Now available in English for the first time, The Visibility of the Image explores the development of an influential aesthetic tradition through the work of six figures. Analysing their contribution to the progress of formal aesthetics, from its origins in Germany in the 1880s to semiotic interpretations in America a century later, the six chapters cover: Robert Zimmermann (1824-1898), the first to separate aesthetics and metaphysics and approach aesthetics along the lines of formal logic, providing a purely syntactic way of (...) using signs, regardless of objective content; Alois Riegl (1858-1905), who went on to further develop aesthetics on the model of formal logic, creating a theory of style in response to Zimmermann's call for an aesthetics oriented toward formal logic; Heinrich Wölfflin (1864-1945), who represents a step toward an understanding of consciousness by using pictures as cognitive tools; Konrad Fiedler (1841-1895), the Saxon philosopher who considered the possibility that some kinds of images are made and viewed not for what they show, but for their visibility's sake alone; Maurice Merleau-Ponty (1908-1961), responsible for taking up the connections between the problems of reducing the range of potential meanings and contexts of a given image down to just the picture surface; Charles William Morris (1901-1979), who set out to establish whether a picture with no objective reference, such as an abstract painting, still counts as a sign, and if so, in what sense. Bringing these thinkers together and interlinking their ideas, Lambert Wiesing presents an engaging history of formal aesthetics, while reconstructing the philosophical foundations for the appearance of new image forms in the 20th century, including the video-clip, abstract collage, digital simulation and virtual reality. Using this original approach, The Visibility of the Image introduces the rise of modern image theory and provides a valuable account of our engagement with pictures in the 21st century. (shrink)

Philosophische Mythen und Modelle. Unzufriedenheit auf höchstem Niveau ; Der Mythenvorwurf in der Philosophie ; Modellierende Philosophie : eine contradictio in adjecto ; Der Mythos des Gegebenen ; Vom Mythos desGegebenen zum Mythos des Mittelbaren ; Interpretationismus und Wahrnehmungsphilosophie ; Transzendentaler Interpretationismus ; Die Verbindung des Mythos des Gegebenen mit dem Mythos des Mittelbaren : Repräsentationalismus ; Das Paradigma des Zugangs -- Phänomenologie : die Philosophie ohne Modell. Phänomenale Gewißheit ; Vom cartesischen Cartesianismus zum phänomenologischen Cartesianimus ; Intentionalität : das (...) fundamentum inconcussum relationalis ; Zu den Sachen und zurück zur Sprache ; Phänomenologische Protreptik ; Eidetische Variation -- Das Mich der Wahrnehmung. Von den Bedingungen der Möglichkeit zu den Folgen der Wirklichkeit ; Vom Primat des Wahrnehmenden zum Primat der Wahrnehmung ; Vom Ich zum Mich der Wahrnehmung ; Die Zumutung dauernder Anwesenheit ; Die Beschreibung der Anwesenheitszumutung : der Gehalt der Wahrnehmung ; Die Qualität der Wahrenmung und der Auffassungssinn ; Sich sicher sein, daß etwas der Fall ist : Wissen und Gewißheit ; Die unmögliche Epoché ; Vom Eindruck zum Ausdruck zur Teilhabe ; Transzendentale Ästhetik und die Unterstellung von Anschauungsformen ; Die Leiblichkeit des Wahrnehmenden : eine folge der Wahrnehmung ; Die Kontinuität des Wahrgenommenen ; Das Wahrgenommene und die Ursache der Wahrnehmung ; Die Zumutung der Öffentlichkeit ; Die Identität des Mich -- Die Partizipationspause. Pause versus Unterbrechung ; Die drei Paradigmen der Bildwahrnehmungstheorie ; Das besondre Objekt der Bildwahrnehmung ; Die besonderen Folgen der Bildwahrnehmung ; Zum Zuschauen gezwungen ; Die optische Entindividualisierung des Mich ; Zur Teilnahme entschieden. (shrink)

These collected studies on the philosophy of the image offer the fundamental insight that images alone make the artificial presence of things possible. Images present things as exclusively visible, released from the laws of physics. Taking this idea as his point of departure, Wiesing provides an overview of the fundamental positions in contemporary image studies. He describes the use of images as signs from a phenomenological perspective, reconstructs Plato's concept of mimesis by way of the canon of images it (...) presupposes, and demonstrates the special relevance of extreme types of images— virtual reality, desktop windows, or abstract photography—for the philosophical labor of the concept of the image. (shrink)

Die Studien zur Philosophie des Bildes verfolgen eine doppelte Absicht: Sie bemühen sich einerseits um einen Überblick über die grundlegenden Positionen innerhalb der gegenwärtigen Bildwissenschaft und versuchen andererseits stets einen systematischen Hauptgedanken zu verteidigen: Bilder präsentieren; nur Bilder ermöglichen die artifizielle Präsenz von ausschließlich sichtbaren Dingen, die den Gesetzen der Physik enthoben sind. Vor dem Hintergrund dieses Bildbegriffs wird die Verwendung von Bildern als Zeichen aus einer phänomenologischen Sicht beschrieben, Platons Mimesis-Begriff anhand seiner kanonischen Bildvorstellungen rekonstruiert und die besondere Bedeutung (...) extremer Bildtypen - wie die virtuelle Realität, Benutzeroberflächen oder die Abstrakte Fotografie - für die philosophische Arbeit am Bildbegriff vorgeführt. (shrink)

These phenomenological studies on the philosophy of the image review contemporary image theory while defending the fundamental insight that images alone make the artificial presence of things possible.

Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to be visible, and (...) to continually participate in the public and physical world we perceive. Only in looking at images, he proposes, can we achieve something like a break in participation, a temporary respite from this, one of perception's relentless demands. Wiesing's methods chart a markedly new path in contemporary perception theory. In addition to identifying common ground among diverse philosophical positions, he identifies how his own, phenomenological approach differs from those of many other philosophers, past and present. As part of the argument, he provides a succinct but comprehensive survey of the philosophy of images His original critical exposition presents scholars of phenomenology, perception and aesthetics with a new, important understanding of the old phenomenon, the human being in the world. (shrink)

Vilém Flusser not only defines his theoretical work as phenomenology, he considers the act of photography itself a phenomenological act. For this reason this contribution seeks to answer the question how much Flusser’s conception of phenomenology owes to Edmund Husserl and in what ways he has transformed Husserl’s own philosophical tenets. The main idea of this essay is that Flusser has reduced Husserl’s phenomenology to the concept of phenomenography. Nowhere in Flusser, in fact, can we trace any mention of Husserl’s (...) idea of phenomenology as an aprioristic science of essentials. On the basis of this reduced understanding of phenomenology as a cultural science, however, Flusser discovers a remarkable structural affinity between philosophy and photography. (shrink)

The article tries to defend three theses: First the opinion that in fact philosophical and empirical aesthetics can be clearly distinguished and as well juxtaposed, but the term experimental aesthetics should not only be reserved for aesthetics, which can be found outside of philosophy. Because notably phenomenological aesthetics, so the second thesis, are in a certain way experimental aesthetics – namely if and only if the method of Eidetic Variation is used and insofar this method can be understood as a (...) form of a mental self-experiment. Since this method is not only used in phenomenological philosophy, thirdly the opinion should be defended that there is a long tradition of experimental aesthetics in philosophy taken as a whole and e.g. Kant’s transcendental aesthetic is an epitome of such kind, because it bases its claim for knowledge neither inductively nor deductively, but using the experiment of an Eidetic Variation. (shrink)

Montrer des émotions sur un visage ou montrer quelque chose par une photographie, est-ce identique? Que signifie montrer ( das Zeigen ) ou faire voir ( sehen lassen )? La question engage une réflexion sur la nature de l’image photographique : en refusant de faire du cliché photographique (comme du visage) la trace ou l’index d’un quelque chose, l’auteur affirme importance du langage et de l’usage pour tout artefact, où l’équivalence linguistique du dissemblable devient un aspect nécessaire de la praxis (...) qui vise à montrer du doigt. (shrink)

The foundation of phenomenological image theories is the view that image perception leads to a perception sui generis . In order to grasp this peculiarity of image perception, two ways have traditionally been considered: either through a description of the particular object of image perception or through a description of the unique origin of image perception. This article explores a third way within the phenomenology of the image by trying to determine the uniqueness of image perception through its peculiar, necessary (...) effects on the observer of the image. The thesis is: The observer of an image does not become an image object in the image. It is only in the case of image perception that there is relief through a gap in participation. It is the perception of something without the demand, as the perceiving person, of being physically involved in what is perceived. (shrink)

In A Philosophy of Luxury Lambert Wiesing offre una trattazione originale del concetto di lusso in una prospettiva meramente estetica. Avendo escluso ogni relazione con concetti sociali, quali prestigio, ostentazione, status, Wiesing dichiara che per lusso si deve intendere un’esperienza estetica di tipo particolare. Poiché solo l’uomo indulge nel lusso, ciò che va analizzato è la relazione che intercorre tra un soggetto e un dato oggetto, prescindendo dalle qualità estetiche proprie di quest...

Review of Lambert Wiesing's book 'Das Mich der Wahrnehmung'.

Propose l'idée directrice suivante : les trois monothéismes méditerranéens forment système comme les polythéismes indo-européens. Au prix d'une critique girardienne du modèle dumézilien, qui a l'effet de compliquer les deux approches ainsi privées de leur tentation englobante, l'analyse procède à une exégèse véritablement anthropologique.

La Phenomenologie, derniere section du Nouvel Organon (1764) de Jean-Henri Lambert, proposee ici dans sa traduction integrale, constitue une piece originale apportee au debat entre rationalisme et empirisme au XVIIIe siecle. Ce texte aborde le probleme de la critique de l'apparence en general, en ne recherchant pas seulement les criteres de l'apparence sensible, mais egalement ceux de l'apparence intellectuelle et morale, avec une consideration particuliere pour le domaine du probable. La verite apparente est au coeur de la phenomenologie definie (...) aussi comme une optique ou perspective transcendante. La question centrale est celle du depassement de l'apparence, car elle nous induit en erreur en nous dissimulant l'etre reel. (shrink)

Li Zehou’s work can be understood as an account of a Chinese modernity, a vision for Chinese society that seeks to integrate three distinct philosophical approaches. These are Chinese history and culture, which Li understands as largely Confucian; Marxism, which has exerted such influence on a modernizing China; and Western learning more generally, as expressed by figures such as Immanuel Kant and Sigmund Freud. Li also frequently expresses the hope that a Chinese modernity will be one in which the importance (...) of the individual is recognized, and rights and freedoms upheld (e.g., 2006, p. 182). But this stance raises an important question: how are individuality and freedom understood in Li’s philosophical system? In this paper, I want to examine what resources Li offers to help us conceptualize their place in a modernity with Chinese characteristics. Confucian culture is often regarded as authoritarian and hierarchical, less interested than more liberal traditions in an ideal such as freedom. So how does freedom relate to the Confucian root of Chinese culture, as construed by Li? In this paper I explore how Li Zehou’s study of Confucian aesthetics can deliver a novel conception of freedom, one grounded in Confucian thinking about personal cultivation, and aimed at the free creation of delight (樂). (shrink)

pt. 1. Text -- pt. 2. Notes, bibliography and indices.

La Phenomenologie, derniere section du Nouvel Organon (1764) de Jean-Henri Lambert, proposee ici dans sa traduction integrale, constitue une piece originale apportee au debat entre rationalisme et empirisme au XVIIIe siecle. Ce texte aborde le probleme de la critique de l'apparence en general, en ne recherchant pas seulement les criteres de l'apparence sensible, mais egalement ceux de l'apparence intellectuelle et morale, avec une consideration particuliere pour le domaine du probable. La verite apparente est au coeur de la phenomenologie definie (...) aussi comme une optique ou perspective transcendante. La question centrale est celle du depassement de l'apparence, car elle nous induit en erreur en nous dissimulant l'etre reel. (shrink)

This paper considers whether theism is compatible with moral error theory. This issue is neglected, perhaps because it is widely assumed that these views are incompatible. I argue that this is mistaken. In so doing, I articulate the best argument for thinking that theism and moral error theory are incompatible. According to it, these views are incompatible because theism entails that God is morally good, and moral error theory entails that God is not. I reject this argument. Since it is (...) the best argument for thinking that theism and moral error theory are incompatible, I conclude that these views are compatible: one can coherently accept both views. (shrink)

Whilst the topic of representations is one of the key topics in philosophy of mind, it has only occasionally been noted that representations and representational features may be gradual. Apart from vague allusions, little has been said on what representational gradation amounts to and why it could be explanatorily useful. The aim of this paper is to provide a novel take on gradation of representational features within the neuroscientific framework of predictive processing. More specifically, we provide a gradual account of (...) two features of structural representations: structural similarity and decoupling. We argue that structural similarity can be analysed in terms of two dimensions: number of preserved relations and state space granularity. Both dimensions can take on different values and hence render structural similarity gradual. We further argue that decoupling is gradual in two ways. First, we show that different brain areas are involved in decoupled cognitive processes to a greater or lesser degree depending on the cause (internal or external) of their activity. Second, and more importantly, we show that the degree of decoupling can be further regulated in some brain areas through precision weighting of prediction error. We lastly argue that gradation of decoupling (via precision weighting) and gradation of structural similarity (via state space granularity) are conducive to behavioural success. (shrink)

This volume offers a retrospective of Jonas's life and works by bringing together historians of modern Germany, Judaica scholars, philosophers, bioethicists, ...

The World Medical Association has announced that a new revision process of the Declaration of Helsinki has been started. This article will identify the criticisms that have been made in the bioethics literature, particularly since the last revision. In addition, criticisms are discussed that were made in the literature even before the last revision and have not fallen silent. The plausibility of the recommendation for a change in the Declaration of Helsinki is examined.

Gaze following occurs automatically in social interactions, but the degree to which gaze is followed depends on whether an agent is perceived to have a mind, making its behavior socially more relevant for the interaction. Mind perception also modulates the attitudes we have towards others, and deter-mines the degree of empathy, prosociality and morality invested in social interactions. Seeing mind in others is not exclusive to human agents, but mind can also be ascribed to nonhuman agents like robots, as long (...) as their appearance and/or behavior allows them to be perceived as intentional beings. Previous studies have shown that human appearance and reliable behavior induce mind perception to robot agents, and positively affect attitudes and performance in human-robot interaction. What has not been investigated so far is whether different triggers of mind perception have an independent or interactive effect on attitudes and performance in human-robot interaction. We examine this question by manipulating agent appearance (human vs. robot) and behavior (reliable vs. random) within the same paradigm and examine how congruent (human/reliable vs. robot/random) versus incongruent (human/random vs. robot/reliable) combinations of these triggers affect performance (i.e., gaze fol-lowing) and attitudes (i.e., agent ratings) in human-robot interaction. The results show that both ap-pearance and behavior affect human-robot interaction but that the two triggers seem to operate in iso-lation, with appearance more strongly impacting attitudes, and behavior more strongly affecting per-formance. The implications of these findings for human-robot interaction are discussed. (shrink)

The goal of this short chapter, aimed at philosophers, is to provide an overview and brief explanation of some central concepts involved in predictive processing (PP). Even those who consider themselves experts on the topic may find it helpful to see how the central terms are used in this collection. To keep things simple, we will first informally define a set of features important to predictive processing, supplemented by some short explanations and an alphabetic glossary. -/- The features described here (...) are not shared in all PP accounts. Some may not be necessary for an individual model; others may be contested. Indeed, not even all authors of this collection will accept all of them. To make this transparent, we have encouraged contributors to indicate briefly which of the features are necessary to support the arguments they provide, and which (if any) are incompatible with their account. For the sake of clarity, we provide the complete list here, very roughly ordered by how central we take them to be for “Vanilla PP” (i.e., a formulation of predictive processing that will probably be accepted by most researchers working on this topic). More detailed explanations will be given below. Note that these features do not specify individually necessary and jointly sufficient conditions for the application of the concept of “predictive processing”. All we currently have is a semantic cluster, with perhaps some overlapping sets of jointly sufficient criteria. The framework is still developing, and it is difficult, maybe impossible, to provide theory-neutral explanations of all PP ideas without already introducing strong background assumptions. (shrink)

This essay addresses Cartesian duality and how its implicit dialectic might be repaired using physics and information theory. Our agenda is to describe a key distinction in the physical sciences that may provide a foundation for the distinction between mind and matter, and between sentient and intentional systems. From this perspective, it becomes tenable to talk about the physics of sentience and ‘forces’ that underwrite our beliefs (in the sense of probability distributions represented by our internal states), which may ground (...) our mental states and consciousness. We will refer to this view as Markovian monism, which entails two claims: (1) fundamentally, there is only one type of thing and only one type of irreducible property (hence monism). (2) All systems possessing a Markov blanket have properties that are relevant for understanding the mind and consciousness: if such systems have mental properties, then they have them partly by virtue of possessing a Markov blanket (hence Markovian). Markovian monism rests upon the information geometry of random dynamic systems. In brief, the information geometry induced in any system—whose internal states can be distinguished from external states—must acquire a dual aspect. This dual aspect concerns the (intrinsic) information geometry of the probabilistic evolution of internal states and a separate (extrinsic) information geometry of probabilistic beliefs about external states that are parameterised by internal states. We call these intrinsic (i.e., mechanical, or state-based) and extrinsic (i.e., Markovian, or belief-based) information geometries, respectively. Although these mathematical notions may sound complicated, they are fairly straightforward to handle, and may offer a means through which to frame the origins of consciousness. (shrink)