186 found
Order:
  1.  28
    Richard Shusterman (1992). Pragmatist Aesthetics: Living Beauty, Rethinking Art. Blackwell.
    This much acclaimed book has emerged as neo-pragmatism's most significant contribution to contemporary aesthetics.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   19 citations  
  2.  31
    Richard Shusterman (2000). Performing Live: Aesthetic Alternatives for the Ends of Art. Cornell University Press.
    The end of aesthetic experience -- Don't believe the hype -- The fine art of rap -- Affect and authenticity in country musicals -- The urban aesthetics of absence : pragmatist reflections in Berlin -- Beneath interpretation -- Somaesthetics and the body/media issue -- The somatic turn : care of the body in contemporary culture -- Multiculturalism and the art of living -- Genius and the paradox of self-styling.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography   11 citations  
  3. Gillian Howie, Michael Mcghee, Phil Hutchinson, Michael Loughlin, Richard Shusterman & William Edelglass (2009). Teaching Philosophy. Continuum.
    In the current academic climate, teaching is often seen as secondary to research. Teaching Philosophy seeks to bring teaching philosophy higher on the academic agenda.An international team of contributors, all of whom share the view that philosophy is a subject that can transform students, offers practical guidance and advice for teachers of philosophy. The book suggests ways in which the teaching of philosophy at undergraduate level might be facilitated. Some of the essays place the emphasis on individual self discovery, others (...)
    No categories
     
    Export citation  
     
    My bibliography   5 citations  
  4.  12
    Richard Shusterman (2002). Surface and Depth: Dialectics of Criticism and Culture. Cornell University Press.
    If aesthetics is both surface and depth, impassioned immediacy yet also critical distance of judgment, how can this doubleness be held together in one ...
    Direct download  
     
    Export citation  
     
    My bibliography   7 citations  
  5. Richard Shusterman (forthcoming). Home Alone? Self and Other in Somaesthetics and" Performing Live". Journal of Aesthetic Education.
    No categories
     
    Export citation  
     
    My bibliography   2 citations  
  6. Richard Shusterman (2005). Making Sense and Changing Lives: Directions in Contemporary Pragmatism. Journal of Speculative Philosophy 19 (1):63-72.
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  7.  11
    Richard Shusterman (2012). Thinking Through the Body: Essays in Somaesthetics. Cambridge University Press.
    Thinking through the body: educating for the humanities -- The body as background -- Self-knowledge and its discontents: from Socrates to somaesthetics -- Muscle memory and the somaesthetic pathologies of everyday life -- Somaesthetics in the philosophy classroom: a practical approach -- Somaesthetics and the limits of aesthetics -- Somaesthetics and Burke's sublime -- Pragmatism and cultural politics: from textualism to somaesthetics -- Body consciousness and performance -- Somaesthetics and architecture: a critical option -- Photography as performative process -- Asian (...)
    Direct download  
     
    Export citation  
     
    My bibliography   2 citations  
  8. Richard Shusterman (2002). Pragmatism and Criticism: A Response to Three Critics of Pragmatist Aesthetics. Journal of Speculative Philosophy 16 (1):26 - 38.
  9.  39
    Richard Shusterman (2009). Body Consciousness and Performance: Somaesthetics East and West. Journal of Aesthetics and Art Criticism 67 (2):133-145.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   4 citations  
  10. Richard Shusterman (2003). Somaesthetics and The Second Sex: A Pragmatist Reading of a Feminist Classic. Hypatia 18 (4):106-136.
    This paper explains the discipline of somaesthetics, which emerges from pragmatism's concern with enhancing embodied experience and reconstructing the aesthetic in ways that make it more central to key philosophical concerns of knowledge, ethics, and politics. I then examine Beauvoir's complex treatment of the body in The Second Sex, assessing both her arguments that could support the pragmatic approach of somaesthetics but also those that challenge its bodily focus as a danger for feminism.
    Direct download (9 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  11.  18
    Richard Shusterman (1999). Somaesthetics: A Disciplinary Proposal. Journal of Aesthetics and Art Criticism 57 (3):299-313.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   9 citations  
  12. Richard Shusterman (1992). Pragmatist Aesthetics. Wiley-Blackwell.
    No categories
     
    Export citation  
     
    My bibliography   7 citations  
  13.  15
    Shusterman Richard (2004). Pragmatism and East-Asian Thought. Metaphilosophy 35 (1-2):13-43.
  14. David R. Hiley, James Bohman & Richard Shusterman (eds.) (1991). The Interpretive Turn: Philosophy, Science, Culture. Cornell University Press.
    No categories
     
    Export citation  
     
    My bibliography   6 citations  
  15.  50
    Richard Shusterman (2010). Dewey's Art as Experience : The Psychological Background. Journal of Aesthetic Education 44 (1):pp. 26-43.
  16.  20
    Richard Shusterman (2007). Asian Ars Erotica and the Question of Sexual Aesthetics. Journal of Aesthetics and Art Criticism 65 (1):55–68.
  17. R. Shusterman (2013). Body and the Arts: The Need for Somaesthetics. Diogenes 59 (1-2):7-20.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  18. Richard Shusterman (ed.) (1999). Bourdieu: A Critical Reader. Wiley-Blackwell.
    This Critical Reader provides a new perspective on the work of France's foremost social theorist Pierre Bourdieu, by examining its philosophical import and promoting a fruitful dialogue between Bourdieu and philosophers in the English-speaking world. The contributors include leading philosophers who critically assess Bourdieu's philosophical theories and their significance from diverse philosophical perspectives to reveal which dimensions of his thought are the most useful for philosophy today. These discussions also raise important questions about the current institutional limits of philosophy and (...)
     
    Export citation  
     
    My bibliography   3 citations  
  19. Richard Shusterman (1992). Pragmatism and Perspectivism on Organic Wholes. Journal of Aesthetics and Art Criticism 50 (1):56-58.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  20.  43
    Richard Shusterman (1997). The End of Aesthetic Experience. Journal of Aesthetics and Art Criticism 55 (1):29-41.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   4 citations  
  21.  37
    R. Shusterman (2011). The Pragmatist Aesthetics of William James. British Journal of Aesthetics 51 (4):347-361.
    Although William James wrote no philosophical treatise on aesthetics, he can be seen as an important source for pragmatist aesthetics. This paper reconstructs James's aesthetic views from his diverse writings that demonstrate a keen regard for the arts and for the central, pervasive importance of the aesthetic dimension of experience, a dimension he saw as closely linked to the rational and practical. Special attention is given to his path-blazing The Principles of Psychology which precedes James's explicit pragmatist stage but contains (...)
    Direct download (8 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  22.  37
    Richard Shusterman (2011). Soma, Self, and Society: Somaesthetics as Pragmatist Meliorism. Metaphilosophy 42 (3):314-327.
    Abstract: This article explains the pragmatist project of somaesthetics in five different ways. First, it clarifies the notion of soma as encompassing both subjective intentionality and material objectivity in the world. Second, it highlights the social dimensions of somaesthetics, building on the basic insight that the soma is always shaped by the social and physical environments in which it is nested. Third, it examines the similarities and differences between somaesthetics and the Merleau-Ponty tradition of somatic phenomenology, while answering some of (...)
    No categories
    Direct download (9 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  23.  26
    Richard Shusterman (2006). Thinking Through the Body, Educating for the Humanities: A Plea for Somaesthetics. Journal of Aesthetic Education 40 (1):1-21.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  24.  23
    R. Shusterman (1994). Pragmatism and Liberalism Between Dewey and Rorty. Political Theory 22 (3):391-413.
  25.  24
    Richard Shusterman (2005). Somaesthetics and Burke's Sublime. British Journal of Aesthetics 45 (4):323-341.
    Burke is an important exception to Nietzsche's claim that philosophical aesthetics ignores physiology and the role of practical interest. Grounded on the powerful interest of survival, Burke's theory of the sublime also offers a physiological explanation of our feelings of sublimity that explicitly defines certain conditions of our nerves as the ‘efficient cause’ of such feelings. While his general account of sublimity is widely appreciated, its somatic dimension has been dismissed as hopelessly misguided. In examining Burke's views in relation to (...)
    Direct download (6 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  26.  25
    Richard J. Shusterman (2004). Complexities of Aesthetic Experience: Response to Johnston. Journal of Aesthetic Education 38 (4):109-112.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  27.  31
    Richard Shusterman (1985). Books Reviews. British Journal of Aesthetics 25 (3):285-b-288.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  28.  1
    Richard Shusterman (ed.) (1989). Analytic Aesthetics. Blackwell.
    Direct download  
     
    Export citation  
     
    My bibliography   3 citations  
  29.  40
    Richard Shusterman (2009). Somaesthetics and C. S. Peirce. Journal of Speculative Philosophy 23 (1):pp. 8-27.
  30.  17
    Richard Shusterman (2010). Soma and Psyche. Journal of Speculative Philosophy 24 (3):205-223.
    In the ancient legend of Cupid and Psyche, Venus was jealous of Psyche’s beauty and plotted to punish her by binding her through love to a hideous creature that would appear once Cupid scratched Psyche with his arrow of desire while she slept, so that she would fall in love with the next thing she saw upon awakening. But when Cupid saw her beauty, he was so overwhelmed that he accidentally wounded himself with his own arrow and thus fell deeply (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  31. Richard Shusterman (1999). Emerson's Pragmatist Aesthetics. Revue Internationale de Philosophie 53 (207):87-99.
     
    Export citation  
     
    My bibliography   3 citations  
  32.  7
    R. Shusterman (1997). Putnam and Cavell on the Ethics of Democracy. Political Theory 25 (2):193-214.
  33.  15
    Richard Shusterman (2007). Fallibilism and Faith. Common Knowledge 13 (2):379-384.
  34. Richard Shusterman (1991). Form and Funk: The Aesthetic Challenge of Popular Art. British Journal of Aesthetics 31 (3):213-213.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  35. Richard Shusterman (ed.) (2004). The Range of Pragmatism and the Limits of Philosophy. Blackwell.
    This book, written by some of pragmatism’s leading scholars, explores the range of pragmatism and its resources for treating crucial contemporary issues. An exploration of the range of pragmatism and the limits of philosophy. Probes the range of pragmatism in terms of its international impact. Considers thinkers such as Emerson and Du Bois whose identity as pragmatists is contested. Extends pragmatism’s resources for dealing with crucial contemporary questions. Addresses pressing questions such as globalization, multiculturalism, race and ethnicity, the uses of (...)
    No categories
     
    Export citation  
     
    My bibliography   1 citation  
  36.  28
    Richard Shusterman (2000). Somaesthetics and Care of the Self. The Monist 83 (4):530-551.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  37.  12
    Richard Shusterman & Adele Tomlin (2007). Aesthetic Experience. In Michael Beaney (ed.), The Analytic Turn: Analysis in Early Analytic Philosophy and Phenomenology. Routledge.
    consist (in part) in our taking pleasure in the awe or wonder we feel towards them.'' But although forms of awe and wonder are feelings that at least some ...
    Direct download  
     
    Export citation  
     
    My bibliography   1 citation  
  38.  31
    Richard Shusterman (2005). William James, Somatic Introspection, and Care of the Self. Philosophical Forum 36 (4):419–440.
  39.  12
    Richard Shusterman (1997). Internationalism in Philosophy: Models, Motives and Problems. Metaphilosophy 28 (4):289-301.
    No categories
    Direct download (9 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  40.  5
    Richard M. Shusterman (2007). Somaesthetics and the Revival of Aesthetics. Filozofski Vestnik 2.
    This paper examines the ten-year history of somaesthetics – describing the field's origins and genealogical roots, explaining its terminology, analyzing its structure, tracing its reception, exploring its most interesting applications, and responding to the most important criticisms that have been directed at it. Somaesthetics, as the paper shows, emerges from the framework of my work in pragmatist aesthetics which sought to revive aesthetics by bringing art closer to life and bridging the presumed divide between the aesthetic and the practical while (...)
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  41.  9
    Richard Shusterman (1988). T.S. Eliot and the Philosophy of Criticism. Columbia University Press.
    Direct download  
     
    Export citation  
     
    My bibliography   2 citations  
  42. Richard Shusterman (2005). Rap Aesthetics: Violence and the Art of Keeping It Real. In D. Darby & T. Shelby (eds.), Hip Hop and Philosophy. Open Court.
    No categories
     
    Export citation  
     
    My bibliography  
  43.  51
    Richard Shusterman (1983). Osborne and Moore on Organic Unity. British Journal of Aesthetics 23 (4):352-359.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  44.  37
    Richard Shusterman (1990). Beneath Interpretation. The Monist 73 (2):181-204.
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  45.  43
    Richard Shusterman (1986). Analytic Aesthetics, Literary Theory, and Deconstruction. The Monist 69 (1):22-38.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  46.  2
    R. Shusterman (2006). The Aesthetic. Theory, Culture and Society 23 (2-3):237-243.
    First coined in modernity, the aesthetic is a vague, polysemic and contested concept whose complexities arise from the variety of the ways it has been defined in the history of its theorization, but also in its formative prehistory in theories of art and beauty that preceded its modern coinage. After noting key points of that prehistory, the article traces three major modern tendencies in construing the aesthetic: as a special mode of sensory perception or experience that is relevant to life (...)
    Direct download  
     
    Export citation  
     
    My bibliography   1 citation  
  47.  6
    Ronald Shusterman (1993). Virtual Realities and Autotelic Art. Substance 22 (2/3):113.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  48. Richard Shusterman (2006). Aesthetic and Practical Interests and Their Bodily Ground. William James Studies 1.
    No categories
     
    Export citation  
     
    My bibliography   1 citation  
  49. Richard Shusterman (1989). Of the Scandal of Taste: Social Privilege as Nature in the Aesthetic Theories of Hume and Kant. Philosophica Forum 20 (3):211-229.
     
    Export citation  
     
    My bibliography   1 citation  
  50.  52
    Richard Shusterman (1994). On Analysing Analytic Aesthetics. British Journal of Aesthetics 34 (4):389-394.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
1 — 50 / 186