Results for 'Ugo Nespolo'

517 found
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  1.  6
    Et in academia ego.Ugo Nespolo - 2019 - Rivista di Estetica 72:159-166.
    Sono certo sarebbe stato più prudente iniziare e concludere questa mia lectio prestando fede – e mettendo in pratica – quanto scrive Ludwig Wittgenstein nel 1932 in Pensieri diversi, quando dice: «In arte è difficile dire qualcosa che sia altrettanto buono del non dire niente». Ma tant’è: nelle cose del mondo, quando non si può negare una certa vanità, ci si inerpica spesso per sentieri difficili e impervi. M’incammino quindi, con qualche titubanza, nel tentativo di indicare il mio modo di (...)
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  2.  4
    Per non morire d'arte.Ugo Nespolo - 2021 - Torino: Giulio Einaudi editore.
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  3. Ugo Nespolo: a proposito di rappresentazioni.Elisa Caldarola - 2015 - Rivista di Estetica 58.
    An analysis of three pictorial works by Ugo Nespolo is put forward: "Barbe posticce" (1977); "Guardar Manzoni" (1974); "Il museo: Fontana" (1975). It is claimed that such works embody meditations on the concept and the varieties of representation, that they prompt critical reflections on the role of museums in art-making, and that they suggest an alternative route to that of the 'dematerialization' of the art object for the understanding of contemporary art.
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  4.  12
    Ugo Nespolo.Lea Vergine - 2015 - Rivista di Estetica:21-22.
    Nespolo’s artworks of the late 60s are conceivable as heritage of Dada. Objects and materials are combined in accordance with a specific logical direction also based on philosophical and literary suggestions. The simple materials are present also as a declaration of a Dadaist negation.
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  5.  8
    Ugo Nespolo, un richiamo mnemonico.Antonio Del Guercio - 2015 - Rivista di Estetica:7-9.
    Written on the occasion of Ugo Nespolo’s first exhibition, this paper is about his activity as a painter and, at the same time, as a young intellectual who was critical toward the contemporary age. Nespolos artistic works are characterised by a “projecting attitude”: to project a shape or a visual combination on canvas means for Nespolo to affirm his critical reasons. Therefore, through his artworks the viewer has the emerging of the possibility to engage a mind journey.
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  6.  7
    Ugo Nespolo e la Critica della Ragion Pratica.Pierre Restany - 2015 - Rivista di Estetica:11-13.
    Deliberately with the elaboration of his late 60s’ artworks Nespolo adopts a fragmentary approach toward reality. Through his objects and materials he offers to the viewer a possible ideal reconstruction of his combined elements and object-machines. Through these ones he creates a sort of mental laboratory that suggests to the viewer the possibility to be transported by the shapes of his artworks and to participate to his logical, but also ludic and ironic, artistic proposal.
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  7.  10
    Un glossario per Ugo Nespolo.Francesco Poli - 2015 - Rivista di Estetica:61-71.
    What follows is a kind of short “glossary” that aims to address the main issues that the viewer can find standing in front of the complex and varied creative production of Ugo Nespolo. The sequence of these items, or reading notes, despite being fairly free and non-systematic (and only partly chronological) in all respects the internal logic of the Nespolo’s research. A search that has developed and articulated over time in many directions but that has always maintained its (...)
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  8.  9
    L’“ars combinatoria” di Ugo Nespolo.Renato Barilli - 2015 - Rivista di Estetica:23-25.
    The combination of single material elements characterises Nespolo’s artworks since the 60s. The primacy of art factuality - to do art manually - emerges both in his geometrically structured works and in his machines and wooden uniconic structures. These are all combined and based on the strategy of puzzle and on a reflection about the mental attitude to do art. For these reasons, it is possible to consider Nespolo as a forerunner of Conceptual Art.
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  9.  16
    La tradizione del nuovo nel cinema di Ugo Nespolo.Paolo Bertetto - 2015 - Rivista di Estetica:37-46.
    On the background of Nespolo’s cinema there are on the one hand the new rules and the new structures assigned by art to itself during the Twentieth Century. On the other hand the “logic of dada”, based on the immediacy of the creation through a gesture of everyday objects presentation. Therefore, by exploring the experimental use of camera and of its technical possibilities, what Nespolo does is avant-gardist cinema in two senses: as an elaboration of visual image that (...)
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  10.  2
    Nespolo tra Warhol e Rilke.Maurizio Ferraris - 2015 - Rivista di Estetica:111-114.
    In the field of social objects, in the hierarchy of values (and often of prices) a special place is occupied by those inscriptions that should move us or amuse us, frighten us or make us think, or even just make us look good into society: that is, the works of art. The artwork begins to exist only when we have an expression and an inscription. This teaches us — and Ugo Nespolo knows it better than anyone else — how (...)
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  11.  4
    Nespolo/Fluxus - Fluxus/Nespolo.Vincenzo Santarcangelo - 2015 - Rivista di Estetica:123-129.
    In this paper I try to shed light on the relationship between Ugo Nespolo and the Fluxus group, which the artist contributed to import to Italy in the late Sixties. I then argue that, thanks to the fact that Nespolo’s artworks (especially in the avant-garde period) are documents, it is possible to look in a new and different way at an (anti)artistic movement that sought, in vain, to undermine the idea of objectivity and authorship of the work of (...)
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  12.  7
    Introduzione.Davide Dal Sasso - 2015 - Rivista di Estetica:3-4.
    Ugo Nespolo (1941) ha attraversato gli ultimi cinquant’anni sperimentando in quasi tutti i campi dell’arte ed esprimendo con ironia e atteggiamento ludico la propria poetica di confine, tra avanguardia e pop. Alla sua ricerca artistica - che spazia dalle installazioni oggettuali ai dipinti, dalle performance alle sculture, dalla produzione cinematografica a quella grafica e illustrativa - è dedicato questo numero speciale “Rivista di estetica” che offre riflessioni di carattere critico/letter...
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  13.  10
    Il pop è amare le cose.Andrea Mecacci - 2015 - Rivista di Estetica:115-121.
    Starting from three works by Ugo Nespolo dedicated to pop and maintaining Warhol as a reference figure, this essay seeks to outline some crucial points of pop aesthetics: the idea of an artificial and constructible aesthetic and the consequent marginalization of nature; the construction of the pop beauty as phenomenology of iconic expendability; the network of media images as the final result of the dialectic between art and industry.
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  14.  4
    Nespoleide.Edoardo Sanguineti - 2015 - Rivista di Estetica:33-35.
    This poem is evidence of a fifty-year long artistic partnership whose origins are to be found in the texts that the great Genoese poet devoted to the first Ugo Nespolo’s exhibition (1966).
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  15.  12
    Antidogma.Enrico Terrone - 2015 - Rivista di Estetica:131-139.
    The philosophy of film usually presupposes two main assumptions or dogmas. First, films are autonomous audiovisual structures that can be instantiated by particular screenings. Second, the cinematic experience is a surrogate of the audiovisual perception. Experimental cinema can defy these assumptions by making films that either lack an autonomous structure or do not provide spectators with an audiovisual experience that emulates ordinary perception. The paper analyzes Ugo Nespolo’s experimental films precisely as peculiar attempts to defy the two dogmas of (...)
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  16.  5
    Tra Lichtenstein e Warhol.Tiziana Andina - 2015 - Rivista di Estetica:75-80.
    Pop Art is one of the most prominent artistic movement of the Nineteenth century whose legacy is very influent also in this century. After a brief historical reconstruction of the origins of Pop Art in Great Britain and in the United State, the paper will offer a comparison between the Warholian way of interpreting Pop Art — a realistic way — the Lichtensteinian way, which is fantastic, and the personal interpretation offered by Ugo Nespolo whose Pop is fabulist and (...)
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  17.  28
    Atomism in Philosophy: A History from Antiquity to the Present.Ugo Zilioli (ed.) - 2020 - New York: Bloomsbury Academic.
    The nature of matter and the idea of indivisible parts has fascinated philosophers, historians, scientists and physicists from antiquity to the present day. This collection covers the richness of its history, starting with how the Ancient Greeks came to assume the existence of atoms and concluding with contemporary metaphysical debates about structure, time and reality. Focusing on important moments in the history of human thought when the debate about atomism was particularly flourishing and transformative for the scientific and philosophical spirit (...)
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  18. Protagoras Through Plato and Aristotle: A Case for the Philosophical Significance of Ancient Relativism.Ugo Zilioli - 2013 - In Jan Van Ophuijsen, Marlein Van Raalte & Peter Stork (eds.), Protagoras of Abdera: the Man, his measure. Boston: Brill.
    In this contribution, I explore the treatment that Plato devotes to Protagoras’ relativism in the first section of the Theaetetus (151 E 1–186 E 12) where, among other things, the definition that knowledge is perception is put under scrutiny. What I aim to do is to understand the subtlety of Plato’s argument about Protagorean relativism and, at the same time, to assess its philosophical significance by revealing the inextric¬ability of ontological and epistemological aspects on which it is built (for this (...)
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  19.  6
    Ugo Spirito: Ho Trovato Dio.Ugo Spirito & Antonio Russo (eds.) - 1989 - Fondazione Ugo Spirito.
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  20.  39
    The Laws of Robots: Crimes, Contracts, and Torts.Ugo Pagallo - 2013 - Dordrecht: Imprint: Springer.
    This book explores how the design, construction, and use of robotics technology may affect today's legal systems and, more particularly, matters of responsibility and agency in criminal law, contractual obligations, and torts. By distinguishing between the behaviour of robots as tools of human interaction, and robots as proper agents in the legal arena, jurists will have to address a new generation of "hard cases." General disagreement may concern immunity in criminal law (e.g., the employment of robot soldiers in battle), personal (...)
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  21.  40
    The Cyrenaics.Ugo Zilioli - 2012 - Bristol, CT: Acumen Publishing.
    The Cyrenaic school of philosophy (named after its founder Aristippus’ native city of Cyrene in North Africa) flourished in the fifth and fourth centuries BCE. Ugo Zilioli’s book provides the first book-length introduction to the school in English. The book begins by introducing the main figures of the Cyrenaic school beginning with Aristippus and by setting them into their historical context. Once the reader is familiar with those figures and with the genealogy of the school, the book offers an overview (...)
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  22.  27
    The limits of science.Ugo Spirito & Peter Heath - 1952 - Philosophical Quarterly 2 (8):208-217.
  23.  78
    Protagoras and the Challenge of Relativism: Plato's Subtlest Enemy.Ugo Zilioli - 2007 - Ashgate.
    Protagoras was an important Greek thinker of the fifth century BC, the most famous of the so called Sophists, though most of what we know of him and his thought comes to us mainly through the dialogues of his strenuous opponent Plato. In this book, Ugo Zilioli offers a sustained and philosophically sophisticated examination of what is, in philosophical terms, the most interesting feature of Protagoras' thought for modern readers: his role as the first Western thinker to argue for relativism. (...)
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  24.  3
    Heuristically guided search and chromosome matching.Ugo Montanari - 1970 - Artificial Intelligence 1 (3-4):227-245.
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  25.  57
    ISPs & Rowdy Web Sites Before the Law: Should We Change Today’s Safe Harbour Clauses?Ugo Pagallo - 2011 - Philosophy and Technology 24 (4):419-436.
    The paper examines today’s debate on the new responsibilities of Internet service providers in connection with legal problems concerning jurisdiction, data processing, people’s privacy and education. The focus is foremost on the default rules and safe harbour clauses for ISPs liability, set up by the US and European legal systems. This framework is deepened in light of the different functions of the services provided on the Internet so as to highlight multiple levels of control over information and, correspondingly, different types (...)
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  26.  5
    The transcendence of the face.Ugo Volli - 2021 - Sign Systems Studies 49 (3-4):279-297.
    This paper starts with an examination of the terms use d to designate the face in different languages, in particular in Italian, comparing these with the definitions provided by some authoritative dictionaries as well as with their etymology. This exploration yields some remarkable results: firstly, it appears that the face is indeed a term that has a material meaning, but at the same time it is a social object; secondly, the importance of the communicative function emerges, which makes the face (...)
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  27.  30
    Algo-Rhythms and the Beat of the Legal Drum.Ugo Pagallo - 2018 - Philosophy and Technology 31 (4):507-524.
    The paper focuses on concerns and legal challenges brought on by the use of algorithms. A particular class of algorithms that augment or replace analysis and decision-making by humans, i.e. data analytics and machine learning, is under scrutiny. Taking into account Balkin’s work on “the laws of an algorithmic society”, attention is drawn to obligations of transparency, matters of due process, and accountability. This US-centric analysis on drawbacks and loopholes of current legal systems is complemented with the analysis of norms (...)
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  28.  15
    False Conscience: Sustainability and Smart Evolution—Between Law and Power.Ugo Mattei - forthcoming - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique:1-11.
    The contribution describes the legal phenomenon as a playing field characterized by a progressive regression of the law, understood as a sovereign will from top to bottom, both in the vision of formalist legal positivisms in continental Europe and in realist terms, in the United States. Soft law represents the main strategy to subordinate the law to the interests of the economy, elasticizing environmental law, making it favorable to the market, reducing ecology to the simplistic metric of CO2 emissions. The (...)
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  29. Multiplying Resistance: the power of the urban in the age of national revanchism.Asma Mehan & Ugo Rossi - 2019 - In Jeff Malpas & Keith Jacobs (eds.), Towards a Philosophy of the City: Interdisciplinary and Transcultural Perspectives. London: Rowman & Littlefield International. pp. 233-244.
    In this chapter, we evaluate the politically generative dynamic of urban space. Notably, we put forward the notion of the ‘multiplier effect’ of the urban, referring to its ingrained tendency to multiply resistance to oppression and violence being exerted against subaltern groups and minorities and, in doing so, to turn this multiplied resistance into an active force of social change. We, therefore, look at the twofold valence of ‘resistance’: negative and affirmative. Resistance initially takes form as a defensive response to (...)
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  30.  27
    Three Roads to P2P Systems and Their Impact on Business Practices and Ethics.Ugo Pagallo & Massimo Durante - 2009 - Journal of Business Ethics 90 (S4):551 - 564.
    This article examines some of the most relevant issues concerning P2P systems so as to take sides in today's strongly polarized debate. The idea is to integrate a context-based perspective with an ontological representation of informational norms; thanks to a procedural outlook which is presented in terms of burden of proof More particularly, we examine three ''roads." First, the topological approach to complex social networks allows us to comprehend the laws according to which information is distributed through P2P systems and (...)
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  31. Robotrust and Legal Responsibility.Ugo Pagallo - 2010 - Knowledge, Technology & Policy 23 (3):367-379.
    The paper examines some aspects of today’s debate on trust and e-trust and, more specifically, issues of legal responsibility for the production and use of robots. Their impact on human-to-human interaction has produced new problems both in the fields of contractual and extra-contractual liability in that robots negotiate, enter into contracts, establish rights and obligations between humans, while reshaping matters of responsibility and risk in trust relations. Whether or not robotrust concerns human-to-robot or even robot-to-robot relations, there is a new (...)
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  32.  49
    Corporate Governance and Sustainability Performance: Analysis of Triple Bottom Line Performance.Nazim Hussain, Ugo Rigoni & René P. Orij - 2018 - Journal of Business Ethics 149 (2):411-432.
    The study empirically investigates the relationship between corporate governance and the triple bottom line sustainability performance through the lens of agency theory and stakeholder theory. We claim, in fact, that no single theory fully accounts for all the hypothesised relationships. We measure sustainability performance through manual content analysis on sustainability reports of the US-based companies. The study extends the existing literature by investigating the impact of selected corporate governance mechanisms on each dimension of sustainability performance, as defined by the GRI (...)
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  33.  84
    When Morals Ain’t Enough: Robots, Ethics, and the Rules of the Law.Ugo Pagallo - 2017 - Minds and Machines 27 (4):625-638.
    No single moral theory can instruct us as to whether and to what extent we are confronted with legal loopholes, e.g. whether or not new legal rules should be added to the system in the criminal law field. This question on the primary rules of the law appears crucial for today’s debate on roboethics and still, goes beyond the expertise of robo-ethicists. On the other hand, attention should be drawn to the secondary rules of the law: The unpredictability of robotic (...)
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  34. An introduction to the philosophy of Giuseppe Capograssi.Ugo Pagallo - 1994 - Rivista Internazionale di Filosofia Del Diritto 71 (3):452-461.
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  35.  19
    From the Socratics to the Socratic Schools: Classical Ethics, Metaphysics and Epistemology.Ugo Zilioli (ed.) - 2015 - New York: Routledge.
    In the two golden centuries that followed the death of Socrates, ancient philosophy underwent a tremendous transformation that culminated in the philosophical systematizations of Plato, Aristotle and the Hellenistic schools. Fundamental figures other than Plato were active after the death of Socrates; his immediate pupils, the Socratics, took over his legacy and developed it in a variety of ways. This rich philosophical territory has however been left largely underexplored in the scholarship. This collection of eleven previously unpublished essays by leading (...)
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  36. Robots of Just War: A Legal Perspective.Ugo Pagallo - 2011 - Philosophy and Technology 24 (3):307-323.
    In order to present a hopefully comprehensive framework of what is the stake of the growing use of robot soldiers, the paper focuses on: the different impact of robots on legal systems, e.g., contractual obligations and tort liability; how robots affect crucial notions as causality, predictability and human culpability in criminal law and, finally, specific hypotheses of robots employed in “just wars.” By using the traditional distinction between causes that make wars just and conduct admissible on the battlefield, the aim (...)
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  37.  20
    Who is the Author of Halakhah?Ugo Volli - 2013 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 26 (1):191-210.
    The Jewish Law (Halakahh) is probably the older legal system working in our time. It is established on a hierarchy of different texts. The oldest and more authoritative is the Torah (the five books of Moshe), then come the Mishnah, the Talmud, the compilation as Maimonide’s Mishne Torah and Caro’s Shulchan Arukh, then the responsa of the rabbis. While the authorship of the later texts is more or less clear, the one of the Torah is highly problematic, also in the (...)
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  38.  4
    La cultura del male: dall'idea di colpa all'etica del limite.Ugo Bonanate - 2003 - Torino: Bollati Boringhieri.
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  39.  7
    Diogene e la città: il cinismo antico e le sue riemergenze.Ugo Cornia - 2021 - Bologna: Bononia University Press.
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  40. Il dubbio dell'economista.Ugo Marchese - 1994 - Filosofia Oggi 17 (65):55-58.
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  41.  10
    Composing the Μικρομεγάλη Ἰλιάς: Macro- and microstructure of a Byzantine Homeric poem.Ugo Mondini - 2021 - Byzantinische Zeitschrift 114 (1):325-354.
    The Μικρομεγάλη Ἰλιάς, the first work written by John Tzetzes, consists of 1.676 hexameters and numerous scholia. It narrates the events of the Trojan war from the conception of Paris to the fall of the city. This paper analyses the poem and its structure. In his later Exegesis to the Iliad, Tzetzes states that the Μικρομεγάλη Ἰλιάς allows to “learn thoroughly, in every detail” the history of the war. Following this evidence, the macro- and the microstructure of the poem are (...)
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  42. Necessita del trascendentale.Ugo Perone - 2007 - Giornale di Metafisica 29 (1):35-52.
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  43.  8
    Mare nostrum and the Firm Ground of Phenomenology.Ugo Vlaisavljević - 2021 - Filozofska Istrazivanja 41 (2):357-372.
    In the “Vienna lecture”, the whole of the world’s history is at one moment depicted through the allegory of a wavy sea without borders. In The Idea of Phenomenology, the philosopherstoryteller is caught up in a heavy sea, but at the end, they finally manage to “drop the anchor on the shore of phenomenology”. With the break into the “mainland of absolute givenness” through phenomenological reduction, allegorical representation should lose its philosophical justification. However, metaphors which evoke allegories continue to proliferate (...)
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  44.  19
    The Origins Of Umberto Eco’s Semio-Philosophical Project.Ugo Volli - 2021 - Rivista di Estetica 76:81-95.
    Umberto Eco’s semiotics, unlike that of most of his colleagues, has always claimed to be a philosophical research. For Eco, general semiotics, that is, the research on the functioning of signs, was a fundamental part of philosophy, because the knowledge of objects and the formulation of the ideas that characterize them takes place by means of signs. This paper shows how Eco’s semiotic work derives from his philosophical training and how interest in the mass media and political commitment have not (...)
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  45. The Cyrenaics and Gorgias on Language. Sextus, Math. 7. 196-198.Ugo Zilioli - 2013 - Akademia Verlag.
    In this paper I offer a reconstruction of the account of meaning and language the Cyrenaics appear to have defended on the basis of a famous passage of Sextus, as well as showing the philosophical parentage of that account.
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  46.  8
    Constraint relaxation may be perfect.Ugo Montanari & Francesca Rossi - 1991 - Artificial Intelligence 48 (2):143-170.
  47.  12
    Taste and meaning.Ugo Volli - 2016 - Semiotica 2016 (211):231-246.
    Journal Name: Semiotica Issue: Ahead of print.
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  48. Psicologia e antipsicologia.Ugo Angelini - 1983 - Roma: Centro di ricerca.
     
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  49.  11
    Schopenhauer.Ugo Batini - 2020 - Paris: Les Éditions du Cerf.
  50.  22
    Social Behavior and Religious Consciousness among Shin Buddhist Practitioners.Ugo Dessi - 2010 - Japanese Journal of Religious Studies 37 (2):335-366.
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