Dans cet entretien, Daniel Cohn-Bendit déplore l’atonie de la gauche française qui n’a pas voulu, lors de ces élections, réunir ses composantes sociale, écologiste et réformiste derrière Raphaël Glucksman autour d’un projet européen prônant la fédéralisation de l’UE. Or, cette unité est indispensable pour penser les États-Unis d’Europe face à trois insécurités majeures : la Covid, la guerre en Ukraine et le délabrement de la planète. Il s’agit de traiter ces trois insécurités ne même temps sans sacrifier (...) l’objectif écologique. Par quels moyens? Ce pourrait être par un grand emprunt européen garanti par la puissance du marché de ses 460 millions d’habitants ou par la création de partis transnationaux européens. Le navire Europe a encore du chemin à parcourir. Il flotte mais ne coule pas. (shrink)

In this interview, Dany Cohn-Rendit and Yann Moulier Boutang survey a number of questions in reaction to the last phase of activity of the European Convention: although unavoidably disappointing, the Convention, along with the war in Iraq, provides an opportunity to foster the development of a European public sphere. The discussion revolves around the economic, fiscal, institutional and social means Europe needs to give itself in order to promote the constitution of a truly multi-polar world.

“Bajo los adoquines la playa...”Símbolo de Mayo del 68. Se lucha, se vive, siempre hay esperanzas de una sociedad más libre, más lúdica. La historia de tantos jóvenes que prefirieron el abrazo confortable del asfalto, y otros tantos que siguieron soñando con la arena, no claudicando en su rebeldía y en la construcción de una contra-cultura.Daniel Cohn-Bendit, el líder del movimiento 22 de marzo de 1968, que colocó en jaque al gobierno de De Gaulle y desató la (...) explosión juvenil mundial más im.. (shrink)

The boundaries, openness and character of the future European society will crucially depend on the degree and scope of identity politics. Religion, culture and nationality remain strong reference frameworks for individuals in their inter-personal but also political relations and tend, in practice, to favour weak rather than strong forms of citizenship. Whether this is a viable model for large and diverse democratic societies is an old debate known primarily from the discussions and theory on multiculturalism. How this debate is played (...) out at European level and especially with respect to the role of religion is illustrated with reference to the ideas of Daniel Cohn-Bendit and Tariq Ramadan, two well-known public figures with a strong commitment to Europe and European identity, albeit from rather different perspectives and outlooks. At the substantive or philosophical level, it appears impossible to resolve the fundamental questions underlying the opposition between liberalism and communitarianism as represented by the two men. The usefulness of a middle-range pragmatic approach insofar as political solutions or societal compromises are concerned is scrutinized for its usefulness. (shrink)

Question: Where, when and under what circumstances did the two of you get to know each other?Fischer: It was in the early seventies, in Frankfurt, after the dissolution of the gauche proletarienne and while there were still leftist groups in Germany. It must have been 1972. Question: Was that a private visit?Glucksmann: We had private discussions. We also participated in rallies and demonstrations.Question: That was in the late phase of the student movement.Fischer: We kept in contact through my old room-mate, (...) Daniel Cohn-Bendit. He was our link to France, so to speak.Question: And was this the link between the French and the German Left that existed then? (shrink)

La télévision est un fantasme. Au sens étymologique du mot phantasma : une apparition, une vision, une image, un ectoplasme, un fantôme. Par la magie des ondes et des flux électriques, des choses et des gens (qui ne sont vraiment ni des choses ni des gens) apparaissent chez moi, dans mon espace privé. Lars von Trier, Thom Yorke, Cate Blanchett, le Président, Daniel Cohn-Bendit viennent dans mon salon pour discuter de leur dernier film, de leur prochain album, (...) de leur carrière, ou de l'avenir du pays. Chez moi, sans que j'aie besoin ni de me déplacer, ni de faire la queue, ni d'acheter un billet. Dorénavant, ils viennent même à l'heure qui me convient (et sans publicité). Et bientôt, ils pourront se promener avec moi, à la campagne, dans la rue, dans le métro. La télévision est un énorme fantasme, multiforme et en voie d'ubiquité. (shrink)

The author, referring in particular to Jonas Cohn’s Theorie der Dialektik, interprets Hegel’s dialectic in the light of the Aristotelian principle of the priority of actuality over potentiality. The principle finds application especially in the field of the Hegelian conception of the history of philosophy, which is thought from the point of view of Absolute Knowledge as actuality of the Spirit. In this regard the main issue is to understand the nature of the limitations that Spirit encounters on the (...) way of the actualization of its potentialities. The most extreme form of limitation is contradiction, which historically is given in the form of conflict between philosophical doctrines. Some philosophers, like Kant, sees limitation as intrinsic to cognitive activity. According to Hegel, the thought of limitation is contradictory, since it presupposes the thought of what lies beyond the limit. (shrink)

Most of the world's religions hold a belief in some form of life after death. The editors of this major anthology seek a global perspective on the importance of these beliefs, based on religion, psychical research, and the natural sciences. Eleven chapters explore the afterlife teachings of religions around the world. In order to emphasize the diversity beliefs - even across particular belief systems - some contributors write from within the traditions, while others offer critical and alternate views. The chapters (...) cover afterlife beliefs in African religions, Judaism, Christianity, Islam, Hinduism, and Buddhism while raising a number of important questions. Is a belief in an afterlife necessary to provide meaning to the here and now? Can science provide the means of affirming such beliefs? A further four contributions address these questions directly, and critique the belief systems from the perspectives of philosophy and psychical research. The final chapter highlights the importance of research into states of consciousness during near-death and other mystical experiences. Taken as a whole, the book constitutes the most valuable resource on the subject to date. The editors conclude that in some respects, a global perspective does emerge - particularly that human beings are more than just our bodies, but are "composed of a physical and nonphysical element." The contributors are all prominent international scholars, including Kofi Asare Opoku, Daniel Cohn-Sherbok, Thomas McGowan, Sulayman S. Nyang, Salih Tug, Mariasusai Dhavamony, R. Balasubramanian, Saeng Chandra-Ngarm, Bruce R. Reichenbach, Antony Flew, Arthur S. Berger, David Lorimer, and the editors themselves. (shrink)

There has recently been a focus on the question of statue removalism. This concerns what to do with public history statues that honour or otherwise celebrate ethically bad historical figures. The specific wrongs of these statues have been understood in terms of derogatory speech, inapt honours, or supporting bad ideologies. In this paper I understand these bad public history statues as history, and identify a distinctive class of public history-specific wrongs. Specifically, public history plays an important identity-shaping role, and bad (...) public history can commit specifically ontic injustice. Understanding bad public history in terms of ontic injustice helps understand not just to address bad public history statues, but also understand the value of public history more broadly. (shrink)

Journal of Applied Philosophy, EarlyView.

In this article, I argue that that the primary goal of statues honouring public figures is to create and shape a collective identity. The way that these statues further the goal of identity is not by holding up the subjects of the statues as admirable but rather by asserting that the subjects were in some way objectively important and central to some group surrounding the statue. I will look at the defences for keeping statues of and awards named after John (...) A. Macdonald and show that the primary concern is not with defending the character of Macdonald but rather that removing him is ‘erasing history’. These defences are not about defending Macdonald as a person but rather defending a conception of the Canadian identity that requires Macdonald play a central role. Against these defences of Macdonald, I show that the ‘objective history’ case for him and other such similar figures fails. In the particular case of Macdonald, it fails because he was actually not that important for Canadian history. In the general case of negative public figures, I provide a short defence of how group identities are not static and not unchangeably rooted in a single historically based articulation. (shrink)

The view we defend is that in virtue of its nature, disgust is not fit to do any moral or social work whatsoever, and that there are no defensible uses for disgust in legal or political institutions. We first describe our favoured empirical theory of the nature of disgust. Turning from descriptive to normative issues, we address the best arguments in favour of granting disgust the power to justify certain judgements, and to serve as a social tool, respectively. Daniel (...) Kahan advances a pair of theses that suggest disgust is indispensable (Moral Indispensability Thesis), and so has an important part to play in the functioning of a just, well-ordered society (Conservation Thesis). We develop responses and show how they rebut the arguments given in support of each thesis. We conclude that any society free of social disgust would be more just, reasonable and compassionate. (shrink)

Daniel Breazeale presents a critical study of the early philosophy of J. G. Fichte, and the version of the Wissenschaftslehre that Fichte developed between 1794 and 1799. He examines what Fichte was trying to accomplish and how he proposed to do so, and explores the difficulties implicit in his project and his strategies for overcoming them.

Does trust play a significant role in the appreciation of art? If so, how does it operate? We argue that it does, and that the mechanics of trust operate both at a general and a particular level. After outlining the general notion of ‘art-trust’—the notion sketched is consistent with most notions of trust on the market—and considering certain objections to the model proposed, we consider specific examples to show in some detail that the experience of works of art, and the (...) attribution of art-relevant properties or characterisations to works of art, very often involves the notion of trust; in such cases—perhaps most or even, implicitly, all—the question ‘Do I trust the artist (or art-maker)?’, is inescapable. (shrink)

ABSTRACT This article advances a novel way of understanding humor and stand-up comedy. I propose that the relationship between the comedian and her audience is understood by way of trust, where the comedian requires the trust of her audience for her humor to succeed. The comedian may hold the trust of the audience in two domains. She may be trusted as to the form of the humor, such as whether she is joking. She may also be trusted as to the (...) content of the joke. This approach has two distinct virtues. The first is that it makes sense of partial successes. These are cases where the humor neither completely succeeds nor fails because the audience does not fully trust the comedian. The second is that it explains intuitions about ethically dubious humor and why certain classes of humor, especially those dealing in racialized and gendered identities, are more readily accepted from humorists of those identities. (shrink)

Most of us spend our lives striving for happiness. But what is it? How important is it? How can we (and should we) pursue it? In this Very Short Introduction Dan Haybron provides a comprehensive look at the nature of happiness. By using examples, Haybron considers how we measure happiness, what makes us happy, and considers its subjective nature.

Since their publication, the Muhammad cartoons featured in Jyllands Posten and Charlie Hebdo have become a symbol of free speech and Western values. These cartoons used provocation as a tool to discuss the limits of free speech and the scope of social self-censorship. In a just society, should the possibility of laughter be distributed equally? Should cartoonists and editors only publish jokes that are universally laughable? What is the proper reaction to these kinds of provocative jokes once the possibility of (...) censorship is ruled out in a liberal context? Is counterspeech or even cancellation a legitimate response? (shrink)

We point out some concepts that appear rather frequently in physics discussions, which, despite a seemingly innocent initial appearance, turn out to have important implicit implications that put into question the very assumption of their meaningfulness. The message of this essay is that, in order to avoid the ensuing confusions, their usage should be accompanied with clarifications that make them meaningful, and then to confront the often uncomfortable underlying assumptions required to do so. In particular, we will visit the notions (...) of novel physics occurring at a certain energy scale, or at certain distance from a black hole’s event horizon, and the various meanings of the word “fluctuations”. (shrink)

Příspěvek si klade dvojí cíl. V prvé řadě je jeho záměrem vyzdvihnout přínos monografie O revoluci pro celek myšlení Hannah Arendtové. Především pak nabízí interpretaci klíčového oddílu knihy, v němž spočívá vlastní jádro arendtovského návrhu „nové politické vědy“. Ústředním pro politický řád se ukazuje být rozdíl mezi pramenem moci a pramenem autority, která politickému řádu propůjčuje stabilitu. Příspěvek dokládá, že Arendtová v zakladatelském aktu politického společenství spatřuje dva „bludné kruhy“ – bludný kruh legitimity moci a bludný kruh legitimity zákonů. Zatímco (...) s prvním bludným kruhem si zdařilá americká revoluce věděla rady, druhý bludný kruh, který odkazuje k potřebě autority sankcionující pozitivní zákonodárství, ji uvedl do teoretických obtíží. Stať ukazuje, že Arendtová sama důsledně trvá na možnosti nalézt pramen autority výhradně v prostoru politického jednání. (shrink)

Kunst schaffen -- Kunst rahmen -- Birgit Spalts reflektierende Urteilskraft -- Kunst einordnen -- Kunst: immanent.

The topic of my dissertation is satire. This seems to excite many people, and over the past four years I have heard many variations of a similar refrain: “Oh, wow. You’re studying satire? That’s very topical. You must have a lot of material to work with.” There is a way in which this is true, though I suspect in a way that diverges from the way that most of my interlocutors believed. I suspect that the material they imagined me to (...) be working with was the output of Donald Trump, first a candidate for and now holder of the office of President of the United States. That is not the material I find interesting. More interesting to me is their statement. It evinces a number of beliefs that I find interesting, chief among them that Trump makes the current period particularly apt for satire, as if a doddery and incompetent ruling class is somehow a recent phenomenon. And I suspect that underneath this belief in the aptness of satire is a belief in the power of satire. Satire is somehow how people are going to strike back at the vice-governed fools who rule us. Those beliefs are the material I want to work with. This is my interest in satire, then: not so much what it is about satire that makes it powerful, but what is it about satire that makes people think it is powerful? And what is it about satire that makes people think it is powerful when there is pretty powerful evidence that it is not? Unfortunately, here is where I run into the problem that in a very important way I do not have a lot of material to work with. There is not an awful lot on satire within the analytic tradition: outside of a few references to satire, analytic discussions of satire are limited to two short articles. Accordingly, I have taken the task of my dissertation to be to create an account of satire that helps to bring forward why satire is a thing that people can imagine to be powerful, that they can imagine to be politically effective. My dissertation will effectively have two halves, one where I build my account and one where I begin to apply it. The purpose of applying my account, which will comprise the final two chapters, will not be to show its implications so much as how it can be used. My goal will not so much be to give definitive answers about the nature of satire, but rather to give a demonstration of how my account facilitates engaging questions about the role of satire in social and political context. (shrink)

Philosophical accounts of humour standardly account for humour in terms of what happens within a person. On these internalist accounts, humour is to be understood in terms of cognition, perception, and sensation. These accounts, while valuable, are poorly-situated to engage the social functions of humour. They have difficulty engaging why we value humour, why we use it define ourselves and our friendships, and why it may be essential to our self-esteem. In opposition to these internal accounts, I offer a social (...) account of humour. This account approaches humour as a social practice. It foregrounds laughter and participation, and thereby gives an account of humour that helps to understand why we value humour, why we use it as we do, and why we use it to define our relationship to the world. (shrink)

In naturalistic settings, great apes exhibit impressive social intelligence. Despite this, experimental findings are equivocal about the extent to which they are aware of other minds. At the high level, there is only negative evidence that chimpanzees and orangutans understand the concept of belief, even when simplified non-verbal versions of the ‘location change’ false belief test are used (Call & Tomasello, 1999). More remarkably, even the evidence that they are aware of simpler mental states – such as seeing – is (...) equivocal and ‘decidedly mixed’ (Call & Tomasello 2005, p. 61). At best, there appear to be signature limits to simian capacities in this regard. In addition, there exists a range of proposals about what lies behind their particular form of social intelligence. Within the cognitivist camp, these range from positing a Naïve, Weak, or Minimal Theory of Mind (Bogdan 2009, Tomasello, Call and Hare 2003, Apperly and Butterfill 2009); Perceptual Mindreading (Bermúdez 2009); an Early Mindreading System (Nichols and Stich 2003); or a Theory of Behaviour (Povinelli and Vonk 2004). -/- In line with this experimental evidence, this contribution motivates a different explanatory possibility. It defends the view that the basic ways that apes and humans (both children and adults) engage with other minds is emotionally charged, enactive and non-representational. If true, this would be important for thinking about the moral status of animals capable of such mind minding. This is not only because it would identify an important cross species commonality, but also especially because it would promote the importance of non-cognitive aspects of such engagements. For example, it is at odds with the idea that having a ‘theory of mind’ is required for being phenomenally conscious (Carruthers 2000, 2005). (shrink)

An expanded version of the theory of traditional referentiality suggests that the ambiguous glowing eyes of Iliad 1.200 are Achilles', not Athena's. The image "glowing eyes" bifurcates into two syntactic groups, a verb group and an adjective group, with different connotations. The verb group is associated with enraged mortals; the adjective group, vision and the divine. This division suggests that the verbally glowing eyes in Iliad 1.200 belong to Achilles and express his fury. Yet, colored by the adjective group, they (...) also imply Achilles' tragedy by indexing his vision, semi-divinity, and vitality at the moment when he seals his doom. (shrink)