Results for 'Artistic accessibility'

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  1.  46
    Cultural Heritage Accessibility in the Digital Era and the Greek Legal Framework.Marina Markellou - 2023 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 36 (5):1945-1969.
    New technologies provide great opportunities for cultural heritage to become more widely accessible and for cultural experience to be more meaningful. The COVID-19 pandemic has highlighted the strengths and vulnerabilities of the cultural heritage sector and the need to accelerate its digital transformation to make the most of the opportunities it provides. The Commission Recommendation on the digitisation and online accessibility of cultural material and digital preservation (2011/711/EU) concluded that there is an urgent need to protect and preserve European (...)
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  2. The Artist's Sanction in Contemporary Art.Sherri Irvin - 2005 - Journal of Aesthetics and Art Criticism 63 (4):315-326.
    I argue that contemporary artists fix the features of their works not only through their actions of making and presenting objects, but also through auxiliary activities such as corresponding with curators and institutions. I refer to such fixing of features as the artist’s sanction: artists sanction features of their work through publicly accessible actions and communications, such as making a physical object with particular features, corresponding with curators and producing artist statements. I show, through an extended example, that in order (...)
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  3. Those Dumb Artists! Amnesiacs, Artists, and Other Idiots.Dena Shottenkirk & Anjan Chatterjee - 2010 - In Matthew L. Camilleri (ed.), Structural Analysis. Nova Science Publishers. pp. 240.
    Henry Molaison, aged eighty-two, died at the end of 2008, and just after noon on exactly the first anniversary of his death, December 2, 2009, scientists began slicing his brain into 2,500 tissue samples. Known primarily in his lifetime as only H.M., he left his brain to science so that it could be dissected and digitally mapped – a gift much beloved by many scientists. An amnesiac in life, H.M. first rose to prominence in 1962 when Dr. Brenda Milner, a (...)
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  4.  35
    Artist-Audience Communication: Tolstoy Reclaimed.Saam Trivedi - 2004 - Journal of Aesthetic Education 38 (2):38.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.2 (2004) 38-52 [Access article in PDF] Artist-Audience Communication: Tolstoy Reclaimed Saam Trivedi Whoever is really conversant with art recognizes in [Tolstoy's What is Art?] the voice of the master.1There has to be some presumption that, as one of the greatest artists who ever lived, Tolstoy might actually have known what he was talking about.2It is widely accepted in contemporary Anglo-American aesthetics that, despite (...)
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  5.  32
    The artistic failure of.Hugh Mercer Curtler - 2004 - Journal of Aesthetic Education 38 (1):1-11.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.1 (2004) 1-11 [Access article in PDF] The Artistic Failure of Crime and Punishment Crime and Punishment Hugh Mercer Curtler This essay begins by noting some fundamental differences between poets, in the broad sense of that term, and philosophers, or those who reflect discursively. It then moves to an examination of the epilogue to Crime and Punishment where Dostoevsky abandons poetry in order (...)
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  6.  17
    The artistic failure of crime and punishment.Hugh Mercer Curtler - 2004 - Journal of Aesthetic Education 38 (1):1-11.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.1 (2004) 1-11 [Access article in PDF] The Artistic Failure of Crime and Punishment Crime and Punishment Hugh Mercer Curtler This essay begins by noting some fundamental differences between poets, in the broad sense of that term, and philosophers, or those who reflect discursively. It then moves to an examination of the epilogue to Crime and Punishment where Dostoevsky abandons poetry in order (...)
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  7.  2
    Portrait of the Artist as a Young Man and Dubliners (Barnes & Noble Classics Series) vol. 1.James Joyce - 2004 - Barnes & Noble Classics.
    Widely regarded as the greatest stylist of twentieth-century English literature,James Joycedeserves the term “revolutionary.” His literary experiments in form and structure, language and content, signaled the modernist movement and continue to influence writers today. His two earliest, and perhaps most accessible, successes—A Portrait of the Artist as a Young ManandDubliners—are here brought together in one volume. Both works reflect Joyce’s lifelong love-hate relationship with Dublin and the Irish culture that formed him. In the semi-autobiographicalPortrait, young Stephen Dedalus yearns to be (...)
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  8.  10
    The Artistic Failure of Crime and Punishment.Hugh Mercer Curtler - 2004 - Journal of Aesthetic Education 38 (1):1.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.1 (2004) 1-11 [Access article in PDF] The Artistic Failure of Crime and Punishment Crime and Punishment Hugh Mercer Curtler This essay begins by noting some fundamental differences between poets, in the broad sense of that term, and philosophers, or those who reflect discursively. It then moves to an examination of the epilogue to Crime and Punishment where Dostoevsky abandons poetry in order (...)
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  9.  62
    Why It’s Ok to Enjoy the Work of Immoral Artists.Mary Beth Willard - 2021 - Routledge.
    The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists. In Why It's OK to Enjoy the Work of Immoral Artists, Mary Beth Willard argues for a more nuanced view. Enjoying art is part of a well-lived life, so we need good reasons to give it up. And it turns out good reasons (...)
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  10.  26
    Weaving a Woman Artist with-in the Matrixial Encounter-Event.Bracha L. Ettinger - 2004 - Theory, Culture and Society 21 (1):69-94.
    Criticizing Lacan and Levinas, and starting from Freud and Lacan’s denial of the womb and from the Genius-Male-Hero, who is self-creating and holds the power of creation and thus depends on the elimination of the birth-giving begetting mother, I continue my research to formulate a feminine difference that is neither dependency/disguise nor revolt and struggle in the phallic texture. Unlike other ideas concerning the difference of the feminine, the originary difference that I call matrixial supplies a measure of difference that (...)
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  11.  23
    Democratizing Visual Stylometry: Analysis of Artistic Style through Computational Workflows.William Seeley, Catherine A. Buell & Rickey J. Sethi - manuscript
    Visual stylometry is a new interdisciplinary research field that sits at the junction of digital humanities, empirical aesthetics, and computer science. Research in this field employs image analysis algorithms to study key aspects of artistic style. The nature of artistic style is the subject of ongoing debate within art history and philosophy of art. Computational and statistical methods in visual stylometry allow researchers to quantify and compare aspects of artistic style over the course of the career of (...)
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  12.  23
    Work and Object: The Artist's Sanction in Contemporary Art.Sherri Irvin - 2003 - Dissertation, Princeton University
    Is an artwork simply identical to some physical object? While clearly not viable for art forms like literature and music, the view that artworks are physical objects is appealing for the singular visual arts , since it accords with our intuitions about the nature of visual artworks. A traditional challenge to the view holds that physical objects cannot possess representational properties, and thus visual artworks, most of which do have such properties, cannot be identical to physical objects. -/- In chapter (...)
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  13.  43
    Who made the paintings: Artists or artificial intelligence? The effects of identity on liking and purchase intention.Li Gu & Yong Li - 2022 - Frontiers in Psychology 13.
    Investigating how people respond to and view AI-created artworks is becoming increasingly crucial as the technology’s current application spreads due to its affordability and accessibility. This study examined how AI art alters people’s evaluation, purchase intention, and collection intention toward Chinese-style and Western-style paintings, and whether art expertise plays a role. Study 1 recruited participants without professional art experience and found that those who made the paintings would not change their liking rating, purchase intention, and collection intention. In addition, (...)
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  14.  14
    A comparative study of artistic play and.Mitsuru Fujie - 2003 - Journal of Aesthetic Education 37 (4):107-114.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.4 (2003) 107-114 [Access article in PDF] A Comparative Study of Artistic Play and Zoukei-Asobi[Tables] "Artistic Play" and "Zoukei-Asobi" Recently, I found an article in Art Education which led me to believe that "artistic play" is not as popular among North America art educators as it is in Japan. 1 For Japanese art educators, especially at the elementary level, this word (...)
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  15.  11
    A Comparative Study of Artistic Play and Zoukei-Asobi.Mitsuru Fujie - 2003 - The Journal of Aesthetic Education 37 (4):107-114.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.4 (2003) 107-114 [Access article in PDF] A Comparative Study of Artistic Play and Zoukei-Asobi[Tables] "Artistic Play" and "Zoukei-Asobi" Recently, I found an article in Art Education which led me to believe that "artistic play" is not as popular among North America art educators as it is in Japan. 1 For Japanese art educators, especially at the elementary level, this word (...)
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  16.  24
    Early Venetian Painters 1415-1495The Christ Child in Devotional Images in Italy during the 14th CenturyTudor Artists: A Study of Painters in the Royal Service and of Portraiture on Illuminated Documents from the Accession of Henry VIII to the Death of Elizabeth IGiottoDelacroixMonet, Seurat, BonnardVermeer, MatisseRubensMusic in My TimeLiving Crafts. [REVIEW]F. M. Godfrey, Dorothy C. Shorr, Erna Auerbach, Yvon Taillander, Lucy Norton, Rosamund Frost, Anthony Page, Jean Pellotier, Raymond Cogniat, Gaston Diehl, A. Philippe-Lucet, Alfredo Casella, Spencer Norton & G. Bernard Hughes - 1955 - Journal of Aesthetics and Art Criticism 14 (2):279.
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  17. The Imperceptibility of Style in Danto's Theory of Art: Metaphor and the Artist's Knowledge.Stephen Snyder - 2015 - CounterText 1 (3).
    Arthur Danto’s analytic theory of art relies on a form of artistic interpretation that requires access to the art theoretical concepts of the artworld, ‘an atmosphere of artistic theory, a knowledge of the history of art: an artworld’. Art, in what Danto refers to as post-history, has become theoretical, yet it is here contended that his explanation of the artist’s creative style lacks a theoretical dimension. This article examines Danto’s account of style in light of the role the (...)
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  18.  5
    Silk paintings in the works of modern Chinese artists as a synthesis of traditions and innovations.Tianpeng An - forthcoming - Philosophy and Culture (Russian Journal).
    In contemporary Chinese art the national traditions and modern trends of the art world are especially relevant. Since the 1980s, in the works of a number of authors, interest began to manifest itself in the techniques of silk work, which was characteristic of ancient and medieval painting on scrolls, which was later replaced by more accessible drawings on paper. At the present stage, such painting has reached its heyday and is highly appreciated in the art market. The most famous masters (...)
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  19.  15
    How to Paint a Roman Soldier: Early Modern Artists' Readings of Guillaume du Choul's Discours.Marta Cacho Casal - 2016 - History of European Ideas 42 (5):665-682.
    SUMMARYEarly modern artists who did not have access to Roman Antiquity or needed quick access to it could refer to prints after monuments such as those issued by Antoine Lafréry. But Du Choul's Discours sur la castrametation et discipline militaire des Romains [ … ] De la Religion des anciens Romains was also successful among artists, particularly painters. It was in vernacular language and widely available in French, Spanish and Italian; it was affordable and compact in format ; it had (...)
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  20.  7
    art.pics Database: An Open Access Database for Art Stimuli for Experimental Research.Ronja Thieleking, Evelyn Medawar, Leonie Disch & A. Veronica Witte - 2020 - Frontiers in Psychology 11.
    While art is omnipresent in human history, the neural mechanisms of how we perceive, value and differentiate art has only begun to be explored. Functional magnetic resonance imaging studies suggested that art acts as secondary reward, involving brain activity in the ventral striatum and prefrontal cortices similar to primary rewards such as food. However, potential similarities or unique characteristics of art-related neuroscience remain elusive, also because of a lack of adequate experimental tools: the available collections of art stimuli often lack (...)
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  21.  21
    The spectrum of an altered state of consciousness, where information is accessed or abilities realized beyond what is ordinarily possible.Pam Payne - 2012 - Technoetic Arts 10 (2-3):287-295.
    As an artist I am interested in creative states of consciousness and the direct expression of altered states of consciousness in forms such as musical improvisation and the automatic writings and drawings of the Surrealist Artists. I have been investigating a particular spectrum of altered states characterized by an enhanced experience where out-of-the-ordinary information is accessed or an enhanced ability is realized beyond what would ordinarily be possible. Within this realm we would find the ‘peak performance’ state of athletes and (...)
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  22.  7
    The Spirit of Secular Art: A History of the Sacramental Roots of Contemporary Artistic Values.Robert Nelson - 2007 - Monash University Epress.
    The Spirit of Secular Art: A History of the Sacramental Roots of Contemporary Artistic Values explains the spiritual prestige of art. Various theorists have discussed how art has an aura or indefinable magic. This book explains how, when and why it gained its spiritual properties. The idea that all art is somehow spiritual (even though not religious) is often assumed; this book, while narrating the historical trajectory of art in the most accessible language, reveals how the mysteries of religious (...)
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  23.  35
    Re-presenting racial reality:Chicago’s new (media) Negro artists of the depression era.Richard A. Courage - 2012 - Technoetic Arts 10 (2-3):309-318.
    Since literary historian Robert Bone published his seminal essay ‘Richard Wright and the Chicago Renaissance’ in 1986, scholars have created new cartographies of previously unexplored terrain in American cultural history. The earliest studies focused on literature, but more recently attention has turned to other disciplines, including visual arts. Recent publication of The Muse in Bronzeville: African American Creative Expression in Chicago, 1932–1950 (2011) by Robert Bone and Richard A. Courage promises to decisively broaden scholarly understandings of the scope and significance (...)
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  24.  2
    The Artist and the Trinity: Dorothy L. Sayer's Theology of Work by Christine M. Fletcher. [REVIEW]Elise M. Edwards - 2016 - Journal of the Society of Christian Ethics 36 (1):220-222.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Artist and the Trinity: Dorothy L. Sayers’ Theology of Work by Christine M. FletcherElise M. EdwardsThe Artist and the Trinity: Dorothy L. Sayers’ Theology of Work Christine M. Fletcher eugene, or: pickwick publications, 2013. 162 pp. $19.00.The Artist and the Trinity provides a comprehensive yet concise presentation of Dorothy L. Sayers’s contribution to social ethics and theology, advancing it into a thoughtful, compelling theology of work and (...)
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  25.  19
    Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation.Chelsea Jones, Nadine Changfoot & Kirsty Johnston - 2021 - Studies in Social Justice 15 (2):307-333.
    This paper revisits the dynamic discussion about journalism’s role in representing and amplifying disability arts at the 2019 Cripping the Arts Symposium. Chronicling the dialogue of the “Representation” panel which included artists, arts and culture critics, journalists, and scholars, it reveals how arts and culture coverage contributes to the cultivation of disability, D/deaf, and mad art. Given that the relationship between journalism and disability communities continues to be fractured in Canada, speakers were invited to reflect on journalism and disability arts (...)
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  26.  14
    The microbiome biosphere as an artistic resource.Patrícia R. Moreira - 2019 - Technoetic Arts 17 (1):71-77.
    The microbiome has become one of the most recognizable research subjects and presences in the headlines of news and scientific articles published in almost every biological science area in the last few years. The steady decline in the price of DNA sequencing has enabled metagenomics, community analysis and genome sequencing to enter routine research in microbiology and biotechnology laboratories all around the world. The already open access to national and international databases that include nucleotide (including full genomes) and protein sequences (...)
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  27. Autonomy in Children: Accessing the Inaccessible Space in Essex County Vol. 1: Tales from the Farm.Maria Botero - 2017 - In Jeff McLaughlin (ed.), Graphic Novels as Philosophy. University Press of Mississippi. pp. p. 64-86.
    Traditional theories of autonomy argue for rational agents who are free to make decisions about the moral law and justice. Adopting these theories entails that children lack of autonomy; they are not fully developed rational agents, and, because of that, they are unable to engage in the complex cognitive capacities required by autonomy, such as critical self-reflection or substantive independence. Amy Mullin who, as part of a new area of philosophy called Philosophy of Childhood, argues for granting children minimal or (...)
     
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  28.  5
    Evolution and Consciousness, Revised Edition: From a Barren Rocky Earth to Artists, Philosophers, Meditators and Psychotherapists.Michael M. M. G. S. DelMonte & Maeve Halpin - 2023 - BRILL.
    This volume is a newly revised and updated edition of _Evolution and Consciousness_ (Brill, 2019) and provides a comprehensive and accessible introduction to the emerging concept of the evolution of consciousness. It presents an overarching model that moves us to a new level of meaning and understanding of our place in the world.
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  29.  26
    The moral climates of international economic institutions and access to public goods and services in nigeria.Maksymilian T. Madelr & Oche Onazi - manuscript
    The first part of this paper provides a general theory of moral climates, which incorporates the following three elements: first, the values and limitations of that picture of moral behaviour focused on rules, rule-following and rationality; second, that picture of moral behaviour focused on institutionally-embedded activity; and third, that picture of moral behaviour that urges us to come face to face with our own limitations, i.e., our own ways of orienting ourselves to objects of value, such that we do not (...)
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  30.  13
    Dance Is More Than Meets the Eye—How Can Dance Performance Be Made Accessible for a Non-sighted Audience?Bettina Bläsing & Esther Zimmermann - 2021 - Frontiers in Psychology 12.
    Dance is regarded as visual art form by common arts and science perspectives. Definitions of dance as means of communication agree that its message is conveyed by the dancer/choreographer via the human body for the observer, leaving no doubt that dance is performed to be watched. Brain activation elicited by the visual perception of dance has also become a topic of interest in cognitive neuroscience, with regards to action observation in the context of learning, expertise and aesthetics. The view that (...)
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  31.  37
    Teaching Online: Issues of Equity and Access in Writing-centric Formats.Jaime Madden - 2020 - Feminist Studies 46 (2):502-509.
    In lieu of an abstract, here is a brief excerpt of the content:502 Feminist Studies 46, no. 2. © 2020 by Feminist Studies, Inc. Jaime Madden Teaching Online: Issues of Equity and Access in Writing-centric Formats The COVID-19 pandemic has turned us all into online teachers. In the context of this crisis, we have quickly learned new technologies and the affordances of asynchronous and synchronous delivery. We have grappled with the challenges of building community and supporting active engagement, and we (...)
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  32.  72
    A Woman First and a Philosopher Second: Relative Attentional Surplus on the Wrong Property [Open Access] (4th edition).Ella Kate Whiteley - 2023 - Ethics 133 (4):497-528.
    One theme in complaints from those with marginalized social identities is that they are seen primarily in terms of that identity. Some Black artists, for instance, complain about being seen as Black first and artists second. These individuals can be understood as objecting to a particularly subtle form of morally problematic attention: “relative attentional surplus on the wrong property.” This attentional surplus can coexist with another type of common problematic attention affecting these groups, including attentional deficits; marginalized individuals and groups (...)
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  33. Immersive ideals / critical distances : study of the affinity between artistic ideologies in virtual Reality and previous immersive idioms.Joseph Nechvatal (ed.) - 2010 - Berlin: LAP Lambert Academic Publishing AG & Co KG.
    My research into Virtual Reality technology and its central property of immersion has indicated that immersion in Virtual Reality (VR) electronic systems is a significant key to the understanding of contemporary culture as well as considerable aspects of previous culture as detected in the histories of philosophy and the visual arts. The fundamental change in aesthetic perception engendered by immersion, a perception which is connected to the ideal of total-immersion in virtual space, identifies certain shifts in ontology which are relevant (...)
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  34.  18
    Shy and Ticklish Truths as Species of Scientific and Artistic Perception.Nigel Rapport - 2012 - Indo-Pacific Journal of Phenomenology 12 (sup2):1-9.
    To evidence the human condition must be to provide an account of the manifold modalities of experience: ‘Evidence’ must include different kinds of humanly experienced truths. However, the question is how does one extend the way in which the ‘evidential’ is broadly understood so that it encompasses the range of ways and kinds of knowing as practised in people’s everyday lives and as pertaining to those lives. Borrowing phrasing from Nietzsche, this article focuses in particular on species of human truth (...)
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  35.  36
    Iboga's Travel: questions raised by shamanic experience as a project of artistic exploration.Marion Laval-Jeantet - 2003 - Technoetic Arts 1 (3):181-190.
    Iboga's Travel is the title of a global project which was conceived after a Gabonese initiation into ‘Bwiti’. The Bwiti is one of the few secret shamanic practices forced to open itself to the outside world by the disappearance of the Equatorial forest. Its traditions remain alive in Gabon, but it has to adapt to the changes brought by cultural globalization. The Bwiti is a rite in which the sacred and revealing plant called ‘iboga’ plays a central role. It leads (...)
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  36.  15
    Evolution and Consciousness: From a Barren Rocky Earth to Artists, Philosophers, Meditators and Psychotherapists.Michael Michelo DelMonte & Maeve Halpin - 2019 - Boston: Brill | Rodopi. Edited by Maeve Halpin.
    This volume provides a comprehensive and accessible introduction to the emerging concept of the evolution of consciousness. It presents an overarching model that moves us to a new level of meaning and understanding of our place in the world.
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  37.  3
    lenguaje de la cámara en la audiodescripción de The Favourite.María Chicote González - 2023 - Human Review. International Humanities Review / Revista Internacional de Humanidades 20 (2):1-17.
    El presente estudio analiza cuándo y cómo audiodescribe la ONCE el lenguaje de la cámara en The Favourite (Yorgos Lanthimos, 2018) para identificar excesos y defectos por redundancia sonora que puedan comprometer la comprensión del mensaje y la experiencia artística en ciegos. Con este fin se han analizado los códigos visuales, el contexto de la producción, el sonido y las estrategias semánticas y lingüísticas utilizadas en su descripción. Los resultados demuestran que el texto ignora aspectos formales relacionados con la transcripción (...)
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  38.  42
    Space for interference.Per Gunnar Eeg-Tverbakk & Kjetil A. Jakobsen - 2011 - Empedocles: European Journal for the Philosophy of Communication 2 (1):19-39.
    The article presents and discusses an ongoing fellowship project entitled ‘Space for Interference’, conducted under the Norwegian Programme for Research Fellowships in the Arts. Two concrete site-specific art projects produced under Space for Interference serve as a point of departure for an investigation into methods of interference and the forms of address that artists use when intervening in other specialized fields in society. The institutions that provide the site for an art project have different social functions. We ask what may (...)
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  39.  89
    Understanding Deleuze.Claire Colebrook - 2002 - Crows Nest, N.S.W.: Allen & Unwin.
    An accessible introduction to the contemporary thought of Deleuze. It makes concepts clear, showing their political and theoretical complexity, elaborating their social and artistic relevance. Australian author (previously at Monash University) now living in Edinburgh.
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  40.  21
    “A Cognitive Listening”: attending to captioning via the critical “unvoiceover”.Sarah Hayden - 2023 - Angelaki 28 (6):20-49.
    This paper proposes a theory of text on-screen as “unvoiceover.” It addresses both the case for captioning as social good and the affordances (aesthetic, affective) of writing in or over the moving image. Advancing an argument informed by perspectives from d/deaf Studies, Critical Disability Studies and Digital Interface Studies, and applying modes of analysis from literary criticism alongside those proper to the study of moving image and sound, it examines the idiosyncrasies of text-in-motion as non-sonorous, fugitive counterpart to the traditional, (...)
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  41.  38
    Making a Choice When There Is No "Better Man".Laura M. Bernhardt - 2021 - In Stefano Marino & Andrea Schembari (eds.), Pearl Jam and philosophy. New York: Bloomsbury Academic. pp. 79-94.
    The woman at the heart of Pearl Jam’s “Better Man” (Vitalogy, 1994) is trapped. She has committed herself to a relationship that makes her miserable, but she sees no viable alternative to staying in it. She mourns a past self who might have been able to leave and dreams of a dierent way things might be, but remains unable to move on. It is tempting to view her with a mixture of pity and frustration (reecting some of the personal circumstances (...)
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  42.  24
    Reimagining life (forms) with generative and bio art.Vladimir Todorovic - forthcoming - AI and Society:1-7.
    Artists and designers working in the fields of generative and bio art frequently focus on designing speculative visions of how nature can be reimagined with the use of computational media and synthetic biology. Centered on the unique artistic strategies of reimagining life forms, this paper analyzes and compares a selection of generative software-based projects, in which artists are mimicking different natural phenomena and have the tendency to beautify nature and life, with bio art projects, where ethical considerations are prioritized (...)
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  43. Public Art as Aural Installation: Surprising Musical Intervention as Civic Rejuvenation in Urban Life.Diana Boros - 2012 - Evental Aesthetics 1 (3):50-81.
    Surprising artistic interventions in the landscape of the public everyday are psychologically, socially, and politically beneficial to individuals as well as their communities. Such interventions enable their audiences to access moments of surprising inspiration, self-reflection, and revitalization. These spontaneous moments may offer access to the experience of distance from the rational “self,” allowing the irrational and purely emotive that resides within all of us to assert itself. It is this sensual instinct that all we too frequently push aside, particularly (...)
     
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  44.  23
    Influence in art and literature.Göran Hermerén - 1975 - Princeton, N.J.,: Princeton University Press.
    This is a systematic study of the conceptual framework used by critics and scholars in their discussions of influence in art and literature. Göran Hermerén explores the key questions raised in scholarly debate on the topic: What is meant by "influence"? What methods can be used to settle disagreements about influence? What reasons could be used to support or reject statements about artistic and literary influence? The book is based on descriptive analyses in which the author has tried to (...)
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  45.  6
    The Spectrum of Political Engagement: Mounier, Benda, Nizan, Brasillach, Sartre.David L. Schalk - 1979 - Princeton: Princeton University Press.
    Why do artists, poets, philosophers, writers, and others who are usually classified as intellectuals leave the ivory tower to "dirty their hands" in the political arena? In an effort to illuminate the intellectual's struggle to come to grips with the issues raised by political involvement, David Schalk examines the life and thought of five intellectuels engagés in France during the period between 1920 and 1945. From communist to fascist, these figures—Paul Nizan, Jean-Paul Sartre, Emmanuel Mounier, Julien Benda, and Robert Brasillach—cover (...)
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  46.  3
    The art question.Nigel Warburton - 2003 - New York: Routledge.
    If an artist sends a live peacock to an exhibition, is it art? 'What is art?' is a question many of us want answered but are too afraid to ask. It is the very question that Nigel Warburton demystifies in this brilliant and accessible little book. With the help of varied illustrations and photographs, from Cézanne and Francis Bacon to Andy Warhol and Damien Hirst, best-selling author Warburton brings a philosopher's eye to art in a refreshing jargon-free style. With customary (...)
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  47.  69
    The Art Question.Nigel Warburton - 2002 - New York: Routledge.
    If an artist sends a live peacock to an exhibition, is it art? 'What is art?' is a question many of us want answered but are too afraid to ask. It is the very question that Nigel Warburton demystifies in this brilliant and accessible little book. With the help of varied illustrations and photographs, from Cézanne and Francis Bacon to Andy Warhol and Damien Hirst, best-selling author Warburton brings a philosopher's eye to art in a refreshing jargon-free style. With customary (...)
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  48. The Art Question.Nigel Warburton - 2002 - New York: Routledge.
    If an artist sends a live peacock to an exhibition, is it art? 'What is art?' is a question many of us want answered but are too afraid to ask. It is the very question that Nigel Warburton demystifies in this brilliant and accessible little book. With the help of varied illustrations and photographs, from Cézanne and Francis Bacon to Andy Warhol and Damien Hirst, best-selling author Warburton brings a philosopher's eye to art in a refreshing jargon-free style. With customary (...)
     
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  49. Points of view in narrative and depictive representation.Kendall L. Walton - 1976 - Noûs 10 (1):49-61.
    The reader's access to the fictional world of a novel is mediated by the narrator, when there is one; the fictional world is presented from the narrator's perspective. do depictions ever have anything comparable to narrators? apparent artists sometimes have a certain perspective on the fictional world. but they don't mediate our access to it; the fictional world is presented independently of their perspective on it. depictions do present fictional worlds from certain perspectives, but not usually the perspectives of any (...)
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  50.  35
    Caring for Landscapes of Justice in Perilous Settler Environments.Mishuana Goeman - 2024 - The Pluralist 19 (1):50-63.
    In lieu of an abstract, here is a brief excerpt of the content:Caring for Landscapes of Justice in Perilous Settler EnvironmentsMishuana Goemanindians are the "singing remnants" or "graffiti," in the words of Leanne Betasamosake Simpson ("i am graffiti"). The forms this graffiti takes, our inscriptions on the landscape, are as numerous as our Nations, abundant as our ancestors who loved, lived, and passed down knowledge of our lands and histories. "You are the result of the love of thousands," writes Linda (...)
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