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  1. Poetry and Revolution in the Western European Novel: Milan Kundera’s Life is Elsewhere.Terence Rajivan Edward - manuscript
    There is a novel which presents a general scheme for the development of a poet but this paper presents a problem for it. The problem is: can a believer in the scheme both account for the universality of some poets and the association it makes between poetry and revolutions?
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  2. Is There Such A Thing As Quixotic Virtue?Vicky Roupa - forthcoming - In Garry L. Hagberg (ed.), Fictional Worlds and the Moral Imagination. London:
    Quixote is a caricature of a knight errant; steeped into his fictional heroes, he undertakes to revive a tradition long dead, and in the process leaves behind some unforgettable images of knightly virtue turned sour. This caricature, however, is not simply a ploy meant to arouse laughter, but also an occasion to revisit the emphasis on knowledge and good sense with which virtue has been aligned in the Socratic/Platonic tradition. The challenge Quixote represents concerns the relation between reasoning and the (...)
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  3. Empathie in der Kunst.Íngrid Vendrell-Ferran - forthcoming - In Siegmund Judith (ed.), Handbuch Kunstphilosophie.
    Dieses Kapitel handelt von der Empathie in der Kunst. Ich beginne mit einer Reflexion über die Ursprünge des Begriffes und seine Verwendung in der Ästhetik. Es folgt eine Analyse der Empathie im Vergleich zu anderen Formen der Anteilnahme an Kunstwerken. Im dritten Teil untersuche ich die Mechanismen der Empathie in der Kunst und die Funktion der Imagination. Der vierte Teil widmet sich der Bedeutung der Gefühle bei der Empathie für Kunstfiguren. Schließlich thematisiere ich den epistemischen, moralischen und ästhetischen Wert der (...)
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  4. Instrução e Corrupção Moral pela Literatura: engajamento emocional e o valor epistémico da arte narrativa.Mariana Almeida Pereira - 2022 - Revista Filosófica de Coimbra 31 (61):59-74.
    Pretende-se auscultar a possibilidade de instrução moral pela literatura. Defender-se-á que a arte narrativa é capaz de instruir moralmente pois 1) proporciona um tipo de conhecimento não-proposicional que permite o acesso a novas perspetivas, e 2) é capaz de cultivar e refinar os valores e as práticas morais dos leitores, através do engajamento emocional. Tentar-se-á mostrar que o poder inverso — o poder de corromper moralmente — não se verifica (ou não se verifica tão facilmente): apelar-se-á à resistência imaginativa humana (...)
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  5. Interiorizing Ethics Through Science Fiction. Brave New World as a Paradigmatic Case Study.Raquel Cascales - 2022 - In Edward Brooks, Emma Cohen de Lara, Álvaro Sánchez-Ostiz & José M. Torralba (eds.), Literature and Character Education in Universities. Theory, Method, and Text Analysis. pp. 153-169.
    Raquel Cascales and Luis Echarte focus on the development of practical wisdom and what they call ‘seeing with the heart’ for science students by means of reading science fiction literature. They argue that literature can bring the student into contact with the reality of moral life as moral dilemmas are made concrete by the characters and circumstances in a novel. They provide an analysis of how Aldous Huxley’s Brave New World can be read in the classroom and show how the (...)
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  6. A Tale of Two Anti-Heroes.Marc Cheong - 2022 - In Christian Cotton & Andrew M. Winters (eds.), Neon Genesis Evangelion and Philosophy. Chicago: Open Universe.
    This book chapter in Neon Genesis Evangelion and Philosophy (Open Universe) draws parallels between the main anti-heroes in Albert Camus's The Stranger and Neon Genesis Evangelion, and introduces common existential concepts such as facticity/transcendence and bad faith, aimed at a general readership.
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  7. Munguengue: o quilombo de minh’alma.Luiz Carlos Mariano Da Rosa - 2022 - São Paulo, SP, Brasil: PZP - Politikón Zôon Publicações.
    Convergindo para uma existência em si irredutível às condições histórico-culturais e aos seus limites, ao ser humano em sua infância enquanto arquétipo refém do sonho e senhor da solidão se impõe o devaneio que envolve o transcendente como telos em uma experiência de “iluminação” cujo caráter dizível, na rememoração enquanto vivência do fenômeno primordial, somente se torna possível nas fronteiras mítico-poéticas e na correspondência dialética envolvendo memória e imaginação em uma construção epistêmico-simbólico-existencial que encerra como fundamento a concepção baseada na (...)
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  8. «Entrevista al Dr. Darío Villanueva, académico de número de la Real Academia Española. "Sin la creación, no existe literatura, pero solo con la creación de textos tampoco hay literatura"».Jesús Miguel Delgado Del Aguila - 2022 - Aularia. Revista Digital de Educomunicación 11 (2):147-158.
    La entrevista al doctor Darío Villanueva es sobre el panorama literario del siglo XXI. A partir de cuatro tópicos fundamentales y reincidentes: los libros, los escritores, las editoriales y la realidad. Estos han sido incorporados en las preguntas para desentrañar el sistema literario que se ha originado en los últimos años. Frente a estas interrogantes, se notará que existen algunos obstáculos que han tergiversado y entorpecido la labor de la escritura, así como el canon literario, tal como la cultura de (...)
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  9. Función social de la ironía en Decamerón, de Giovanni Boccaccio.Jesús Miguel Delgado Del Aguila - 2022 - Letras 1 (71):153-178.
    Decamerón ha causado una reacción convulsa por su contenido social y la burla a patrones adscritos a la religión y la moral medievales en Italia. Por ello, se propone fundamentar esas razones que acarrearon el asombro de la obra literaria de Giovanni Boccaccio. Se retoma el concepto de la función social de la ironía, que a la vez parte de tres principios básicos desarrollados por Bergson. Una situación cómica requiere inteligencia, insensibilidad y crítica social. Con ello es posible explicar que (...)
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  10. La sociedad cotidiana por medio de los campos figurativos de La estación violenta (1958) de Octavio Paz.Jesús Miguel Delgado Del Aguila - 2022 - Pucara. Revista de Humanidades 1 (32):20-28.
    Este artículo tiene como propósito corroborar la cosmovisión de Octavio Paz, a partir de la inacción de la sociedad cotidiana, que es notoria en un fragmento del poema “Máscaras del alba” de La estación violenta (1958). Su crítica contra el sistema por la ausencia de compromiso social y político revela dos conceptos que fundamenta Mijaíl Bajtín en Estética de la creación verbal: su intencionalidad como autor y la expresión concomitante en función del género discursivo empleado. Para comprobar estas dos premisas, (...)
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  11. Enseñanza de la Literatura española en contextos universitarios peruanos. Entrevista a María Luisa Roel Mendizabal.Jesús Miguel Delgado Del Aguila - 2022 - Estudios Λambda. Teoría y Práctica de la Didáctica En Lengua y Literatura 7 (1):1-5.
    Esta entrevista retoma la experiencia de enseñanza de la profesora María Luisa Roel en función de la producción literaria de España. El objetivo es interiorizar sobre cómo esta se ha transferido en el ámbito de educación universitaria. A partir de la trayectoria de la docente, se brinda un panorama de cómo los estudiantes de la carrera profesional de Literatura acatan el conocimiento y la lectura de autores españoles, como Miguel de Cervantes. De igual forma, se mencionan dos momentos históricos en (...)
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  12. La predilección universal de Mario Vargas Llosa en la Literatura.Jesús Miguel Delgado Del Aguila - 2021 - Leteo. Revista de Investigación y Producción En Humanidades 2 (1):4-11.
    Este artículo tiene el propósito de argumentar cómo se logra una contribución eximia a la Literatura al abarcar la universalidad de sus recursos. Para demostrar ese acápite, he tomado como referente la perspectiva de Mario Vargas Llosa en relación con el debate que se efectuó entre Julio Cortázar y José María Arguedas. De ese encuentro académico, es asequible auscultar tres tópicos perentorios que se orientan a preservar la condición literaria desde una volición global. El primero de ellos consiste en reanudar (...)
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  13. What is a Life?Brett Bourbon - 2021 - Philosophy and Literature 45 (1):211-223.
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  14. Volición conservadora en las acciones violentas de La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Álabe 24 (24):1-24.
    Este artículo se adscribe a la percepción conservadora que trabaja Mario Vargas Llosa para la construcción discursiva de La ciudad y los perros. Esa ideología política caracterizada por su autonomía e imparcialidad permitirá reconocer el propósito del autor al abordar el talante de la violencia en el desempeño de los personajes. Para su fluctuación efectiva, este estudio comprenderá tres tratamientos neurálgicos y conexos en torno a esta obra literaria: la contextualización extratextual, la epistemología de la violencia y el análisis narratológico (...)
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  15. Formación en Escritura Creativa para un desenvolvimiento como crítico, narrador y educador. Entrevista a Ángel Misari.Jesús Miguel Delgado Del Aguila - 2021 - Plurentes. Artes y Letras 12 (12):1-4.
    En este trabajo, se realizó una entrevista al docente Ángel Misari, quien explica cómo aplica sus conocimientos adquiridos en la Maestría en Escritura Creativa que hizo en la Universidad Nacional Mayor de San Marcos. Su intervención es de utilidad, ya que profundizará en la transferencia oportuna de ese saber en tres ámbitos: en su función como crítico de la producción artística, en su interés ficcional en la parte creativa y en la educación con estudiantes. En suma, la experiencia que manifiesta (...)
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  16. Entrevista al doctor Camilo Fernández Cozman, miembro de la Academia Peruana de la Lengua.Jesús Miguel Delgado Del Aguila - 2021 - Revista Crítica Cultural 16 (2):235-245.
    La entrevista al doctor Camilo Fernández Cozman se realizó el 19 de julio de 2021, a 9 días del 28 de julio, fecha en la que se conmemora la Independencia del Perú.
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  17. Entrevista a Hugo Burel.Jesús Miguel Delgado Del Aguila - 2021 - Cuadernos Del Hipogrifo. Revista Semestral de Literatura Hispanoamericana y Comparada 16 (16):87-96.
    José Hugo Burel Guerra nació el 23 de marzo de 1951 en Montevideo (Uruguay). Desde 2017 es miembro de número de la Academia Nacional de Letras del Uruguay (ANL), institución a la cual ingresó con su discurso titulado «Ismael». Es licenciado en Letras por el Instituto de Filosofía, Ciencias y Letras (que se conoce en la actualidad como UCUDAL) y la Pontificia Universidad Católica de Río Grande do Sul. Aparte de ser escritor, se ha desempeñado como músico, publicista, diseñador gráfico, (...)
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  18. Estudios críticos sobre la instrucción militar en La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Plurentes. Artes y Letras 12 (12):1-9.
    El propósito de este artículo es sistematizar los estudios críticos acerca del adiestramiento castrense en los personajes de La ciudad y los perros (1963). Para conseguirlo, se confrontará con la hermenéutica de Gadamer, orientada a la propalación de estrategias heurísticas y taxonomías que consoliden el corpus de la novela cotejada. Así, se reconocerá el efecto que cumplen las variantes extrínsecas de la lectura, tales como las jerarquías y las percepciones idóneas y erróneas de la educación del Colegio Militar Leoncio Prado. (...)
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  19. Análisis de la realidad textual en Niebla (1914) de Miguel de Unamuno.Jesús Miguel Delgado Del Aguila - 2021 - Sincronía 25 (80):293-313.
    Considerando el contexto bélico y el surgimiento de las vanguardias a inicios del siglo XX, fundamento en este trabajo las razones por las cuales la presencia del concepto de nivola, atribuida por Miguel de Unamuno para hacer referencia a la técnica literaria que emplea en su novela Niebla (1914), suscita una confrontación posible entre universos compuestos por elementos de la realidad y lo virtual. En ese sentido, será propicio explicar el procedimiento que origina esa colisión de planos establecidos. Para ello, (...)
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  20. Construcción teórica del campo figurativo para el análisis lírico.Jesús Miguel Delgado Del Aguila - 2021 - Colloquia. Revista de Pensamiento y Cultura 8 (8):112-122.
    Durante años, el estudio de la retórica ha incluido figuras que permiten el análisis de la poesía, como también, la creación diversificada según los múltiples estilos. Al respecto, en este artículo, se extraerá la propuesta fundamentada por Stefano Arduini, quien establece la noción de campo figurativo, como un ordenador de lineamientos subjetivos, propios del raciocinio, de la que se infieren seis subclasificaciones: la metáfora, la metonimia, la sinécdoque, la elipsis, la antítesis y la redundancia, además de los tropos internos que (...)
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  21. Estratificación violenta en los personajes de La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2021 - Ciencias Sociales y Humanidades 8 (2):1-13.
    Este artículo examina La ciudad y los perros (1963) de Mario Vargas Llosa para fundamentar cómo se logra la estratificación teórica de estilos y técnicas que se emplean para abordar la violencia en el texto. Sobre la epistemología, recurre principalmente a Todorov, Hamburger, Lotman y Genette. Y, para argumentar la manifestación de la violencia, considera las eventualidades que padecen los personajes del Colegio Militar Leoncio Prado; en especial, el Jaguar, el Poeta y el Esclavo. Esas acciones serán justificadas por la (...)
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  22. What Sayest Thou of Thyself? Some Remarks on the Entanglement of Life and Narration and its Ethical Implications for the Philosophical Canon.Björn Freter - 2021 - In Formation of the Human Person in the 21st Century. Proceedings of the 2nd International Conference, Seminary of All Saints, Uhiele-Ekpoma, Edo, Nigeria (March 18th – 20th, 2020. Uhiele-Ekpoma: pp. 12-18.
  23. Comment l’amour traverse l’œuvre de Dante.Lucia Gangale - 2021 - The Conversation 2021.
    Nous savons bien que le long chemin de La Divine Comédie est celui qui conduit le Poète à se détacher des tentations humaines et du péché, à s’élever jusqu’aux hauteurs de l’amour le plus absolu qui soit : celui qui se concrétise dans la rencontre avec Dieu. La philosophe américaine Martha Nussbaum, dans son beau livre L’intelligence des émotions (aux pages 657-693 de l’édition italienne que j’ai consultée), en fait une interprétation très intéressante.
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  24. Harlequin Resistance? Romance Novels as a Model for Resisting Objectification.Sara Kolmes & Matthew A. Hoffman - 2021 - Journal of Aesthetics and Art Criticism 79 (1):30-41.
    Romance novels are primarily aimed at, written about, and written for women. They have been accused of being fantasies which feature sexually objectified heroines who are passive recipients of overwhelming masculine sexual energy. After shoring up these critiques of romance novels with A.W. Eaton’s account of how art can objectify its subjects, we examine a challenge to romance novels: does the sexual content in romance novels objectify its heroines? There is strong reason to think so. However, we argue that careful (...)
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  25. Jealousy and the Sense of Self: Unamuno and the Contemporary Philosophy of Emotion.Íngrid Vendrell-Ferran - 2021 - Philosophy and Literature 45 (2):295 - 314.
    This paper explores jealousy in Unamuno’s drama El otro. Drawing on contemporary philosophy of emotion, I will argue that for the Spanish author jealousy gives the subject a sense of self. The paper begins by embedding Unamuno’s philosophical anthropology in the context of contemporary emotion theory. It then presents the drama as an investigation into the affective dimension of self-identity. The third section offers an analysis of jealousy as an emotion of self-assessment. The final section discusses how this drama can (...)
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  26. A Philosophical Approach to Satire and Humour in Social Context.Daniel Abrahams - 2020 - Dissertation, University of Glasgow
    The topic of my dissertation is satire. This seems to excite many people, and over the past four years I have heard many variations of a similar refrain: “Oh, wow. You’re studying satire? That’s very topical. You must have a lot of material to work with.” There is a way in which this is true, though I suspect in a way that diverges from the way that most of my interlocutors believed. I suspect that the material they imagined me to (...)
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  27. Making Sorrow Sweet: Emotion and Empathy in the Experience of Fiction. In A. Houen (Ed.), Affect and Literature (Cambridge Critical Concepts, Pp. 190-210). Cambridge: Cambridge University Press. Doi:10.1017/9781108339339.011.A. E. Denham, A. E. Denham & A. Denham - 2020 - In Denham, A. (2020). Making Sorrow Sweet: Emotion and Empathy in the Experience of Fiction. In A. Houen (Ed.), Affect and Literature (Cambridge Critical Concepts, pp. 190-210). Cambridge: Cambridge University Press. doi:10.1017/9781108339339.011. Cambridge, UK: pp. 190-210.
    The nature and consequences of readers’ affective engagement with literature has, in recent years, captured the attention of experimental psychologists and philosophers alike. Psychological studies have focused principally on the causal mechanisms explaining our affective interactions with fictions, prescinding from questions concerning their rational justifiability. Transportation Theory, for instance, has sought to map out the mechanisms the reader tracks the narrative experientially, mirroring its descriptions through first-personal perceptual imaginings, affective and motor responses and even evaluative beliefs. Analytical philosophers, by contrast, (...)
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  28. The Causes of Action in Oedipus Tyrannus.Roy Glassberg - 2020 - Philosophy and Literature 44 (1):184-187.
    Why do things happen as they do in the universe of Oedipus Tyrannus, consisting of the play itself coupled with the myth that surrounds and informs it? Why is Oedipus fated to kill his father and marry his mother? What part does Oedipus play in his own destruction? What role do divinities play? And what of human free will? In what follows I consider the power of curses, prophecy, prayer, fate, the gods, and human self-determination as they serve to effect (...)
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  29. Estrangement, Epochē, and Performance: Bertolt Brecht’s Verfremdungseffek T and a Phenomenology of Spectatorship.Molly Kelly - 2020 - Continental Philosophy Review 53 (4):419-431.
    During his period of exile in Scandinavia, Bertolt Brecht wrote “I don’t think the traditional form of theatre means anything any longer. Its significance is purely historic; it can illuminate the way in which earlier ages regarded human relationships […] [but] a modern spectator can’t learn anything from them”. To create a modern theatre fit for a modern audience, Brecht holds that not only would the content of plays have to change, but the experience of theatrical spectatorship itself. To fully (...)
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  30. Heroes, Tyrants, Howls.Steven Knepper - 2020 - Renascence 72 (1):3-23.
    In recent decades, the philosopher William Desmond has offered both insightful readings of individual tragedies and a striking reformulation of old Aristotelian standbys like hamartia and catharsis. This reformulation grows out of his wider philosophy of the “between,” which stresses humans’ fundamental receptivity or “porosity.” For Desmond, tragedy strips away characters’ self-determination and returns them to porosity. The audience is returned to porosity as well, a process of exposure that can be harrowing, and at times leads to despair, but that (...)
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  31. Moral Outrage Porn.C. Thi Nguyen & Bekka Williams - 2020 - Journal of Ethics and Social Philosophy 18 (2):147-72.
    We offer an account of the generic use of the term “porn”, as seen in recent usages such as “food porn” and “real estate porn”. We offer a definition adapted from earlier accounts of sexual pornography. On our account, a representation is used as generic porn when it is engaged with primarily for the sake of a gratifying reaction, freed from the usual costs and consequences of engaging with the represented content. We demonstrate the usefulness of the concept of generic (...)
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  32. Weird Fiction: A Catalyst for Wonder.Jan B. W. Pedersen - 2020 - Wonder, Education and Human Flourishing: Theoretical, Emperical and Practical Perspectives.
    One of the vexed questions in the philosophy of wonder and indeed education is how to ensure that the next generation harbours a sense of wonder. Wonder is important, we think, because it encour- ages inquiry and keeps us as Albert Einstein would argue from ‘being as good as dead’ or ‘snuffed-out candles’ (Einstein 1949, 5). But how is an educator to install, bring to life, or otherwise encourage a sense of wonder in his or her stu- dents? Biologist Rachel (...)
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  33. J K Rowling зла, чем я? (пересмотрено 2019 ).Michael Richard Starks - 2020 - In ДОБРО ПОЖАЛОВАТЬ В АД НА НАШЕМ МИРЕ : Дети, Изменение климата, Биткойн, Картели, Китай, Демократия, Разнообразие, Диссигеника, Равенство, Хакеры, Права человека, Ислам, Либерализм, Процветание, Сеть, Хаос, Голод, Болезнь, Насилие, Искусственный интелле. Las Vegas, NV USA: Reality Press. pp. 252-256.
    Как насчет другого взять на богатых и знаменитых? Во-первых, очевидное - романы о Гарри Поттере - это примитивные суеверия, которые побуждают детей верить в фантазию, а не брать на себя ответственность за мир - норма, конечно. JKR как раз как clueless о себе и мире как большинств люди,но около 200 времен как разрушительно как средний американец и около 800 времен больше чем средний китаец. Она несет ответственность за уничтожение, может быть, 30000 гектаров леса для производства этих романов мусора и все (...)
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  34. J K Rowling è più cattivo di Me? (rivisto 2019).Michael Richard Starks - 2020 - In Benvenuti all'inferno sulla Terra: Bambini, Cambiamenti climatici, Bitcoin, Cartelli, Cina, Democrazia, Diversità, Disgenetica, Uguaglianza, Pirati Informatici, Diritti umani, Islam, Liberalismo, Prosperità, Web, Caos, Fame, Malattia, Violenza, Intellige. Las Vegas, NV, USA: Reality Press. pp. 87-90.
    Che ne dite di una diversa ripercorrere i ricchi e i famosi? Prima l'ovvio: i romanzi di Harry Potter sono una superstizione primitiva che incoraggia i bambini a credere nella fantasia piuttosto che assumersi la responsabilità per il mondo, ovviamente. JKR è altrettanto all'oscuro di se stessa e del mondo come la maggior partedelle persone , macirca 200 volte più distruttivo come l'americano medio e circa 800 volte più di cinese medio. È stata responsabile della distruzione di forse 30.000 ettari (...)
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  35. Mary Shelley’s ‘Romantic Spinozism’.Eileen Hunt Botting - 2019 - History of European Ideas 45 (8):1125-1142.
    ABSTRACT Mary Shelley (1797–1851) developed a ‘Romantic Spinozism’ from 1817 to 1848. This was a deterministic worldview that adopted an ethical attitude of love toward the world as it is, must be, and will be. Resisting the psychological despair and political inertia of fatalism, her ‘Romantic Spinozism’ affirmed the forward-looking responsibility of people to love their neighbors and sustain the world, including future generations, even in the face of seeming apocalypse. This history of Shelley’s reception of Spinoza begins with the (...)
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  36. Value Realism and Moral Psychology: A Comparative Analysis of Iris Murdoch and Fyodor Dostoevsky.Nathan P. Carson - 2019 - Philosophy and Literature 43 (2):287-311.
    In his book Iris Murdoch: The Saint and the Artist, Peter J. Conradi suggests that “a task for critics today would seem to be to understand the indebtedness of her demonic, tormented sinners and saints and of the curious coexistence in her work of malevolence and goodness, to the dark tragi-comedies of Dostoevski.”1 In his 1986 essay “Iris Murdoch and Dostoevskii,” Conradi goes even further to argue that Fyodor Dostoevsky has been “unnoticed by commentators, a hovering or brooding presence for (...)
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  37. Wordsworth: Second Nature and Democracy.Mark S. Cladis - 2019 - Philosophy and Literature 43 (1):89-106.
    What is the relation between democracy and second nature? What, that is, is the relation between a form of government that places a premium on a people shaping their shared destiny and a people who have been shaped by their past inheritance—an assortment of traditions, customs, perspectives, and practices? Does democracy fundamentally seek to escape custom and practice—the oppressive yoke of tradition—or does it, in fact, depend on a cultural inheritance, a second nature?In many standard accounts, Romanticism frees itself from (...)
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  38. Narrative Fiction and Epistemic Injustice.Zoë Cunliffe - 2019 - Journal of Aesthetics and Art Criticism 77 (2):169-180.
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  39. "Chequer Works of Providence": Skeptical Providentialism in Daniel Defoe's Fiction.Bridget C. Donnelly - 2019 - Philosophy and Literature 43 (1):107-120.
    I mention this story also as the best method I can advise any person to take in such a case, especially if he be one that makes conscience of his duty, and would be directed what to do in it, namely, that he should keep his eye upon the particular providences which occur at that time, and look upon them complexly, as they regard one another, and as all together regard the question before him: and then, I think, he may (...)
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  40. Reason, Feeling, and Happiness: Bridging an Ancient/Modern Divide in The Plague.Gene Fendt - 2019 - Philosophy and Literature 43 (2):350-368.
    Camus is defined by many as an absurdist philosopher of revolt. The Plague, however, shows him working rigorously through a well-known division between ancient and modern ethics concerning the relation of reason, feeling and happiness. For Aristotle, the virtues are stable dispositions including affective and intellectual elements. For Kant, one’s particular feelings are either that from which we must abstract to judge moral worth, or are a constant hindrance to proper moral activity. Further, Kant claims “habit belongs to the physical (...)
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  41. Aristotle and Tolkien: An Essay in Comparative Poetics.Gene Fendt - 2019 - Christian Scholar's Review 49 (Number 1 (Fall 2019)).
    Both Aristotle and Tolkien are authors of short works seemingly concentrated on one form of literary art. Both works contain references which seem to extend further than that single art and offer insights into the worth and purpose of art more generally. Both men understand the relevant processes of mind of the artist in a similar way, and both distinguish the value of works of art based on their effect on the audience. But Tolkien figures the natural human artistic bent (...)
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  42. Normative Fiction‐Making and the World of the Fiction.Manuel García-Carpintero - 2019 - Journal of Aesthetics and Art Criticism 77 (3):267-279.
    In recent work, Walton has abandoned his very influential account of the fictionality of p in a fictional work in terms of prescriptions to imagine emanating from it. He offers examples allegedly showing that a prescription to imagine p in a given work of fiction is not sufficient for the fictionality of p in that work. In this paper, both in support and further elaboration of a constitutive-norms speech-act variation on Walton’s account that I have defended previously, I critically discuss (...)
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  43. Emerson and the Question of Style.Reza Hosseini - 2019 - Philosophy and Literature 43 (2):369-383.
    Rumi’s story of the elephant in the dark room is the story of the reception of Ralph Waldo Emerson. Depending upon where they have touched, which constitutes their vantage points, commentators have come to believe Emerson to be, among others, the “philosopher of Democracy”, the theologian of the American religion of self-reliance, the philosopher of the ordinary, the “friend and aider of those who live in spirit”, a genteel soul “impervious to the evidence of evil”, or a naïve writer whose (...)
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  44. Kin Altruism, Spite, And Forgiveness in Pride and Prejudice.Magdalen Ki - 2019 - Philosophy and Literature 43 (1):210-228.
    Mr. Darcy spoke with affectionate praise of his sister's proficiency.I never spoke to you without rather wishing to give you pain than not.Pride and Prejudice has been read in many ways. I argue that this well-known love story not only foregrounds the battle of the sexes but also places center stage the pros and cons of different types of family systems and reciprocal altruism. Humans have long evolved to become homo familiaris. In its Latin origin, the word family does not (...)
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  45. On Romance and Intimacy.Robert Klitgaard - 2019 - Philosophy and Literature 43 (2):482-500.
    Suddenly, my research was brusquely interrupted by romance. Conceptually, that is.The precipitant was an essay by Becca Rothfeld about the collected letters of Iris Murdoch, a philosopher at Oxford who strayed, and flourished, as a novelist. “Her scholarly area was ethics, and her primary preoccupation was love, both romantic and platonic,” Rothfeld writes. “This was a topic whose manifest importance she felt was chronically neglected by her peers, most of them analytic philosophers.”1Murdoch is right, I thought. Socrates and friends, lolling (...)
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  46. Self-Forgiveness and the Moral Perspective of Humility: Ian McEwan's Atonement.John Lippitt - 2019 - Philosophy and Literature 43 (1):121-138.
    Is it possible to forgive oneself? If so, should the person who has done so, for a serious wrongdoing, be fully at peace with herself? Some philosophers, perhaps most famously Hannah Arendt, have denied the coherence of the very idea of self-forgiveness.1 Others, such as Charles Griswold, have recognized it as both coherent and important: a distinct phenomenon from accepting the forgiveness of others, and vital in circumstances where seeking such forgiveness is morally problematic. Yet Griswold still holds self-forgiveness to (...)
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  47. The Ethics of Enchantment: The Role of Folk Tales and Fairy Tales in the Ethical Imagination.Liz McKinnell - 2019 - Philosophy and Literature 43 (1):192-209.
    Dedicated to the memory of Professor David Knight, a great storytellerRing the bells that still can ring Forget your perfect offering There is a crack in everything That's how the light gets in.In his "Thoughts on Poetry and Its Varieties,"2 John Stuart Mill suggests that an interest in narrative—plain, unadorned narrative for narrative's sake—betrays an uncultivated mind, and is at its most prominent in what he regards as unsophisticated cultures. Mill holds that literature can have two components: description of "outward (...)
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  48. Politics, Religion, and Love'S Transgression: The Political Philosophy of Romeo and Juliet.Zdravko Planinc - 2019 - Philosophy and Literature 43 (1):11-37.
    In Romeo and Juliet, William Shakespeare examines the relationship of the political realm to the things that are outside or beyond politics: family, society, religion, friendship, and love. The play is thus a work of political philosophy, and no less so because it is a work of art in which these things are portrayed concretely through the relationships of the play's characters. The difficulties of interpreting the play are due in part to its aesthetic particularity, but more to the familiarity (...)
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  49. Boxed.Daniel M. Putnam - 2019 - Philosophy and Literature 43 (1):229-247.
    Skepticism about other minds is typically presented as a straightforwardly epistemological thesis. Eliminativism about folk psychology is typically presented as a straightforwardly metaphysical thesis. But having moral status entails having, or having had, some mental states. And relating to persons as persons presupposes the application of folk-psychological concepts. So neither view can be divorced from ethics.Mary likes watching others. She always has. "Stop," her mother said. "It's rude.""What's rude?""Staring like that. Making people uncomfortable.""How do you know they're uncomfortable?""Because they just (...)
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  50. Posthuman Ecologies of the Corpse. [REVIEW]Marietta Radomska - 2019 - Women, Gender and Research 28:124-126.
    Erin E. Edwards’ "The Modernist Corpse: Posthumanism and the Posthumous" offers a unique study of the critical and creative potential of the corpse in the context of (primarily) American modernist literature and other media. Dead bodies, oftentimes “radically dehumanized” (p. 1) and depicted en masse in direct relation to atrocities of colonialism, slavery and World War I, populate modernist literature and art. While many literary theorist whose work focuses on American modernism (as Edwards herself notes), looks at death and corpses (...)
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