In this article, I explore the witness of Mary Magdalene for its potential to contribute to discussions of survival and healing taking place in discourses of trauma. Through a reading of the Johannine text and an examination of Hans Urs von Balthasar’s depiction of Mary’s witness in Heart of the World, I claim that the obstructions of Mary’s witness are constitutive of what it means to witness between cross and resurrection. Through her ‘unseeing’, she testifies to (...) the unique configuration of divine love between death and life. Mary’s witness not only provides an entrance into thinking about the experience of ‘middleness’ in trauma, it opens up a rich pneumatology in the wake of the cross. (shrink)

Jean Vanier is the founder of two major international community-based organizations for people with intellectual disabilities: the L’Arche Communities and the “Faith & Light” movement. He is a great Catholic and a teacher of merciful love. His life is a message to the world that each person is an infinite value for who they are, not for what they can do, and that each person is unique and sacred, no matter of their health condition, disability or fragility. Each person (...) is created in God’s image and each one has an inner beauty, a capacity to love and to be loved, and possesses inherent qualities of belonging, bonding, friendship and spirituality. Persons with intellectual disabilities are a gift for the society. Thanks to the testimony of his life, Jean Vanier has developed the international network of L’Arche Communities all over the world. The communities are based on family-like residential communities, where people with and without intellectual disabilities share life together in the spirit of faith, dignity of every human being, understanding, love and joy. The L’Arche homes and communities are rooted in the ideas of “living with,” and not just “doing for” those with mental disabilities. Weakness carries a secret power within, it can open up the hearts to God’s grace. Our contemporary world strongly needs the weak, as they evangelize us, transform us and help us to be more human. They help us discover that the good news of Jesus is announced not to those who serve the poor, but to those who are themselves poor and need God’s merciful love and forgiveness. (shrink)

C.S. Lewis and Austin Farrer were friends and fellow academics for more than 20 years, sharing both their Anglican faith and similar concerns about their modern world. Lewis, as Christian apologist and popular novelist, and Farrer, as philosophical theologian and college priest, sought to defend a metaphysically thick universe in contrast to the increasingly secular culture all about them. The Shared Witness of C.S. Lewis and Austin Farrer explores a number of areas that demonstrate the ways in which Lewis (...) and Farrer both intersected and influenced each other's thought. Both insisted that myth prepared the heart for a sense of divine glory and even had a place in the Christian scriptures. Farrer and Lewis prized virtue ethics as a key to human character and ethical problem solving, and they explored the relationship of nature and grace. In regard to the problem of evil, the two men shared much but also disagreed how best to account for an all-powerful loving God and a world full of suffering, and both writers were engaged with apocalyptic thinking--not only in Farrer's commentaries and Lewis's fiction but also in essays and sermons that addressed the eternal end and purpose of humanity. Finally, as Philip Irving Mitchell shows, the worldview espoused and explored by Lewis and Farrer still speaks to our contemporary world, a post-secular society in which the super-natural may again be taken seriously. (shrink)

Live streaming platforms such as Twitch that facilitate participatory online communities have become an integral part of game culture. Users of these platforms are predominantly teenagers and young adults, who increasingly spend time socializing online rather than offline. This shift to online behavior can be a double-edged sword when coping with difficult periods in life such as relationship issues, the death of a loved one, or job loss. On the one hand, platforms such as Twitch offer pleasure, distraction, and relatedness (...) with others to help with coping, and the increased sense of anonymity and control could stimulate self-disclosure. However, the prevalence of trolling and memes may also discourage people from opening up, and relationships that are built online—especially those with microcelebrity streamers—could be perceived as more meaningful than they actually are. To create a deeper understanding of Twitch as a new media platform embedded in game culture, and how users perceive its potential as a coping mechanism, we have conducted a first exploration by means of a survey. The questions focused on general Twitch behavior, the difficult period in life, and the role of Twitch during this period. It was distributed online among people who considered themselves active Twitch users, and who had gone through a difficult period. Eighty-four participants completed the entire survey. The majority of participants indicated that Twitch helped them cope, and that it became a larger part of their lives during the difficult period compared to regular viewing. Recurring themes were the entertainment, distraction, and sense of community Twitch offers. Viewing behavior during difficult periods appears to remain largely the same in terms of the streamers that are watched, although time spent viewing increases, and there is a change toward more time spent actively watching rather than having the stream on in the background. With this work, we aim to create a deeper understanding of Twitch as a platform, and its importance for gamers that are going through difficult periods in life. (shrink)

Celebrated as a courtesan and poet, and as a woman of great intelligence and wit, Tullia d'Aragona entered the debate about the morality of love that engaged the best and most famous male intellects of sixteenth-century Italy. First published in Venice in 1547, but never before published in English, Dialogue on the Infinity of Love casts a woman rather than a man as the main disputant on the ethics of love. Sexually liberated and financially independent, Tullia d'Aragona (...) dared to argue that the only moral form of love between woman and man is one that recognizes both the sensual and the spiritual needs of humankind. Declaring sexual drives to be fundamentally irrepressible and blameless, she challenged the Platonic and religious orthodoxy of her time, which condemned all forms of sensual experience, denied the rationality of women, and relegated femininity to the realm of physicality and sin. Human beings, she argued, consist of body and soul, sense and intellect, and honorable love must be based on this real nature. By exposing the intrinsic misogyny of prevailing theories of love, Aragona vindicates all women, proposing a morality of love that restores them to intellectual and sexual parity with men. Through Aragona's sharp reasoning, her sense of irony and humor, and her renowned linguistic skill, a rare picture unfolds of an intelligent and thoughtful woman fighting sixteenth-century stereotypes of women and sexuality. (shrink)

Celebrated as a courtesan and poet, and as a woman of great intelligence and wit, Tullia d'Aragona entered the debate about the morality of love that engaged the best and most famous male intellects of sixteenth-century Italy. First published in Venice in 1547, but never before published in English, _Dialogue on the Infinity of Love_ casts a woman rather than a man as the main disputant on the ethics of love. Sexually liberated and financially independent, Tullia d'Aragona dared (...) to argue that the only moral form of love between woman and man is one that recognizes both the sensual and the spiritual needs of humankind. Declaring sexual drives to be fundamentally irrepressible and blameless, she challenged the Platonic and religious orthodoxy of her time, which condemned all forms of sensual experience, denied the rationality of women, and relegated femininity to the realm of physicality and sin. Human beings, she argued, consist of body and soul, sense and intellect, and honorable love must be based on this real nature. By exposing the intrinsic misogyny of prevailing theories of love, Aragona vindicates all women, proposing a morality of love that restores them to intellectual and sexual parity with men. Through Aragona's sharp reasoning, her sense of irony and humor, and her renowned linguistic skill, a rare picture unfolds of an intelligent and thoughtful woman fighting sixteenth-century stereotypes of women and sexuality. (shrink)

There is no topic that attracts more attention, more energy and time and devotion, than love. As long as there's been recorded history, love has taken center seat as the inspiration for countless paintings, instigator of wars, muse of untold poets and musicians. And just as poetry, art and music have the ability to communicate something about love that is difficult to articulate with words, the same is true of mathematics. Of course, mathematics can't easily help us (...) translate the emotional side of love, emotions rarely behave in a neatly ordered, rational and easily predictable way. It is difficult to quantify the rollercoaster of romance or to define how lovers might feel via a set of simple equations. But that doesn't mean that mathematics isn't crucial to understanding love. Love, like most things in life, is full of patterns. And mathematics is ultimately the study of patterns, from predicting the weather to the fluctuations of the stock market, the movement of planets or the growth of cities. These patterns twist and turn and warp and evolve just as the rituals of love do. In [this book, the author] takes the listener on a fascinating journey through the patterns that define our love lives, tackling some of the most common yet complex questions pertaining to love: What's the chance of us finding love? What's the chance that it will last? How does online dating work, exactly? When should you settle down? How can you avoid divorce? When is it right to compromise? Can game theory help us decide whether or not to call? From evaluating the best strategies for online dating to defining the nebulous concept of beauty, Dr. Fry proves, with great insight, wit and fun, that math is a surprisingly useful tool to negotiate the complicated, often baffling, sometimes infuriating, always interesting, patterns of love. (shrink)

Love and Death move through this world of ours like things apart-underrunning it truly, and everywhere present, yet seeming to belong to some other mode of existence. When Death comes, breaking into the circle of our friends, words fail us, our mental machinery ceases to operate, all our little stores of wit and wisdom, our maxims, our mottoes, accumulated from daily experience, evaporate and are of no avail. These things do not seem to touch or illuminate in any effective (...) way the strange vast Presence whose wings darken the world for us. And with Love, though in an opposite sense, it is the same. Words are of no use, all our philosophy fails-whether to account for the pain, or to fortify against the glamour, or to describe the glory of the experience.These figures, Love and Death, move through the world, like closest friends indeed, never far separate, and together dominating it in a kind of triumphant superiority; and yet like bitterest enemies, dogging each other's footsteps, undoing each other's work, fighting for the bodies and souls of mankind.Is it possible that at length and after ages we may attain to liberate ourselves from their overlordship-to dominate them and make them our ministers and attendants? Can we wrest them from their seeming tyranny over the human race, and from their hostility to each other? Can we persuade them to lay aside their disguise and appear to us for what they no doubt are-even the angels and messengers of a new order of existence? (shrink)

The essays in this volume commemorate the 70th anniversary of Jacques Maritain's Pour la Justice, in which the French Thomist and future drafter of the Universal Declaration of Human Rights grappled with the moral, political, and religious challenges facing Europe in the aftermath of World War II. During this time Maritain reflected on humanism, Christian philosophy, the relation between freedom, religion and politics, and increasingly, on education. Several scholars reflect on the historical impact of Maritain's own writings during World War (...) II, Vatican II, and the Spanish Civil war. In other sections, contemporary Thomists suggest ways a resurgent Thomism can engage with the pressing issues of our own day. Essays on Thomistic ethics address problems in bioethics, the philosophy of love, and the foundations of Natural Law, while others tackle perennial problems in metaphysics and epistemology, such as the problem of free will, subjectivity, and the role of creative intuition in aesthetics. Still other essays apply Maritain's work on education to current challenges facing religious universities today. The contributors to this volume include: Noel Adams, Florian Michel, Sr. Anne Frances Ai Le, Brian Kemple, Stephen Chamberlain, Walter Schulz, Francisco Eduardo Plaza, James Jacobs, John Dunaway, Greg Kerr, Megan Furman, Karen Chan, Justin Gable, Federico Tedesco, Michael Torre, Richard Schenk, OP, and Gregory Reichberg. (shrink)

Celebrated as a courtesan and poet, and as a woman of great intelligence and wit, Tullia d'Aragona (1510–56) entered the debate about the morality of love that engaged the best and most famous male intellects of sixteenth-century Italy. First published in Venice in 1547, but never before published in English, Dialogue on the Infinity of Love casts a woman rather than a man as the main disputant on the ethics of love. Sexually liberated and financially independent, Tullia (...) d'Aragona dared to argue that the only moral form of love between woman and man is one that recognizes both the sensual and the spiritual needs of humankind. Declaring sexual drives to be fundamentally irrepressible and blameless, she challenged the Platonic and religious orthodoxy of her time, which condemned all forms of sensual experience, denied the rationality of women, and relegated femininity to the realm of physicality and sin. Human beings, she argued, consist of body and soul, sense and intellect, and honorable love must be based on this real nature. By exposing the intrinsic misogyny of prevailing theories of love, Aragona vindicates all women, proposing a morality of love that restores them to intellectual and sexual parity with men. Through Aragona's sharp reasoning, her sense of irony and humor, and her renowned linguistic skill, a rare picture unfolds of an intelligent and thoughtful woman fighting sixteenth-century stereotypes of women and sexuality. (shrink)

Insofar as the Greek dramaturge Aeschylus taught that 'Suffering is our only teacher,' it is highly relevant for teachers, and teachers-in-formation, to learn to better understand the nature of suffering in teaching itself. This book contains witness and testimony from teachers in many different walks and situations, providing a rich, revealing invitation to all of us teachers, young and old, to engage our difficulties creatively, both for ourselves and for those we are called to stand together with, colleagues and (...) students alike. Highly recommended!" -David Geoffrey Smith, Professor Emeritus, University of Alberta, Canada "The teachers' interiority-the anxieties and joys that nourish (or deplete) their craft-is here, for the first time made the subject of sustained reflection. A groundbreaking collection!" -Heinz-Dieter Meyer, Professor of Education, State University of New York, USA This book shares insights drawn from the diverse voices of public school teachers, community outreach education workers, professors, writers, poets, artists, and musicians on suffering in school and the classroom. Teachers speak about their own encounters with and perceptions from suffering using critical-analytic textual works, as well as first-hand personally reflective accounts. By sharing their stories and reflections, the editors and contributors shed light upon the dark areas that often are not addressed in Teacher Training Programs, and that generally remain unaddressed and unacknowledged when well-established as professionals in the field of education. (shrink)

This essay explores Jacques Lacan’s theory of desire as functioning according to the logic of tragedy and compares it with Alenka Zupančič’s concept of love as comedy, demonstrating however that the latter remains too caught up in the Lacanian worldview to truly capture the active side of love. The essay argues that Zupančič’s interpretation of Lacan can be reinterpreted again through the lenses of “messianic psychoanalysis” – psychoanalysis “slightly adjusted” – standing not on the side of the tragic (...) acceptance of fate, but of the promise of “more life.” Drawing from the reflections of Agata Bielik-Robson, Eric Santner and Jonathan Lear, this essay intends to demonstrate that Zupančič’s comedy of love can be reconciled with the more relational notion of love as a psychoanalytical counterpart of messianic Exodus. An example of such a liberating combination of eros and wit can be found in Freud’s interpretation of Wilhelm Jensen’s Gradiva. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:“Like a Virgin”Levinas’s Anti-Platonic Understanding of Love and DesireBrigitta Keintzel (bio)Translated by Brigitta Keintzel, Benjamin McQuade, and Sophie UitzMy article is divided into three parts. First, I outline transformations in the understanding of love through philosophical tradition from Plato to Levinas, exploring Levinas’s anti-Platonic understanding of love via the relationship between knowledge and love. This relationship is asymmetrical: knowledge functions in the name of (...) class='Hi'>love, but love does not function in the name of knowledge. Love is not knowledge but instead entails knowledge. As love of wisdom, knowledge serves in the name of love. The open question here is: how can Platonic love of wisdom or Levinasian ethical desire have the ability to respond to social, political, and cultural challenges — a question I will come back to in the last section.In the second section, I discuss the relationship between love and desire. As opposed to desire, which is explicitly bound to the Desired, along with some ideal position vis-à-vis that person, love possesses a plethora of connotations that often render it vague. Love is bound not only to the self but to other persons — as well as to objects, facts, attitudes, situations, ideas, institutions, cultures, and even governments. Desire, on the other hand, is a stronger term than the timeworn and [End Page 21] much-abused word “love.” It entails a stronger orientation toward the Other with a temporal, prospective connotation: in the horizon of desire, the Other is “not yet,” the Other is future in the present. For Levinas, the delineation of “not-yet”-ness is a central feature for describing alterity and virginity.My central question in the third section is on how sensual love and ethical desire relate to Levinas’s description of the relationship between “intimate” and “real” society. I will show that it is particularly Levinas’s introduction of the figure of the Third that makes it possible to finally overcome the Platonic dualism between individuality and generality. In both erotic love and in ethical desire, the figure of the Third is decisive for exploring Levinas’s understanding of justice. The figure of the Third is not only a witness of the truth between the subject and a desiring Other but also a precondition for establishing this truth. Therefore, it is not necessary to see but to hear the claims of the Third, as well the claims of the Desired.The Wisdom of LoveIn Plato’s interpretation, love is seen as a progression from the discrete, individual, erotic love to the general and comprehensive. The lover feels in him/herself a deficiency and strives to compensate this deficiency — accomplished through various activities of consciousness, involving desire, suffering, thought, perception, the striving toward the good and the beautiful. These are not considered equal in quality but rather form a progression from the particular to the general. Eros remains dutiful to the idea of the good. Renunciation of corporal love is seen as a precondition for attaining love of the good and the beautiful, this being equated with the attainment of immortality. This renunciation, as it has been argued in the dialogue between Alcibiades and Socrates, implies that spiritual, intellectual love is of higher value than corporal love. As opposed to spiritual love, corporal love is fraught with a deficiency that can never be completely assuaged. [End Page 22]This model is based on the myth — related in the Symposium — of the spherical human being, comprised originally of two people in one body, with four hands, four legs, two genders, and two faces. Only the splitting of this single human into two people with two faces and two genders created the longing for a lost unity, expressed in erotic desire for the other gender or the other face. In this narrative, erotic desire is brought into semantic proximity with lost unity and with suffering. Unisexuality is seen as a deficiency, to receive a “truer and more perfect” assuagement only on a spiritual level. The implied antagonism between spiritual (“Platonic”) and corporal love constitutes a narrative motive that — in various forms — particularly marked post-Enlightenment literature of the eighteenth and nineteenth centuries. In examples... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:“Like a Virgin”Levinas’s Anti-Platonic Understanding of Love and DesireBrigitta Keintzel (bio)Translated by Brigitta Keintzel, Benjamin McQuade, and Sophie UitzMy article is divided into three parts. First, I outline transformations in the understanding of love through philosophical tradition from Plato to Levinas, exploring Levinas’s anti-Platonic understanding of love via the relationship between knowledge and love. This relationship is asymmetrical: knowledge functions in the name of (...) class='Hi'>love, but love does not function in the name of knowledge. Love is not knowledge but instead entails knowledge. As love of wisdom, knowledge serves in the name of love. The open question here is: how can Platonic love of wisdom or Levinasian ethical desire have the ability to respond to social, political, and cultural challenges — a question I will come back to in the last section.In the second section, I discuss the relationship between love and desire. As opposed to desire, which is explicitly bound to the Desired, along with some ideal position vis-à-vis that person, love possesses a plethora of connotations that often render it vague. Love is bound not only to the self but to other persons — as well as to objects, facts, attitudes, situations, ideas, institutions, cultures, and even governments. Desire, on the other hand, is a stronger term than the timeworn and [End Page 21] much-abused word “love.” It entails a stronger orientation toward the Other with a temporal, prospective connotation: in the horizon of desire, the Other is “not yet,” the Other is future in the present. For Levinas, the delineation of “not-yet”-ness is a central feature for describing alterity and virginity.My central question in the third section is on how sensual love and ethical desire relate to Levinas’s description of the relationship between “intimate” and “real” society. I will show that it is particularly Levinas’s introduction of the figure of the Third that makes it possible to finally overcome the Platonic dualism between individuality and generality. In both erotic love and in ethical desire, the figure of the Third is decisive for exploring Levinas’s understanding of justice. The figure of the Third is not only a witness of the truth between the subject and a desiring Other but also a precondition for establishing this truth. Therefore, it is not necessary to see but to hear the claims of the Third, as well the claims of the Desired.The Wisdom of LoveIn Plato’s interpretation, love is seen as a progression from the discrete, individual, erotic love to the general and comprehensive. The lover feels in him/herself a deficiency and strives to compensate this deficiency — accomplished through various activities of consciousness, involving desire, suffering, thought, perception, the striving toward the good and the beautiful. These are not considered equal in quality but rather form a progression from the particular to the general. Eros remains dutiful to the idea of the good. Renunciation of corporal love is seen as a precondition for attaining love of the good and the beautiful, this being equated with the attainment of immortality. This renunciation, as it has been argued in the dialogue between Alcibiades and Socrates, implies that spiritual, intellectual love is of higher value than corporal love. As opposed to spiritual love, corporal love is fraught with a deficiency that can never be completely assuaged. [End Page 22]This model is based on the myth — related in the Symposium — of the spherical human being, comprised originally of two people in one body, with four hands, four legs, two genders, and two faces. Only the splitting of this single human into two people with two faces and two genders created the longing for a lost unity, expressed in erotic desire for the other gender or the other face. In this narrative, erotic desire is brought into semantic proximity with lost unity and with suffering. Unisexuality is seen as a deficiency, to receive a “truer and more perfect” assuagement only on a spiritual level. The implied antagonism between spiritual (“Platonic”) and corporal love constitutes a narrative motive that — in various forms — particularly marked post-Enlightenment literature of the eighteenth and nineteenth centuries. In examples... (shrink)

Despite the notable lack of Chaplinesque romantic flourishes, Buster Keaton has a sophisticated approach to romantic love in his films. Love in Keaton’s films is a mutual recognition and admiration for the physical and mental competence necessary to deal with an absurd, cruel, or indifferent social and physical environment and an agreement to face the world together. There are two ways in which this claim might seem surprising to someone familiar with Keaton’s films. Keaton’s famously stoic persona seems (...) to be at odds with the very idea that there is an expression of romantic love in the films. How could someone so un-expressive express romantic love? There is simply not enough there to be interpreted. Additionally, the topic of love seems to be the wrong approach to take toward Keaton, the master of the gag. His films are original and interesting and funny because of their visual wit, not because of their thematic value. Watching his films for themes is to miss what is valuable about them. In answering these objections, I will set the stage for my argument that Keaton’s narratives assume the viewer recognizes the Buster character is in love while withholding many of the traditional emotional signifiers of that love. The narrative cannot proceed without this assumption and many of the gags don’t work without recognizing Buster’s motivation. Through careful attention to the resolution of the stories within the films, we can begin to recognize the surprising, sophisticated approach to romantic love that the films contain. (shrink)

Over the last generation, the womanist idea--and the tradition blooming around it--has emerged as an important response to separatism, domination, and oppression. Gary L. Lemons gathers a diverse group of writers to discuss their scholarly and personal experiences with the womanist spirit of women of color feminisms. Feminist and womanist-identified educators, students, performers, and poets model the powerful ways that crossing borders of race, gender, class, sexuality, and nation-state affiliation(s) expands one's existence. At the same time, they bear witness (...) to how the self-liberating theory and practice of women of color feminism changes one's life. Throughout, the essayists come together to promote an unwavering vein of activist comradeship capable of building political alliances dedicated to liberty and social justice. Contributors: M. Jacqui Alexander, Dora Arreola, Andrea Assaf, Kendra N. Bryant, Rudolph P. Byrd, Atika Chaudhary, Paul T. Corrigan, Fanni V. Green, Beverly Guy-Sheftall, Susan Hoeller, Ylce Irizarry, M. Thandabantu Iverson, Gary L. Lemons, Layli Maparyan, and Erica C. Sutherlin. (shrink)

Fleming, Daniel J; Ryan, Thomas Three recent phrases of Pope Francis warrant attention and guide this article. First, there is his call for 'witnesses of God's love' in his tribute to modern martyrs. The second is 'the pedagogy of grace' and the work of the Spirit explained in 'Amoris Laetitia'. Third, from the same document, we find his discussion of accompaniment in the process of moral discernment within the church. With these as guideposts and drawing on recent studies in (...) moral philosophy and psychology, this article unfolds in five steps: setting the scene; witness in relation to moral understanding and intersubjectivity; intersubjectivity and conscience; a pedagogy of grace: Holy Spirit and nonbelievers; and a pedagogy of grace in relation to moral development. (shrink)

What does it mean to be a peacemaker in a polarized world? It can feel as if the world-and the church-has never been more polarized. But when we feel worn down by the chasms dividing us, we can take hope from the early Christian vision of God uniting all things in Christ, a hope that can lead us to act. Stuck Together explores Bible stories and narratives ancient and modern that inspire us to open hearts and minds to persons with (...) whom we disagree as we gain confidence in our own convictions. Drawing from Scripture, from his own life journey, and from the witness of others, author J. Nelson Kraybill demonstrates how even small steps of reconciliation by confessionally grounded Christians can have big effect and give loving Christian witness in a polarized church and society. (shrink)

What makes Jehovah's Witnesses tick? What motivates practitioners of medicine? How is benevolent human behaviour to be interpreted? The explanation that fear of censure, mind-control techniques or enlightened self-interest are the real motivators of human conduct is questioned. Those who believe that man was created in "God's image", hold that humanity has the potential to rise above selfishly driven attitudes and actions, and reflect the qualities of love, kindness and justice that separate us from the beasts. A comparison of (...) general medical ethics and disciplines, and those of the Jehovah's Witness community, is made in this context. The easy charge that frequent deaths result from refusal of blood transfusions is examined. The central source of antipathy towards Jehovah's Witnesses, namely the alleged imposition of extreme and even harmful refusal of blood therapy on our children is addressed. Of course, "...few dilemmas are likely to be resolved wisely or satisfactorily by a blinkered adherence to abstract principles alone. Solutions to most cases will be dictated by a combination of factors. The support of medical ethics by Jehovah's Witnesses, and their willingness to share in reasoned and ethical debate, while at the same time holding firm to their religious and conscientious principles are emphasised. (shrink)

The liberty of the woman is at stake in a sense unique to the human condition and so unique to the law. The mother who carries a child to full term is subject to anxieties, to physical constraints, to pain that only she must bear. That these sacrifices have from the beginning of the human race been endured by woman with a pride that ennobles her in the eyes of others and gives to the infant a bond of love (...) cannot alone be grounds for the State to insist that she make the sacrifice. Her suffering is too intimate and personal for the State to insist, without more, upon its own vision of the woman's role ….For years, Jehovah's Witnesses have posed a challenge to the medical profession. Bound by religious belief to refuse blood and blood products, they can frustrate physicians who, since World War II, have utilized transfusions when indicated in the course of treatment. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Analogy of Grace: Karl Barth’s Moral Theology by Gerald McKenny, and: Christian Ethics as Witness: Barth’s Ethics for a World at Risk by David HaddorffVictor ThasiahThe Analogy of Grace: Karl Barth’s Moral Theology Gerald McKenny New York: Oxford University Press, 2010. 310 pp. $120.00Christian Ethics as Witness: Barth’s Ethics for a World at Risk David Haddorff Eugene, OR: Cascade Books, 2010. 482 pp. $54.00Karl Barth’s (...) theology remains a resource for Christian ethics. Let me suggest why. Instead of marginalizing or bracketing out consideration of divine agency, Barth presupposes God’s past, present, and future action; God’s inalienable subjectivity and indissoluble over-againstness in relationship (irreducible, for example, to ecclesial action); and God’s ongoing judgment of good and evil, and thus of moral thought and practice. These presuppositions determine the method, structure, content, and purpose of his theology and ethics. His concept of grace consists of God accomplishing the good in our place and on our behalf, a perspective more substantive than supplementary in nature. Finally, his eschatological view of human freedom involves resistance and responsibility—the freedom to resist evil (having been delivered from the determination of evil by grace) and the freedom to witness to God’s action in faith, love, and hope in the world. Barth’s work serves the field of Christian ethics well, burdened as we are by unprecedented global awareness with its challenges and uncertainties.Two new books on Barth’s theology and ethics seek to increase our understanding of his work and engage contemporary Christian moral thought and practice. Gerald McKenny’s The Analogy of Grace is now the indispensable guide to Barth’s ethics. His exposition is comprehensive, critical, and contextual as it relates Barth’s dogmatics to current academic work in Christian ethics and moral philosophy. The tradeoff, however, is that it pays insufficient attention to the ecclesial, cultural, and political contexts for embodying Barth’s ethics. McKenny makes an important contribution to our understanding of Barth’s work. By closely reading primary texts and secondary literature, McKenny shows that many of Barth’s critics and friends continue to misunderstand [End Page 192] him by resolving the unresolvable, airbrushing ambiguities and thus converting Barth’s “strange” ethics into a more conventional moral theory. McKenny argues that it is precisely the strangeness of Barth’s theology—with all its implications—that continues to challenge and contribute constructively to contemporary Christian ethics.What is so strange and significant about Barth’s work? For McKenny, it is Barth’s claim that “God resolves on the good from eternity in the determination of humanity in Jesus Christ to commission and service as active witnesses of God’s glory; fulfills it in time in the incarnation, life, death, resurrection, and ascension of Jesus Christ, who performs this commission and service in place of all of humanity; and summons, empowers, and directs human beings in every time to correspond to this fulfillment in their conduct” (288). Thus, our action should be modeled on God’s action; it should be an analogy of grace. “The telos of God’s grace is realized,” McKenny concludes, “when human beings in their action become the image of God” (208). The Analogy of Grace traces the way Barth develops this ontological and analogical vision as McKenny differentiates Barth’s work from modern theories that presuppose that people are relatively capable of knowing and doing the good.McKenny suggests that there is a possible deficiency in the way Barth’s account of divine agency determines the form and content of his theology and ethics. Barth’s consistent opposition to moral theories that emphasize observable signs of moral progress in either self or society results in the “liability” of the “extraordinarily qualified affirmation he gives to visible human goodness” (223). McKenny asks if Barth “does justice to the work of the Holy Spirit in our lives” and “can make sense of the participation of our action in God’s action or of the way in which the Holy Spirit accomplishes this participation” (223). In other words, Barth’s “extraordinarily qualified affirmation” might neglect the work of the Spirit in... (shrink)

The liberty of the woman is at stake in a sense unique to the human condition and so unique to the law. The mother who carries a child to full term is subject to anxieties, to physical constraints, to pain that only she must bear. That these sacrifices have from the beginning of the human race been endured by woman with a pride that ennobles her in the eyes of others and gives to the infant a bond of love (...) cannot alone be grounds for the State to insist that she make the sacrifice. Her suffering is too intimate and personal for the State to insist, without more, upon its own vision of the woman's role ….For years, Jehovah's Witnesses have posed a challenge to the medical profession. Bound by religious belief to refuse blood and blood products, they can frustrate physicians who, since World War II, have utilized transfusions when indicated in the course of treatment. (shrink)

Teilhard de Chardin, the witness of love.--Teilhard de Chardin and the optimism of the cross.

Perception according to Ibn 'Arabi: God in forms -- Perception according to 'Iraqi: witnessing and divine self-love -- Beauty according to Ibn 'Arabi and 'Iraqi: that which causes love -- Ibn 'Arabi and human beauty: the school of passionate love -- 'Iraqi and the tradition of love, witnessing, and shahidbazi -- The amorous lyric as mystical language: union of the sacred and profane.

Christ’s law of selfless and sacrificial love is the missional principle, an incentive intent not only of and for handling disputable matter, including a matter of eating the food that is offered to the idols (cf. 1 Cor 8:1–11:1) but also of and for gospel witness there and then, in the early Church and also here and now, in the recent church as it always is, given the missional history of the church. Using the grammatical-historical method of exegesis, (...) this article is set out to highlight the significance, purpose and application of the Christ’s law of love as a missional tenet, which serves as incentive, which is an intent of and for gospel witness. Contribution: Christ’s law of love ensures a check and balance between being in the world without being of the world, to avoid compromising the gospel core message and being out of the world without being withdrawn from the world, to avoid rendering the gospel witness a zero impact within and outside a polarised multicultural faith community of South Africa and beyond. (shrink)

Antibiotic-resistant bacteria pose a serious threat to our health. Our ability to destroy deadly bacteria by using antibiotics have not only improved our lives by curing infections, it also allows us to undertake otherwise dangerous treatments from chemotherapies to invasive surgeries. The emergence of antibiotic resistance, I argue, is a consequence of various iterations of prisoner’s dilemmas. To wit, each participant (from patients to nations) has rational self-interest to pursue a course of action that is suboptimal for all of us. (...) The standard solutions to prisoner’s dilemma look to realign cost-benefit such that individuals’ interests match those of the collective. However, the lack of a global organization to enforce an effective carrot-and-stick system makes it unlikely that we can solve the antibiotic resistance problem this way. I argue that our best chance might be an attempt to teach altruism and convince individuals to act not out of their self-interests. (shrink)

John Howard Yoder's reclamation of Christ's law of love as normative for Christian ethics makes important contributions to the field, but this pacifist legacy is tainted by his sexual violence against women. Prominent "witness" and "feminist" ethicists either defend or condemn Yoder, reflecting retributive approaches to wrongdoing. Restorative justice models—with their emphasis on truth-telling, particularity, and communal responses to violence—illuminate common ground between these often antagonistic groups of ethicists, whose specific resources are needed to "do justice" to Yoder's (...) legacy. Yoder claimed that "Christian identity itself calls for feminist engagement," but he failed to fully develop this claim in his theology or embody it in his life. By collaborating in such a truly feminist pacifist politics, witness and feminist ethicists not only strengthen their own internal projects with respect to the church's mission and the promotion of women's flourishing but also more effectively address sexual violence. (shrink)

At first glance, love seems to be a psychological state for which there are normative reasons: a state that, if all goes well, is an appropriate or fitting response to something independent of itself. Love for one’s parent, child, or friend is fitting, one wants to say, if anything is. On reflection, however, it is elusive what reasons for love might be. It is natural to assume that they would be nonrelational features of the person one loves, (...) something about her in her own right. According to the “quality theory,” for example, reasons for love are the beloved’s personal attributes, such as her wit and beauty. In J. David Velleman’s provocative and ingeniously argued proposal, the reason for love is the beloved’s bare Kantian personhood, her capacity for rational choice and valuation. But no such nonrelational feature works. To appreciate just one difficulty, observe that whatever nonrelational feature one selects as the reason for love will be one that another person could, or actually does, possess. The claim that nonrelational features are reasons for love implies, absurdly, that insofar as one’s love for Jane is responsive to its reasons, it will accept any relevantly similar person as a replacement. (shrink)

Research for this study was served by the hypothesis that the Christian’s lifestyle and witness in a postmodern world will depend on the definition and practice of worship and spirituality. The Old Testament reveals a spirituality that has ‘Yahweh’ involved in all aspects of life. Awareness and experience of the presence of God is linked to obedience to God. New Testament spirituality implies imitation of Christ and an effort to obey Christ's twofold command: to love God and neighbor (...) as self. Christian exhortation (contemplation/meditation) and adoration never take place in isolation from the world because God is active in the world. Adoration leads to action in the world which, in turn, leads to adoration of God. All work done and all life lived for God's sake is, in essence, worship. Being a Christian implies living a life of sacrifice, making a gift of your life to God. As the Christian strives with the Spirit's guidance and empowerment to love God with his/her heart, soul, mind, body - and his/her neighbor as him/her self, in a moment by moment way; as he/she worships God with adoration and action; then he/she is living a true Biblical Christian life and experiencing and practicing true Biblical worship and spirituality. For the postmodernist, religious relativism is incompatible with the objective truth claims of Christianity and the words ‘Christian’ and ‘Church’ mean either empty tradition or abusive totalizing metannarrative. To maintain its identity and practice effective and relevant ministry, the Church should reflect an internal unity in desire, in life, in purpose, and in love. The Church must be the incarnate and engaged love and glory of God to a world that judges Christian truth claims by the lifestyle and witness of Christians. A praxis-orientated apologetic of an incarnational engaged worship and spirituality will demonstrate Christians truth claims. This gives Christianity integrity, credibility, and intelligibility to postmodernists that seek an experiential spirituality in the postmodern era of deconstruction. Evangelism is founded in who God is and what God has done for humanity through the death and resurrection of Jesus Christ. Christian’s demonstrate the Gospel as they love their God and their neighbor with devotion and conduct. They proclaim God’s love with plausibility when they reveal God’s love in action as a visual aid for Gods truth. As Christian worship and spirituality produce the actions that give voice to the nature and will of God, Jesus Christ will ‘rise again’ in the postmodern world through an incarnational and engaged Christian faith. Point summary: i. Authentic Biblical Christian worship is a lifestyle that takes place in an interdependent rhythm of both adoration (joyful praise of God) and action (obedient service to God). ii. Holistic spirituality is the lived moment by moment experience of Christian belief in both general and specialized forms (the Christian faith), and the reaction that the Christian’s belief system arouses in religious consciousness and practice moment by moment (the Christian faith). iii. Biblical worship and spirituality is thus conformity of heart and life with the confession and character of Jesus Christ. It is living life in the coram Deo (the presence of God) in obedience to His will out of gratitude for salvation. iv. Worship, spirituality, and the Christian faith become equivalent terms for each other and as defined in i-iii above reflect an incarnational engaged approach to evangelism. v. Worship and spirituality as a praxis-orientated apologetic presented as an incarnational engaged approach (that tells God’s story and your story) in a postmodern world, will be a more effective method of evangelism than rational apologetics and program/method based evangelism. -/- . (shrink)

Romantic love is subject to the same philosophical analysis, this book shows, as any other human experience such as selfhood, good and evil, or justice—even though most philosophers have neglected it. An appropriate method of inquiry here, the author holds, "must be an ontological theory; it must evaluate the reality of love in comparison to the other things we think are real." Part I examines the layman's conception of romantic love as a "mysterious, unanalyzable feeling." It also (...) examines the psychologist's conception of romantic love as "an unmysterious natural phenomenon"—a drive. Part II turns to the sociologist's conception of romantic love as a social institution—"an interpersonal transaction with a social function." Part III concludes that romantic love is an objective social process which society makes possible "by granting the individual a private inner being which escapes typification by being literally unspeakable." Written with clarity, wit, and charm, _Romantic Love _will appeal to all intellectually curious readers including philosophers and social scientists. (shrink)

At first glance, love seems to be a psychological state for which there are normative reasons: a state that, if all goes well, is an appropriate or fitting response to something independent of itself. Love for one’s parent, child, or friend is fitting, one wants to say, if anything is. On reflection, however, it is elusive what reasons for love might be. It is natural to assume that they would be nonrelational features of the person one loves, (...) something about her in her own right. According to the “quality theory,” for example, reasons for love are the beloved’s personal attributes, such as her wit and beauty. In J. David Velleman’s provocative and ingeniously argued proposal, the reason for love is the beloved’s bare Kantian personhood, her capacity for rational choice and valuation.1 But no such nonrelational feature works. To appreciate just one difficulty, observe that whatever nonrelational feature one selects as the reason for love will be one that another person could, or actually does, possess. The claim that nonrelational features are reasons for love implies, absurdly, that insofar as one’s love for Jane is responsive to its reasons, it will accept any relevantly similar person as a replacement. (shrink)

Animal activists sometimes engage in vigils and acts of witnessing as forms of political protest. For example, the Animal Save Movement, a global activist network, regards witnessing the suffering of non-human animals as a moral duty of veganism. The act of witnessing is intended to non-violently communicate both attitudes and principles. These forms of activism are unlike other forms of protest, relying for much of their force upon passive, non-confrontational actions. This article explores the ethical character of vigils and witnessing (...) in order to evaluate their role in animal rights activism. It argues that the love-based ethic behind the Animal Save Movement's form of witnessing is overly demanding, overly expansive and overly deferential towards wrongdoers. In its place, this article offers a narrower account of witnessing, detached from controversial spiritual elements. Vigils and conscious acts of witnessing, it is claimed, are political acts aimed at fulfilling duties to seek justice for non-human animals. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:M. C. Dillon LOVE IN WOMEN IN LOVE: A PHENOMENOLOGICAL ANALYSIS Despite his sexism, his turgid prose, and his antiquated social conscience, Lawrence is on every bookshelf. This is not merely because of the vicarious erotic entertainment to be found in the saga of John Thomas and Lady Jane, but because Lawrence remains a major guru of romance. We take him seriously, look to him for guidance, (...) measure ourselves against Ursula and Birkin. If he is on our shelves—and his thoughts not far from our pillows—then his ideas starid in need of scrutiny. Women in Love is as much a treatise as a novel: we witness more talking about than making of love. The agon of ideas engulfs the agon of flesh. Hence, the book suits the present purpose. It cannot be taken as Lawrence's definitive statement on love—later works, notably Lady Chatterly's Lover, move in different directions—but it is his most philosophical treatment and, I think, most clearly expresses his conceptual framework, the parameters which define and limit his thinking. What he says about love in Women in Love may therefore illumine his depictions of the behavior of lovers in other works. Lawrence is a romantic. In the popular sense of the word he is one who makes of romance or erotic adventure a dominant life value. Lawrence is also a romantic in another sense insofar as he takes the transcendence or unattainability of the other as essential to the project of loving. These two senses are conceptually compatible but existentially in conflict. That is, if one's major undertaking in life is to seek erotic satisfaction, and if one desires only so long as the object is beyond reach, then one has established the groundwork for continual frustration. This, I will try to show, is what Lawrence has done. I Many writers have tried to bring the ideas implicitly present in and constitutive of romantic love to the level of explicit reflective awareness. 190 M.C.Dillon191 The most successful treatment I know is given by a writer who did not know—or at least did not say—that he was writing about romantic love. Sartre purports to reveal the inner structures of love itself—the unqualified, unrestricted essence of love. As I have tried to show elsewhere,1 he fails at this. But he succeeds admirably in unveiling the inner contradictions of romantic love. Our project here is to draw upon Sartre's insights: first, to develop a conception of romantic love, and then to discern the model of Eros which informs Women in Love. The key idea in romantic love is transcendence. Something is transcendent when it is beyond me, when I cannot adequately prehend it conceptually or master it with my will. The role of transcendence in romantic love is demonstrated clearly in Denis de Rougemont's book on Love in the Western World.2 There he shows that Tristan's passion for Iseult is directly proportional to her distance from him: he is increasingly attracted as she becomes further removed. On the other hand, when through various deeds of gallantry and subterfuge, he succeeds in winning her to his side, he loses interest and must create circumstances which put her again beyond his reach. The culmination of romantic love, according to de Rougemont, is death—it sets the other absolutely beyond reach. It also arrests and preserves at their apices the youth and beauty of the lovers and the intensity of the erotic relationship. It is, I believe, this complex of ideas that led Kierkegaard to this cynical reflection on the nature of romantic love: "When two beings fall in love with one another and begin to suspect that they were made for each other, it is time to have the courage to break it off; for by going on they have everything to lose and nothing to gain."3 The same idea, qualified by increased optimism, underlies Stendhal's notion of crystallization in his book On Love.* Love is predicated on the attribution of perfection to the beloved. Just as a plain bough emerges from the salt-saturated waters of the Salzburg mines encrusted with beautiful crystals... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:For the Love of Nothing:Auden, Keats, and DeconstructionJo-Anne Cappeluti"Authors can be stupid enough, God knows, but they are not quite so stupid as a certain kind of critic seems to think. The kind of critic, I mean, to whom, when he condemns a work or a passage, the possibility never occurs that its author may have foreseen exactly what he is going to say"—W. H. AudenIDeconstruction by definition (...) is an exercise of the intellect's predilection to disprove and deny aesthetic experience. Deconstruction is in love with denying this "nothing," but is seemingly unaware of how attempting demystification entangles the intellect all the more with the imagination. And it is the imagination that creates aesthetic experience, the very entity critics deny even exists. This dynamic is especially true of deconstruction looking at the Romantic mode of poetry: the poetry of poets who serve as their own subject. Analyzing the internalized quests of these poets, deconstruction offers a drama of itself too much in love with demystifying aesthetic experience, attempting and always failing, intellectually, to reduce it to nothing.Poets who write in the Romantic mode of poetry are in love with this "nothing"; they present internalized quests filled with their acute awareness of the aesthetic—and highly indeterminate—nature of being human. At the core of this indeterminacy is the ongoing debate between imagination and intellect, the first interested in exploring what is there, in human consciousness, the second prone to demystifying it. Poets who write in this mode learn that such improvable yet actual aesthetic experience or "nothing" is germane to being human. Any attempt [End Page 345] to escape it intellectually will only lead back to the imagination that presents it.Poets who write in the Romantic mode of poetry are so familiar with the way in which this aesthetic nature of human existence involves the unresolved conflict between imagination and intellect that these poets present in their poetry a response to the criticism that denies it. John Keats and W. H. Auden are two poets who show this dynamic and who, not by coincidence, have a lot in common. Deconstruction, however, sees Auden and Keats—however separately—as poets who wake up at mid-career to the fallaciousness of the imagination and subsequently turn their talent to making nothing happen in their poetry: undermining its aesthetic nature. Keats's Endymion and Auden's "Caliban to the Audience" are frequently cited as prime examples of this demystification process. As I will argue, however, both of these poems deliberately dramatize the self-thwarting attempts of the intellect to dissect and dismiss what it claims is nothing.1Keats dramatizes this dynamic in Endymion, drawing attention to the way in which this "Brain-sick shepherd prince" claims—actually over-protests—to have loved "nothing" after his miraculous experience beneath the ocean with the strangely indeterminate creature, Glaucus (pp. 134, 206).2 Auden offers as well a detailed description of this dynamic in "Caliban to the Audience," the last section of The Sea and The Mirror, A Commentary on Shakespeare's The Tempest. In this poem, the strangely indeterminate, begged question of existence, Caliban, reveals in great detail his audience's futile attempt to demystify what upsets them.My argument concludes with a discussion of the way in which these poems dramatize deconstruction's unintentional witness to the "real Word" of the imagination (CP, p. 444).3As poets who write in the Romantic mode, exploring what is there in their consciousness, Keats and Auden find a great indeterminacy inherent in their human nature: an unresolved problem that they explore—rather than try to solve. Auden, in fact, links himself to Keats, finding in Keats's idea of the chameleon poet his (Auden's) central idea of the poet as actor for the imagination. Like Keats, Auden takes the imagination quite seriously and fuses Keats's sense of the imagination with Coleridge's: observing that poetry records the poet's experiences in which the (Primary) imagination is drawn to certain "sacred" beings and events. In "Making, Knowing and Judging," Auden declares that the "impression made upon the imagination by any sacred being is of... (shrink)

In this paper, we explore the ontological and theological ground of political institutions in order to then reflect upon the eschatological calling of society. The paper builds on Tillich's ontological insight that love does not simply transcend justice, but that it permeates and drives justice, that justice gives form to love's reunion of the separated. This relation between love and justice is at play in political institutions: these unite human beings under forms of justice that must be (...) transformed ever anew if they are not to lose touch with the dynamic power of love and freeze into increasingly unjust juridicalism. The modern history of Western civilisation bears witness to this ontological tension, and the phenomenon of globalisation is yet another instance of human society's mystical calling. Thus, love heads the dynamic movement that transforms political institutions ever anew. Yet society as a whole must become conscious of its ontology for humanity to truly reach its eschatological potential, and this will require both that theology recovers its ground and that political theory thinks theologically. (shrink)

In his ground-breaking series of films The Decalogue , Krzysztof Kieslowski creates an enigmatic character who appears in nine of the ten otherwise-disconnected films. Kieslowski neither names this mysterious man nor allows him one word of dialogue. In several of the films, the man is seen by other characters; in others he remains invisible to them. Sometimes he seems to influence the decisions of the protagonists; other times, he seems to remain a passive observer of their problems. Many scholars who (...) write on The Decalogue either do not note the «silent witness», or limit themselves to peripheral comments of little substance; others comment only briefly, and superficially on his enigmatic presence in one or other of the films. The present article offers a detailed analysis of the «silent witness» in each of the Decalogue films and develops a comprehensive synthesis of his critical moral significance in the series, proposing that the witness is an effective metaphor of the providential presence of the loving God for the protagonists; while respecting their liberty, he moves in their often-troubled lives, guides their moral decisions, gives them hope and brings them to higher levels of freedom and Christian responsibility. (shrink)

Heroides9 takes the form of a letter sent by Deianira to Hercules as a reinforcement to the tunic smeared with Nessus' blood which she has already dispatched in the mistaken belief that it will revive the hero's love for her. In this epistle she tries to persuade her husband to give up his latest girlfriend by showing him that she loves him, by arousing pity for herself, and by making him feel ashamed of his philandering and see that he (...) thereby disgraces himself. Obviously there is pathos here, particularly as the deaths of Hercules and Deianira loom in the background, but there is also wit, irony, and humour, creating a piquant tonal mixture which has been almost entirely neglected by critics. They have seen the sadness, and some of the irony, but they have not grasped the facetious aspects, whereby our irreverent poet ensures that the piece does not lapse into mawkishness and engages the head as well as the heart. (shrink)

Love's memories, love recalling itself in letters lost and found over an interval of forty years: Cixous's writer-narrator advances here far into a labyrinth of passions long ago delivered and yet still arriving through the mail, through letters and literature, in other words, the poetry of the post. As for the lovers' returning scenes, they have their addresses in Paris and in New York, but also in a lost oasis of the Egyptian desert during the Napoleonic wars, in (...) Athens and along the shores of a great lake centuries ago in the country of myth. The lovers are poets or soldiers, philosophers or students madly in love with poetry and poets. They are as well mermaids or panthers. Panthers? Yes, for it is the passion of the animal that drives all these lovers to bare themselves, and sometimes their claws, before the beloved. Misunderstandings are often, even inevitably the result. Seconded and witnessed by her passionate, truth-telling cats, Cixous's narrator-writer returns unerringly to moments of errancy inflicted on address and language, those errors and faults when love, perhaps, is listening only to itself, without subject or object, lover or beloved, just love itself, l'amour meme, l'amour m'aime, love loving me, in the letter box of memory. (shrink)

This article examines the manner and method of resistance against patriarchal power and privilege. Two types of power are contrasted. One is the violent, war-like and hierarchical power of an empire, and the other is the faithful resistance of Israel's prophets. A further distinction is made between violent male power and non-violent female power. It is argued that Miriam was a prophet of the people and her prophetic witness is an example of the power and outcome of non-violent resistance. (...) Her theology explicitly and specifically praises God not as a warrior. Hers is not a muscular, masculine God whose power seeks to match the power of empire. Her God has a power that through radical love for a slave people and taking sides with the enslaved overcomes the power of the slaveholder. In her theology, Miriam recalls the God of the exodus, who begins the acts of liberation with the women, to whose faithfulness, courage and defiant obedience, the freedom of the people is entrusted. From a feminist perspective it is argued that this style of non-violent, faithful prophetic witness has a greater impact than violent resistance associated with an empire-like power. It is suggested that black liberation theology should adopt this paradigm in its witness of and resistance against oppression. (shrink)

Anne Channing Porter’s poetry gives witness to an inner life nurtured by a love of the natural world and purified by suffering from a turbulent domestic life. At age eighty-two, she was named a National Book Award finalist for her first collection of poetry. In her poems, she aims for transparency and the revelation of mystery inherent in everyday life. A convert to Catholicism, Porter rejected the designation “religious” poet; nonetheless, her poems combine a contemplative seeing, an incarnational (...) awareness of spirit in matter, and a prophetic urgency to live as “Love’s apprentice,” responding with compassion toward those of “humble goodness.”. (shrink)

Recent philosophy has witnessed a number of prominent and ambivalent encounters with Christianity. Alongside the retrievals of Paul and political theology, thinkers such as Žižek and Negri argue that in our era of imperial sovereignty and advanced global capitalism, the most appropriate politics is one of love. These attempts to reinvigorate progressive materialism are often characterised as a break with the relativist tendencies of French philosophy, moving from the negativity and disconnection of postmodern suspicion to a new, constructive politics (...) of creativity and fraternity. Deconstructive critiques have insisted on the exclusions necessary to any such politics of love. Foucault’s genealogy of Christianity—specifically, of the emergence from pastoral power of modern governmentality and biopolitics—sketches a further significant dimension of love’s suffocating history and contemporary risks. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Christianity and Contemporary Politics: The Conditions and Possibilities of Faithful Witness, and: Migrations of the Holy: God, State, and the Political Meaning of the ChurchAbbylynn HelgevoldChristianity and Contemporary Politics: The Conditions and Possibilities of Faithful Witness Luke Bretherton Oxford, UK: Wiley-Blackwell, 2010. 272 pp. $41.95.Migrations of the Holy: God, State, and the Political Meaning of the Church William T. Cavanaugh Grand Rapids, Mich.: Eerdmans, 2011. 206 (...) pp. $18.00.In their recent books, William Cavanaugh and Luke Bretherton explore the nature of a distinctively Christian political presence in a diverse, modern, liberal democratic society and in an increasingly global world. Both Cavanaugh and Bretherton claim that a Christian life is political in ways that many Christians fail to see. They encourage their readers to think differently about what “politics” is by thinking beyond the parameters for political activity set by the dominant voices and practices of the nation-state or the market.In Migrations of the Holy, Cavanaugh pulls together a number of thematically linked essays in an effort to “give Christians and others some critical tools with which to turn the despair of modern politics toward real hope” (6). That hope is to be found in the church’s promotion and creation of complex social spaces “in which alternative economies and authorities flourish” (42). According to Cavanaugh, Christians ought to acknowledge that the modern nation-state is not oriented toward the pursuit of the common good. Instead, it is fueled by a desire to secure greater power and to perpetuate itself. The nation-state thrives by instilling in its citizens a religious kind of devotion to its ideals and to its continued existence. This religious devotion, animated by the state’s distinctive liturgies and methods of indoctrination, is the vehicle through which the state secures the loyalty of its citizens. Under these idolatrous conditions, Christian citizens become willing to justify and endorse the nation-state’s use of extreme violence; tempted to identify the will of God with the will of the nation-state; and stunted in their ability to imagine alternative political possibilities because they have accepted the limits on religiously informed political activity set by the nation-state. In contrast to the state, the church ought to embody and [End Page 215] enact an alternative social space that is characterized by neighborliness and a love of diversity born out of charity, a penitential and humble disposition born out of an awareness of the reality of sin, and a willingness to pass judgment on prevailing political and economic conditions that fail to reflect God’s will for humanity.These essays are thoughtfully developed. Engaging with them leaves one with the sense that a truly Christian political presence will be vigilant in seeking always to identify and expose the libido dominandi at work in the world and in itself and will inspire the formation and development of societies oriented toward the proper love of God. Cavanaugh challenges the idolization of the nation-state and urges his readers to make use of Christian teachings, stories, and practices to help make possible alternative ways of relating to others and working toward the common good.Bretherton shares many of Cavanaugh’s concerns. In Christianity and Contemporary Politics, Bretherton characterizes the contemporary political life of Christians as being heavily influenced by the “dynamics of co-option, competition, and commodification” (2). Rather than take a theoretical approach to challenging these dynamics, as Cavanaugh does, Bretherton adopts a practical approach. He analyzes concrete examples of Christian political activity that offer alternatives to the earlier-mentioned dynamics in an effort to develop a vision of faithful political witness. His analysis is coupled with an interest in identifying the genuine goods that are present in contemporary liberal societies. In contrast to Cavanaugh, who is more inclined to liken the governance of the nation-state to the services provided by a utility company, Bretherton urges his readers to remember that the peace of Babylon, though not the ultimate peace, is a genuine peace, and that their welfare is tied to its welfare (Jeremiah 29:7). Christians are called not only to be critical of the prevailing status quo but also to... (shrink)

Murdoch makes some ambitious claims about love’s epistemic significance which can initially seem puzzling in the light of its heterogeneous and messy everyday manifestations. I provide an interpretation of Murdochian love such that Murdoch’s claims about its epistemic significance can be understood. I argue that Murdoch conceives of love as a virtue, and as belonging at the pinnacle of the hierarchy of the virtues, and that this makes sense of the epistemic role Murdochian love fulfills. Moreover, (...) I suggest that there is good reason to think that Murdochian love is not as far from everyday conceptions of love as it can initially appear. (shrink)

Pamela had, throughout her life, an ambivalent relationship with the church. She wanted her work to make a difference to it and she was committed to being a feminist philosopher of religion. There are many recurrent themes in her work that clearly relate to her background in the church, and particularly in the Lutheran church of her upbringing. Her challenge to the patriarchy of what she called “hyper-traditional” Christianity is clear, but also her critique of some forms of forgiveness and (...) her search for new understandings of love and vulnerability. Her work presents significant challenges to the church, but does not abandon it, instead offering new ways of connecting with some of its most profound and important teachings and themes. Her work encourages us women in the church to value our own life experience as a source of knowledge, to re-frame our vulnerabilities and to find love in ways that offer freedom and hope. Pamela saw her work as her own contribution to the community of the church. It remains important that her voice, even and especially with its “speaker vulnerability,” is heard in that place. (shrink)

In the late 1990s, Alice Sebold is writing what will become her phenomenally successful novel The Lovely Bones (2002), but she finds herself having to abandon it in order to write her critically acclaimed rape memoir Lucky (1999). She did not want, she says years later, Susie Salmon (the novel’s dead narrator) doing “work for her”, but wanted Susie free “to tell her own story”. Lucky would be the “real deal” about rape, while The Lovely Bones would be a fantasy. (...) And yet, the memoir and novel are similar in many respects; and nearly identical to begin with. The Lovely Bones opens with the rape, murder and mutilation of a young girl – Susie – while Lucky opens with reference to the girl who was raped, murdered and mutilated in the tunnel Sebold was also raped in. This girl, Sebold maintains, always haunts her. Thus, I will argue, it is not possible to read her novel, which some critics have dismissed as “timid and sentimental”, without reading her gritty autobiography; and vice versa it is not possible to read Sebold’s rape memoir without reading her novel, which in a complex way bears witness to that unnamed girl, if not for all dead, unnamed girls. The question is, then, how does the intertextuality of Sebold’s novel and memoir, and, more broadly, the interrelationship of truth and fantasy, impact on our reading of Sebold’s work, especially her memoir? Keywords Rape, fact, fiction, truth, lie, reading, writing, creative witnessing, wishful thinking, utopia. (shrink)