Search results for 'Art Psychology' (try it on Scholar)

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  1. Thomas Munro (1956). Art Education, its Philosophy and Psychology. New York, Liberal Arts Press.score: 132.0
     
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  2. Tone Roald (2008). Toward a Phenomenological Psychology of Art Appreciation. Journal of Phenomenological Psychology 39 (2):189-212.score: 126.0
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  3. Maria Pachalska (2006). The Psychology of Art and the Evolution of the Conscious Brain. [REVIEW] Journal of Nervous and Mental Disease 194 (8):632-634.score: 120.0
  4. Robert L. Solso (2003). The Psychology of Art and the Evolution of the Conscious Brain. MIT Press.score: 120.0
  5. Logan J. Fox (1972). Psychology as Philosophy, Science, and Art. Pacific Palisades, Calif.,Goodyear Pub. Co..score: 84.0
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  6. André Malraux (1949). The Psychology of Art. London, A. Zwemmer.score: 84.0
    1. Museum without walls.--2. The creative act. -- 3. The Aftermath of the Absolute.
     
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  7. João Pedro Fróis (2011). Introductory Note to “Contemporary Psychology and Art: Toward a Debate” by Lev S. Vygotsky. Journal of Aesthetic Education 45 (1):107-117.score: 78.0
    The importance of an author can be evaluated by the extent to which his theoretical contribution transforms a certain area of knowledge: major researchers create new vistas. This certainly applies to Lev Vygotsky (1896–1934), one of the most brilliant authors of contemporary psychology. His work, owing to its originality, is of epistemological interest to several areas of knowledge. In fact, Vygotsky was at the center of a historical time of change in twentieth-century Russia, in which Mikhail Bakhtin, Roman Jakobson, (...)
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  8. Joseph Lyons (1967). Paleolithic Aesthetics: The Psychology of Cave Art. Journal of Aesthetics and Art Criticism 26 (1):107-114.score: 78.0
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  9. Douglas N. Morgan (1950). Psychology and Art Today: A Summary and Critique. Journal of Aesthetics and Art Criticism 9 (2):81-96.score: 78.0
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  10. Michael A. Wallach (1959). Art, Science, and Representation: Toward an Experimental Psychology of Aesthetics. Journal of Aesthetics and Art Criticism 18 (2):159-173.score: 78.0
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  11. Thomas Munro (1948). Methods in the Psychology of Art. Journal of Aesthetics and Art Criticism 6 (3):225-235.score: 78.0
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  12. Rudolf Arnheim (1952). Agenda for the Psychology of Art. Journal of Aesthetics and Art Criticism 10 (4):310-314.score: 78.0
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  13. Lucien Rudrauf (1954). The Morphology of Art and the Psychology of the Artist. Journal of Aesthetics and Art Criticism 13 (1):18-36.score: 78.0
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  14. Arnold Hauser (1958/1959). The Philosophy of Art History. New York, Knopf.score: 78.0
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  15. Thomas Munro (1963). The Psychology of Art: Past, Present, Future. Journal of Aesthetics and Art Criticism 21 (3):263-282.score: 78.0
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  16. Max Raphael (1968). The Demands of Art. [Princeton, N.J.,Published for Bollingen Foundation by] Princeton University Press.score: 78.0
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  17. Guy Sircello (1972). Mind & Art: An Essay on the Varieties of Expression. [Princeton, N.J.]Princeton University Press.score: 78.0
     
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  18. John Armstrong (2000). The Intimate Philosophy of Art. Allen Lane.score: 78.0
     
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  19. Kenneth R. Beittel (1973). Alternatives for Art Education Research. Dubuque, Iowa,W. C. Brown Co..score: 78.0
     
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  20. Ciaran Benson (2001). The Cultural Psychology of Self: Place, Morality and Art in Human Worlds. Routledge.score: 78.0
    Philosophers and psychologists both investigate the self, but often in isolation from one another. this book brings together studies by philosophers and psychologists in an exploration of the self and its function. It will be of interest to all those involved in philosophy, psychology and sociology.
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  21. Patrick Carpenter (1971). Art and Ideas: An Approach to Art Appreciation. London,Mills and Boon.score: 78.0
     
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  22. Graham Collier (1972). Art and the Creative Consciousness. Englewood Cliffs, N.J.,Prentice-Hall.score: 78.0
     
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  23. Thomas Eddington (1978). Contemporary Art & the Metaphysics of the Art Expression. Gloucester Art Press.score: 78.0
     
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  24. Margaret Finch (1974). Style in Art History. Metuchen, N.J.,Scarecrow Press.score: 78.0
     
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  25. Haig Khatchadourian (1971). The Concept of Art. New York,New York University Press.score: 78.0
     
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  26. Kurt Koffka (1940). Problems in the Psychology of Art. In. In Richard Bernheimer (ed.), Art: A Bryn Mawr Symposium. New York,Oriole Editions. 180--273.score: 78.0
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  27. Charles Mauron (1935/1970). Aesthetics and Psychology. Port Washington, N.Y.,Kennikat Press.score: 78.0
     
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  28. Tarmo Pasto (1964). The Space-Frame Experience in Art. New York, A.S. Barnes.score: 78.0
     
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  29. Birney Quick (1980). Adrift in Aesthetic Latitudes: For Those at Sea About Art. Voyageur Press.score: 78.0
     
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  30. Herbert Edward Read (1958/1961). Education Through Art. London, Faber and Faber.score: 78.0
     
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  31. Herbert Edward Read (1970). The Redemption of the Robot: My Encounter with Education Through Art. London,Faber.score: 78.0
     
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  32. Max Schoen (1932). Art and Beauty. New York, the Macmillan Company.score: 78.0
     
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  33. Richard Wollheim (1974/1983). On Art and the Mind. Harvard University Press.score: 78.0
     
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  34. Brian Reffin Smith (2006). Constraint is Freedom. An Application of Zombie to Certain Aspects of Art and Cognitive Psychology. Technoetic Arts: A Journal of Speculative Research 4 (1):55-64.score: 74.0
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  35. R. W. Pickford (1970). Dream-Work, Art-Work, and Sublimation in Relation to the Psychology of Art. British Journal of Aesthetics 10 (3):275-283.score: 72.0
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  36. W. Ray Crozier & Paul Greenhalgh (1992). The Empathy Principle: Towards a Model for the Psychology of Art. Journal for the Theory of Social Behaviour 22 (1):63–79.score: 72.0
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  37. James Sully (1876). Art and Psychology. Mind 1 (4):467-478.score: 72.0
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  38. Richard Wollheim (1979). The Psychology of Decorative Art. Burlington Magazine 121 (914):322--323.score: 72.0
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  39. Thomas J. Schoeneman, Shannon Brooks, Carla Gibson, Julia Routbort & Dieter Jacobs (1994). Seeing the Insane in Textbooks of Abnormal Psychology: The Uses of Art in Histories of Mental Illness. Journal for the Theory of Social Behaviour 24 (2):111–141.score: 72.0
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  40. S. Davies (2007). The Psychology of Art and the Evolution of the Conscious Brain. British Journal of Aesthetics 47 (1):97-99.score: 72.0
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  41. Listowel (1939). The Psychology of Art. By R. M. Ogden . (New York: Scribner's Sons. 1938. Pp. Xviii + 291. Price $2.50.). Philosophy 14 (56):482-.score: 72.0
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  42. Maurice Merleau-Ponty (1964). The Primacy of Perception and Other Essays on Phenomenological Psychology, the Philosophy of Art, History and Politics. Northwestern University Press.score: 72.0
    This book consists of Northwestern University Studies in Phenomenology and Existential Philosophy.
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  43. Claire Golomb (forthcoming). Rudolf Arnheim and the Psychology of Child Art. Journal of Aesthetic Education.score: 72.0
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  44. E. Handler Spitz (1989). Conflict and Creativity: Reflections on Otto Rank's Psychology of Art. Journal of Aesthetic Education 23 (3):97-109.score: 72.0
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  45. Louis A. Moffett (1975). Art Objects as People: A New Paradigm for the Psychology of Art. Journal for the Theory of Social Behaviour 5 (2):215–223.score: 72.0
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  46. Aline Groff Vivian & Jorge Trindade (2003). Psicologia E Arte: Um Paradigma Estético Dos Processos de Criação; Psychology and Art: An Aesthetic Model of the Creation Process. Aletheia 17:107-121.score: 72.0
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  47. Malcolm A. R. Colledge (1976). The Psychology of Roman Art Richard Brilliant: Roman Art From the Republic to Constantine. Pp. 288, 265 Illustrations. London: Phaidon, 1974. Cloth, £5·95. [REVIEW] The Classical Review 26 (02):254-255.score: 72.0
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  48. David Henry Feldman (forthcoming). Developmental Psychology and Art Education: Two Fields at the Crossroads. Journal of Aesthetic Education.score: 72.0
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  49. Michael Ann Holly (1989). The Psychology of Perspective and Renaissance Art. History of European Ideas 10 (3):383-384.score: 72.0
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  50. Wolfgang Huemer (2009). Experiencing Art: Austrian Aesthetics Between Psychology and Psychologism. In B. Centi & W. Huemer (eds.), Values and Ontology: Problems and Perspectives. Ontos. 12--267.score: 72.0
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