Both an ideal entrée for beginning readers and a solid text for scholars, the second edition of Peter Kalkavage's acclaimed translation of Plato's _Timaeus_ brings enhanced accessibility to a rendering well known for its faithfulness to the original text. An extensive essay offers insights into the reading of the work, the nature of Platonic dialogue, and the cultural background of the _Timaeus_. Appendices on music, astronomy, and geometry provide additional guidance. A brief outline of the themes of the work, (...) a detailed glossary, and a selected bibliography are also included. (shrink)

Plato’s Timaeus was his only cosmological dialogue and for almost thirteen hundred years it provided the basis in the West for educated people’s general view of the natural world. The author provides a translation of this important work, together with the Critias – the source of the legendary tale of Atlantis. He has taken particular care to provide an accurate rendering of Plato’s words and to avoid putting his own or any other interpretation on the works.

'The god wanted everything to be good, marred by as little imperfection as possible.'Timaeus, one of Plato's acknowledged masterpieces, is an attempt to construct the universe and explain its contents by means of as few axioms as possible. The result is a brilliant, bizarre, and surreal cosmos - the product of the rational thinking of a creator god and his astral assistants, and of purely mechanistic causes based on the behaviour of the four elements. At times dazzlingly clear, (...) at times intriguingly opaque, this was state-of-the-art science in the middle of the fourth century BC. The world is presented as a battlefield of forces that are unified only by the will of God, who had to do the best he could with recalcitrant building materials.The unfinished companion piece, Critias, is the foundational text for the story of Atlantis. It tells how a model society became corrupt, and how a lost race of Athenians defeated the aggression of the invading Atlanteans. This new edition combines the clearest translation yet of these crucial ancient texts with an illuminating introduction and diagrams. (shrink)

Turnbull offers a close and detailed reading of the Parmenides, using his interpretation to illuminate Plato's major late dialogues. The picture presented of Plato's later philosophy is plausible, highly interesting, and original.

In a long and important sentence in the Timaeus , Plato explains that, whereas that which truly or really is () cannot come to be in anything else, sensible things, being mere images, must necessarily come to be in something else, on pain of not existing at all.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections (...) in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Platonis Timaeus: Interprete Chalcidio Cum Eiusdem Commentario Ad Fidem Librorum Manu Scriptorum Calcidius, Johann Wrobel, Plato aedibus B.G. Teubneri, 1876 Philosophy; History & Surveys; Ancient & Classical; Philosophy / History & Surveys / Ancient & Classical. (shrink)

v. 1. Charmides. Lysis. Laches. Protagoras. Euthydemus. Cratylus. Phaedrus. Ion. Symposium.--v. 2. Meno. Euthyphro. Apology. Crito. Phaedo. Georgias. Appendix I: Lesser Hippias. Alcibiades I. Menexenus. Appenddix II: Alcibiades II. Eryxias.--v. 3. Republic. Timaeus. Critias.--v. 4. Pharmenides. Theaetetus. Sophist. Statesman. Philebus.--v. 5 Laws. Index to the writings of Plato.

Among all the writings of Plato the Timaeus is the most obscure to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The Critias is a fragment and it was designed to be the second part of a trilogy. Timaeus had brought down the origin of the world to the creation of man, and the dawn of history was now to succeed the philosophy of nature. It tells us about Atlantis (...) and Critias returns to this story, professing only to repeat what Solon was told by the priests. The war of which he was about to speak had occurred 9000 years ago. One of the combatants was the city of Athens, the other was the great island of Atlantis. (shrink)

Ce volume presente une nouvelle edition et la premiere traduction dans une langue moderne du "Lexique platonicien" de Timee le Sophiste. Il presente egalement une histoire, riche de nouveaux materiaux, de la lexicographie platonicienne ancienne. Le texte est preface d'une longue introduction de Jonathan Barnes. This book contains a new edition of the Greek text of the "Lexicon to Plato" by Timaeus the Sophist. There is a rich commentary, and a French translation?the first translation of the work into (...) a modern language. The text is prefaced by a long introduction, by Jonathan Barnes. (shrink)

"Gorgias" addresses the temptations of success and the rewards of a moral life while "Timaeus" explains the world in terms not only of physical laws but also of metaphysical and religious principles.

In his opening speech, Timaeus (Timaeus27d5-29b1) argues that the cosmos must be the product of a craftsman looking to an eternal paradigm. Yet his premises seem at best to justify only that the world could have been made by such a craftsman. This paper seeks to clarify Timaeus’ justification for his stronger conclusion. It is argued that Timaeus sees a necessary role for craftsmanship as a cause that makes becoming like being.

This excellent work on Platos most influential dialogue deserves the serious consideration of all who are interested in contemporary philosophy as well as those who concern themselves with ancient philosophy, especially Plato. Philo and Augustine, creators of medieval thought could engage Scripture in a dialogue with the first part of Timaeus speech; Kepler and Galileo, who helped to bring about modern thought, worked at perfecting the use of mathematics for the study of physical nature, inspired by the second (...) beginning of Timaeus speech, but a contemporary philosophical reflection similar to these has been unavailable. That desideratum has now been met with the publication of John Salliss book, appearing at the crossing of the old millennium with that of the new. His work continues the process of revisiting the past and heralding the future. It achieves this double goal by showing how Platos Timaeus displaces an account of the universe modeled on technical production with that of natural procreation and displaces the tentative distinction between the intelligible and the sensible by that of the chora, which both determines and limits that distinction and escapes being defined by either pole. The originary locus of the so-called Platonism of the West is revealed as the source of its most trenchant critique. (shrink)

Euthuphro.--Apology.--Crito.--Phaedo.--Symposium.--Phaedrus.--Republic.--Cratyius.--Parmendies.--Tha etetus.--Sophist.--Timaeus.--Laws, book x.--The myth of Er (from the Republic).

Burnet's text at Pl. Ti. 55c7–d6 is at least questionable, and opting for a different reading at 55d5 would shed light on an intriguing argumentative aspect of Plato's cosmological account: God confirms the metaphysical reasons why there is just one perfect world.

Introduction.--The Phaedo myth.--The Gorgias myth.--The myth of Er.--The Politicus myth.--The Protagorus myth.--The Timaeus.--The Phaedrus myth.--The two Symposium myths. I. The myth told by Aristophanes. II. The discourse of Diotima.--General observations on myths which set forth the nation's, as distinguished from the individual's, ideals and categories.--The Atlantis myth.--The myth of the earth-born.--Conclusion: The mythology and metaphysics of the Cambridge Platonists.

Plato, the great philosopher of Athens, was born in 427 BCE. In early manhood an admirer of Socrates, he later founded the famous school of philosophy in the grove Academus. Much else recorded of his life is uncertain; that he left Athens for a time after Socrates' execution is probable; that later he went to Cyrene, Egypt, and Sicily is possible; that he was wealthy is likely; that he was critical of 'advanced' democracy is obvious. He lived to be (...) 80 years old. Linguistic tests including those of computer science still try to establish the order of his extant philosophical dialogues, written in splendid prose and revealing Socrates' mind fused with Plato's thought. In Laches, Charmides, and Lysis, Socrates and others discuss separate ethical conceptions. Protagoras, Ion, and Meno discuss whether righteousness can be taught. In Gorgias, Socrates is estranged from his city's thought, and his fate is impending. The Apology, Crito, Euthyphro, and the unforgettable Phaedo relate the trial and death of Socrates and propound the immortality of the soul. In the famous Symposium and Phaedrus, written when Socrates was still alive, we find the origin and meaning of love. Cratylus discusses the nature of language. The great masterpiece in ten books, the Republic, concerns righteousness. Of the six so-called dialectical dialogues Euthydemus deals with philosophy; metaphysical Parmenides is about general concepts and absolute being; Theaetetus reasons about the theory of knowledge. Of its sequels, Sophist deals with not-being; Politicus with good and bad statesmanship and governments; Philebus with what is good. The Timaeus seeks the origin of the visible universe out of abstract geometrical elements. The unfinished Critias treats of lost Atlantis. Unfinished also is Plato's last work of the twelve books of Laws, a critical discussion of principles of law which Plato thought the Greeks might accept. The Loeb Classical Library edition of Plato is in twelve volumes. (shrink)

In this article, I make the case for the continued relevance of Plato’s Timaeus. I begin by sketching Allan Bloom’s picture of the natural sciences today in The Closing of the American Mind, according to which the natural sciences are, objectionably, increasingly specialized and have ejected humans qua humans from their purview. I argue that Plato’s Timaeus, despite the falsity of virtually all of its scientific claims, provides a model for how we can pursue scientific questions (...) in a comprehensive way that stresses their connections to other disciplines, including the humanities, and that puts humanity qua humanity back in the picture. I then argue that being led by Plato’s philosophy to return humanity conceptually to the natural world can improve our thinking regarding climate change and other important environmental crises. (shrink)

Plato's dialogue the Timaeus-Critias presents two connected accounts, that of the story of Atlantis and its defeat by ancient Athens and that of the creation of the cosmos by a divine craftsman. This book offers a unified reading of the dialogue. It tackles a wide range of interpretative and philosophical issues. Topics discussed include the function of the famous Atlantis story, the notion of cosmology as 'myth' and as 'likely', and the role of God in Platonic cosmology. Other (...) areas commented upon are Plato's concepts of 'necessity' and 'teleology', the nature of the 'receptacle', the relationship between the soul and the body, the use of perception in cosmology, and the work's peculiar monologue form. The unifying theme is teleology: Plato's attempt to show the cosmos to be organised for the good. A central lesson which emerges is that the Timaeus is closer to Aristotle's physics than previously thought. (shrink)

The relationship between mind and necessity is one of the major points of difficulty for the interpretation of Plato’s Timaeus. At times Timaeus seems to say the demiurge is omnipotent in his creation, and at other times seems to say he is limited by pre-existing matter. Most interpretations take one of the two sides, but this paper proposes a novel approach to interpreting this issue which resolves the difficulty. This paper suggests that in his speech Timaeus (...) presents two hypothetical models of creation, one with an omnipotent demiurge and one where he is limited by matter, so as to investigate their theoretical and empirical validity. Further, he shows that each model is ultimately an inadequate explanation of the first principles of the cosmos. Timaeus’ speech is therefore properly understood to be aporetic: it leaves its listeners aware of the difficulties inherent in the two models of creation, but without a more viable alternative. (shrink)

Hartshorne and Reese thought that in the Timaeus Plato wasn’t quite a panentheist—though he would have been if he’d been consistent. More recently, Cooper has argued that while Plato’s World Soul may have inspired panentheists, Plato’s text does not itself describe a form of panenetheism. In this paper, I will reconsider this question not only by examining closely the Timaeus but by thinking about which features of current characterizations of panentheism are historically accidental and how (...) the core of the doctrine might most fruitfully be understood. I’ll argue that there is a polytheistic view that deserves to be called panentheistic and that Plato’s Timaeus describes such a view. (shrink)

The Timaeus is perhaps the most unusual of Plato’s dialogues. In this paper, I attempt to interpret Timaeus’s strange speech, which makes up most of the dialogue. I argue that Timaeus has grasped the grave challenge posed to philosophic reason by men like Hesiod who claim that mysterious gods are the first causes of the world, and therefore one cannot say that there are any true necessities governing this world. If this is true, then philosophy, as (...) the study of nature, which depends on the existence of necessity, would be impossible. Timaeus articulates two serious attempts to meet this challenge by demonstrating the stability and rational comprehensibility of the world from solid first principles: one according to which mind is the cause of all things; another according to which everything comes to be through mindless necessity. But he ultimately suggests that neither of these attempts have been successful, thereby demonstrating the limits of natural science’s ability to meet the religious challenge. Timaeus’s speech also has a rhetorical purpose related to this failure: insofar as he finds himself unable adequately to meet the religious challenge, and yet is still attracted to and finds worthwhile the pursuit of philosophy, he thinks a rhetorical account of the cosmos is necessary to shore up faith in reason for elite and educated young men who find themselves inclined to natural science. The more rhetorical aspects of Timaeus’s speech, and above all his account of the triangles, serve this purpose. (shrink)

A reprint of the Routledge edition of 1935.

In _Plato's_ Timaeus _and the Missing Fourth Guest_, Donna M. Altimari Adler offers an original account of Plato's Timaeus from 35a-36d, yielding a new interpretation of the _Timaeus_ scale and cosmic harmony imbedded in the text.

This article attempts to give a systematic analysis of the passage 67c4–68d7 from the Timaeus, in which we find Plato’s most detailed, but also extremely obscure, account of the nature and perception of colours. In particular, I focus first on the question how Plato conceives of colour, comparing Plato’s notion with that of Empedocles and showing Plato’s dependence on, but also divergence from, the Empedoclean tradition. Second, I discuss the question what, according to the (...) class='Hi'>Timaeus, makes things have the particular colour they have; my interpretation is meant to give a better account of Plato’s view both of what he considers as basic colours and of what he considers as mixed colours. And third, I conclude with some remarks about the ontological status of colours on Plato’s theory, in part by contrasting it with Democritus’ conception of colours as secondary qualities. (shrink)

The paper aims to show that ανoια is the general term for the diseases of the soul, and that μανία and αμαϑία are not necessarily two distinct species but two levels of the same disease: ignorance signifies the cognitive state, whereas madness indicates both a cognitive state and a specific phenomenal character. Plato's other remarks on psychic ailments can be incorporated into this account. The result can also be accommodated to the general theory of the soul–body relationship in the (...) dialogue. Incarnated souls cannot work without the corresponding activity of the body, even if this does not rule out the possibility for the soul to exist in a discarnate state. (shrink)

The paper considers Plato’s theory of language through the prism of the Timaeus’ metaphysics. It is argued that the apparent contradictions of Plato’s philosophy of language are the consequence of the two-fold nature of language, and that the metaphysical scheme proposed by Plato in the Timaeus can shed a light on his coherent theory of language. The linguo-metaphysical isomorphism of the Timaeus presupposes that (1) words and material elements have their own meaning and nature (...) respectively; (2) they can be reduced to an infinite variety of amorphic sounds and receptacle; (3) the participation in truth is possible only at the level of narrative and universe. According to this scheme the universe (κόσμος), as well as any speech (λόγος), can be explained by the reduction to its constituent elements, but it will be only necessary explanation. Whereas for Plato, the true understanding of cosmos and logos is possible only on the level of the coherent unity of the whole, which represents the ideal paradigm in the best possible way. (shrink)

Few works of philosophy have enjoyed the prestige of the Timaeus, the dialogue in which Plato set out to provide a rational account, cast in the form of a cosmological "myth," of the universe and humankind. Calcidius translated and commented on Plato's Timaeus. Chronology does little to explain Calcidius' work, which so falls outside the scope of any developmental account of "Middle-" and "Neoplatonism." Calcidius' identification of the Platonic Receptacle with Aristotelian Matter and his various Stoicising (...) impulses reflect traditions that had altered ancient perspectives on the Timaeus, but it is difficult to ascertain the degree to which his philosophical points of reference are Numenius, Alcinous, and Apuleius in the second century CE as opposed to Plotinus, Porphyry, and Iamblichus in the third to fourth. This may have contributed to the later fascination with Calcidius, especially during the "renaissance" of the twelfth century, when his translation and commentary presented themselves as a coalescence of ideas frozen outside of time and space. From Calcidius twelfth-century readers may have learned how ancient opinions on the World Soul, Fate, and Matter lined up conceptually, but they got from him no reliable means of disentangling the historical descent or intersections of those opinions. Yet Calcidius proved to be a fundamental source of inspiration for thinkers such as Bernardus Silvestris, William of Conches, and Alan of Lille, who set out to make new sense of the world, its architecture, the forces that animate it, and our place within it."--Provided by publisher. (shrink)

Plato’s Timaeus provides a significant, original account of diseases afflicting the body and soul. The causes of disease are explained according to the same physical principles that account for the motion of the four elements in the universe. As a result, medical expertise concerning the microcosm of the human body depends on cosmological expertise concerning the macrocosm of the universe. in addition, the methods of division and collection (diairesis and sunagōgē) that Plato uses in other late dialogues (...) are employed in the Timaeus to classify ailments according to differences in their dunamis. Each of the three main kinds of disease is caused by a unique kind of bodily motion, which explains why the same body parts, humours, and elements are involved in multiple kinds of disease. (shrink)

Plato: The Timaeus There is nothing easy about the Timaeus. Its length, limited dramatic discourse, and arid subject-matter make for a dense and menacing work. But make no mistake, it is a menacing work of great subtly and depth. Cosmology has traditionally received the bulk of scholarly attention. No less important, however, are the dialogue’s … Continue reading Plato: The Timaeus →.

Plato's Timaeus is one of the most influential and challenging works of ancient philosophy to have come down to us. Sarah Broadie's rich and compelling study proposes new interpretations of major elements of the Timaeus, including the separate Demiurge, the cosmic 'beginning', the 'second mixing', the Receptacle and the Atlantis story. Broadie shows how Plato deploys the mythic themes of the Timaeus to convey fundamental philosophical insights and examines the profoundly differing methods of interpretation which (...) have been brought to bear on the work. Her book is for everyone interested in Ancient Greek philosophy, cosmology and mythology, whether classicists, philosophers, historians of ideas or historians of science. It offers new findings to scholars familiar with the material, but it is also a clear and reliable resource for anyone coming to it for the first time. (shrink)

Despite the prominent argument for equal educational opportunity for women inWe examine carefully Plato’s argument for the equal nature of women in.

This book focuses on the development of Platonic philosophy at the hands of Roman writers between the first century BCE and the early fifth century CE. It discusses the interpretation of Plato's Timaeus by Cicero, Apuleius, Calcidius, and Augustine, and examines how these authors created new contexts and settings for the intellectual heritage they received and thereby contributed to the construction of the complex and multifaceted genre of Roman Platonism. It takes advantage of the authors' treatment of (...) class='Hi'>Plato's Timaeus as a continuous point of reference to illustrate the individuality and originality of each writer in his engagement with this Greek philosophical text; each chooses a specific vocabulary, methodology, and literary setting for his appropriation of Timaean doctrine. The authors' contributions to the dialogue's history of transmission are shown to have enriched and prolonged the enduring significance of Plato's cosmology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Plato's Timaeus as Cultural IconGerard NaddafGretchen J. Reydams-Schils, editor. Plato's Timaeus as Cultural Icon. Notre Dame, IN.: University of Notre Dame Press, 2003. Pp. xiv + 334. Cloth, $59.95. Paper, $29.95.This volume emanates from an international conference entitled "Plato's Timaeus as Cultural Icon" held at the University of Notre Dame in 2000. In the introduction, the editor and organizer, Gretchen Reydams-Schils (GRS), (...) contends that the title is meant to communicate the considerable influence of Plato's Timaeus on so many different intellectual traditions and asks "What could account for this philosophical and cultural status?" (1).There are thirteen essays by distinguished specialists in the field. For some reason, a number of the essays do not focus on the general theme of the volume and the question GRS raises, "what could account for this philosophical and cultural status?" is never directly, or even indirectly, addressed. In this short review, I will examine the essays in their order of appearance and make some general comments at the end.Mitchell Miller, in the opening essay, argues that the Timaeus must be understood as addressed to a nonphilosophical audience, although he endeavors to show how the philosophically minded could interpret the Timaeus in light of the god-given method, the longer way, of the Philebus (16c-17a). With this in mind, Miller shows that the constitution of the elements and animals in the Timaeus was in fact determined in light of this method. From this perspective, the Timaeus is addressed not only to a nonphilosophical audience—albeit chiefly to these—but also to a philosophical audience.Kenneth Sayre discusses a number of inconsistencies and incoherences in Plato's description/analysis of the Receptacle and concludes that it is nothing short of a "failed experiment." Personally, I find Plato's analysis rather helpful in a manner analogous to the famous similes he employs in the Republic to help us grasp the Form of the Good. Meanwhile, there is nothing in the essay, as with Miller's essay, to indicate why the Timaeus would constitute a cultural icon (unless as a paradigm for opacity and thus as a catalyst for allegorical interpretation, but again this is not Sayre's intent). [End Page 335]John Dillon, with whom the notion of the Timaeus as a cultural icon begins to emerge, emphasizes that most of the members of the Old Academy, including Speusippus, Xenocrates, and Cantor, maintained (contra Aristotle) that Plato did not hold that the universe was created. While it is true, as he notes, that they were in a better position to interpret the master, the fact remains that they all had different interpretations. There is thus a sense in which Dillon's analysis confirms Miller's position that Plato meant the Timaeus for two very different audiences.Carlos Lévy focuses on the difficulty that Cicero had in translating the Timaeus without reverting to Stoic concepts. He argues that a Latin reader, unfamiliar with the Greek, would assume that transcendence is nonexistent and that mind and matter, as with the Stoics, are one. However, Lévy remains silent on why Cicero would not allow Plato to speak for himself, given that this appears to be the norm with many of his other interlocutors. Moreover, it is difficult again to see why the Timaeus would constitute a "cultural icon."Luc Brisson presents the Timaeus in a radical new light. He shows the extent to which the Timaeus, or more precisely the highly exegetical Middle Platonist interpretation of the work, was the primary reference text for the influential Chaldean Oracles. This is an excellent example of the iconic status of the Timaeus, but it is worth noting that the Chaldean Oracles themselves and their doctrine of salvation may have been historically more influential than the Timaeus itself.David Runia's essay is also an excellent example of the iconic influence of Plato's Timaeus, but unlike Brisson, he focuses on a particular feature of the cosmogonical account rather than the entire treatise: how the Timaeus influenced the debate, including with regard to the opening verses of Genesis, on first principles and the doctrine of creation. Runia... (shrink)