Social representations of addiction and the resulting stigmatization have been widely described and studied in the literature, but their effects are no less problematic. These representations, which also occur in care settings, generate a climate of distrust which damages the therapeutic relationship, and its ethical quality. This article, combining clinical experience and an ethical stance, offers an original, innovating approach to the existence of distrust in care relationships in the area of addiction. Pragmatic approaches deriving from the human sciences and (...) analytical philosophy provide an invitation to escape from the demanding climate of mistrust, and to take the gamble on trust so as to improve the quality of interactions between protagonists in care. In complementary fashion, a sociology of action can combat the disquiet generated by distrust through a new commitment to innovating forms of action. This “poetic” mode of action is legitimized by the reflection that backs it up, and by its presentation to peers qualified to approve it. Finally, continental moral philosophy underlines the importance of a carefully weighed commitment on the part of caregivers and addicted patients towards promises aiming to support a sincere care relationship, without damaging the therapeutic dynamic or the ethical quality by providing too many safety nets. This reflection is intended to achieve better identification of the clinical and ethical issues raised by mistrust, and inclusion of these aspects in the training of personnel and in care provision planning. (shrink)

Les femmes ont des yeux, des cheveux, une peau, des idées, des jambes, un sexe, une date de naissance, des hommes dans la tête, un problème avec Isaac Newton, de petits poudriers qu'elles sortent de leur sac, et le pouvoir d'arrêter les voitures... Il fallait sans doute le regard d'un homme pour s'en rendre compte. Dominique Quessada est philosophe et écrivain. Il regarde ce qu'il y a pour lui de plus mystérieux et de plus proche à la fois : (...) les femmes. Ce livre s'adresse à elles, mais il peut aussi servir de guide à l'usage des aveugles, sourds et malentendants : les hommes. (shrink)

pt. 1. Gaston Bachelard's historical epistemology.--pt. 2. For a critique of epistemology.

Dominique Lecourt argues that a counter-revolution in French intellectual life has seen the period of the master thinkers of the 1960s succeeded by an era of ...

Qu'un interet renouvele se manifeste aujourd'hui pour la versant epistemologique de l'oeuvre de Gaston Bachelard peut se comprendre au regard de l'histoire contemporaine de la philosophie des sciences. Cette histoire a ete dominee durant la plus grande partie du XXe siecle par une doctrine - celle de l'empirisme (ou positivisme) logique - promue a Vienne a la fin des annees 1920 par une institution originale, le Cercle de Vienne qui publie son manifeste en 1929, et s'organise comme un mouvement a (...) visee universelle et progressiste - celui de la conception scientifique du monde. La tradition francaise de la philosophie des sciences a pris d'entree de jeu un tout autre chemin. Si elle ne les a pas ignorees, elle a refuse de souscrire aux theses majeures du positivisme logique lorsqu'il s'est presente a elle. Elle a toujours lie etroitement philosophie et histoire des sciences. Dans le titre de ce petit livre ecrit durant l'annee universitaire 1967-1968 sous la direction de Georges Canquilhem, Dominique Lecourt a avance l'expression d'epistemologie historique pour signaler, a propos de Gaston Bachelard, cette particularite. (shrink)

Public surveys conducted in many countries report widespread willingness of individuals to donate a kidney while alive to a family member or close friend, yet thousands suffer and many die each year while waiting for a kidney transplant. Advocates of financial incentive programs or “regulated markets” in kidneys present the problem of the kidney shortage as one of insufficient public motivation to donate, arguing that incentives will increase the number of donors. Others believe the solutions lie—at least in part—in facilitating (...) so-called “altruistic donation;” harnessing the willingness of relatives and friends to donate by addressing the many barriers which serve as disincentives to living donation. Strategies designed to minimize financial barriers to donation and the use of paired kidney exchange programs are increasingly enabling donation, and now, an innovative program designed to address what has been termed “chronologically incompatible donation” is being piloted at the University of California, Los Angeles, and elsewhere in the United States. In this program, a person whose kidney is not currently required for transplantation in a specific recipient may instead donate to the paired exchange program; in return, a commitment is made to the specified recipient that priority access for a living-donor transplant in a paired exchange program will be offered when or if the need arises in the future. We address here potential ethical concerns related to this form of organ “banking” from living donors, and argue that it offers significant benefits without undermining the well-established ethical principles and values currently underpinning living donation programs. (shrink)

Der Beitrag fragt danach, was einem Subjekt durch ein psychisches Trauma angetan wird. In diesem Zusammenhang setzt er sich mit Tendenzen auseinander, die derzeit in der Psychoanalyse im Umgang mit Traumata zu beobachten sind: Steht ein Trauma im Zentrum ihrer Aufmerksamkeit, tendierten Psychoanalytiker dazu, darin ein für ihre klinische Arbeit spezielles oder gar außergewöhnliches Problem zu sehen, das nach »etwas Anderem« als der grundlegenden Methode der Psychoanalyse verlangt. Demgegenüber wird die Auffassung vertreten, dass ein Trauma untrennbar mit dem Seelenleben verwoben (...) ist. So etwas wie eine nichttraumatische Psychopathologie, so der Autor, gibt es nicht. Jede traumatisierte Psyche, unabhängig von der Intensität des Traumas, stehe darum im Grunde vor demselben Problem: Wie lässt sich der grundsätzliche Mechanismus der Wiederholung überwinden und eine ergebnisoffene Symbolisierung erreichen? Um diese Prozesse beschreiben zu können – die auch anhand einer Vignette illustriert werden –, schlägt der Autor die Unterscheidung zwischen »Subjektivität« und »Subjektalität« vor. (shrink)

The analysis of identity in cases of memory loss, particularly in Alzheimer’s disease, sheds light on relevant philosophical and practical concerns, such as decision-making processes, autonomy, and the improvement of interaction with patients. Literature on psychological continuity recognizes identity when there are no disruptions in memory, which is certainly not the case in Alzheimer´s disease. Narrative identity, particularly in its relational and non-relational versions, delivers tools which are not exempt from difficulties. Either the caregivers’ narrative or the patient’s narrative is (...) dismissed. Furthermore, if there is a contradiction of narratives in relational theories, we are advised to either find the best narrative or seek agreement. However, one option rejects one narrative, while the other is unattainable in practice for the case in question. Hence, we propose drawing from ironism (Rorty, 1989), which suggests duality of dialogues when dealing with problems. This will be used to defend that the narratives of both, a person with Alzheimer and those close to them, are valid when constituting identity of the former. In this case, we will articulate and defend relational ironism, which allows us to embrace inconsistent narratives without seeking agreements. According to this, personal identity in this case is in constant tension between the narratives of those who suffer Alzheimer’s disease and the narratives of those close to them. We close illustrating possible benefits for how best to interact with patients. (shrink)

Understanding how meaning mechanisms are unleashed in film has been at the center of numerous theoretical surveys of the last few years. Emphasis has especially fallen on seeing as a constructive, meaningful activity and on the diegetic implications of vision. This book is an attempt to extend film theorizing into a new realm, where hearing proves as important as seeing and where the relevance of filmic narrative is differently explored. New paths for future research are suggested by means of associations (...) with the works of linguists or philosophers who have never addressed film theory directly in their writings. Nonetheless, several concepts posited by them (relevance, natural versus non-natural meaning or the notion of Mental spaces) find their application in the present survey. A wide range of examples starting with point-of-view and editing occurrences, passing through the use of music and sound and culminating with the study of whole filmic ensembles, enables the reader to re-examine code-bound or, on the contrary, deviational structures. These are often drawn from familiar sources, proving that not only art films of the Eisenstein or Godard type enhance innovative meaning spaces. Finally, the viewer is seen as a «silly little kitty», an active not passive receiver of textual structures who relies on patterns of known visual or aural backgrounds open to an unlimited field of perspectives. (shrink)

Alors que la guerre était associée au masculin, quelques femmes en France ont combattu au cours des guerres civiles des XVIe-XVIIe siècles ou ont servi dans les armées royales, qu’accompagnaient de plus de nombreuses civiles. Avec la Révolution française, le service dans la garde nationale et, moins directement, dans l’armée est lié à la citoyenneté. En réclamant le port des armes au sein de la garde nationale, des militantes révolutionnaires revendiquaient ainsi un des droits politiques du citoyen, ce qui provoqua (...) un ferme refus. Mues par le désir de défendre la République et de partager avec les hommes la gloire de se battre pour elle, des citoyennes s’engagèrent par ailleurs individuellement dans les armées, où elles continuèrent à servir après le décret du 30 avril 1793 qui les en chassait. Les demandes d’armement des militantes et les réponses qui leur sont apportées, ainsi que les histoires, les propos des soldates et les réactions qu’elles ont suscitées permettent d’analyser l’association entre masculin, armes et citoyenneté et d’étudier les mécanismes de l’exclusion des femmes des armées. (shrink)

Dans Les Tragiques (1616, « Les feux »), Agrippa d’Aubigné raconte que, alors que dans sa prison le célèbre martyr du Bourg était prêt de flancher : Ce cœur tremblant revint à la voix d’une Caille :Pauvre femme, mais riche, et si riche que lorsUn plus riche trouva l’aumône en ses trésors.O combien d’efficace est la voix qui console,Quand le conseiller joint l’exemple à sa parole,Comme fit celle-là qui, pour ainsi prêcher,Fit en ces mêmes jours sa chaire d’un bûcher. Cette (...) Caille célébrée par... (shrink)

Can we say that the mathematical signs refer, beyond the mathematical sense, to ideal objects which would correspond to this sense and realize it? Parallel to this, if Husserl affirms that the intuition of essences and sensitive intuition participate in the same generic concept of intuition as a giving act, can we however affirm that mathematical evidence is giving ideal objects such as sensitive perception gives individual objects?We show that the notions of object and evidence have a different status and (...) other modalities in mathematics than in other fields, and that the notion of categorical intuition must be replaced by that of categorical fulfilment, which designates the totality of theoretical procedures by which knowledge is validated. Against the temptation of the universalization of concepts, we advocate a regional phenomenology, practiced closely to the fields of thematized objects and their specific mode of access. (shrink)

This paper investigates the literal, metaphorical and ideological implications of ‘hybrid’ texts/genres for criticism in general, and for the workshopping of creative work in particular. The question underlying this investigation concerns the place of poetic discourse in fictocriticism. This is consonant with my understanding of genre as ‘index and mark’ representing ‘the site of the nonsubstitutable positioning of the I and the you and of their modalities of expression’ and of poetic discourse as ‘an unsettling process … of identity of (...) meaning and speaking subject’. (shrink)

This paper investigates the literal, metaphorical and ideological implications of ‘hybrid’ texts/genres for criticism in general, and for the workshopping of creative work in particular. The question underlying this investigation concerns the place of poetic discourse in fictocriticism. This is consonant with my understanding of genre as ‘index and mark’ representing ‘the site of the nonsubstitutable positioning of the I and the you and of their modalities of expression’ and of poetic discourse as ‘an unsettling process … of identity of (...) meaning and speaking subject’. (shrink)

lack.” Lacan’s conception of Eros revolves around “a presentification of 1 It is my contention that King Lear invites a theoretical reading of kinship as such “presentification of lack.” Indeed, the dialectic of desire in the text derives from King Lear’s discovering that his own kingly signifier signifies nothing. This error of judgment, which stems from a confusion between desire and jouissance, leads him to misappropriate the rules of bothkingship and kinship. Interestingly enough, it is Cordelia, the daughter andsubject with (...) whom he is erotically involved, who brings home to him thetruth of his error. As an incestuous drama of signification, then, King Learnot only relates to the Phallus as master signifier, but also to the Name-ofthe-Father as referent of the law. Moreover, the truth Cordelia speaks is “a half-said” that leads to the “abolition of discourse”: muteness, madness anddeath. 2 Thus, if the violence implicit in the erotics of the play strikes at “the self-contained character of the participators,” it strikes first at the core of language. 3. (shrink)

This paper presents a paragraph of my thesis whose guiding thread is the theme of language in Heidegger, and which advances two basic claims: 1) Being and Time is an unfinished book and it is thus in the understanding of the planetary achievement of “nihilism” – i.e., of “technique” – that this work from 1927 assumes its whole meaning; and 2) that said, Heidegger’s work, taken as a whole, is a cohesive work that aims at overcoming “nihilism” understood originarily as (...) “forgetfulness of being”. This overcoming is therefore achieved in two stages: 1) the understanding of the phenomenon of “being” arising from the transcendental understanding of the “world”; and 2) the overcoming of that transcendental understanding of the “world” in the full understanding of the phenomenon of “being” as “history,” a process in which the dialogue with poetry will prove to be decisive. This paper emphasizes one aspect of that evolution of Heidegger’s thought “in dialogue with Heidegger,” showing how the understanding of “Ereignis” allows us to conciliate the understanding of the concept of “Entschlossenheit,” presented in Being and Time, with the concept of “Gelassenheit,” that is central in the second stage of Heidegger’s work. (shrink)

Dominique Janicaud claimed that every French intellectual movement—from existentialism to psychoanalysis—was influenced by Martin Heidegger. This translation of Janicaud’s landmark work, Heidegger en France, details Heidegger’s reception in philosophy and other humanistic and social science disciplines. Interviews with key French thinkers such as Françoise Dastur, Jacques Derrida, Éliane Escoubas, Jean Greisch, Philippe Lacoue-Labarthe, Jean-Luc Marion, and Jean-Luc Nancy are included and provide further reflection on Heidegger’s relationship to French philosophy. An intellectual undertaking of authoritative scope, this work furnishes a (...) thorough history of the French reception of Heidegger’s thought. (shrink)