Challenges Beauvoir's self-portrait and argues that she was a philosopher in her own right.

Rape, traditionally a spoil of war, became a weapon of war in the ethnic cleansing campaign in Bosnia. The ICTY Kunarac court responded by transforming wartime rape from an ignored crime into a crime against humanity. In its judgment, the court argued that the rapists violated the Muslim women’s right to sexual self-determination. Announcing this right to sexual integrity, the court transformed women’s vulnerability from an invitation to abuse into a mark of human dignity. This close reading of the trial, (...) guided by the phenomenological themes of the lived body and ambiguity, feminist critiques of the autonomous subject and the liberal sexual/social contract, critical legal theory assessments of human rights law and institutions, and psychoanalytic analyses of the politics of desire, argues that the court, by validating women’s epistemic authority (their right to establish the meaning of their experience of rape) and affirming the dignity of the vulnerable body (thereby dethroning the autonomous body as the embodiment of dignity), shows us that human rights instruments can be used to combat the epidemic of wartime rape if they are read as de-legitimating the authority of the masculine autonomous subject and the gender codes it anchors. (shrink)

On February 22, 2001, three Bosnian Serb soldiers were found guilty of crimes against humanity. Their offense? Rape. This is the first time that rape has been pros-ecuted and condemned as a crime against humanity. Appealing to Jacques Derrida's democracy of the perhaps and Judith Butler's politics of performative contradiction, I see this judgment inaugurating a politics of the vulnerable body which challenges current understandings of evil, war crimes, and crimes against humanity.

: On February 22, 2001, three Bosnian Serb soldiers were found guilty of crimes against humanity. Their offense? Rape. This is the first time that rape has been prosecuted and condemned as a crime against humanity. Appealing to Jacques Derrida's democracy of the perhaps and Judith Butler's politics of performative contradiction, I see this judgment inaugurating a politics of the vulnerable body which challenges current understandings of evil, war crimes, and crimes against humanity.

On February 22, 2001, three Bosnian Serb soldiers were found guilty of crimes against humanity. Their offense? Rape. This is the first time that rape has been prosecuted and condemned as a crime against humanity. Appealing to Jacques Derrida's democracy of the perhaps and Judith Butler's politics of performative contradiction, I see this judgment inaugurating a politics of the vulnerable body which challenges current understandings of evil, war crimes, and crimes against humanity.

When the International Criminal Tribunal for the Former Yugoslavia convicted the Bosnian Serb soldiers who used rape as a weapon of war of violating the human right to sexual self determination and of crimes against humanity, it transformed vulnerability from a mark of feminine weakness to a shared human condition. The court's judgment directs us to note the ways in which the exploitation of our bodied vulnerability is an assault on our dignity. It alerts us to the ways in which (...) the body of human rights law is a law of bodies; to the ways in which our desire for intimacy creates communal ties that ground our personal and social identities; to the ways in which the symbolic meanings of our bodies are integral to our sense of integrity and worth; and to the ways in which gender structures which position men as protectors of women make it possible for rape to be used as an effective and criminal weapon of war. (shrink)

: This paper may be read as a reclamation project. It argues, with Simone de Beauvoir, that patriarchal marriage is both a perversion of the meaning of the couple and an institution in transition. Parting from those who have given up on marriage, I identify marriage as existing at the intersection of the ethical and the political and argue that whether or not one chooses marriage, feminists ought not abandon marriage as an institution.

This paper breaks ranks with those philosophers and feminists who either ignore de Beauvoir or find her passé. It argues that de Beauvoir is fundamentally a philosopher; that one of her crucial contributions to philosophy was to identify the erotic as a philosophical category; and that we best understand de Beauvoir's place in the feminist and philosophical fields if we read her as a phenomenologist who reworks Husserl's theory of intentionality and who, in this reworking, steps out of Sartre's shadow (...) to develop an ethic of erotic generosity. This argument depends on reading de Beauvoir's texts with an ear for her two voices. It develops the idea that de Beauvoir's muted voice, in speaking of the erotic, the gift and generosity, offers us a coherent and fruitful way of thinking through the questions of embodiment, the flesh, the other and the “we”. (shrink)

This paper may be read as a reclamation project. It argues, with Simone de Beauvoir, that patriarchal marriage is both a perversion of the meaning of the couple and an institution in transition. Parting from those who have given up on marriage, I identify marriage as existing at the intersection of the ethical and the political and argue that whether or not one chooses marriage, feminists ought not abandon marriage as an institution.

This essay argues that the ambiguities of the just war tradition, sifted through a feminist critique, provides the best framework currently available for translating the ethical entitlement to human dignity into concrete feminist political practices. It offers a gendered critique of war that pursues the just war distinction between legitimate and illegitimate targets of wartime violence and provides a gendered analysis of the peace which the just war tradition obliges us to preserve and pursue.

Nietzsche's use of metaphor has been widely noted but rarely focused to explore specific images in great detail. A Nietzschean Bestiary gathers essays devoted to the most notorious and celebrated beasts in Nietzsche's work. The essays illustrate Nietzsche's ample use of animal imagery, and link it to the dual philosophical purposes of recovering and revivifying human animality, which plays a significant role in his call for de-deifying nature.

In the preface to the 1853 first edition of his poems, Matthew Arnold claimed that it was no longer possible to be interested in the quarrel staged in Antigone. He found the conflict between a sister’s duty to bury her brother and a king’s insistence on obedience to the laws of the state passé.1 Living in an age in which souls mattered more than bodies, and in a time when mass graves filled with murdered and mutilated bodies were not part (...) of the landscape, it was possible to find this fuss over an unburied, rotting body a bit overdone. Not living in an age in which dehumanization took the form of destroying bodily integrity, he could miss the fact that the stakes of the play concerned the.. (shrink)

This response to Falguni Sheth’s and Ann Murphy’s readings of my book, Contesting the Politics of Genocidal Rape: Affirming the Dignity of the Vulnerable Body, pursues the questions they raise regarding the domestic implications of establishing rape as a crime against humanity, the problematic distinction between genocide and ethnic cleansing, the politics of autonomy, the trafficking in shame, the relationship between violence and vulnerability, and the possibility of an ethics of vulnerability, by focusing on the disruptions created by ICTY Kunarac (...) case. These disruptions blur the distinction between wartime and peacetime rape, challenge the difference between genocide and ethnic cleansing, expose the norms of patriarchal privilege embedded in ontologies of autonomy and invulnerability, reveal the relationship between an ontology and ethics of vulnerability and show how shame, as Pharmakon, can transform the shocked conscience of humanity invoked in contemporary human rights documents into political action. (shrink)

: Ofelia Schutte's relationship to Nietzsche is contentious. Sometimes she identifies him as an ally. Sometimes she calls him an enemy. Appealing to Nietzsche's abolition of the appearance reality distinction and to his discussions of women as skeptics, I turn to Ofelia's discussions of the Madres de la Plaza de Mayo to suggest that their protests can be understood as a Nietzschean politics of transvaluation where the myth of the mother and the materialities of women's bodies become the ground of (...) the demand for justice. (shrink)

Ofelia Schutte's relationship to Nietzsche is contentious. Sometimes she identifies him as an ally. Sometimes she calls him an enemy. Appealing to Nietzsche's abolition of the appearance reality distinction and to his discussions of women as skeptics, I turn to Ofelia's discussions of the Madres de la Plaza de Mayo to suggest that their protests can be understood as a Nietzschean politics of transvaluation where the myth of the mother and the materialities of women's bodies become the ground of the (...) demand for justice. (shrink)

Hubert and Patricia Dreyfus, commenting on the common theme of Harold Pinter's The Dumbwaiter, The Room, and The Collection, write, "Something savage intrudes into an island of order, suddenly revealing this island's vulnerability demanding a response."1 Written in the late 1950s and early 1960s, these plays may or may not have been intended as commentaries on Hitler's exposé of the West's vulnerability to savagery. Read as such a commentary, however, the allied military victory, the Nuremburg trials, and the United Nations (...) Declaration of Human Rights may be seen as responses that attempt to reestablish the island's order. The military victory relied on science, technology, guns, tanks... (shrink)