical field representing the particles themselves. The particles are thus extended objects whose extension varies in time according to (...) the variation of ψ. They are considered as fundamental regions of space with some kind of nonlocality. Special consideration is given to the Heisenberg relations, the Einstein-Podolsky- Rosen correlations, the reduction process, the problem of measurement, and the quantum-statistical distributions. (shrink)

ABSTRACTIn this article we investigate structural differences between “literary” metaphors created by renowned poets and “nonliterary” ones imagined by non-professional authors from Katz et al.’s 1988 corpus. We provide data from quantitative narrative analyses of the altogether 464 metaphors on over 70 variables, including surface features like metaphor length, phonological features like sonority score, or syntactic-semantic features like sentence similarity. In a first computational study using machine learning tools we show that Katz et al.’s literary metaphors can be successfully discriminated (...) from their nonliterary ones on the basis of response measures, in particular the ratings for familiarity, ease of interpretation, semantic relatedness, and comprehensibility. A second computational study then shows that the classifier can reliably detect and predict between-group differences on the basis of five QNA features generalizing from a... (shrink)

A discussion on antiquity with Anthony A. Long, one of the most distinguished scholars in the field of ancient philosophy, would be engaging in any case. All the more so, since his two recently published works, Greek Models of Mind and Self and How to be Free: An Ancient Guide to the Stoic Life, provide the opportunity to revisit key issues of ancient philosophy. The former is a lively and challenging work that starts with the Homeric notions of selfhood, and (...) leads the reader all the way through classical and Hellenistic philosophical psychology; the latter is a profound analysis of the Stoic ethics that focuses in particular on its foundation and principles, followed by Long’s re-worked translation of Epictetus’ Encheiridion and carefully selected parts of his Discourses. Anthony Long kindly accepted the invitation to discuss several issues that are in the core of scholarly concern, sharing interpretations and thoughts that originate from his long acquaintance with the ancient literary tradition. (shrink)

Two main goals of the emerging field of neurocognitive poetics are the use of more natural and ecologically valid stimuli, tasks and contexts and providing methods and models allowing to quantify distinctive features of verbal materials used in such tasks and contexts and their effects on readers responses. A natural key element of poetic language, metaphor, still is understudied insofar as relatively little empirical research looked at literary or poetic metaphors. An exception is Katz et al.’s corpus of 204 literary (...) metaphors by authors such as Shakespeare or Dylan Thomas, for which various rating data are available. We reanalyzed their corpus using a combination of quantitative narrative analysis, latent semantic analysis, and machine learning in order to identify relevant features of the metaphors that influenced the ratings. The combined application of computational tools sheds light on surface and affective-semantic features that co-determine the reception of poetic metaphors and successfully predicted the period of origin, authorship and goodness ratings of the metaphors. The present results can be used for generating quantitative hypotheses or selecting and matching verbal stimuli in empirical studies of literature and neurocognitive poetics. (shrink)

_A lively meditation on the nature of art by one of America's most celebrated art critics_ What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, _What Art Is _challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined (...) by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: interpretation. Danto crafts his argument in an accessible manner that engages with both philosophy and art across genres and eras, beginning with Plato’s definition of art in _The Republic_, and continuing through the progress of art as a series of discoveries, including such innovations as perspective, chiaroscuro, and physiognomy. Danto concludes with a fascinating discussion of Andy Warhol’s famous shipping cartons, which are visually indistinguishable from the everyday objects they represent. Throughout, Danto considers the contributions of philosophers including Descartes, Kant, and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol, in this far-reaching examination of the interconnectivity and universality of aesthetic production. (shrink)

In this paper, two theorems concerning measurable limits of strong cardinals and supercompactness are proven. This generalizes earlier work, both individual and joint with Shelah.

Determinism is established in quantum mechanics by tracing the probabilities in the Born rules back to the absolute (overall) phase constants of the wave functions and recognizing these phase constants as pseudorandom numbers. The reduction process (collapse) is independent of measurement. It occurs when two wavepackets overlap in ordinary space and satisfy a certain criterion, which depends on the phase constants of both wavepackets. Reduction means contraction of the wavepackets to the place of overlap. The measurement apparatus fans out the (...) incoming wavepacket into spatially separated eigenpackets of the chosen observable. When one of these eigenpackets together with a wavepacket located in the apparatus satisfy the criterion, the reduction associates the place of contraction with an eigenvalue of the observable. The theory is nonlocal and contextual. Keywords:. (shrink)

The spin-statistics connection is derived in a simple manner under the postulates that the original and the exchange wave functions are simply added, and that the azimuthal phase angle, which defines the orientation of the spin part of each single-particle spin-component eigenfunction in the plane normal to the spin-quantization axis, is exchanged along with the other parameters. The spin factor (−1)2s belongs to the exchange wave function when this function is constructed so as to get the spinor ambiguity under control. (...) This is achieved by effecting the exchange of the azimuthal angle by means of rotations and admitting only rotations in one sense. The procedure works in Galilean as well as in Lorentz-invariant quantum mechanics. Relativistic quantum field theory is not required. (shrink)

Arthur Schopenhauer: Über die vierfache Wurzel des Satzes vom zureichenden Grunde. Eine philosophische Abhandlung Schopenhauers Dissertation lag im Oktober 1813 der Philosophischen Fakultät der Universität Jena vor. Erstdruck: Rudolstadt 1813. Wiedergegeben wird der Text der 2. verbesserten Auflage, Frankfurt am Main 1847, in den spätere Herausgeber allerdings Zusätze integrierten, die sie Schopenhauers Handexemplaren und Manuskriptbüchern entnahmen. Sofern sich diese Zusätze nicht in den laufenden Text einfügen ließen, wurden sie in Fußnoten beigefügt. Diese Fußnoten werden hier gesondert gezählt und sind (...) durch ein A gekennzeichnet. Vollständige Neuausgabe mit einer Biographie des Autors. Herausgegeben von Karl-Maria Guth. Berlin 2016. Textgrundlage ist die Ausgabe: Arthur Schopenhauer. Zürcher Ausgabe. Werke in zehn Bänden. Der Text folgt der historisch-kritischen Ausgabe von Arthur Hübscher. Die editorischen Materialien besorgte Angelika Hübscher. Redaktion von Claudia Schmölders, Fritz Senn und Gerd Haffmanns, Zürich: Diogenes, 1977. Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Arthur Schopenhauer als junger Mann, porträtiert 1815 von Ludwig Sigismund Ruhl. Gesetzt aus der Minion Pro, 11 pt. (shrink)

"Popular summaries of existentialism and Sartre's ideas have ensured a wide currency for such words as 'absurdity', 'nothingness', 'engagement', 'shame', and 'anguish'. But for Sartre, each of these words embodies a precise philosophical concept which he applies and explores further in his fiction and plays. Synthesized in 'Being and Nothingness' and 'Critique of Dialectical Reason', these concepts comprise a fully articulated philosophical system which, as Arthur C. Danto argues, in its vision and scope, logical responsibility and human relevance, takes (...) its place among the greatest of philosophical achievements. This book offers a synoptic and sympathetic reconstruction of the Sartrean system and in particular Sartre's analysis of the nature of language, consciousness, knowledge, self, and values." --Descripción del editor. (shrink)

Newton and Leibniz had profound disagreements concerning metaphysics and the relationship of mathematics to natural philosophy, as well as deeply opposed attitudes towards analysis. Nevertheless, or so I shall argue, despite these deeply held and distracting differences in their background assumptions and metaphysical views, there was a considerable consilience in their positions on the status of infinitesimals. In this paper I compare the foundation Newton provides in his Method Of First and Ultimate Ratios (sketched at some time between 1671 and (...) 1684, and published in the Principia of 1687) with that provided independently by Leibniz in his unpublished manuscript De quadratura arithmetica (1675-6) as well as in later writings. I argue that both appeal to a version of the Archimedean Axiom to underwrite their use of infinitesimal techniques, which must be interpreted as a shorthand for rigorously finitist methods. (shrink)

Both individuals and organizations can engage in unethical behaviors. Across six experiments, we examine how people’s ethical judgments are affected by whether the agent engaging in unethical action is a person or an organization. People believe organizations are more unethical than individuals, even when both agents engage in identical behaviors. Using both mediation and moderation analytical approaches, we find that this effect is explained by people’s beliefs that organizations produce more harm when behaving unethically, even when they do not, as (...) well as people’s perceptions that organizations are relatively more blameworthy agents. We then explore how these judgments manifest across different kinds of organizations as well as how they produce discrepant punishments following ethically questionable business activities. Although society and the law often treat individuals and organizations as equivalent, people believe for-profit organizations’ behaviors are less ethical than identical individual behaviors. We discuss the ethical implications of this discrepancy, as well as additional implications concerning reputation management, punishment, and signaling in organizational contexts. (shrink)

Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and (...) humanist discipline incapable of being reduced to scientific descriptions. Lydia Goehr's new introduction illustrates Danto's main arguments by questioning her very role, first, as an introducer of a book that has not yet been read by readers and, second, as an interpreter of a book written forty years ago. Frank Ankersmit's conclusion revisits the initial impact of the publication of _Narration and Knowledge_ and considers its enduring legacy. (shrink)

Working in the theory “ZF + There is a nontrivial elementary embedding j: V → V ”, we show that a final segment of cardinals satisfies certain square bracket finite and infinite exponent partition relations. As a corollary to this, we show that this final segment is composed of Jonsson cardinals. We then show how to force and bring this situation down to small alephs. A prototypical result is the construction of a model for ZF in which every cardinal μ (...) ≥ ℵ2 satisfies the square bracket infinite exponent partition relation μ → [μ]ωℵ2. We conclude with a discussion of some consistency questions concerning different versions of the axiom asserting the existence of a nontrivial elementary embedding j : V → V. By virtue of Kunen's celebrated inconsistency result, we use only a restricted amount of the Axiom of Choice. (shrink)

Since it seems that the leaders of the antiterrorist campaign are scripting their objectives to fit as they go along, the public should be more careful in deciding which policies it wants to support.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)