La Universidad como centro de investigación y conocimiento debe propiciar una cultura para investigar. El artículo tiene como objetivo presentar la construcción y análisis estructural de una escala para evaluar la cultura investigativa en universitarios, constituida en seis dimensiones y treinta ítems calificados en escala Likert con cinco opciones de respuesta. La escala fue aplicada a 438 estudiantes del último año de estudios de dieciséis Escuelas de una Universidad del norte peruano, luego de su validación por cinco expertos. El análisis (...) factorial exploratorio y confirmatorio permitió validar la estructura multidimensional y su fiabilidad se estableció con el coeficiente omega (w=0.96). (shrink)

In The Entanglement, philosopher Alva Noë explores the inseparability of life, art, and philosophy, and argues that we have radically underestimated the significance of this long recognized but underappreciated reality, what he refers to as the "entanglement." The core of The Entanglement is the idea that human existence is inextricably aesthetic and philosophical. In the first half of the book, Noë offers a detailed examination of pictures and seeing, writing and speech, and choreography and dancing, which serve as case (...) studies and the base in which the phenomenon of entanglement is set. In later chapters, Noë deepens this analysis by exploring the nature of the aesthetic itself, and its place in our lives, examining what the entanglement can teach us about science, and, in particular, the project of applying science in the domain of the human. In these later chapters he covers a range of topics, including sex, gender, and the body, psychology and AI, the problem of style, and the nature of 'nature.' Drawing on his work in perception, consciousness, and the philosophy of art, Noë offers a new model for thinking about the nature of the human, the limits to what a natural science of the human can do on its own, and the irreplaceable importance of art and philosophy for the larger project of studying and understanding ourselves. (shrink)

"Perception is not something that happens to us, or in us," writes Alva Noe. "It is something we do." In Action in Perception, Noe argues that perception and perceptual consciousness depend on capacities for action and thought — that ...

Introduction: free presence -- Conscious reference -- Fragile styles -- Real presence -- Experience of the world in time -- Presence in pictures -- On over-intellectualizing the intellect -- Ideology and the third realm.

The chief problem for the theory of mind is that of presence. In this paper I offer an explanation of this claim, and I indicate how my own “enactive” approach to mind has tried to address this problem. I also argue that other approaches, such as that undertaken by Hutto and Myin, have side-stepped the problem, instead of addressing it; their position opts for reductionism and eliminativism. This essay has two parts. The first is an exposition of the enactive approach, (...) as I understand it, and the second is a critical evaluation of Hutto and Myin. (shrink)

Some cognitive states — e.g. states of thinking, calculating, navigating — may be partially external because, at least sometimes, these states depend on the use of symbols and artifacts that are outside the body. Maps, signs, writing implements may sometimes be as inextricably bound up with the workings of cognition as neural structures or internally realized symbols (if there are any). According to what Clark and Chalmers [1998] call active externalism, the environment can drive and so partially constitute cognitive processes. (...) Where does the mind stop and the rest of the world begin? If active externalism is right, then the boundary cannot be drawn at the skull. The mind reaches – or at least can reach --- beyond the limits of the body out into the world. (shrink)

"Works of art sometimes leave us speechless. But they almost never shut us up. They can't. There's just too much to say. Talking about art doesn't leave things as they are; it changes everything. To look, to think, to say what you see, or why you respond as you do, this changes what you see and it changes your response. The effort and the caring remake us. They remake us, in real time, as we listen to the song, or examine (...) the painting, or watch the movie. This is not unique to art, of course. What I have just outlined goes for all experience and is really life's first principle: life is a process of growth and reorganization, a process that commences right then when we first act, for we reorganize ourselves and develop in response to the ways what we do changes what we undergo, as Dewey might have said. But art aims at this; there is art so that we may remake ourselves, and also, so that we may catch ourselves in the act of this remaking. Art requires creation, even from its beholder. Yogi Berra was right: you can see a lot by observing. But observation - the effort and the caring - this requires thought, attention, focus. It can be play, but it is also work-like. Art always proposes a task, and the task is neither easy nor quite well-enough defined. The task, though, is only this: try to perceive, try to bring what is there into focus. If you do this, you will find yourself unveiled and, to whatever little extent, put together anew. The crucial thing to accept is that we don't get all this - the wow, the pleasure, the unveiling, and the reorganization - just for the price of admission. We have to join in, turn on, throw thoughts and reactions at the works themselves, position ourselves to catch them on the rebound, and allow room for emotions, not always positive. This is something we typically do with other people, and in the field cast by their responses and their words and argument. Works of art are always strange provocations; sometimes they offend us; more often they leave us untouched, unaffected, even bored. And this is where their value lies. Each of the short writings collected here is an exercise in giving art and myself the time to let something happen; I try to do this work so that art may do its work. Some of them were written while I was working on my 2015 book Strange Tools: Art and Human Nature, and they flow from the same well of curiosity that nourished that project. The title is borrowed from Joshua C Taylor's famous Learning To Look, which was the first book about art that I ever read"--. (shrink)

A noted philosopher and member of the Institute for Cognitive and Brain Science examines flaws in current understandings about consciousness while proposing a radical solution that argues that consciousness must not be limited to the confines of the brain.

Thi Nguyen develops the view that games are, at least potentially, works of art that afford players the opportunity to experiment with agency and have aesthetically significant experiences. In this paper, I critically discuss this proposal. You can make art out of games, I argue, but only at the price of making bad games. I explore the significance of this rivalry between games and art.

This paper proposes an analysis of the anti-metaphysical and anti-philosophical posture of the poetry of Alberto Caeiro, in order to show how the philosophical question for Truth is displaced by an awareness of the impossibility of signs to tell the truth, which leads to a theory of lie that allows to create a possible world, real from within. Caeiro proposes a return to the realm of the no-semiotics, the pre-logical, but uses the material he refuses: language, signs, poetry. Thus, he (...) stands on the edge of language and “embodies” the semiological project of recognize himself as a lie, a sign, a footprint without trace. By contradiction and paradox as tools of language, Fernando Pessoa, through his main heteronymous, combines philosophy and poetry, renounces the question for Truth –putting an end to the philosophical question– and deviates the unsolvable metaphysical opposition. (shrink)

Angelica Nuzzo - Kant and Herder on Baumgarten's Aesthetica - Journal of the History of Philosophy 44:4 Journal of the History of Philosophy 44.4 577-597 Muse Search Journals This Journal Contents Kant and Herder on Baumgarten's Aesthetica Angelica Nuzzo While philosophers since antiquity have offered reflections and theories on subjects such as the beautiful, the sublime, art, and its appreciation, "aesthetics" as a discipline in its own right dates back only to the second half of the eighteenth-century. We owe to (...) Alexander Gottlieb Baumgarten the introduction of 'aesthetics' into philosophical discourse. At the moment of its inception, however, this discipline had little to do with art and was not primarily concerned with the beautiful. It was instead a theory of the cognitive value of human sensibility—a doctrine of "sensible cognition." A general historical and systematic question presents itself at this point: How shall human sensibility be conceived in order for aesthetics as a theory of sensibility to gain an independence of its own in philosophical discourse? And accordingly: How shall the human being be conceived in order for our aesthetic experience to claim a philosophical value of its own? In this essay, I elaborate the results of the hypothesis that I submit in response to these questions. My claim is that the mind/body dualism dominating the rationalist tradition of modern philosophy is the principal obstacle.. (shrink)

Some cognitive states — e.g. states of thinking, calculating, navigating — may be partially external because, at least sometimes, these states depend on the use of symbols and artifacts that are outside the body. Maps, signs, writing implements may sometimes be as inextricably bound up with the workings of cognition as neural structures or internally realized symbols (if there are any). According to what Clark and Chalmers [1998] call active externalism, the environment can drive and so partially constitute cognitive processes. (...) Where does the mind stop and the rest of the world begin? If active externalism is right, then the boundary cannot be drawn at the skull. The mind reaches – or at least can reach --- beyond the limits of the body out into the world. (shrink)

Este trabajo de investigación toma varias encuestas aplicadas a nivel internacional y nacional, para identificar la cultura política de los ciudadanos sobre los grandes temas de la agenda nacional y su percepción sobre la democracia. Advierte sobre los problemas que tiene México en torno a las instituciones que garantizan la democracia y advierte sobre cuáles son los rasgos de desmocratización que pueden mostrar las encuestas de opinión como la ENCUCI, aplicada en 2020. Al final, describe las sugerencias con base en (...) la revisión teórica y documental del caso mexicano. (shrink)

Ají jalapeño (Capsicum annuum L.) encurtido fue secado en aire caliente a 70°C, 50°C, y 35°C, y en cámara de refrigeración no frost (10°C); hallándose las curvas de cinética de secado, el tiempo de secado (19 h a 744 h), alta correlación entre tasa de humedad y tiempo de secado y entre temperatura y tiempo de secado; la difusividad efectiva (6.59E-11 m2.s-1 a 1.2176E-9 m2.s-1), la energía de activación (39.90 kJ/mol), los sólidos solubles, el pH, y la retención de vitamina (...) C de 133% a 10°C pero perdiéndose al menos el 50% de vitamina C al secar con aire caliente. (shrink)

This paper fills a gap in the existing metaphilosophical research on paradoxes byfocusing on the role of scenarios. Typical philosophical paradoxes contain a scenariodescription whose contribution to paradoxes remains unexplored. I argue that sce-narios are examples or instantiations of the abstract schema of paradoxes. As such,scenarios contribute to paradoxes on two levels. First, they make the argument moreconcrete, thus enhancing the dialectical force of paradoxes and facilitating their under-standing, especially for non-experts. This function is external to the paradox itself, buthas (...) important practical implications for the use of paradoxes and their effect on philo-sophical debates, and it contributes to explaining why philosophical paradoxes areusually introduced by a scenario. Second, and more crucially, scenarios are essentialto the epistemic dimension of paradoxes. By definition, paradoxes have two neces-sary components: the argumentative structure and the plausibility/implausibility ofthe premises/conclusion. By providing examples of the abstract schema, scenarioscontribute to making the premises plausible. In particular, scenarios are the source ofplausibility and justification for those premises that contain an empirically groundedassertion of existence. Examples of such paradoxes are the Sorites paradox, the Lot-tery paradox, and the Grue paradox. Contrary to the dialectical role, the epistemicfunction of scenarios is indispensable, as it connects paradoxes to the real world andunderscores their significance in specific debates. (shrink)

Almost more than any other sport, baseball has long attracted the interest of writers and intellectuals. Relatively few of them have been philosophers however. Alva Noe, a celebrated philosopher, here proposes to collect and rework his short articles and blog posts (many of which first appeared on npr.org) on baseball into a cohesive and accessible book that tries to tease out its deeper meanings - and to advance a view of what baseball ultimately is all about. A basic theme (...) will run through the book, which is that fundamentally baseball is concerned with questions of responsibility and liability - i.e. who gets credit or blame for a play. It is starting from this fundamental insight that Noe then ranges over diverse topics like the slowness of baseball and the virtues of boredom, why fans write down box scores, the meaning of the no-hitter, television replays, the aesthetics of ballparks, how we learn to 'see' baseball like we learn to look at art, the ethics of performance enhancing drugs, the nature of fandom, and reflections on rules and umpires. Noe's writing voice is informal and personal, and always puts the details of the sport before the ideas. Ultimately, his essays are part of a larger view of baseball as fundamentally a game about values - and not simply, as some would have it, a numbers game. (shrink)

The topic of this paper is phenomenology. How should we think of phenomenology – the discipline or activity of investigating experience itself – if phenomenology is to be a genuine source of knowledge? This is related to the question whether phenomenology can make a contribution to the empirical study of human or animal experience. My own view is that it can. But only if we make a fresh start in understanding what phenomenology is and can be.

Since its inception, existential psychotherapy has been the principal ‘site,’ whereat philosophy, psychiatry, and psychology join hands. The Swiss psychiatrist, Ludwig Binswanger, is among the first psychiatrists to develop a philosophically grounded vision of psychiatry and psychology. Binswanger is indebted to Heidegger, Husserl, and Buber and becomes the pioneer and founding father of Daseinsanalysis, an existential–phenomenological anthropology for the study of psychoses. Later, in the hands of Medard Boss and under the guidance of Martin Heidegger, Daseinsanalysis evolves as the first (...) and, so far, only psychotherapeutic approach crafted in direct collaboration between a philosopher and a mental health.. (shrink)

Una de las formas en que la Filosofía se convierte en pensamiento crítico comprometido con su tiempo es cuando atiende a las cuestiones relacionadas con los movimientos sociales. Las diversas crisis en que nos encontramos actualmente requieren un quehacer filosófico que, sin abandonar el ámbito de la erudición académica, se acerque a los problemas sociales, aportando soluciones éticas y políticas. Las distintas formas de la Ética Ambiental se sitúan a este nivel. No obstante, sus propuestas serán sesgadas si no atienden (...) a las cuestiones de género asociadas a la problemática ambiental. La reflexión filosófica ecofeminista explora estas ausencias y realiza valiosas aportaciones a estas teorías y propuestas políticas. (shrink)

This study analyses the attitudes of university students towards unethical behaviour in the individual and organisational environments, and relates these attitudes to tolerance of corruption in their future professional lives. The results show a positive relationship between attitudes towards unethical behaviour in both environments, as well as tolerance towards acts of corruption, based on a virtual perception survey. Despite the general rejection attitude by students of such behaviour and acts, the rejection diminishes as their degree programme progresses. This study contributes (...) to our understanding of the tolerance of university students towards corruption, and to revealing how this attitude could explain tolerance towards this phenomenon in their future professional lives. (shrink)

ABSTRACT Dance and music serve in this essay to exemplify both the looping entanglement of art and life as well as the account of art and philosophy developed in Strange Tools. This essay replies to criticisms of Carrie Noland, Nancy S. Struever, and Thomas Rickert and also offers a briefer restatement of the general approach.

There is a traditional scepticism about whether the world "out there" really is as we perceive it. A new breed of hyper-sceptics now challenges whether we even have the perceptual experience we think we have. According to these writers, perceptual consciousness is a kind of false consciousness. This view grows out of the discovery of such phenomena as change blindness and inattentional blindness, which show that we can all be quite blind to changes taking place before our very eyes. Such (...) radical scepticism has acute and widespread implications for the study of perception and consciousness. The writings collected in this volume explore these implications. The contributors are scientists and philosophers at the forefront of this research, and include well-known authors such as psychologists Susan Blackmore and Arien Mack, and philosophers Andy Clark and Daniel Dennett. They have an gift for bringing these paradoxical issues to life and sharing their excitement with the non-specialist. (shrink)

In the past decade, the notion of a neural correlate of consciousness (or NCC) has become a focal point for scientific research on consciousness (Metzinger, 2000a). A growing number of investigators believe that the first step toward a science of consciousness is to discover the neural correlates of consciousness. Indeed, Francis Crick has gone so far as to proclaim that ‘we … need to discover the neural correlates of consciousness.… For this task the primate visual system seems especially attractive.… No (...) longer need one spend time attempting … to endure the tedium of philosophers perpetually disagreeing with each other. Con- sciousness is now largely a scientific problem’ (Crick, 1996, p. 486).2 Yet the question of what it means to be a neural correlate of consciousness is actually far from straightforward, for it involves fundamental empirical, methodological, and _philosophical _issues about the nature of consciousness and its relationship to the brain. Even if one assumes, as we do, that states of consciousness causally depend on states of the brain, one can nevertheless wonder in what sense there is, or could be, such a thing as a neural correlate of consciousness. (shrink)

La filosofía tradicional ha postulado concepciones sobre la relación razón- lenguaje en aras de garantizar las condiciones de posibilidad ontológicas del segundo, a partir de los ordenamientos de la primera. La razón se ha postulado como la facultad que da origen al lenguaje; lineamientos sobre los cuales se han construido diferentes postulados epistemológicos. En una vía opuesta se instaura la filosofía de John Searle, quien inicia una bifurcación en contra de la tradición al considerar la razón como una cualidad de (...) la intencionalidad humana; teoría, en la cual, el lenguaje es el elemento que hace posible el desarrollo de la razón: sin lenguaje no existe la racionalidad. El presente artículo pretende mostrar cómo la filosofía analítica del John Searle plantea un giro en la concepción de la racionalidad, en pos de comprenderla, ya no como una facultad propia del entendimiento humano, sino como un proceso mental generado a partir del uso del lenguaje. (shrink)

El presente artículo propone un estudio comparativo de la idea de fuga presente en la época del Barroco, como una herramienta crítica capaz de afrontar la crisis temporal contemporánea provocada por una hegemonía aceleracionista. El objetivo es demostrar que, simbólicamente, la fuga permite analizar comparativamente el tiempo en la contemporaneidad y en el Barroco, pues en ambos casos esta noción infiere cambio y transitoriedad. Sin embargo, mientras en el primero la fuga se vincula con un tiempo prospectivo enmarcado en la (...) aceleración y el hiper-consumo; en el Barroco la fuga potencia el momento, posibilitando la inflexión y la coyuntura. Bajo esta consideración, se estudia a la fuga como una alegoría temporal de la producción intelectual y cultural del Barroco que, a partir de las nociones y los usos del movimiento, el contrapunto, la retórica y el pliegue; lega una significación polisémica capaz de extender la constricción de la fugacidad temporal en la actualidad. (shrink)

After outlining some of the reasons for the delayed and uninspiring Hispanophone translations of Milton's works, this essay examines the ways in which El Paraíso Perdido, Juan de Escoiquiz's translation of 1812?the first and still most readily-available Spanish verse translation of Paradise Lost (1667)?Catholicizes Milton's Protestant epic. A comparative close reading of key anti-Catholic passages in Milton's original and Escoiquiz's translation demonstrates the translator's avowed practice of excising anything ?ridiculous or indecent to the rites and practices of the Catholic Church.? (...) Silent additions, though, are the primary means by which Milton's Anglo-Protestant epic is converted into a Hispano-Catholic translation. A brief discussion of Areopagitica, in terms of its content and its popularity in Spanish translation, ties together the issues of translation, censorship, and reading reception circulating with El Paraíso Perdido. (shrink)

Rousseau's Hand explores Rousseau's involvement in and promotion of craft in the context of the technological developments of the Enlightenment and his own European celebrity as a writer.

Autobiographical–episodic memory is the conjunction of subjective time, autonoetic consciousness and the experiencing self. Understanding the neural correlates of autobiographical–episodic memory might therefore be essential for shedding light on the neurobiology underlying the experience of being an autonoetic self. In this contribution we illustrate the intimate relationship between autobiographical–episodic memory and self by reviewing the clinical and neuropsychological features and brain functional imaging correlates of psychogenic amnesia – a condition that is usually characterized by severely impaired retrograde memory functioning, in (...) absence of structural brain damage as detected by standard imaging. We demonstrate that in this disorder the autobiographical–episodic memory deficits do not exist in isolation, but occur with impairments of the autonoetic self-consciousness, emotional processing, and theory of mind or executive functions. Furthermore functional and metabolic brain alterations involving regions that are agreed upon to exert crucial roles in memory processes were frequently found to accompany the psychogenic memory “loss”. (shrink)

Quilty-Dunn et al. claim that all complex infant and animal reasoning implicate language-of-thought hypothesis (LOTH)-like structures. We agree with the authors that the mental life of animals can be explained in representationalist terms, but we disagree with their idea that the complexity of mental representations is best explained by appealing to abstract concepts, and instead, we explain that it doesn't need to.

Many philosophers take mental causation to be required for free will. But it has also been argued that the most popular view of the nature of mental states, i.e. non-reductive physicalism, excludes the existence of mental causation, due to what is known as the ‘exclusion argument’. In this paper, I discuss the difference-making account of mental causation proposed by [List, C., and Menzies, P. 2017. “My Brain Made Me Do It: The Exclusion Argument Against Free Will, and What’s Wrong with (...) It.” In H. Beebee, C. Hitchcock, & H. Price (eds.), Making a Difference: Essays on the Philosophy of Causation. Oxford Scholarship Online: Oxford University Press], who argue that their account not only solves the problem of causal exclusion but also saves free will. More precisely, they argue that it rebuts what they call ‘the Neurosceptical Argument’, the argument that if actions are caused by neural states and processes unavailable to us, there is no free will. I argue that their argument fails for two independent reasons. The first reason is that they fail to show that difference-makers are independent causes. The second reason is that physical realizers of mental states can be individuated in a way that makes both mental states and their realizers difference-makers. (shrink)

In this paper I explore a brand of scepticism about perceptual experience that takes its start from recent work in psychology and philosophy of mind on change blindness and related phenomena. I argue that the new scepticism rests on a problematic phenomenology of perceptual experience. I then consider a strengthened version of the sceptical challenge that seems to be immune to this criticism. This strengthened sceptical challenge formulates what I call the problem of perceptual presence. I show how this problem (...) can be addressed by drawing on an enactive or sensorimotor approach to perceptual consciousness. Our experience of environmental detail consists in our access to that detail thanks to our possession of practical knowledge of the way in which what we do and sensory stimulation depend on each other. (shrink)

Correspondence: Alva Noë, Department of Philosophy, University of California, Berkeley CA 94720-2390, USA. _Email: [email protected]_ Evan Thompson, Philosophy Department, York University, 4700 Keele Street, North York, Ontario, M3J 1P3, Canada. _Email: [email protected]_.

Some cognitive states — e.g. states of thinking, calculating, navigating — may be partially external because, at least sometimes, these states depend on the use of symbols and artifacts that are outside the body. Maps, signs, writing implements may sometimes be as inextricably bound up with the workings of cognition as neural structures or internally realized symbols (if there are any). According to what Clark and Chalmers [1998] call active externalism, the environment can drive and so partially constitute cognitive processes. (...) Where does the mind stop and the rest of the world begin? If active externalism is right, then the boundary cannot be drawn at the skull. The mind reaches – or at least can reach --- beyond the limits of the body out into the world. (shrink)

An unprecedented reading of Hegel’s Logic that sets this difficult work in a dialogue with literary texts. In this book, Angelica Nuzzo proposes a reading of Hegel’s Logic as “logic of transformation” and “logic of action,” and supports this thesis by looking to works of literature and history as exemplary of Hegel’s argument and method. By examining Melville’s Billy Budd, Molière’s Tartuffe, Beckett’s Endgame, Elizabeth Bishop’s and Giacomo Leopardi’s late poetry along with Thucydides’ History in this way, Nuzzo finds an (...) unprecedented and productive way to render Hegel’s Logic alive and engaging. She argues that Melville’s Billy Budd is the most successful embodiment of the abstract movement of thinking presented in Hegel’s Logic, connecting Billy Budd’s stutter to the puzzlingly inarticulate beginning of Hegel’s Logic, “Being, pure Being,” identical with “Nothing,” and argues that the Logic serves as an especially appropriate tool for understanding the sudden violent action that strikes Claggart dead. Through these and other readings, Nuzzo finds a fresh way to address interpretive issues that have remained unresolved for almost two centuries in Hegel scholarship, and also presents well-known works of literature in an entirely new light. This account of Hegel’s Logic is framed by the need for an interpretive tool able to orient our understanding of the contemporary world as mired in an unprecedented global crisis. How can the story of our historical present—the tragedy or the comedy we all play parts in—be told? What is the inner logic of our changing world? “Angelica Nuzzo presents an original interpretation of Hegel’s Logic by representing it as a logic of action. This novel approach is supported by insightful readings of the literary texts she covers in the book.” — Andrew Cutrofello, author of All for Nothing: Hamlet’s Negativity. (shrink)

1. There is a sense in which, quite generally, with his logic Hegel can be considered the forerunner of many projects taken up by successive (non-classical) logics—and this despite the fact that He...

I offer an argument for what mental action may be like in nonhuman animals. Action planning is a type of mental action that involves a type of intention. Some intentions are the causal mental antecedents of proximal mental actions, and some intentions are the causal mental antecedents of distal mental actions. The distinction between these two types of “plan-states” is often spelled out in terms of mental content. The prominent view is that while proximal mental actions are caused by mental (...) states with nonconceptual content, distal mental actions are caused by mental states with conceptual content. I argue that, when we are investigating animal cognition, we need a nonconceptual account for the content of intentions involved in mental actions such as action planning: non-immediate intentions. This in order to defend the claim that creatures that lack conceptual capacities are capable of entertaining plan-states, and thus of exercising mental agency in the form of action planning. (shrink)