The article investigates the peculiarities of Durer's aesthetic views in the context of Renaissance philosophy and the theory of cognition of Modern times. Its provisions are compared with fragments of texts by L.-B. Alberti, Leonardo da Vinci, Raphael. The semantic interrelationships of Durer's positions with mysticism, pantheism, natural philosophy and empiricism of Modern Times are emphasized. The interrelation of the problem of knowledge with the theme of freedom and beauty is considered in detail. The authors analyze various opinions and ways (...) of comprehending the beautiful, presented in the philosophical constructions of Durer, his concept of "rational knowledge", "scientific ignorance". Special attention is paid to the boundaries of freedom in Durer's representation. The novelty of the research lies in the fact that the presented concept of the evolution of A. Durer's aesthetic views helps to comprehend those contradictory trends that existed in the Renaissance itself. Thus, Durer believed that freedom conditioned by knowledge ends where attempts to transcend nature begin. A necessary condition for freedom is the understanding that the beautiful is relative. From the understanding of the relativity of the beautiful, from the concrete utopian program of its achievement, an imperative grows, meaning denial, the completion of the aesthetics of Rebirth. According to him, the artist should not limit himself to one type, but should be knowledgeable in various ways of depicting all kinds of types. In order to make such an image as is required of him. Thus, the professionalism of the artist, his experience, knowledge, recognition of the power of knowledge and, at the same time, understanding of its relativity – all this, as an achievement of the Renaissance theory of art, loses its meaning. All this is sacrificed to the tastes of employers. (shrink)

Religion and Laughter in a Digital Society.

Within the framework of this article, the authors analyze the cycle of engravings "Apocalypse" by Albrecht Durer in the context of the categories of space and time that have developed in the history and philosophy of culture of the Middle Ages and Renaissance. The metaphysical essence of time, defined by Christian eschatology, found its vivid embodiment in the activities of many figures of artistic culture of that era. Apocalyptic moods, which largely determine the consciousness of people of the Reformation era, (...) were also inherent in A. Durer. The cycle of engravings "Apocalypse" in many ways should be considered as the quintessence of these moods and a reflection of the image of death that develops in this era. Space also acquires metaphysical characteristics, becomes heterogeneous, emotionally colored. The authors conclude that in the "Apocalypse" there is a mixed (and therefore very peculiar) interpretation of the category of time and space. It clearly shows the transition of the space-time representations of the Middle Ages to the ideas of time and space inherent in the New Time. It is also possible that we have before us one of the variants of the Renaissance mastery of the categories of time and space in the art of Europe. Attention is drawn to its openness and conscious demonstrativeness, because two artistic systems interact with each other on an equal footing; their stylistic potential and expressive means are used entirely, with full dedication and as a result, with maximum impressive force. (shrink)

The subject of research in this article is some aspects of the life path of a prominent figure of the Reformation in Germany, Philip Melanchthon, which influenced the evolution of his worldview. Special attention is paid to the facts of his biography, the characteristics of his early works, as well as his assessments of the confessional struggle and calls for the active involvement of administrative resources to crack down on dissidents. The methodological basis of this article is the dialectical approach, (...) in particular, the principle of the relationship between the general and the singular, as well as the principle of the unity of the logical and historical. These principles allow us to identify the ethical nuances of the evolution of F. Melanchthon's views as a Reformation figure based on his statements and assessments. Philip Melanchthon is often evaluated in the scientific literature as one of the founders of the new faith, the second most important after Martin Luther, whose merit was the attempt to reconcile humanistic views and new confessional interests. However, based on a detailed analysis of the material presented in the article, the authors come to the conclusion that Philip Melanchthon, having devoted himself entirely to the Reformation, renounced the German humanistic tradition of the XV century, the values of humanism represented in the works of Jacob Wimplefing, Johann Reichlin, Erasmus of Rotterdam, Thomas More, John Colet. Therefore, its classification as "Christian humanism" is erroneous. (shrink)

This paper elucidates how the thinking about opposition that we find in the surviving passages of Anaxagoras of Clazomenae and in the fragments of Heraclitus of Ephesus informs discussions of the separability of the body and the soul in the Phaedo. I offer a reconstruction of the way in which these pre-Socratic ideas of opposition are appropriated and refracted in Plato’s Phaedo (especially at 85e–86e, 92a–95a, 102c–e, 102b–107a). I treat Anaxagoras first, in order to explicate how his ideas make up (...) the background of the dialogical study of the separation of the soul from the body (102b–107a). My analysis of Heraclitus comes second and shows how his ideas inform the interlocutors’ assessment of the unity characteristic of the body and the soul (92a–95a). I set the stage for the discussion of Anaxagoras and Heraclitus by relating these thinkers to the broader Pythagorean background that is apparent in the dialogue. (shrink)

In this paper, I offer an analysis of evil in Friedrich W. J. Schelling’s Philosophische Untersuchungen über das Wesen der menschlichen Freiheit (1809). Schelling develops an account of the sui-genesis of God out of the two principles. These principles are 1) the dark ground (dunkler Grund) that belongs to God and 2) the self-revelation of God, who actualizes the dark ground, which grounds God antecedently. These two principles also contain in themselves the possibility and the intelligibility of the human world. (...) In order to elucidate the ontological account of the possibility of evil in Schelling, I turn to Martin Heidegger’s analyses of Schelling’s Freiheitsschrift and especially to Heidegger’s account of self-will (Eigenwille) and put these analyses in conversation with Heidegger’s own thinking about αλήθεια. I establish a conceptual affinity between Schelling’s presentation of the dark ground, which for him is the ground of selfhood, and Heidegger’s insights into the prioricity of concealment (Verborgenheit). (shrink)

New technologies provide great opportunities for cultural heritage to become more widely accessible and for cultural experience to be more meaningful. The COVID-19 pandemic has highlighted the strengths and vulnerabilities of the cultural heritage sector and the need to accelerate its digital transformation to make the most of the opportunities it provides. The Commission Recommendation on the digitisation and online accessibility of cultural material and digital preservation (2011/711/EU) concluded that there is an urgent need to protect and preserve European cultural (...) heritage, and, in particular, endangered cultural heritage is still present. However, the diversity of legal approaches to cultural heritage by the Member States discourages the creation of a common European data space for cultural heritage as the European Commission recently proclaimed. In Greece, there have been significant efforts in recent decades to digitise and digitally preserve cultural heritage goods. However, the attention was not drew upon the accessibility and reuse of the digitized cultural heritage content. According to the relevant regulatory framework the existing rules on the use of digital technologies for the reproduction, use and preservation of cultural heritage content is obviously outdated. According to the paragraphs 4 and 5 of article 46 of the Greek Code for the protection of antiquities and cultural heritage in general (Law 4858/2021), a previous permission granted by the Ministry of Culture is required for the production, reproduction and dissemination to the public of impressions, copies or depictions of monuments belonging to the Public Sector, or immovable monuments that are located within archaeological sites and historical places or are isolated, or movable monuments that are kept in museums or public collections, in any way and by any means whatsoever, including Information Communication Technologies. Such permission is granted to natural or legal persons for a fee paid to the Hellenic Organization of Cultural Resources Development (HOCRED) upon the decision of the Minister of Culture, while the decision also specifies the temporal validity of the permission, the terms on which the permission is granted and the fee that must be paid. The production, reproduction and use of the aforementioned goods for other purposes, such as artistic, educational or scientific purposes, is again allowed for a fee paid to HOCRED, however, the fee can be waived upon the decision of the Minister of Culture. This Paper will examine the existing Greek legal framework and will attempt to propose an appropriate framework that will ensure open access to the digitized cultural heritage assets, enhance the recovery and transformation of the cultural heritage sector and support cultural heritage institutions in becoming more empowered and more resilient in the future. (shrink)

El grano de ben es un fruto que ha sido utilizado con fines terapéuticos desde la Antigüedad. Su descripción está incluida en el libro VI del De simplicium medicamentorum facultatibus de Galeno (s. II), una de las obras farmacológicas más importantes de la historia de la medicina. En este artículo compararemos desde una perspectiva filológica la entrada que Galeno dedicó a este simple en dos de sus traducciones medievales: la árabe de Ḥunayn ibn Isḥāq (s. IX) y la latina de (...) Gerardo de Cremona (s. XII). Nuestro análisis ayudará a profundizar en el estudio de estas dos traducciones y en la técnica de Gerardo de Cremona, el traductor más prolífico de obras de medicina griega y árabe al latín en la Edad Media. (shrink)

This article presents the results of the analysis of a number of linguistic metaphors found in a corpus of opinion articles published in the Spanish newspaper El País. The authors included in the corpus, who tend towards the left of the political spectrum, use metaphor to express moral judgements on the actions and decisions of the conservative, centre-right People’s party, which governs Spain with an overall majority. With the aim of describing this discourse, we have undertaken a qualitative analysis with (...) a conceptual framework deriving from CDA and cognitive linguistics. First, therefore, we have made use of the methodology developed by Steen and the Pragglejaz group to extract the discourse units that could be considered as the lexical expression of an underlying mapping between domains, that is, the metaphors; second, according to the descriptions of Talmy, Croft, Sweetser, Sullivan, and Dancygier and Sweetser, we have verified that the different types of grammatical structure in which the lexical items appeared also indicated the existence of a metaphorical thought process; and third, in the words of van Dijk, we have studied the ideological semantics underlying conceptual structures and conceptual content. As we have demonstrated, all the samples of linguistic metaphors found led readers to construct the same interpretation of the meaning: The Spanish People’s party government is the past, a past that provokes rejection and which was thought to be definitively ended. (shrink)

I elaborated a bibliographic report for the last issue of "Estudios Nietzsche," which is a monographic issue on Nietzsche and Women. -/- I aimed to select and combine important publications from multiple traditions and schools within Nietzsche scholarship. I hope it becomes a valuable resource to find literature on the topic for both teaching and research purposes.

El artículo sitúa los elementos de la fisiología del arte de los escritos de madurez dentro del proyecto de transformación del ser humano que persiste a lo largo su trayectoria intelectual. En el contexto de este proyecto, la expresión artística funciona como síntoma de fenómenos que tienen un profundo origen a nivel fisiológico y que nos informan de la condición del artista creador y del público que lo acoge. El diagnóstico que Nietzsche elaborar de Wagner no sólo afecta a Wagner, (...) sino, sobre todo, a sus espectadores, la cultura y sociedad moderna, como parte del fenómeno de la décadence y del poder ascético. Finalmente se estudia la concepción de la estética como fisiología aplicada, el componente adaptativo y colectivo de los juicios estéticos, así como su uso instrumental para la política. (shrink)

Public opinion can affect the adoption of genome editing technologies. In food production, genome editing can be applied to a wide range of applications, in different species and with different purposes. This study analyzed how the public responds to five different applications of genome editing, varying the species involved and the proposed purpose of the modification. Three of the applications described the introduction of disease resistance within different species, and two targeted product quality and quantity in cattle. Online surveys in (...) Canada, the US, Austria, Germany and Italy were carried out with a total sample size of 3698 participants. Using a between-subject design, participants were confronted with one of the five applications and asked to decide whether they considered it right or wrong. Perceived risks, benefits, and the perception of the technology as tampering with nature were surveyed and were complemented with socio-demographics and a measure of the participants’ moral foundations. In all countries, participants evaluated the application of disease resistance in humans as most right to do, followed by disease resistance in plants, and then in animals, and considered changes in product quality and quantity in cattle as least right to do. However, US and Italian participants were generally more positive toward all scenarios, and German and Austrian participants more negative. Cluster analyses identified four groups of participants: ‘strong supporters’ who saw only benefits and little risks, ‘slight supporters’ who perceived risks and valued benefits, ‘neutrals’ who showed no pronounced opinion, and ‘opponents’ who perceived higher risks and lower benefits. This research contributes to understanding public response to applications of genome editing, revealing differences that can help guide decisions related to adoption of these technologies. (shrink)

El trabajo somete a discusión algunos elementos y argumentos del ensayo "Anti-Nietzsche. La crueldad de lo político" de Jorge Polo Blanco. Analizo el libro de Polo considerando el problema de la diversidad de caracterizaciones parciales que obtiene la figura de Nietzsche en el pensamiento filosófico contemporáneo y el desafío que supone actualizar a Nietzsche a la luz de nuestras sensibilidades democráticas. Examino los capítulos del libro apuntando algunas de las incorrecciones y aspectos más dudosos de su argumentario “anti-nietzscheano” e incidiendo (...) en la importancia del estudio de fuentes (Quellenforschung) y de la historia de las ediciones de la obra de Nietzsche para una interpretación filosófica rigurosa. Palabras clave: Nietzsche, Política, Democracia, Crítica genética, Fuentes, Ediciones. -/- Abstract: This article discusses some elements and arguments of Jorge Polo Blanco’s book, Anti-Nietzsche. La crueldad de lo político. I analyze Polo’s book while considering the problem of the diversity of characterizations that Nietzsche receives in contemporary philosophical thought and the challenge of evaluating his philosophy in light of our democratic sensibilities. I examine the different chapters and identify some of the inaccuracies and most dubious aspects of Polo’s “anti-Nietzschean” argument. In doing so, I stress the importance of source research (Quellenforschung) and the history of the editions for rigorous philosophical analyses. Keywords: Nietzsche, Politics, Democracy, Genetic Criticism, Sources, Editions. (shrink)

This article explores the new meaning of suffering in the cosmological and ethical doctrine of eternal return in Nietzsche’s philosophy. The role of suffering is key to understanding why Nietzsche considered the eternal return «the great cultivating [or breeding] thought.» The eternal return transforms affectivity and selects new human values and ways of experiencing suffering, approving the «discipline of suffering» and condemning guilt, punishment, and resentment. The cultivating sense of the eternal return reconciles opposing forces and emotions, such as joy (...) and suffering, and brings to light the tragic insight of life. -/- Este artículo explora el nuevo significado que adquiere el sufrimiento a partir de la doctrina cosmológica y ética del eterno retorno en la filosofía de Nietzsche. El papel del sufrimiento nos permite comprender por qué Nietzsche consideraba el eterno retorno «el gran pensamiento criador». El eterno retorno opera una transformación de la afectividad y selecciona nuevos valores y modos de experimentar el sufrimiento, aprobando la «disciplina del sufrimiento» y condenando la culpa, el castigo y el resentimiento. El sentido cultivador del eterno retorno reconcilia fuerzas y emociones opuestas, como la alegría y el sufrimiento, y saca a la luz la visión trágica de la existencia. (shrink)

The article aims to critically analyze the conventional tripartite division within Nietzsche’s philosophy that is expressed hyperbolically in the form of personification: the young Nietzsche of the Wagnerian phase, the “positivist” or “enlightened” Nietzsche, and the mature Nietzsche. I aim to contribute to the plea for continuity, paying special attention to a variety of texts in which he acknowledges the continuity of his intellectual development as a coherent unit. This significant retrospection does not indicate rupture or rejection but recognition of (...) a single path. The last section is dedicated to the particular book that is Ecce Homo, understood as a self-presentation strategy. (shrink)

The aim of this paper is to relate the critical core of Jesus Conill’s last book, Bodily Intimacy and the Human Person. From Nietzsche to Ortega and Zubiri, with the problem of nihilism, as a structure that survives in our contemporary societies, especially in the context of neurosciences, technology and our way of relating to both. After outlining the key insights of the book, especially its innovative conception of bodily intimacy, I will retrieve some contributions from Nietzsche’s notes regarding nihilism, (...) to show that after the “death of God”, other instances take his place, the logics of nihilism remain intact and underly the majority approach of neurosciences. I will conclude that the elements presented by Conill for a strong intimacy and subjectivity will be necessary for the task, still pending, of overcoming nihilism. (shrink)

The ‘1st Congress Churches and LGBTI+ Community: ecumenical dialogues for respect for diversity’ was held between 19th and 22nd of June 2019, in the city of São Paulo. The Congress was organised by the Parish of the Holy Trinity of the Episcopal Anglican Church in Brazil and Koinonia–Ecumenical Presence in Service. As we consider this congress a historic landmark in the debates concerning religions and sexualities that escape from cisheteronormativity in Brazil, in the course of this article, we propose to (...) analyse the social and political conjuncture that motivated the event. In a second step, we will briefly describe the structure of the event, as well as its objectives, in order to understand the assumptions that guided the construction of the Letter of São Paulo, the official and public document of the Congress, approved in plenary by the participants. We believe that the Congress and the Letter of São Paulo have political potential, as they claim the rights of lesbian, gay, bisexual, transgender, intersex+ people as people of faith and denounce forms of oppression, exclusion and marginalisation reinforced by conservative and hegemonic religious discourses. (shrink)

The current COVID-19 pandemic has had obvious, well-documented devastating effects on people's physical health. In this research, we investigate its potential effects on people's mental health. Many people have experienced social isolation, as countries attempt to stem the spread of the disease through confinement and other forms of social distancing. Intuitively, such social isolation may increase feelings of loneliness, and people may take logical steps to reduce their feelings of social isolation and loneliness. One route is through the use of (...) social networking apps and messaging and VoIP apps. In this research, we investigate the effects of pandemic-induced social isolation on social networking and messaging apps, and potential related effects on loneliness. We surveyed young adults who are part of the Centennial cohort from three different countries and obtained their screen time usage data over a 4-week period starting from mid-March 2020. This sampling procedure allowed us to obtain data from respondents who were experiencing different degrees of mandated social isolation, which enabled us to determine whether social network and messaging app usage increased as a function of social isolation, and to test potential effects on levels of loneliness. Results showed that only social network usage increased in the initial stage of confinement as a function of lockdown initiation. Additionally, social network app usage was associated with increased feelings of loneliness, and this relation was mediated by fear of missing out. In contrast, messaging app usage was associated with decreased feelings of loneliness, and was unrelated to FOMO. These results suggest that technology may be useful for mitigating the impact of loneliness during social isolation but that it is necessary to promote usage of messaging and VoIP apps, rather than social networking apps, because they are directly associated with decreases in loneliness without increasing FOMO. (shrink)

Conceived by Wagner as a way to recover the synthesis of arts at the core of the Greek tragedy, the Gesamtkunstwerk played a big role in post-Romantic aesthetics. This book revisits the "total work of art" as a variation of intermediality that captures the digital age's principle of open textuality through complex interplay and synergy of media.

Este es un libro sobre la libertad y sobre la verdad. Y ahora ya podéis reír. Pero no os protejáis en la risa sarcástica, permitíos una risa impertinente. La libertad y la verdad son dos formas de impertinencia necesaria, cuando hemos comprendido que no somos realmente libres ni escaparemos nunca del error ni del engaño. De esto hablan estos textos, y lo hacen de la mano de diversos autores y personajes que han hecho de su impertinencia una forma de pensamiento. (...) Georg Büchner nos presenta a Danton y a Robespierre conversando ante la guillotina. Diderot y Sophie Volland escriben su amor en una eternidad sin Cielo. Joaquim Jordà filma a sus amigos mientras colectivizan la fábrica Numax y Teresa de Ávila corta cebollas en la cocina mientras charla con su inquisidor... El 'Torete' de Perros callejeros, Christa Leem, Ixiar Rozas o Santiago López Petit desafían la noche. Se añaden a ellos Albert Camus, conjurando la mentira, y los muertos de las comedias de Eduardo de Filippo, porque todo está lleno de muertos. Entre ellos y muchos más que recorren estas páginas, destaca la voz de mi abuela, Concepció Rubiés i Trias, quien vuelve directamente a nosotros a través de las cartas que escribió cuando tenía dieciocho años y se marchó al exilio. Todas estas voces organizan una cacofonía que es, para mí, una fiesta de la inteligencia, en un tiempo en el que se ha hecho muy difícil sentir la alegría de pensar. Las malas compañías no se escogen, pero se puede decidir seguirlas o no. A mí, siempre me han llevado por buen camino. (shrink)

Autoritarismo, particularismo, fanatismo, catastrofismo, terrorismo, solucionismo... son las caras de una amplia reaccion antiilustrada a la actual crisis de civilizacion. Nuestro presente se ve atrapado en una disyuntiva radical: o condenarse o salvarse. Tras esta alternativa se esconde una rendicion. Temiendo el apocalipsis o anhelando un salvador, sea un lider, un dios o un robot, estamos renunciando a la libertad y a la dignidad de la experiencia humana, estamos renunciando a la emancipacion. La pregunta que late en este ensayo es: (...) por que nos creemos tan facilmente estos relatos? Y la cuestion que se plantea es: como combatir esta fe ciega y sus formas de opresion? Desde este doble interrogante, se apuesta por una nueva ilustracion radical, es decir, por luchar contra las credulidades de nuestro tiempo y contra el temor y el oportunismo que las alimentan."--Amazon.com. (shrink)

O fio condutor deste artigo consiste em abordar a relação filosófica entre arte e realidade e o modo como as vanguardas artísticas do século XX, em especial o surrealismo, colocam em questão essa dicotomia ao se perguntar pelo papel da arte ante a realidade e pôr em xeque os modelos de representação tradicionais. É nosso objetivo, em um primeiro momento, mediante revisão bibliográfica, expor o papel da arte ante a realidade de acordo com a tradição filosófica e os modelos de (...) representação tradicionais e, em um segundo momento, analisar de que forma as vanguardas artísticas, em especial o surrealismo, subvertem esses modelos, partindo de estudos de filósofos da arte e da exemplaridade de algumas obras e manifestos europeus, mencionando também o caso brasileiro. Notamos, a partir destes dois momentos, que a ideia de realidade pode expressar tanto a realidade política, construída hierarquicamente aos moldes de uma tradição racionalista, moral e burguesa, quanto pode expressar o apagamento, pela arte, dos limites estabelecidos por essa realidade reificada para evocar uma realidade abscondita e primitiva, pertencente ao mesmo domínio subversivo da arte, como faz o surrealismo. Foi possível concluir que, se na tradição filosófica e nos modelos tradicionais de representação se estabelece, de modo geral, uma fissura entre o mundo da arte e o mundo real, em algumas manifestações vanguardistas, especialmente o surrealismo, visualiza-se uma tentativa de reunificação entre arte e realidade, assim como a própria noção de realidade é transformada. (shrink)

Tão aberto como um sonho, este artigo de teor ensaístico aborda alguns estudos em filosofia e psicologia que tratam sobre a interpretação e a função social do sonho, aproximando escrita e educação. Essa educação sensível torna-se crítica e artística ao lidar com evocações de imagens e sensações do inconsciente individual e do coletivo. Pelo diapasão da Filosofia da Diferença, traçamos proposições a pensar pelo ritmo do sonho, sentir suas ressonâncias sociais e para a elaboração da escrita em educação. Aulas-sonho, sonhografias (...) e não lugares emergem do inconsciente em imagens a-traduzir, isto é, do que está para ser traduzido diante da linguagem. Nesse revezamento entre o corpo, o real e o sonho, dimensionamos alguns apontamentos acerca do feminino e do trauma como disparadores sociais para problematizarmos esses afetos ao corpo do docente que pensa e sonha empiricamente, diante do real da educação. Nesse arquivo de uma educação latente, e, a partir dessa abordagem em labor de sonho, uma poética é traduzida. Assim como os quadros oníricos alimentam a realidade, a realidade alimenta nossos pensamentos, sonhos, valorações e interpretações da vida. A proposta da escrita que sonha é maneira de uma prática de si transindividual, por isso educativa e filosófica. Operacionalizando o pensar pela interpretação de sonhos, mas dela perspectivando um método de sonhar a escrita, apresentamos propostas de exercícios sonhográficos para este jogo de pensamento, que não é apenas da memória descritiva, mas da evocação de signos pré-linguagem. Tais signos traduzem a sonhografia como prática de si. O desejo docente não é uma falta, mas vontade de poesia didática que opera nos currículos ao afirmar a aula-sonho como potência de pensamento. Palavras-chave: Sonho. Educação. Escrita. Educação da Diferença. (shrink)

In the last few years, avatars have been increasingly used in treating persistent persecutory auditory verbal hallucinations. The digital representation (an avatar) of persecutory hallucinations is voiced by the therapist and engages the patient in a dialogue, progressively conceding its power and, hence, reducing the stress experienced by the patient. Such attempts at integrating digital representations and cognitive behavior therapy raise a range of philosophical questions, which this chapter tackles along two trajectories. From an epistemological standpoint, we inquire what notion (...) of mental disorder can underlie the use of avatar therapy, and how our understanding of psychiatric diseases can be affected by the implementation of such a therapy. Relatedly, from an ethical standpoint, we reflect on some of the controversial issues posed by such therapeutic strategies. Discussing selected epistemological and ethical aspects stemming from the latest relevant literature both in philosophy and in psychiatry, the chapter aims to provide a tentative evaluation of trade-offs between the promises of and the limits to this therapeutic option. (shrink)

This essay is on the nature and roles of sense impressions and objects in Hume’s account of perception in the Treatise of Human Nature. I start by considering how Hume introduces sense impressions at the beginning of the Treatise and show that, although he explains the distinction between impressions and ideas on the basis of their different strength and liveliness, the crucial difference between them is in fact that ideas are copies of impressions, while impressions do not, in turn, copy (...) anything. They are what ideas represent, the objects of our thought. But if impressions are non-representative, how can Hume talk about ‘objects’ at all — in fact, what are Humean ‘objects’? This problem is the subject of the present discussion. (shrink)

El presente artículo busca reflexionar sobre la convergencia de los conceptos “saber” y “sabor” en la gastronomía, desde las perspectivas antropológica (a partir del análisis cultural) y filosófica (a partir del análisis epistemológico). Este objetivo se sustenta en el postulado de la vigencia de la gastronomía como elemento, hecho y fenómeno cultural, como producto de valores simbólicos y funcionales que propician el desarrollo y el bienestar de los grupos humanos.

Содерж.: Грибная лихорадка ; Прости, пожалуйста, прости.

En el apartado Noche 3 de Umbral, Juan Emar se vale de la estrategia de la hibridez genérica al construir una novela-drama que resignifica aportes de la vanguardia metaficcional. Nuestra hipótesis es que mediante la “refuncionalización paródica” (Hutcheon) de la diferencia conceptual entre historia y ficción se despliega una poética vanguardista que acoge el simultaneísmo temporal y espacial. Se trabaja con el enfoque postestructuralista foucaultiano que distingue entre una Historia Global, el metarrelato moderno y una Historia General; la que estudia (...) las discontinuidades en las series temporales. En efecto, la poética de la simultaneidad es en la narrativa emariana un mecanismo dislocador de una serie de oposiciones binarias de la episteme moderna: obra dramática v/s representación teatral, espacio escénico v/s sala de espectadores, autor v/s obra, pasado v/s futuro, arte v/s vida, entre otros. Emar despliega así en forma magistral una propuesta vanguardista que da cuenta de la heterogeneidad de tradiciones culturales como impronta de escritura de un sujeto latinoamericano. In paragraph Night 3 of his novella Umbral, Juan Emar utilices hybridism as a generic strategy in the construction of a novella-drama that assign new meanings to the contributions of the metafictional Avant Garde. Our hipothesis is that throught a “parodic refunctionalization” of the distinction between history and fiction is conveying an Avant Garde poetics that promote the spatial and temporal simultaneity. We work with the foucaultian postestructuralism focus which make a distinction between Global History; the modern metanarrative and a General History; that studies the discontinuities in temporals series. The simultaneity poetic’s is in their narrative a mechanism that dislodges a series of binary oppositions as: dramatic work vs. theatrical representation, scenic space vs auditorium, author vs. work, past vs. future, art vs. life, among others. Emar deploys in a masterly way, his Avant Garde proposal of the heterogeneity of cultural traditions as writing impronta of a Latin-American subject. (shrink)

El proceso de aprendizaje en un adulto es diferente al que ocurre en la etapa de la niñez; el adulto posee un piso de competencias al que es capaz de integrarla adquisición de nuevos conocimientos y asume su aprendizaje como un proceso electivo en función de sus motivaciones e intereses. El adulto como totalidad “bio-psico-sociológica” siente, vive, actúa y otorga significado a lo que aprende como parte de la realidad y del paradigma en el que se halla inserto. Considerar al (...) adulto descontextualizado de esta compleja realidad que representa, es cercenar su naturaleza y condenarlo a formarse en la incomprensión de su propia racionalidad. Concebir un proceso de autorregulación en el aprendizaje de un individuo, es reconocer en él la capacidad de tomar las riendas de ese ser que representa; reconocerlo capaz de asumir la responsabilidad para consigo, para con los otros, para con el todo del vivir y existir, respetando el proceso que lo revela como un ente, quees -por naturaleza propia- único e irrepetible. (shrink)

Come pensavano il tempo i Greci di eta arcaica, prima che Platone ed Aristotele ne formulassero una definizione? Nei miti, il tempo della natura, ciclico e rassicurante, non era messo a confronto con quello umano, imprevedibile anche se inesorabilmente determinato. Il ritmo scandito dal sole non era sovrapponibile a quelle della vita umana, l'avvicendarsi delle stagioni non misurava la durata della stirpe. Solo in eta sapienziale (VII-V secolo a.C.) si comincio a pensare il tempo in modo onnicomprensivo e si avverti (...) l'esigenza di misurarne il flusso. In quell'epoca, Eraclito tratteggio una concezione del tempo assolutamente innovativa, capace di ribaltare le visione del mondo trasmessa dai miti. Penso al tempo delle stagioni in analogia con quello interiore e vide nell'inesauribile creativita dell'anima umana lo specchio dell'infinita potenzialita della natura. La concezione offerta da Eraclito, avversata dai filosofi di eta classica e misconosciuta dalla scienza, trasmette ancora oggi, a chi legge con attenzione i frammenti rimasti della sua opera, un fiducioso messaggio di speranza nella capacita umana di vivere creativamente il tempo. (shrink)

RESEÑA / RESSENYA / REVIEW Elogio de la razón mundana. Antropología y política en Kant, por Nuria Sánchez Madrid.

This article analyzes the change in the semantic field of the concept of revolution in the context of the perception of History. It is argued that the initial meanings of this concept first appeared in the early modern period at the intersection of the philosophy of history and the philosophy of politics to describe the radical new sociopolitical order and were closely associated with the concepts of social progress and emancipation. In many ways, the tragic experience of the twentieth century (...) resulted in a significant correction in the interpretation of History, which led to a sharp criticism of the deterministic and progressive concepts of the historical process, and caused a transformation in the semantic field of the concept of revolution. This ushered in a conceptual rupture between the concept of revolution and the concepts of progress and emancipation. Revolution as event also came into question, which precipitated a shift from traditional society to Modernity. (shrink)

The article deals with the problem of ethnocultural educational technologies in forming of public spirit and patriotism feelings in modern student youth.