Despite claims about the end of history and the death of cinema, visual media continue to contribute to our understanding of history and history-making. In this book, Marcia Landy argues that rethinking history and memory must take into account shifting conceptions of visual and aural technologies. With the assistance of thinkers such as Gilles Deleuze and Félix Guattari, Cinema and Counter-History examines writings and films that challenge prevailing notions of history in order to explore the philosophic, aesthetic, and (...) political stakes of activating the past. Marshaling evidence across European, African, and Asian cinema, Landy engages in a counter-historical project that calls into question the certainty of visual representations and unmoors notions of a history firmly anchored in truth. (shrink)

David Sterritt _The Films of Jean-Luc Godard: Seeing the Invisible_ Cambridge: Cambridge University Press, 1999 ISBN 0521580382 (hb) 0521589711 (pb) 297 pp.

Giuliana Bruno _Atlas of Emotion: Journeys in Art, Architecture, and Film_ London: Verso, 2002 ISBN 1859848028 484 pp.

The European Legacy, Volume 17, Issue 4, Page 560-561, July 2012.

Marcia Landy 'Godard: Thinking Media' _Film-Philosophy_, vol. 6 no. 30, September 2002.

Gideon Rosen (2014) has drawn our attention to cases of duress of a particularly interesting sort: the person's ‘mind is not flooded with pain or fear’, she knows exactly what she is doing, and she makes a clear-headed choice to act in, as Rosen says, ‘awful ways’. The explanation of why we excuse such actions cannot be that the action was not voluntary. In addition, although some duress cases could also be viewed as necessity cases and thus as justified, Rosen (...) wisely sets aside that complicating factor by zeroing in on those cases where the action clearly is not justified. So why do we excuse in these cases, where the action is not justified and the agent acted voluntarily?Rosen thinks the key lies in the ‘ill will’ condition, ‘the idea that an act is blameworthy only if it manifests insufficient concern or regard for those affected’. He says this is relatively uncontroversial; much of my paper is taken up with calling the ‘ill will’ condition into question. I also take issue with Rosen on just how justifications and excuses differ. I argue in favour of understanding justifications (in a context where we are asking how justifications and excuses differ) as not requiring truth, but only reasonable belief. (shrink)

For Shepherd, how many things exist? On the one hand, it looks like the answer is going to be many. It is a central tent of Shepherd's philosophical system that causation is a relation whereby two or more objects combine to create a third. Since there are many instances of this causal relation, there must be many objects in the world. On the other hand, there are several moments throughout her writing where Shepherd indicates that the distinction between causes and (...) effects is in some sense unreal, and that while the world appears to us to consist of many distinct objects interacting causally, really there is just one thing and its merely nominally distinct parts. I argue that Shepherd is an ontological pluralist, and the texts that appear to express a commitment to ontological monism are best understood as expressing ontological holism instead. (shrink)

Shepherd’s argument against Hume’s thesis that an object can begin its existence uncaused has received short shrift in the secondary literature. I argue that the key to understanding that argument’s success is understanding its dialectical context. Shepherd sees the dialectical situation as follows. Hume presents an argument against Locke and Clarke the conclusion of which is that an object can come into existence uncaused. An essential premise of that argument is Hume’s theory of mental representation. Hume’s theory of mental representation, (...) however, is itself implausible and unsupported. Therefore, one need not accept this premise or this conclusion. Thus, Shepherd proceeds to her discussion of the relation of cause and effect free to help herself to the thesis that every beginning of existence must have a cause. Additionally, she elsewhere pays down the debt she incurs in that argument by presenting her own alternative theory of mental representation, which is both plausible in its own right, and can account for the error that she takes Hume to make. (shrink)

There is an apparent tension in Shepherd’s accounts of space and time. Firstly, Shepherd explicitly claims that we know that the space and time of the unperceived world exist because they cause our phenomenal experience of them. Secondly, Shepherd emphasizes that empty space and time do not have the power to effect any change in the world. My proposal is that for Shepherd time has exactly one causal power: to provide for the continued existence of self-same or changing objects. Because (...) Shepherd takes causation to be a relation whereby two objects combine to form a third, their effect, whenever we perceive a continually existing object, since time is a proper part of such objects, our perception of time is caused by time itself. Likewise, space’s causal power is to provide for the possibility of the motion or rest of objects, and so when we perceive objects with space as a proper part, we come into causal contact with space. (shrink)

Mary Shepherd assigns reason a central role in her philosophical system, and so to understand that system we must understand her conception of reason. Does she, like Hume, take reason to be a mere matter of factual process that operates over independently contentful representations? Does she, like Descartes, take it to be a process that is intended to track the rational relations among such representations? Or does she, like Kant, take reason to be a structural feature of representations without which (...) they would not have content at all? I argue that Shepherd's understanding of reason is broadly Kantian. Reason is a causal process whereby non-representational sensible qualities are combined in order to form representations of objects as loci of causal powers. These representations represent their objects as the external, continuously and independently existing, causes of the sensible qualities from which they have been constructed, and also as having causal powers to combine with other objects to have other effects. These representations are not only the result of a process of reasoning, but are also constituted by the rational relations into which reason puts them. Reason is both the causal process that forms such representations, and the structure of those representations themselves. (shrink)

The emphasis on duly in Kant's ethics is widely held to constitute a defect. Marcia W. Baron develops and assesses the criticism, which she sees as comprising two objections: that duty plays too large a role, leaving no room for the supererogatory, and that Kant places too much value on acting from duty. Clearly written and cogently argued, Kantian Ethics Almost without Apology takes on the most philosophically intriguing objections to Kant's ethics and subjects them to a rigorous yet (...) sympathetic assessment. (shrink)

The aim of this paper is to present an interpretation of Shepherd’s account of our most fundamental cognitive powers, most especially the faculty that Shepherd calls perception, which she claims is a unity of contributions from the understanding and the senses. I find that Shepherd is what we would nowadays call a meaning holist: she holds that the meaning of any natural-kind term is constituted by its place in a system of definitions, which system specifies the causal roles of the (...) objects its terms name. Such an account of meaning raises questions about the contact that such a system of definitions, or conceptual scheme, makes with the world. The natural place to seek answers to these questions is in Shepherd’s account of perception, which I argue Shepherd takes to be our most fundamental cognitive faculty. Our cognitive lives begin with perceptions, representations of objects as the cause of those very perceptions of them. With this interpretation in hand, I draw a contrast between it and Boyle’s and Lolordo’s recent work on Shepherd’s theory of meaning. I argue that for Shepherd truths about the causal powers of objects are analytic, and that the relevant empirical questions answered by science concern whether our conceptual scheme accurately represents the world. Finally, I provide additional support for this interpretation by showing that it comports with Shepherd’s criticism of her philosophical opponents, Berkeley, Hume, and Reid. (shrink)

Nesta obra os autores procuram pensar sobre a história, o desenvolvimento e o papel da fotografia. Há reconciliação possível entre a fotografia e a arte? Ou não há necessidade de reconciliação uma vez que nunca houve cisão? A fotografia é, então, uma forma de arte? Ou é toda arte uma forma de fotografia? A obra pretende discutir essas e outras questões.

While we are familiar with socialist and fascist aesthetics, liberalism is not usually thought to permit a political role for literature. Nussbaum has attempted to fill this lacuna. She sketches a “liberal aesthetics” by linking three aspects of literature to her normative proposal. The representation of suffering is connected to the capability approach; the presentation of ethical dilemmas to political liberalism; and the reaction of pity to legal and political judgment. Literature is thus hoped to contribute to the stability of (...) liberal democracies. For over 25 years, individual works by Nussbaum on the value of literature have been critiqued on aesthetic grounds: for not dealing with form, for denying the polyphony of texts, for having a limited conception of readerly identification, and for using an elitist and generically limited selection of material. As of yet, no criticisms have, however, considered the full oeuvre of Nussbaum’s defense of literature, and none have examined this aspect of her work in light of her political philosophy. By placing the aesthetic and political aspects of Nussbaum’s work in conversation, this article investigates the proposed relationship between literature and liberalism. It argues that each component of Nussbaum’s liberal aesthetics contains a political danger: foreclosing discussion of intergenerational responsibility; obscuring questions about which doctrines are permissible in the public sphere; and encouraging stereotypes of marginalized people. Literature, understood like this, may risk exacerbating present tensions within liberalism, rather than bolstering its stability. (shrink)

Este artículo hace una reflexión inspirada en las singularidades y aportes de las praxis feministas latinoamericanas para una filosofía situada a partir de las ruralidades en el marco de las discusiones presentes en el VIII Congreso Sobre Pensamiento Filosófico Contemporáneo: Filosofía y Ruralidades. Buscará poner luz en las potencias político-epistémicas de feminismos que germinan en las ruralidades (de forma plural y en su diversidad) en base a la reelaboración de aspectos no abordados en trabajos de investigación anteriores realizados por la (...) autora y parte de los resultados obtenidos en la investigación colectiva «Emergencias ecofeministas: un estudio desde las praxis de colectivos de mujeres latino-americanas y caribeñas», realizada en 2021 en el ámbito de la convocatoria de becas de investigación «Feminismo y Ambiente: Un campo emergente en los estudios feministas de América Latina y el Caribe» (CLACSO-ONU). (shrink)

Clarke A. Chambers interviews Marcia Eaton, professor in the Department of Philosophy.

To a great extent, Kant more than Tolstoy influenced twentieth-century aesthetics in Eurocentric cultures. Formalist theorists insisted that disinterested apprehension of directly perceivable properties (color, rhythm, meter, balance, proportion, etc.) distinguished aesthetic experiences from all others. Kant never won the day in many non-Eurocentric cultures, however. Native Americans, for example, continued to connect aesthetic activity directly to "interested" and functional objects and events. Decriptions of objects or events as "beautiful" in most African cultures never required distinguishing "What is it for?" (...) from "How does it look?" Even in Eurocentric cultures, outside the rather narrow "mainstream" art world (professional artists, critics, curators, etc.) formalism was never wholly accepted or practiced. Attributions of beauty made by ordinary persons-on-the-street have been unabashedly affected by moral values and factual beliefs. Recognition of this has resulted in what I have elsewhere described as a "contextual turn" in aesthetics. Feminists and ethicists have contributed greatly to this turn. As the title of this symposium suggests, beauty matters (verb) and beauty matters (noun) have really never stopped being centrally important for a whole lot of reasons beyond the pleasure taken in morally and factually disinterested apprehension of form. Tolstoy thought if Kant were correct, beauty could not matter--or at least could not matter enough. His tack was to look elsewhere to explain the importance of art. but suppose we go another way and say, _but beauty does matter_. then Kant must not be correct. But just where did he go astray? (shrink)

This book is a philosophical reflection on the experience of time from within exile. Its focus on temporality is unique, as most literature on exile focuses on the experience of space, as exile involves dislocation, and moods of nostalgia and utopia. Marcia Sá Cavalcante Schuback proposes that in exile, time is experienced neither as longing back to the lost past nor as wanting a future to come but rather as a present without anchors or supports. She articulates this present (...) as a "gerundive" mode, in which the one who is in exile discovers herself simply being, exposed to the uncanny experience of having lost the past and not having a future. To explore this, she establishes a conversation among three authors whose work has exemplified this sense of gerundive time: the German philosopher Martin Heidegger, the French writer and essayist Maurice Blanchot, and the Brazilian writer Clarice Lispector. The book does not aim to discuss how these authors understand the relation between time and exile, but presents a conversation with them in relation to this question that reflects new aspects in their work. Attempting to think and express this difficult sense of time from within exile, Time in Exile engages with the relation between thought and language, and between philosophy and literature. Departing from concrete existential questions, Sá Cavalcante Schuback reveals new philosophical and theoretical modes to understand what it means to be present in times of exile. (shrink)

Each of us is not just a set of actions, experiences, and plans but also a set of traits, capacities, and attitudes; we are as much our character as our life. And while story form can help unify a messy life, when it comes to a messy character, we may need something like the form of a poem. Could we model our self-conception, then, on a work like Sonnet 35? In finding deep-going unity—and even bittersweet beauty—beneath surface-level ambivalence, Sonnet 35 (...) arguably offers a perfect formal model, pointing the way to a transfiguration, through art, of intractable internal conflict. (shrink)

That Wilfrid Sellars claims that the framework of persons is not a descriptive framework, but a normative one is about as well known as any claim that he makes. This claim is at the core of the famous demand for a synoptic image that closes, “Philosophy and the Scientific Image of Man,” makes its appearance at key moments in the grand argument of, “Empiricism and the Philosophy of Mind,” and is the capstone of Sellars’ engagement with Kant in, Science and (...) Metaphysics. Whereas mere things can be subject to ought-to-be rules—e.g. a clock ought to chime on the hour—to be a person, as Sellars understands it, is to be subject to ought-to-do rules—e.g. one ought to wind one’s clocks to chime on the hour. Prima facie, though, there is more to being a person than just being subject to ought-to-do rules. For example, on at least some common ways of using ‘person’ to be a person is to have a unified consciousness, i.e. to be a single subject of a manifold of experience persisting through time. Arguably, that is what Kant takes a person to be. What I hope to show here is that it is what Sellars takes a person to be too. I.e. the exciting twist here is that as Sellars sees it being a single subject of experience persisting through time is being subject to a particular kind of ought-to-do rules, namely, those concepts-qua-inferential-rules that are the means by which we represent the world of causally-related objects existing in space and persisting through time. I take Sellars’ reasons for holding this set of theses to be essentially Kantian, and so my procedure for explicating them will be to trace a single philosophical thread through both Kant’s and Sellars’ thinking surrounding these issues. I begin with the historical problematic to which Kant’s Transcendental Deduction is intended as an answer. By what right does one apply the pure a priori concepts of the understanding? As the necessary means for representing the analytic unity of apperception, i.e. for representing oneself as the single subject of experience persisting through time. That leads to a consideration of the question of what the temporally-discursive experiences are of which one is supposed to be the single subject, and what the nature of the relation is of these experiences to such a subject. Here Sellars provides the answer. The question is ill formed. There is no relation of experiences to a subject because experiences are not themselves things. Rather, ‘an experience’ is a nominalization of the verb ‘experiencing’, which is itself a description of the act of a person. That thesis, then, brings us squarely to the question of what the framework of persons is, and why Sellars is so confident that it is an ineliminable feature of any future iteration of the synoptic image of the world. The answer to the latter question is that descriptive images themselves (scientific or manifest) are constituted by the rules that govern them, and it is only persons that can be subject to such rules. So, in the end, we return to Kant’s claim in the Transcendental Deduction that our representation of a world of causally-related objects existing in space and persisting through time is the means by which one represents oneself as the single subject of experience persisting through time. The descriptions that the scientific image provides are only possible, and necessary, because of what Kant would call their “ultimate principle”: the framework of persons. (shrink)

Abraham Anderson’s Kant, Hume, and the Interruption of Dogmatic Slumbers is a book with an ambitious, although well-circumscribed, goal—to settle once and for all what precisely it is in Hume that awoke Kant from his dogmatic slumbers—and an audacious conclusion—that both Hume and Kant are concerned primarily, if not exclusively, with rational theology. Unfortunately, at least to my mind, the methods that Anderson chooses to pursue this end and establish this conclusion prevent him from achieving either. Most strikingly, despite much (...) of the book being dedicated to defending his interpretation of Hume, Anderson does very little to engage with Hume scholarship, especially that which opposes his interpretation, and... (shrink)

Stoicism in classical Latin literature--2. Stoicism in Christian Latin thought through the sixth century.

This paper brings together, for the first time, Machiavelli’s interest in political and social conflicts and some ethnographical sources concerning the contemporary discovery of cannibals in the Caribbean as well as in Brazil (Tupinamba). The hypothesis is that knowledge of these sources represents a filter that allowed Machiavelli to reinterpret social clashes notably in Florentine urban context.

Moral responsibility is a prerequisite for culpability. One can be morally responsible for φing without being culpable for it, but not vice versa. I agree with Andrew Simester on this, and agree that it is important to differentiate moral responsibility from culpability. That moral responsibility is a prerequisite for culpability is often taken to require sharply distinguishing excuses from what are called ‘exemptions’ (or to use the term Simester uses, ‘irresponsibility defences’) and treating exemptions as forming a category of their (...) own. I am not convinced that it does. In previous work, I have gone against the prevailing view by understanding the category of excuses to include what, on that view, are classified as exemptions. In this paper I reconsider this, delving deeper into the matter than I have in the past and drawing on Simester’s magisterial Fundamentals of Criminal Law to do so. I challenge the position that exemptions form a category of their own, distinct from excuses, and that infancy and insanity need to be understood as exemptions and not excuses. I argue that the category of exemptions, or “irresponsibility defenses,” is problematic, and that recognizing the distinction between culpability and moral responsibility and recognizing its importance does not commit one to excluding from the category of excuses infancy and insanity. Infancy and insanity are better seen as operating to exempt the agent altogether from moral responsibility only at the limit; more often, they operate to excuse, partially or fully. (shrink)

Recent theorizing about the cognitive underpinnings of dilemmatic moral judgment has equated slow, deliberative thinking with the utilitarian disposition and fast, automatic thinking with the deontological disposition. However, evidence for the reflective utilitarian hypothesis—the hypothesized link between utilitarian judgment and individual differences in the capacity for rational reflection has been inconsistent and difficult to interpret in light of several design flaws. In two studies aimed at addressing some of the flaws, we found robust evidence for a reflective minimalist hypothesis—high CRT (...) performers’ tendency to regard utility-optimizing acts as largely a matter of personal prerogative, permissible both to perform and to leave undone. This relationship between CRT and the “minimalist” orientation remained intact after controlling for age, sex, trait affect, social desirability, and educational attainment. No significant association was found between CRT and the strict utilitarian response pattern or CRT and the strict deontological response pattern, nor did we find any significant association between CRT and willingness to act in the utility-optimizing manner. However, we found an inverse association between empathic concern and a willingness to act in the utility-optimizing manner, but there was no comparable association between empathic concern and the deontological judgment pattern. Theoretical, methodological, and normative implications of the findings are discussed. (shrink)

Neste artigo, analisamos algumas das peculiaridades da leitura que Agamben faz de Nietzsche, isto é, o uso que faz das ideias do pensador alemão para constituir a sua própria filosofia política. Assim, refletimos acerca do tensionamento e da polifonia entre a vontade de potência em sua configuração fisiopsicológica, e a grande política a partir da transvaloração dos valores. Indicamos essa tensão e polifonia tendo em vista o outro tipo de potência ao qual Agamben se inscreve, a aristotélica, para pensarmos sobre (...) as aberturas políticas que se descortinam a partir da crítica nietzschiana à política e à democracia liberal. Convém atentar ao argumento de Piazzesi de que a vontade de potência sintetiza os âmbitos mecanicista e valorativo que, em relação agonística, explicam a vontade de potência. O projeto Homo sacer começa e termina com uma crítica à biopolítica que Agamben compreende como sendo aquela nietzschiana. Esse é um tensionamento entre a concretização da transvaloração dos valores como possibilidade de superar o niilismo e criar o lastro para a grande política, pois insere no campo da fisiologia uma questão política, do paradigma da autonomia.Nietzsche e Agamben, com suas concepções divergentes de potência, apontam as possibilidades da política e os limites da democracia liberal. (shrink)

The paper argues that it is the rise of Artificial Intelligence as a concrete possibility (the idea of a thinking machine) that favoured the growth of interest in Cognitive Science within the academic community. This puts the history and the definition of AI in a different light, as it can be seen and understood as "a continuation of Philosophy by other means" (Landi, 2020) and not merely as a technology or a sum of technologies.

O nexo entre biopolítica e soberania é de importância central em Michel Foucault e Giorgio Agamben, que possuem um entendimento distinto, porém complementar de tais conceitos. A relação entre essas ideias à luz dos 50 anos de publicação de A sociedade punitiva é abordada em alguns de seus pontos de contato, distanciamento e complementaridade. As interações entre poder soberano e vida humana apontam para um olhar crítico necessário sobre como os governos capturaram a vida como recurso administrável mas, também, passível (...) de inclusão e exclusão através do poder soberano, na figura do homo sacer. Palavras-Chave: Foucault. Agamben. Biopolítica. Soberania. Sociedade Punitiva. (shrink)