Zizek insisted on the ‘temporal gap between the production of value and its actualization’ (Zizek, 2009b [2006], p. 52): ‘the temporality here is that of the futur antérieur: value “is” not immediately, it only “will have been,” it is retroactively actualized, performatively enacted’ (ibid.). His use of the word ‘gap’ calls to mind the psychoanalytic literature on which Zizek draws, which provides a way to understand the 2007 Global Financial Crisis (GFC) and its aftermath. This paper presents three key ideas (...) about the GFC. First, the GFC was a traumatic encounter with lack, in which global capitalism confronted a gap at the centre of its chain of signifiers. Whether the financial system is seen as a series of promises or a system for allocating and hedging risk, a gap or lack remained at the origin of its chain of signifiers. Secondly, many explanations of the crisis focus on ‘getting back to fundamentals’, which can be read as an attempt to paper over the lack. Finally, in the panic to re-establish the master signifier, global finance tossed aside core justifications for capitalism, and it is not yet clear what the results will be: re-establishment of the old regime, a return to a Primal Father, or a turn to the analyst’s discourse. (shrink)

Mimesis, conflict, and crisis -- Plato's victimary culture -- Aristophanic Socrates: ready victim -- Foundation murder.

Connecting people across the digital divide is as much a social effort as a technological one. We are developing a community-centred approach to learn how interaction techniques can compensate for poor communication across the digital divide. We have incorporated the lessons learned regarding social intelligence design in an abstraction and in a device called the SoftBridge. The SoftBridge allows communication to flow from endpoints through adapters, getting converted if necessary, and out to destination endpoints. Field trials are underway with two (...) communities in South Africa: disadvantaged Deaf users and an isolated rural community. Initial lessons learned show that we have to design user interfaces that allow users to understand and cope with delay. We also learned that social concerns are often more important than the technical issues in designing such systems. (shrink)

Empirical studies have suggested that language-capable robots have the persuasive power to shape the shared moral norms based on how they respond to human norm violations. This persuasive power presents cause for concern, but also the opportunity to persuade humans to cultivate their own moral development. We argue that a truly socially integrated and morally competent robot must be willing to communicate its objection to humans’ proposed violations of shared norms by using strategies such as blame-laden rebukes, even if doing (...) so may violate other standing norms, such as politeness. By drawing on Confucian ethics, we argue that a robot’s ability to employ blame-laden moral rebukes to respond to unethical human requests is crucial for cultivating a flourishing “moral ecology” of human–robot interaction. Such positive moral ecology allows human teammates to develop their own moral reflection skills and grow their own virtues. Furthermore, this ability can and should be considered as one criterion for assessing artificial moral agency. Finally, this paper discusses potential implications of the Confucian theories for designing socially integrated and morally competent robots. (shrink)

Supported decision-making has been promoted at a policy level and within international human rights treaties as a way of ensuring that people with disabilities enjoy the right to legal capacity on an equal basis with others. However, little is known about the practical issues associated with implementing supported decision-making, particularly in the context of dementia. This study aimed to understand the experiences of people with dementia and their family members with respect to decision-making and their views on supported decision-making. Thirty-six (...) interviews were undertaken with fifty-seven participants across three states in Australia. Interpretative Phenomenological Analysis was used as the methodological approach, with relational autonomy as a theoretical perspective. We identified two overarching themes relating to participants’ experiences with decision-making: “the person in relationship over time” and “maintaining involvement.” Participant views on the practical issues associated with supported decision-making are addressed under the themes of “facilitating decision-making,” “supported decision-making arrangements,” “constraints on decision-making,” and “safeguarding decision-making.” While participants endorsed the principles of supported decision-making as part of their overarching strategy of “maintaining involvement” in decision-making, they recognized that progressive cognitive impairment meant that there was an inevitable transition toward greater involvement of, and reliance upon, others in decision-making. Social and contextual “constraints on decision-making” also impacted on the ability of people with dementia to maintain involvement. These themes inform our proposal for a “spectrum approach” to decision-making involvement among people living with dementia, along with recommendations for policy and practice to assist in the implementation of supported decision-making within this population. (shrink)

Supported decision-making has been promoted at a policy level and within international human rights treaties as a way of ensuring that people with disabilities enjoy the right to legal capacity on an equal basis with others. However, little is known about the practical issues associated with implementing supported decision-making, particularly in the context of dementia. This study aimed to understand the experiences of people with dementia and their family members with respect to decision-making and their views on supported decision-making. Thirty-six (...) interviews were undertaken with fifty-seven participants across three states in Australia. Interpretative Phenomenological Analysis was used as the methodological approach, with relational autonomy as a theoretical perspective. We identified two overarching themes relating to participants’ experiences with decision-making: “the person in relationship over time” and “maintaining involvement.” Participant views on the practical issues associated with supported decision-making are addressed under the themes of “facilitating decision-making,” “supported decision-making arrangements,” “constraints on decision-making,” and “safeguarding decision-making.” While participants endorsed the principles of supported decision-making as part of their overarching strategy of “maintaining involvement” in decision-making, they recognized that progressive cognitive impairment meant that there was an inevitable transition toward greater involvement of, and reliance upon, others in decision-making. Social and contextual “constraints on decision-making” also impacted on the ability of people with dementia to maintain involvement. These themes inform our proposal for a “spectrum approach” to decision-making involvement among people living with dementia, along with recommendations for policy and practice to assist in the implementation of supported decision-making within this population. (shrink)

The development and deployment of medical devices, along with most areas of healthcare, has been significantly impacted by the COVID-19 pandemic. This has had variable ethical implications, two of which we will focus on here. First, medical device regulations have been rapidly amended to expedite approvals of devices ranging from face masks to ventilators. Although some regulators have issued cessation dates, there is inadequate discussion of triggers for exiting these crisis standards, and evidence that this may not be feasible. Given (...) the relatively low evidence standards currently required for regulatory approval of devices, this further indefinite reduction in standards raises serious ethical issues. Second, the pandemic has disrupted the usual operations of device representatives in hospitals, providing an opportunity to examine and refine this potentially ethically problematic practice. In this paper we explain and critically analyse the ethical implications of these two pandemic-related impacts on medical devices and propose suggestions for their management. These include an endpoint for pandemic-related adjustments to device regulation or a mechanism for continued refinement over time, together with a review of device research conducted under crisis conditions, support for the removal and replacement of emergency approved devices, and a review of device representative credentialling. (shrink)

The problem of evil is broadly considered to be one of the greatest intellectual threats to traditional brands of theism. And William Rowe’s 1979 formulation of the problem in “The Problem of Evil and Some Varieties of Atheism” is the most cited formulation in the contemporary philosophical literature. In this paper, we explore how the tools and resources of experimental philosophy might be brought to bear on Rowe’s seminal formulation, arguing that our empirical findings raise significant questions regarding the (...) ultimate success of Rowe’s argument. Such a result would be quite notable within philosophy of religion, since this is considered one of the most formidable arguments against theism. However, further testing is needed before any firm conclusions can be drawn. -/- In section 1, we elucidate Rowe’s formulation of the problem of evil and the intuitions that seem to underwrite it. In section 2, we explore how the tools and resources of experimental philosophy might be brought to bear on Rowe’s formulation, outlining our hypotheses and our methods for testing them before showcasing our results. In section 3, we discuss the philosophical import of our results–arguing that our results, when taken together, pose an initial challenge to Rowe’s seminal argument. (shrink)

William Lane Craig offers two philosophical arguments for the conclusion that the universe began to exist. To be compelling, these arguments must not only be sound—we must also have reasons to believe that they are sound. I determine that these arguments do not provide such reasons to many individuals. The arguments ultimately rely on supposedly intuitively obvious absurdities. However, if one fails to see these ostensible absurdities—as many philosophers do—then for her, Craig’s arguments lack all epistemic force.

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 40.1 (2002) 118-119 [Access article in PDF] Book Review The Cambridge Companion to Augustine Eleonore Stump and Norman Kretzmann, editors. The Cambridge Companion to Augustine. Cambridge: Cambridge University Press, 2001. Pp. xv + 307. Cloth, $59.95. Paper, $21.95. Given the immeasurable influence of Augustine upon the Western tradition, a volume devoted to him in the Cambridge Companion Series has been long overdue. Fortunately, (...) the lacuna has been filled by a work that exhibits the quality of scholarship and clarity of presentation that has become a hallmark of this series. Ably edited by Eleonore Stump and Norman Kretzmann, it will serve admirably as a guide for students and professionals alike, with much that is of interest to seasoned Augustine scholars.As Stump tells us in her introduction, the eighteen essays of the volume are loosely grouped according to eight topics. These are philosophy of religion, metaphysics and theology, philosophy of mind, theory of knowledge, philosophy of language, ethics, political philosophy, and Augustine's influence. As is apparent from this list, the essays cut a vast swath through Augustine's corpus, though they focus on what is of greatest interest to philosophers. In addition, since Augustine did not recognize a clean division between philosophy and theology, much that we now classify as theology gets attention as well.In keeping with the aim of the series, the character of the essays is, for the most part, expository. Each author takes pains to explain the outlines of Augustine's position on the particular topic under consideration, and most do so with considerable attention to the evolution of his thought and the context in which he wrote. Christopher Kirwan's essay, for example, not only traces the development of Augustine's philosophy of language from his early De magistro and De dialectica through his mature De doctrina Christiana, but highlights those areas in which the influence of Stoic dialectic can be detected. Similarly, John Rist's essay on faith and reason includes a discussion of the relation of Augustine's views on credibilia to the Platonic tradition, and Paul Weithman's essay on political theory examines Augustine's critique of Ciceronian ideals of political society. Thus, while systematic in their exposition, the essays give due recognition to the fact that Augustine's views evolved through continual reassessment of the antique heritage in light of changing concerns and circumstances, particularly an increasing concern to articulate the foundations of a new, scripturally inspired, vision of God, humanity, and society. [End Page 118]In addition to exposition and historical analysis, many of the authors use their essays as occasions for constructive philosophical engagement. Perhaps the best of these is Stump's essay. Noting the pervasive disagreement among interpreters over Augustine's doctrine of free will, she distinguishes three positions available to defenders of free will--compatiblism, common libertarianism, and modified libertarianism--in order to bring greater conceptual clarity to the interpretive task. She then shows that in his early work, De libero arbitrio, Augustine develops an essentially libertarian position (though which form he is committed to remains ambiguous), but that this account comes into tension with his views concerning the action of grace on the will as they were later developed in opposition to the Pelagians. In itself this is not a startling claim, but Stump's analytical skills enable her to identify precisely where the tension lies, and she suggests a way that Augustine could have resolved this tension without compromising his basic commitments.If there is any quibble to be had with the volume, it is that several of the essays are too compressed. Roland Teske's essay on the soul and William Mann's essay on evil, for example, run a mere seven and nine pages each. Though informative, given the centrality of these topics to Augustine's thought, they would have been more useful had they been expanded. Because of this, the most satisfying essays are those in which the authors stretch out. Scott MacDonald's piece on the divine nature is particularly good in this regard. In... (shrink)

_A philosophical exploration of J.R.R. Tolkien's beloved classic—just in time for the December 2012 release of Peter Jackson's new film adaptation, _The Hobbit: An Unexpected Journey__ J.R.R. Tolkien's _The Hobbit_ is one of the best-loved fantasy books of all time and the enchanting "prequel" to _The Lord of the Rings_. With the help of some of history's great philosophers, this book ponders a host of deep questions raised in this timeless tale, such as: Are adventures simply "nasty, disturbing, uncomfortable things" (...) that "make you late for dinner," or are they exciting and potentially life-changing events? What duties do friends have to one another? Should mercy be extended even to those who deserve to die? Gives you new insights into _The Hobbit_'s central characters, including Bilbo Baggins, Gandalf, Gollum, and Thorin and their exploits, from the Shire through Mirkwood to the Lonely Mountain Explores key questions about _The Hobbit_'s story and themes, including: Was the Arkenstone really Bilbo's to give? How should Smaug's treasure have been distributed? Did Thorin leave his "beautiful golden harp" at Bag-End when he headed out into the Wild? Draws on the insights of some of the world's deepest thinkers, from Confucius, Plato, and Aristotle to Immanuel Kant, William Blake, and contemporary American philosopher Thomas Nagel From the happy halls of Elrond's Last Homely House to Gollum's "slimy island of rock," this is a must read for longtime Tolkien fans as well as those discovering Bilbo Baggins and his adventures "there and back again" for the first time. (shrink)

Converse in the Spirit is a comparative study of the writings of William Blake and the German visionary philosopher Jacob Boehme. It argues that the relationship between Blake and Boehme was a meeting of like minds that transcended place and time, that each regarded himself as part of a community of vision, and aspiration, and believed that any predominant form ofthought and understanding was only partial.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 29.1 (2005) 73-88 [Access article in PDF] Virgil, History, and Prophecy William Franke Vanderbilt University Virgil has been very widely acclaimed as a prophet, but the grounds of this acclaim have shifted in the course of history. From ancient and especially from medieval times, this recognition was traditionally accorded him first and foremost, if not exclusively, on the basis of a passage from the Fourth (...) Eclogue celebrating the birth of a new progeny ("progenies nova") from heaven and the consequent renewal of the world.1 This passage lent itself to Christian messianic interpretations, thanks especially to its reference to a Virgin ushering in a return of the golden age of peace on earth ("iam redit et uirgo, redeunt Saturnia regna"). Historical research reveals Virgil to have, in all probability, intended in this text to hyperbolically hail the birth of a son to a particular Roman consul.2 Yet, even apart from historical intentions and inevitable doubts about them, to pin Virgil's claim to being a prophet to this text is to miss the momentous discovery that makes him truly a prophet in a way unprecedented in pagan antiquity.Modern treatments of Virgil as prophet have not remained beholden to this Christian medieval framework and have opened suggestive avenues for more accurate elucidation of Virgilian prophecy, particularly in terms of its own historical context and the role of the Latin vates in Imperial Rome.3 What I wish to propose, however, is not a more accurately historicized understanding of prophecy in Virgil, but rather a philosophical interpretation of the conception of history as prophetic that is realized in the text of the Aeneid. This is actually analogous to the medieval Christian misprision of Virgil in that it focusses on Virgil's potential significance in a new and different historical context, our own. The justification for this approach lies in the fact that historical research into prophecy during the Augustan Empire cannot exhaustively [End Page 73] explain the significance of Virgil's text in its astonishing creation of an original conception of history as prophetic, nor in its potential to illuminate the nature of prophecy as it may concern us today. Study of Virgil can help make the concept of prophecy vital to reflection on history and the structure of time in our own post-Heideggerian era.The question of whether Virgil foresaw the birth of Christ concerns prophecy only in the relatively banal sense of being able to foretell the future. In this, Virgil would be no different from myriad seers and divines and sorcerers with which the ancient world was rife. But the originality of Virgil, his particular claim to being an authentic prophet rather than simply, like many other major Roman authors, to have incorporated prophetic topoi into his works rests on his surpassing prophecy in precisely this sense. It is Virgil's single-handed invention, as if out of nowhere, of a genuinely prophetic mode of understanding history that is the seeming miracle on which his justly deserved fame as a prophetic poet has every right to rest.Whereas the certainly rather forced Christian interpretation of the Fourth Eclogue concerns "prophecy" only in a surface sense of factually foretelling the future, the deep meaning of prophecy as it develops in Virgil and Dante and the whole lineage of prophetic poets they foster down through Tasso, Spenser, Milton, and Blake, concerns rather the interpretation of history from its endpoint and seen as a whole, so that every moment in that history receives new meaning in light of a synoptic vision. In the biblical prophetic tradition, this perspective extends even beyond history and time altogether, and this marks a crucial difference from Virgil, whose end-vision is envisaged primarily as intrahistorical rather than as eschatological or as beyond the end (eschaton) of history. Still, in Virgil, just as in the Bible, the prophetic vantage point transcends history in order to understand it as a whole. This transcendence is expressed, among other ways, in the claim to divine inspiration. Whether this claim to inspiration be understood as a figure for heightened human potency or... (shrink)

Often William Blake and Isaac Newton are positioned as “opposites”: Newton the great systematizer, Blake the visionary artist. (Blake himself, in fact, seemed to have set up this direct opposition.) However, this opposition is perhaps too simple and overlooks the intricacies of each thinker's work. Further, this straightforward “opposition” fails to account for the pressure that scholarship itself, always occurring from a particular subjective position, applies to shape its objects of study; that is, it creates a useful “Newton” and (...) a useful “Blake” with which to work. Here I employ spatial theorist Henri Lefebvre's technique of “critical thirding” (as Edward Soja has called it), or accounting for “an-Other” position in the dialectic of “Blake” and “Newton”. I consider where Blake and Newton were perhaps more similar than has been suggested in the scholarly literature, and, more crucially, how scholarship itself mobilizes (or indeed “creates”) its own, subjectively useful, “Blake” and “Newton” in order to make particular arguments. (shrink)

William Blake belongs to one of those visionary artists who, during his lifetime, did not receive much recognition from society, was not understood and therefore even marked as “crazy”, his art “odd”. Nevertheless, a small circle of sensitive connoisseurs favored and supported him. But fortunately, his work was not completely forgotten. It seems that today William Blake is being highly valued. An extensive exhibition of his fine, masterful artwork was shown at Tate Britain in London till February 2020. (...) His pictorial, sensitive works are of inestimable value to us today as they address areas that are so important for the further development of mankind nowadays. For William Blake, imprisonment of a human being does not mean only the physical, as a slave, but above all the spiritual, the mental. Unfortunately, mental slavery is not recognized as such by mankind, as Blake let us know, this is influence of sly forces. From early childhood he had visions of God and angels. For him it was clear and undoubted that man should be innocent as a small child and therefore is under God’s protection. However, according circumstances emanating from negative forces, man is enthralled and drowned in it. Keywords: religion, mental slavery, mental freedom, love for mankind, salvation. (shrink)

William Blake and film noir apparently had the same problem with the urban landscape. While Blake attempts to create a mental world within language that would give a new face of religion to offer comfort to the inhabitants of London, film noir in Los Angeles finds noise and nihilism in the absence of faith. Both struggle with Immanuel Kant, who claimed that reason actively makes the world worthwhile. Hickey and Boggs, a relatively obscure neo-noir movie from 1972, represents the (...) meaninglessness and noise of language, bereft of the religion of Blake and the reason of Kant. (shrink)

William Blake’s prophetic works seem to present the reader with a puzzling contradiction. On the one hand Blake can be read as a prophet of sexual revolution with his attacks on puritanism and hypocritical chastity. On the other hand, in many passages he seems to express characteristically Platonic/Patristic skepticism concerning bodily experience. What is more he often portrays sexuality and indeed femininity as manipulative and cruel. Is there a coherent attitude to sexuality in Blake? This paper argues that Blake’s (...) soteriology strongly implies that the ‘return’ to unity with the divine pivots on the incarnation which Blake even insists is the product of natural sexuality. To this extent there is a place for the sexualized body in the economy of salvation. This economy links Blake to a larger Platonist and Christian Platonist tradition that understands salvation in terms of an exitus/reditus pattern. (shrink)

It was William Blake's insight that the Christian churches, by inverting the Incarnation and the dialectical vision of Paul, have repressed the body, divided God from creation, substituted judgment for grace, and repudiated imagination, compassion, and the original apocalyptic faith of early Christianity. Blake's prophetic poetry thus contributes to the renewal of Christian ethics by a process of subversion and negation of Christian moral, ecclesiastical, and theological traditions, which are recognized precisely as inversions of Jesus, and therefore as instances (...) of the forms of evil that God-in-Christ overcomes through Incarnation, reversing the Fall. Blake's great epic poems, particularly Milton (1804–08) and Jerusalem (1804–20), embody his heterodox representation of the final coincidence of Christ and Satan through which, at last, all things are made new. (shrink)

Blake's Critique of Transcendence is the first full-length book to examine in any detail or consistency the relation between Blake's text and the visual designs in The Four Zoas, one of the most important works in Blake's oeuvre. It uncovers a Blake deeply engaged with the cultural discoursesof his time, in profound dialogue with Swedenborg, Locke, and Young. In the course of this conversation, Blake anatomizes a remarkable variety of cultural practices (including religion, science, and art) designed to achieve transcendence. (...) He focuses in particular on the fate of the body in culturesof transcendence, developing perhaps the first theory of sexual sublimation. Blake's radical visual and verbal strategies in this poem are part of an attempt to defer the movement of transcendence, long enough for the reader to see the warring elements of the fallen world as the dismembered body ofhumanity. (shrink)

William Blake and Zadie Smith reached strikingly similar critical positions towards philosophical trends current in their respective eras. Both excoriate those who, for selfish ends, disparage beauty and in so doing sabotage justice, love, joy and genuine freedom. Smith’s On Beauty, like Blake’s America: A Prophecy and Visions of the Daughters of Albion, indicts the reprehensible intellectual discourses of the day that undermine human happiness and corrupt the social order. Whereas Blake critiqued the rights revolutions set in motion by (...) Thomas Paine, William Godwin, Mary Wollstonecraft and others from a more broadly moral and future-oriented angle than has generally been recognized (as Saree Makdisi has shown), Smith wittily dramatizes that same vision through a huge range of up-to-date ideological discourses and antagonisms–many of them descended from Paine et al.–to refurbish Blake’s particular brand of radical antinomianism and to celebrate much the same optimistic spirit that Blake invested in America and Visions. Indeed, Smith’s novel anticipates and critiques ab ovo the sweepingenthusiasms that are animating current uprisings worldwide. (shrink)

Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no happy marriages in art—only successful rape." Drawing on over one hundred reproductions of Blake's pictures, this book shows that neither the graphic nor the poetic aspect of his composite art consistently predominates: their relationship is more like an energetic rivalry, a (...) dialogue between vigorously independent modes of expression. W.J.T. Mitchell is Professor of English and Art and Design at the University of Chicago and editor of Critical Inquiry. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

Through his joining of Western religious tradition and the poetic tradition of the mythology of nature with the new industrialism, Blake speaks for modern man.

"Although this book looks back mainly to Blake (after all, Locke could not have read Blake) it also looks past Blake to discover a Locke not given much shrift by Blake scholars. It does this in a constantly interesting sinuous juxtaposition of Blake's and Locke's views on a variety of subjects, some wonderfully unexpected. Glausser's grasp of his material is impressive, and he writes with admirable clarity.... A deft blending of historical, biographical, and interpretive scholarship."--Hazard Adams, Byron W. and Alice (...) L. Lockwood Professor of Humanities, University of Washington Locke and Blake is a composite critical biography of two giants of 18th-century culture. Organized by topics of cultural significance for the period, it weaves together two lives, focusing on critical topics as opposed to biographical details, in order to illuminate ideas of Locke and Blake and the cultural contexts and transformations of the "period" they shared. Glausser begins each chapter by sketching a biographical connection between the two men, which in turn leads to a broader discussion of textual as well as cultural significance. From their shared experience of having had paintings stolen by a friend, for instance, Glausser details the two men's angry responses and then explores the larger social issue of private property at each end of the 18th century. Other points of correspondence include mothers and lovers, charges of sedition, medicine and the body, slavery, and printing. Glausser's new approach to the lives and ideas of Locke and Blake offers a more balanced treatment of their relationship than has been available in the past. Through this juxtaposition and rethinking of the two traditional "antagonists" of the period, he moves beyond adversarial caricatures of temperament, faculty, ideology, and intention and illuminates both the century and the two intellectual giants who stood at either end of it. Wayne Glausser is professor of English at DePauw University and author of articles on Locke and Blake as well as various topics in recent American fiction and popular culture. (shrink)

A study of Blake's poetry and its use of Kabalistic imagery to depict the fall of man to selfhood and the hope of regeneration through the "sweet science" of imagination.--A. R.

Cross-cultural scholarship in ritual studies on women's laments provides us with a fresh vantage point from which to consider the function of women and women's complaining voices in the epic poems of William Blake. In this essay, I interpret Thel, Oothoon, and Enitharmon as strong voices of experience that unleash some of Blake's most profound meditations on social, sexual, individual, and institutional forms of violence and injustice, offering what might aptly be called an ethics of witness. Tracing the performative (...) function of Enion, Jerusalem, Vala, and Erin in Blake's later epics, The Four Zoas and Jerusalem , I argue for the close connection between the female laments and the possibility of redemption, though in Blake such "redemption" comes at the cost of the very voices of witness themselves. (shrink)