This book argues that Augustine assimilated the Stoic theory of perception and mental language (lekta/dicibilia), and that this epistemology underlies his accounts of motivation, affectivity, therapy for the passions, and moral progress. Byers elucidates seminal passages which have long puzzled commentators, such as Confessions 8, City of God 9 and 14, Replies to Simplicianus 1, and obscure sections of the later ‘anti-Pelagian’ works. Tracking the Stoic terminology, Byers analyzes Augustine’s engagement with Cicero, Seneca, Ambrose, Jerome, Origen, and Philo of (...) Alexandria, demonstrating that Augustine appropriated Stoicism with greater sophistication than other religious writers. She also shows how he moved beyond the Stoics by enriching Stoic cognitivism with Platonic motivational theory, arguing that Augustine created a coherent synthesis. This newly discovered Augustinian moral psychology has elements that contemporary philosophers and psychologists have identified as important. (shrink)

This paper offers a partial defence of a Sellarsian-inspired form of scientific realism. It defends the relocation strategy that Sellars adopts in his project of reconciling the manifest and scientific images. It concentrates on defending the causal analysis of perception that is essential to his treatment of sensible qualities. One fundamental metaphysical issue in perception theory concerns the nature of the perceptual relation; it is argued that a philosophical exploration of this issue is continuous with the scientific (...) investigation of perceptual processes. Perception, it is argued, can, and should, be naturalised. A challenge for any account of perception arises from the fact that a subject’s experiences are connected with particular objects. We need to supply principled grounds for identifying which external physical object the subject stands in a perceptual relation to when they have an experience. According to the particularity objection presented in the paper, naive realism does not constitute an independently viable theory since, taken on its own, it is unable to answer the objection. In appealing to a ‘direct experiential relation’, it posits a relation that cannot be identified independently of the underlying causal facts. A proper understanding of one central function of perception, as guiding extended patterns of actions, supports a causal analysis of perception. It allows us to draw up a set of necessary and sufficient conditions for perceiving that avoids well-known counterexamples. An analysis of this kind is congruent with the scientific account, according to which experiences are interpreted as inner states: sensible qualities, such as colours, are in the mind. A Sellarsian version of the relocation story is thus vindicated. (shrink)

On the basis of the graphic convergence between the English « noise » and the French word « la noise » , this article attempts to identify a percept that would be specific to the transgeneric reality of noise music. In order to understand how noise has become a source of aesthetic enjoyment, it revisits the history of recording devices, and proposes a philosophical hypothesis on the type of affect that is nurtured and fostered by those who expose themselves to (...) the noise experience : an ontological-political exploration of « letting-be ». (shrink)

This paper explores the relation between perception, invizibilization and recognizability in the work of Rancière, Honneth and Butler. Recognizability is the term employed here to indicate the perceptual process that necessarily occurs prior to a normative or ethical act of recognition and that provides the conditions that make recognition possible. The notion of recognizability points to the fact that perception is not merely a disinterested surveying of the perceptual field but indicates that it is already evaluative in the (...) sense that others are immediately distinguishable from other objects. When a failure of recognizability occurs, it is not due to the fact that the other has not been seen in a literal sense but instead that she has been intentionally ignored or invisibilized. The suggestion made here is that despite their different approaches, a comparison and dialogue between these three thinkers highlights the importance of this constellation of issues for critical theory. (shrink)

Examen critique de l'ouvrage de J. Benoist: Réalisme contextuel et perception sensible, Paris, Cerf, 2009.

I develop a view of perception that does justice to Price's intuition that all sensory experience acquaints us with sensible qualities like colour and shape. Contrary to the received opinion, I argue that we can respect this intuition while insisting that ordinary perception puts us in direct contact with the mind-independent world. In other words, Price's intuition is compatible with naïve realism. Both hallucinations and ordinary perceptions acquaint us with instances of the same kinds of sensible (...) qualities. While the instances in hallucination are mind-dependent, those in veridical perception are not. The latter are ontologically over-determined —they have their existence guaranteed both in virtue of having a material bearer and in virtue of being perceived by a mind. Such over-determined instances are mind-independent—they can continue to exist unperceived, because, in addition to the minds that perceive them, their existence is guaranteed by the material objects that are their bearers. (shrink)

On nous a habitué, dans les études husserliennes, à traiter de la ques tion du rapport de la phénoménologie des Recherches logiques à Brentano dans la perspective de la critique que Husserl adresse à la théorie immanen tiste de l’intentionnalité dans cet ouvrage*. Mais cette perspective laisse dans l’ombre un enjeu fondamental de la question qui sous-tend les discussions de Husserl dans la § 15 de la cinquième Recherche et dans l’Appendice au deuxième volume de l’ouvrage, à savoir ce que (...) j’appellerai par commodité la thèse du caractère coextensif de la conscience, de l’inten tionnalité et de la pensée. Je voudrais montrer que la critique que Husserl adresse à cette thèse s’appuie sur la distinction introduite dans ses premiers travaux à Halle entre les actes et les contenus sensibles ou contenus pri maires, plus précisément entre deux classes au sein de l’expérience sensible, la première correspondant aux phénomènes psychiques de Brentano, l’autre, qui n’est pas intention nelle, correspond à ce qu’il est maintenant convenu d’appeler la conscience ou l’expérience phénoménale. Pour ce faire, j’exami nerai la critique de la théorie de la perception de Brentano (uniquement celle de sa Psychologie de 1874) dans la première édition des Recherches logiques ainsi que dans un traité sur la perception publié récemment sous le titre de « Abhandlung über Wahrnehmung von 1898 » qui était vraisemblablement destiné à la deuxième série des Re cherches logiques. (shrink)

Everson argues that Aristotle does not think of colours, sounds, as secondary qualities; rather, all sensible qualities for Aristotle are primary qualities. This implies a very ‘direct’ notion of perception; for instance, I see red because my eye undergoes a change, a material alteration that can be fully accounted for in non‐perceptual terms. This alteration differs form non‐perceptual alteration in that it involves awareness. Everson concludes that the textual evidence in both the psychological and physical works supports the (...) literalist reading. (shrink)

Dans la première partie du Théétète de Platon, Socrate propose un tableau des mouvements donnant naissance aux sensations individuelles. Dans le dialogue, ce tableau joue un rôle essentiel pour établir la première définition de la connaissance ( epistēmē ), ainsi que pour la réfuter. La question principale de mon analyse concerne la direction des mouvements de la sensation ( aisthēsis ) et du senti ( aisthēton ) au moment décisif de la génération d’une sensation particulière. J’étudie plus particulièrement les emplois (...) de la préposition πρός, construite avec le génitif en 156d-e et 159d-e. Interpréter correctement cet élément de la description contribue à rendre considérablement plus intelligible le tableau dessiné par Socrate, ainsi que la critique qu’il lui adresse par la suite. (shrink)

A sensible quality is a perceptible property, a property that physical objects (or events) perceptually appear to have. Thus smells, tastes, colors and shapes are sensible qualities. An egg, for example, may smell rotten, taste sour, and look cream and round.1,2 The sensible qualities are not a miscellanous jumble—they form complex structures. Crimson, magenta, and chartreuse are not merely three different shades of color: the first two are more similar than either is to the third. Familiar color (...) spaces or color solids capture, to a greater or lesser extent, these relations between the colors. The same goes for sensible qualities perceived in other modalities: middle C, high C, and D are not merely three different notes, and the taste of lemons, oranges, and sugar cubes are not merely three different tastes. How can this structure of appearance be explained? One idea is that sensible qualities are of two sorts: basic and derived. The basic sensible qualities are the building blocks from which the derived sensible qualities can be.. (shrink)

The proper sensible criterion of sensory individuation holds that senses are individuated by the special kind of sensibles on which they exclusively bear about (colors for sight, sounds for hearing, etc.). H. P. Grice objected to the proper sensibles criterion that it cannot account for the phenomenal difference between feeling and seeing shapes or other common sensibles. That paper advances a novel answer to Grice's objection. Admittedly, the upholder of the proper sensible criterion must bind the proper sensibles (...) –i.e. colors– to the common sensibles –i.e. shapes– so as to account for the visual phenomenal character of shapes. But, as Grice rightly objected, neither association, nor ontological dependence will do –I spend some time isolating why dependence is a bad answer here, basically because the dependence of shape on colors is generic, and that genericity is arguably not part of the phenomenal content of perception. -/- Grice is wrong, however, to think that once association and dependence have been rebutted, there is no other way to attach color to extension. The right way to connect proper and common sensibles is rather trivial, although it seems to have been widely neglected: proper sensibles FILL common ones. To see a shape, by contrast to feeling it, is to perceived as filled by some color. To feel a shape, is to perceive it as, say, filled by pressure. Filling in is the phenomenal connection between proper and common sensibles. -/- One important corollary of that proposal is that proper sensibles –color, pressure, noise, taste...– have to belong to the category of stuffs, in the sense of uncountable entities. Against the widespread view that colors are properties, which have countable instances, the last part of the paper argues that colors are phenomenal stuffs, which fill some visual area. One commits a category mistake in asking: "How many tropes/instances of this determinate redness is there on that ladybird". One should rather ask "How much of this determinate redness is there on that ladybird". (shrink)

The Sensible World and the World of Expression presents the lecture notes for a course taught by Maurice Marleau-Ponty, a central figure of phenomenological philosophy, at a key point in his career.

Dans cet article, nous nous proposons d?établir une analyse comparative entre l?approche de la notion de schéma corporel dans la Phénoménologie de la perception 1 et dans les Cours de Sorbonne , réalisés entre 1949 et 1952, et dédiés, surtout, à la psychologie de l?enfant. Dans la Phénoménologie de la perception , Merleau-Ponty critique le caractère associationiste qui a marqué l?émergence de la notion de schéma corporel dans la neuropsychiatrie au passage du xix e au xx e siècle. (...) Pour le philosophe, le sens vraiment fructueux de ce dispositif repose dans son caractère intentionnel. Merleau-Ponty opère une désubstantialisation de la notion concernée. De représentation ou de no­yau cognitif organisateur de notre expérience corporelle, elle passe à fonction pré-cognitive, expression de la perméabilité des parties de notre corps les unes en relation aux autres, et, également, de la perméabilité du corps au monde et à autrui. Après la Phénoménologie de la perception , cette perméa­bilité sera pensée de plus en plus dans les termes d?une « proximité vertigi­neuse » entre nous et les objets, entre nous et autrui. Le passage, que réalise Merleau-Ponty, de l?idée d?incarnation à la conception de chair commence à être conçu dans la période entre 1945 et 1952, et se nourrit de discussions concernant la corporéité à l?intérieur, principalement, de la psychologie de l?enfant et de la psychanalyse, ainsi. (shrink)

Descartes and Boyle were the most influential proponents of strict mechanist accounts of the physical world, accounts which carried with them a distinction between primary and secondary (or sensible) qualities. For both, the distinction is a piece of natural philosophy. Nevertheless the distinction is quite differently articulated, and, especially, differently grounded in the two thinkers. For Descartes, reasoned reflection reveals to us that bodies must consist in mere extension and its modifications, and that sensible qualities as we conceive (...) of them based on sense perception can pertain only to the mind. Just how we are supposed to arrive at this realization is, this essay will argue, a deep puzzle that brings us to the basic assumptions of Descartes' metaphysics. For Boyle, by contrast, while reflection can reveal the unique explanatory status of mechanism, and, thus, the primary/secondary quality distinction, only experience can confirm its truth. Our central focus will be on Descartes, and on the question: How does he intend to remove the sensible qualities from the physical world, how does he strip them from bodies? I will try to show that Descartes has an argument that he takes to show a priori that sensible qualities cannot be attributed to the material world (as foundational qualities, or, as we conceive of them based on sense experience). The argument fails, however, leaving him with at best a partly empirical case for removing the sensible qualities, based on the purported explanatory success of his physics. (shrink)

Quantum mechanics may be formulated as Sensible Quantum Mechanics (SQM) so that it contains nothing probabilistic except conscious perceptions. Sets of these perceptions can be deterministically realized with measures given by expectation values of positive-operator-valued awareness operators. Ratios of the measures for these sets of perceptions can be interpreted as frequency- type probabilities for many actually existing sets. These probabilities gener- ally cannot be given by the ordinary quantum “probabilities” for a single set of alternatives. Probabilism, or ascribing probabilities (...) to unconscious aspects of the world, may be seen to be an aesthemamorphic myth. (shrink)

The main aim of this paper is to work toward an account of how sensibility and understanding combine in perceptual judgments, with the emphasis on the role of sensibility in both the justification of such judgments and the explanation of how it is possible for them to apply to an objective world. I argue that in themselves sensory intuitions function as (animal level) beliefs about the environment, and that these beliefs have the status of perceptual judgments to the extent to (...) which they are embedded in and engaged with the high-level patterns of consciousness and reasoning characteristic of full-blown human judgment. In terms of this account, sensibility is seamlessly integrated with understanding in perceptual judgments. This does not, however, imply that its contribution to perceptual judgments cannot be separated analytically, for in my terms the basic justification and objective reference of perceptual judgments are directly inherited from the sensory intuitions (functioning as sensory beliefs) which constitute those judgments. I conclude by showing how this account can be used to undermine John McDowell’s claim that any attempt to assign a separable contribution to sensibility cannot avoid the Myth of the Given. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 38.1 (2000) 27-40 [Access article in PDF] Sensible Qualities: The Case of Sound Robert Pasnau University of Colorado 1. Background The Aristotelian tradition distinguishes the familiar five external senses from the less familiar internal senses. Aristotle himself did not in fact use this terminology of 'external' and 'internal,' but the division became common in the work of Arab and Hebrew philosophers, and (...) in the Latin West the distinction is taken for granted.1 I am going to put to one side the obscurities involved in the various internal senses of phantasia, imagination, memory, etc.; I will instead focus on the external senses. These five external senses—sight, hearing, smell, taste, touch—have their familiar counterparts in the external world: color, sound, odor, flavor, and the various tangible qualities. (The tangible qualities, unfortunately, resist being reduced to a single genus, and are typically listed as hot and cold, wet and dry, etc., where this etc. stands in for the complete list that one might or might not be able to give.2 ) These sensibilia (I will simply speak of sensibles) were known as the proper or special objects of the external senses.In addition to these proper objects, the senses were taken to have five common objects—size, shape, number, motion, rest—and also an unlimited variety of incidental objects, the per accidens sensibles—Coriscus, one's enemy, a horse race, etc. These per accidens sensibles are in a way the most interesting and important sense objects of all. They are interesting, first, inasmuch as one of the hardest and most interesting problems about perception is the problem of seeing as, which seems to be precisely the phenomenon at issue [End Page 27] here. They are important, also, inasmuch as genuine perception, as we now think of it, almost always involves the perception of something sensible per accidens. Our everyday sensory experiences revolve around the experience of seeing objects of certain kinds. We can of course step back and decide that what we are really seeing is colors and shapes. But that is not how we ordinarily see things.Despite their interest and importance, I want to put aside these per accidens sensibles, and focus instead on the common and proper sensibles, both of which Aristotle described as sensible per se (kath' hauta). In his classic statement on the objects of sensation, at De anima II 6, 418a7-25, Aristotle suggests that the grounds for distinguishing the per se from the per accidens are that the former sensibles are capable in their own right of making an impression on the senses. Color itself affects the external senses, and so does size. Coriscus, however, considered as Coriscus, does no such thing. He affects the senses only inasmuch as he is colored, perfumed, etc.3 To focus on the per se sensibles, then, is to focus on those things in the world that are suited to make impressions on the external senses.Why are some such sensibles proper, whereas others are common? The well-known rule of thumb here, reflected in how we refer to these sensibles, is that each proper sensible can be perceived by only one of the external senses. The common sensibles are those per se sensibles that fail this test. (Note that, of the common sensibles, only number, movement and rest are truly common to all five of the senses; shape and size are perceptible only by touch and sight.4 ) It is not clear, however, that this is the appropriate criterion for distinguishing the proper from the common sensibles. Albert the Great, for instance, argues that a proper sensible must meet three tests: (1) It is sensed by only one sense; (2) this sense is not capable of error with respect to it; and (3) the organ of this sense is naturally suited to be affected by it alone.5 The last of these tests is problematic, however, for at least two reasons. First, it is problematic for touch, given that the tangible qualities resist being reduced to a single genus. Second, more seriously... (shrink)

Dopo uno sguardo generale alla dottrina dell'anima nel tardo neoplatonismo e alla tradizione dei commentari al De anima di Aristotele, l'A. esamina il tema della sensazione, della sensazione comune, dei sensibili comuni e della coscienza soprattutto in Simplicio, Prisciano e Filopono. L'A. propone inoltre un esame critico dello studio di P. Lautner Rival Theories of Self-Awareness in Late Neoplatonism in «Bullettin of the Institute of Classical Studies of the University of London» 29 107-16. L'ultima parte del saggio è centrata sul (...) commento dello Pseudo-Filopono al De anima relativamente al tema della sensazione comune. (shrink)

This paper discusses the role of innate concepts derived from Intellect in Plotinus’ account of cognition of the sensible realm. Several passages have been claimed as evidence for such innateness, but an analysis of them shows that they do not support this claim. It is tentatively suggested that, nevertheless, some very general concepts such as difference, sameness and being are integral to the faculty of sense and play a crucial role in concept formation. It is further argued that reasoning (...) about the sensible realm takes place to a large extent without the involvement of the higher realms of Plotinus’ hierarchy of being. Clearly, however, for value concepts such as those of goodness, justice and beauty human beings are dependent upon an illumination from Intellect. (shrink)

ABSTRACT Whether explicitly or implicitly, Kant's critical project weighs heavily upon Merleau-Ponty's Phenomenology of Perception. This article argues that we can understand Merleau-Ponty's text as a phenomenological rewriting of the Critique of Pure Reason from within the paradoxical structures of lived experience, effectively merging Kant's Transcendental Aesthetic and Transcendental Analytic. Although he was influenced by Husserl's and Heidegger's interpretations of Kant's first version of the Transcendental Deduction, Merleau-Ponty develops a unique position between Kant, Husserl, and Heidegger via an embodied (...) and lived synthesis that collapses Kant's distinction between sensibility and the understanding, and that makes sense of temporality and subjectivity as a paradoxical trajectory. (shrink)

I reply to comments on my book Perception (Routledge 2021) by Umrao Sethi, Jeff Speaks and Brian Cutter. Sethi objects to my representational view of perception on the ground that that having an experience of a color or shape can enable you to know what that color or shape is like only if it is actually present in the experience. Speaks has a very interesting discussion of my puzzle of the laws of appearance for the representational view. And (...) Cutter asks what I have against 'neural sense datum theory'. In my responses, I try to take the discussion forward. At the end, I develop a new argument against reductive physicalist theories of sensible qualities. (shrink)

The problems of perception feature centrally in work within what we now think of as different traditions of philosophy in the early part of the twentieth century, most notably in the sense-datum theories of early analytic philosophy together with the vigorous responses to them over the next forty years, but equally in the discussions of pre-reflective consciousness of the world characteristic of German and French phenomenologists. In the English-speaking world one might mark the beginning of the period with Russell’s (...) The Problems of Philosophy (Russell 1912) and its nemesis in Austin’s Sense and Sensibilia (Austin 1962 – published posthumously, but given originally as lectures at the end of our period in 1947). On the continent, a corresponding route takes us from Husserl’s Logical Investigations (Husserl 1900/1) to Merleau-Ponty’s Phenomenology of Perception.. (shrink)

One of the most important objections to sense data theory comes from the phenomenon of indeterminate perception, as when an object in the periphery of one’s visual field looks red without looking to have any determinate shade of red. As sense data are supposed to have precisely the properties that sensibly appear to us, sense data theory evidently has the implausible consequence that a sense datum can have a determinable property without having any of its determinates. In this article, (...) I show that a parallel objection applies to standard forms of colour relationism. In light of the phenomenon of indeterminate perception, the colour relationist must either reject intuitively obvious claims about the determinate–determinable structure of colour space or reject the plausible and widely accepted principle that nothing can have a determinable without having one of its determinates. (shrink)

Qu'est-ce que la perception? Par elle, que nous disent les sens du monde, de l'autre et de nous-mêmes? Rien! Les sens sont muets. Ils n'ont rien à nous dire! Telle est la réponse de Jocelyn Benoist. Il est essentiel, pourtant, que nous puissions en parler. Seulement c'est nous qui parlons, non eux. Et si, voulant faire droit à la réalité de notre expérience sensible. nous commencions par renoncer à la traiter d'abord comme un discours? Le mutisme des sens (...) demeure traversé de bruits. Jocelyn Benoist, envers et contre un certain traitement philosophique de la perception - qui la confond avec la connaissance que nous pouvons en tirer ou le sens que nous pouvons lui donner -, nous invite à écouter en elle le bruissement du sensible. Selon lui, pour rendre celui-ci pleinement audible. il faut congédier ce que la philosophie aujourd'hui appelle le "problème de la perception" et, peut-être, renoncer au concept même de "perception" tel que nous l'héritons de la philosophie moderne, au profit d'une enquête sur la texture réelle et poétique du sensible. (shrink)

There is a straightforward view of perception that has not received adequate consideration because it requires us to rethink basic assumptions about the objects of perception. In this paper, I develop a novel account of these objects—the sensible qualities—which makes room for the straightforward view. I defend two primary claims. First, I argue that qualities like color and shape are “ontologically flexible” kinds. That is, their real definitions allow for both physical objects and mental entities to be (...) colored or shaped. Second, a single instance of these qualities can be attributed to more than one entity. Just as we attribute the same instance of a material property to a statue and to the clay that constitutes it, single instances of sensible qualities should be attributed both to the physical objects perceived and to the perceptual states that have those instances as their objects. (shrink)

Moral perceptualism is the view that perceptual experience is attuned to pick up on moral features in our environment, just as it is attuned to pick up on mundane features of an environment like textures, shapes, colors, pitches, and timbres. One important family of views that incorporate moral perception are those of virtue theorists and sensibility theorists. On these views, one central ability of the virtuous agent is her sensitivity to morally relevant features of situations, where this sensitivity is (...) often spoken of in perceptual terms. However, sensibility theorists have often not been careful to specify how to understand their claims about moral sensibilities as perceptual. In this paper, we distinguish between what we call Attentional Moral Perception and Contentful Moral Perception. We argue that sensibility theorists should endorse Attentional Moral Perception, because it has very powerful empirical evidence in its favor, and it can play all of the explanatory roles that the sensibility theorist needs in her theory of moral sensibilities. (shrink)

Merleau-Ponty's ontology of the sensible is fueled by his reading of Proust. The sensible is a call to expression. The literature responds to this call. Contemplation on the sensible and on speech focuses on the philosophical meaning of writing and on the literary dimension of philosophy.

I argue for three main claims about Leibniz. (1) He views representation as a kind of structural correspondence between the representing thing and its target. (2) The primary sense in which he considers a perception or representation distinct, as opposed to confused, concerns the degree to which its structure is explicit or consciously accessible. (3) This is also the sense in which he takes concepts or ideas to be distinct.

Phenomenologist Dietrich von Hildebrand argues that many properties of the material world only exist in relation to persons, that sense perception is not merely a bodily act, but a properly spiritual, personal act, and that our highest act is not purely intellectual but involves bodily sense perception. By his own assertion, his philosophy must be understood in the context of the Catholic philosophical tradition; here, I consider his account of the material world and of sense perception in (...) comparison to two strands of the Aristotelian tradition in Catholic philosophy, represented by Thomas Aquinas and Gregory Palamas. I show how von Hildebrand’s views on the material world and sense perception can be better understood, their phenomenological bases defended, and their deficiencies corrected, by drawing on the notion of energeiai from Palamas’ thought, and of participation and obediential potency from Aquinas’ thought. (shrink)

There is a long and distinguished tradition in philosophy and psychology according to which the mind’s fundamental, foundational connection to the world is made by connecting perceptually to features of objects. On this picture, which we’ll call feature prioritarianism, minds like ours first make contact with the colors, shapes, and sizes of distal items, and then, only on the basis of the representations so obtained, build up representations of the objects that bear these features. The feature priority view maintains, then, (...) that our perception/knowledge of objects asymmetrically depends on our perception/knowledge of simple features. This paper has two aims. First, we will present evidence, drawn from a variety of perceptual effects, that feature prioritarianism cannot be true, since there are cases that speak against the priority of feature representations in perceptual processing. Instead, we claim that the evidence supports an alternative —-and more complex—- no-priority view. Second, we will offer a framework for a no-priority view that both captures the cases we cite and provides a more sensible architecture in which to understand a variety of productive projects in perceptual science, and show how the framework cross-cuts some recent discussions in philosophy of perception. (shrink)

In recent philosophy it has been much disputed whether the content of perception is conceptual or not. This paper advocates the view that it is trivial to say that the content of perception is conceptual, if one considers perception in its mere epistemic significance. In this regard, the concept of perception is indeed completely determined by the idea of the object of perception. The concept of perception, however, is bi-dimensional. Perception, certainly, is essentially (...) intentional. However, a certain reality plays an essential part in it: the one of the sensible being that can be determined thus or thus in a perception, but that, as sensible reality, nevertheless remains as it is. Gestalt Theory can be interpreted as an exploration of one side of this reality, insofar as it has to do with something other than the intentionality of perception: i.e. with those structures of the perceivable thing that make it perceivable. In perception, the reality of the sensible element and the unreality of content should be logically distinguished. Thus, to open a new, non-epistemic dimension for perceptual realism, is possible. (shrink)

My paper sets out to compare neuroaesthetics and transcendental philosophy, concerning the perception of schemes of imitation in aesthetic experience. The argument is structured in four steps: first, I will introduce the function of schemes in mirror-neuron-based processes and in general in the embodiment theory of Mark Johnson and George Lakoff; second, I will consider some analogical relations between a transcendental approach and neuroaesthetics concerning semantics; third, starting with the statement that one open question in neuroaesthetics is how creativity (...) emerges, I would like to propose a transcendental account about sensible schemes as a possible foundation of creativity. I will conclude my paper with some examples from visual arts and aesthetic practices in general. (shrink)

L'actualité d'un livre aussi significatif dans le parcours philosophique d'un auteur que Le bruit du sensible est souvent prétexte à interroger la place qu'occupe une pensée dans la vie intellectuelle contemporaine. À ce titre, l'œuvre de Jocelyn Benoist est particulièrement éloquente d'un questionnement qui, venu de la phénoménologie, s'est peu à peu ouvert à des enjeux qui excèdent le registre phénoménologique, voire qui le désertent avec fidélité, c'est-à-dire avec un esprit critique, vigoureux, et d'une extraordinaire fécondité. Jocelyn Benoist nous (...) mène sur la voie d'un chemin sans retour en direction du sensible. Le sensible découvert comme dimension à part entière de la réalité elle-même (et non de notre rapport à la réalité), autrement dit de notre appartenance de plain-pied à la réalité, dont une certaine philosophie a pu croire que nous en étions séparés et qu'il nous fallait, par le biais de la perception, y accéder. Tel est le bruit du sensible, celui d'un être à part entière, et non plus d'un apparaître distinct de l'être servant de sas d'accès intentionnel ou conceptuel à celui-ci. Les contributions réunies dans le présent volume se veulent apporter un contrepoint à cette résonance équivoque et tentent de cerner au plus près ce que Jocelyn Benoist entend substituer au sens perceptuel de la phénoménologie, à savoir la notion de bruit. (shrink)

ABSTRACT On the traditional picture, accidents must inhere in substances in order to exist. Berkeley famously argues that a particular class of accidents—the sensible qualities—are mere ideas—entities that depend for their existence on minds. To defend this view, Berkeley provides us with an elegant alternative to the traditional framework: sensible qualities depend on a mind, not in virtue of inhering in it, but in virtue of being perceived by it. This metaphysical insight, once correctly understood, gives us the (...) resources to solve a central problem that still plagues the philosophy of perception—the problem of how, given the power of the mind to create phenomenally rich experiences, ordinary perception can nonetheless be said to acquaint us with the mind-independent world. (shrink)

_The Universal_ proposes a radically new philosophical system that moves from ontology to ethics. Drawing on the work of De Beauvoir, Sartre, and Le Doeuff, among others, and addressing a range of topics from the Asian sex trade to late capitalism, quantum gravity, and Merleau-Ponty's views on cinema, Dorothea Olkowski stretches the mathematical, political, epistemological, and aesthetic limits of continental philosophy and introduces a new perspective on political structures. Straddling a course between formalism and conventionalism, Olkowski develops the concept of (...) an ontological unconscious that arises from our "sensible" relation to the world-the information we absorb and emit that affects our encounters with the environment and others. In this "realm of the senses," or the field of vulnerability defined by our experience with pleasure and pain, Olkowski is able to rethink the space-time relations put forth by Irigaray's notion of the "interval," Bergson's "recollection," Merleau-Ponty's idea of the "flesh," and Deleuze's "plane of immanence." This aesthetic sense is shared by all humankind and nonhuman entities in the organic and inorganic world. The sensible universal can be applied to categories of pure and practical reason; experiential binaries of male-female and subject-object; and issues of autonomy, moral laws, and the regulation of perception. (shrink)

Introduction: Return to the obvious -- Perception -- Language -- Ontology of the visible -- Conclusion: Toward dia-phenomenology.

Leibniz has been accused of being ambivalent about the nature of sensible qualities such as color, heat, and sound. According to the critics, he unwittingly vacillates between the view that these qualities are really just complex mechanical qualities of bodies and the competing view that they are something like the perceptions or experiences that confusedly represent these mechanical qualities. Against this, I argue that the evidence for ascribing the first approach to Leibniz is rather strong, whereas the evidence for (...) imputing the second approach to him is rather weak. The first, "mechanistic" approach should therefore be regarded as his considered view. (shrink)

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This paper defends a non-reductive realist view of the sensible qualities—roughly, the view that the sensible qualities are really instantiated by the external objects of perception, and not reducible to response-independent physical properties or response-dependent relational properties. I begin by clarifying and motivating the non-reductive realist view. I then consider some familiar difficulties for the view. Addressing these difficulties leads to the development and defence of a general theory, inspired by Russellian Monist theories of consciousness, of how (...) the sensible qualities relate to physical reality. I conclude by showing how this theory, which I call ‘Secondary Quality Russellian Monism’, resolves the most significant difficulties for the non-reductive realist view of the sensible qualities. (shrink)

In order to secure the limits of the critical use of reason, and to succeed in the critique of speculative metaphysics, Immanuel Kant (1724–1804) had to present a full account of human cognitive experience. Perception in Kant’s Model of Experience is a detailed investigation of this aspect of Kant’s grand enterprise with a special focus: perception. The overarching goal is to understand this common phenomenon both in itself and as the key to understanding Kant’s views of experience. In (...) the process, the author argues against any such reading of Kant that puts too much emphasis on concepts and understanding in perception. This means that claims of the sort that intuitions cannot play their role without concepts, that sensibility cannot bring anything to cognition without being mediated through the functions of understanding, or that there is no such thing as concept-independent perception, are shown to be either plainly false or misleading at best. Together with the contemporary topics examined by the end of the book, the findings suggest how the role of conceptual thinking in human cognition has been exaggerated partly because of a misplaced interpretation of Kant, which not only makes perception far more intellectual in character than what was intended by Kant himself, but distorts Kant’s account of cognition by overlooking what there is at the heart of his critical philosophy: the revaluation of sensible cognition. (shrink)

A popular idea at present is that emotions are perceptions of values. Most defenders of this idea have interpreted it as the perceptual thesis that emotions present (rather than merely represent) evaluative states of affairs in the way sensory experiences present us with sensible aspects of the world. We argue against the perceptual thesis. We show that the phenomenology of emotions is compatible with the fact that the evaluative aspect of apparent emotional contents has been incorporated from outside. We (...) then deal with the only two views that can make sense of the perceptual thesis. On the response–dependence view, emotional experiences present evaluative responsedependent properties (being fearsome, being disgusting, etc.) in the way visual experiences present response-dependent properties such as colors. On the response–independence view, emotional experiences present evaluative response-independent properties (being dangerous, being indigestible, etc.), conceived as ‘Gestalten’ independent of emotional feelings themselves. We show that neither view can make plausible the idea that emotions present values as such, i.e., in an open and transparent way. If emotions have apparent evaluative contents, this is in fact due to evaluative enrichments of the non-evaluative presentational contents of emotions. (shrink)

One striking oddity about Democritus and Epicurus is that, even though Epicurus' theory of perception is largely the same as that of Democritus, Democritus and his followers draw skeptical conclusions from this theory of perception, whereas Epicurus declares that all perceptions are true or real. I believe that the dispute between Democritus and Epicurus stems from a question over what sort of ontological status should be assigned to sensible qualities. In this paper, I address three questions: 1) (...) Why were Democritus and his followers skeptical? 2) How did Epicurus modify Democritus' metaphysics in order to avoid these skeptical conclusions? and 3) How successful was he? -/- 1) I argue that Democritus allows only the intrinsic properties of atoms into his ontology, and then runs into skeptical difficulties because of the relativity of perception. 2) I propose that Epicurus modifies Democritus' ontology by allowing dispositional and relational properties as real properties of bodies. Sensible qualities are conceptualized as dispositional properties of bodies to cause certain experiences in percipients. 3) I argue that Epicurus does not run into the same problems as Democritus. Finally, I consider how my interpretation of Epicurus' ontology helps to make sense of his claim that all perceptions are alethes--'true' or 'real.'. (shrink)